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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A50089 it is the complementary color #5AFF76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A50089. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A50089 shade: #AA0084, #BB1297, #CC24AA, #DD36BD and #EE48D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A50089. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A50089 shade: #A50089, #940076, #830063, #720050 and #61003D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A50089 shade: #A30087, #A3005B, #A3002F, #A30003 and #A30000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A50089 shade: #A30087, #9200A3, #6600A3, #3A00A3 and #0E00A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A50089 shade matches the following richer shades: #A30087

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A50089 shade: #A30087, #950D7E, #881A76, #7B276D and #6E3464

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A50089 shade: #6700A3, #9200A3, #A30087, #A3005C and #A30030

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A50089 shade: #500042, #790065, #A30087, #CC00A9 and #F500CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A50089 shade: #A50089, #A33B00 and #00A37D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A50089 shade: #A50089, #88A300 and #0088A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A50089 shade: #A50089, #A33B00, #00A31B and #0067A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A50089 shade: #A50089, #A36C00, #00A31B and #0036A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 17 / 35

HEX #A50089

RGB 165 0 137

HSL 310.18, 1%, 0.32%

LAB 37.49, 66.99, -29.43

 

Complementary color

CMYK 65 / 0 / 54 / 0

HEX #5AFF76

RGB 90 255 118

HSL 130.18, 1%, 0.68%

LAB 89.39, -69.71, 52.54

 

CMYK 0 / 100 / 22 / 33

HEX #AA0084

RGB 170 0 132

HSL 313.41, 1%, 0.33%

LAB 38.22, 67.32, -25.12

 

CMYK 0 / 90 / 19 / 27

HEX #BB1297

RGB 187 18 151

HSL 312.78, 0.82%, 0.4%

LAB 43.11, 71.01, -28.87

 

CMYK 0 / 82 / 17 / 20

HEX #CC24AA

RGB 204 36 170

HSL 312.14, 0.7%, 0.47%

LAB 48.26, 73.68, -31.94

 

CMYK 0 / 76 / 14 / 13

HEX #DD36BD

RGB 221 54 189

HSL 311.5, 0.71%, 0.54%

LAB 53.69, 75.31, -34.35

 

CMYK 0 / 70 / 13 / 7

HEX #EE48D0

RGB 238 72 208

HSL 310.84, 0.83%, 0.61%

LAB 59.31, 76.2, -36.26

 

CMYK 0 / 100 / 17 / 35

HEX #A50089

RGB 165 0 137

HSL 310.18, 1%, 0.32%

LAB 37.49, 66.99, -29.43

 

CMYK 0 / 100 / 20 / 42

HEX #940076

RGB 148 0 118

HSL 312.16, 1%, 0.29%

LAB 33.14, 61.24, -24.61

 

CMYK 0 / 100 / 24 / 49

HEX #830063

RGB 131 0 99

HSL 314.66, 1%, 0.26%

LAB 28.71, 55.38, -19.59

 

CMYK 0 / 100 / 30 / 55

HEX #720050

RGB 114 0 80

HSL 317.89, 1%, 0.22%

LAB 24.18, 49.4, -14.31

 

CMYK 0 / 100 / 37 / 62

HEX #61003D

RGB 97 0 61

HSL 322.27, 1%, 0.19%

LAB 19.55, 43.3, -8.7

 

CMYK 0 / 100 / 17 / 36

HEX #A30087

RGB 163 0 135

HSL 310.31, 1%, 0.32%

LAB 37, 66.35, -29

 

CMYK 0 / 100 / 44 / 36

HEX #A3005B

RGB 163 0 91

HSL 326.5, 1%, 0.32%

LAB 35.09, 61.47, -4.07

 

CMYK 0 / 100 / 71 / 36

HEX #A3002F

RGB 163 0 47

HSL 342.7, 1%, 0.32%

LAB 33.97, 58.49, 23.11

 

CMYK 0 / 100 / 98 / 36

HEX #A30003

RGB 163 0 3

HSL 358.9, 1%, 0.32%

LAB 33.55, 57.35, 46.49

 

CMYK 0 / 100 / 100 / 36

HEX #A30000

RGB 163 0 0

HSL 0, 1%, 0.32%

LAB 33.53, 57.32, 47.71

 

CMYK 0 / 100 / 17 / 36

HEX #A30087

RGB 163 0 135

HSL 310.31, 1%, 0.32%

LAB 37, 66.35, -29

 

CMYK 10 / 100 / 0 / 36

HEX #9200A3

RGB 146 0 163

HSL 293.74, 1%, 0.32%

LAB 35.51, 67.56, -48.67

 

CMYK 37 / 100 / 0 / 36

HEX #6600A3

RGB 102 0 163

HSL 277.55, 1%, 0.32%

LAB 28.03, 61.67, -61.18

 

CMYK 64 / 100 / 0 / 36

HEX #3A00A3

RGB 58 0 163

HSL 261.35, 1%, 0.32%

LAB 22.1, 58.09, -71.17

 

CMYK 91 / 100 / 0 / 36

HEX #0E00A3

RGB 14 0 163

HSL 245.15, 1%, 0.32%

LAB 18.96, 56.79, -76.49

 

CMYK 0 / 100 / 17 / 36

HEX #A30087

RGB 163 0 135

HSL 310.31, 1%, 0.32%

LAB 37, 66.35, -29

 

CMYK 0 / 100 / 17 / 36

HEX #A30087

RGB 163 0 135

HSL 310.31, 1%, 0.32%

LAB 37, 66.35, -29

 

CMYK 0 / 91 / 15 / 42

HEX #950D7E

RGB 149 13 126

HSL 310.15, 0.84%, 0.32%

LAB 34.36, 60.74, -27.72

 

CMYK 0 / 81 / 13 / 47

HEX #881A76

RGB 136 26 118

HSL 309.82, 0.68%, 0.32%

LAB 32.44, 53.96, -25.88

 

CMYK 0 / 68 / 11 / 52

HEX #7B276D

RGB 123 39 109

HSL 310, 0.52%, 0.32%

LAB 31.27, 44.66, -22.16

 

CMYK 0 / 53 / 9 / 57

HEX #6E3464

RGB 110 52 100

HSL 310.34, 0.36%, 0.32%

LAB 31.09, 32.73, -16.84

 

CMYK 37 / 100 / 0 / 36

HEX #6700A3

RGB 103 0 163

HSL 277.91, 1%, 0.32%

LAB 28.19, 61.78, -60.91

 

CMYK 10 / 100 / 0 / 36

HEX #9200A3

RGB 146 0 163

HSL 293.74, 1%, 0.32%

LAB 35.51, 67.56, -48.67

 

CMYK 0 / 100 / 17 / 36

HEX #A30087

RGB 163 0 135

HSL 310.31, 1%, 0.32%

LAB 37, 66.35, -29

 

CMYK 0 / 100 / 44 / 36

HEX #A3005C

RGB 163 0 92

HSL 326.13, 1%, 0.32%

LAB 35.12, 61.56, -4.67

 

CMYK 0 / 100 / 71 / 36

HEX #A30030

RGB 163 0 48

HSL 342.33, 1%, 0.32%

LAB 33.98, 58.53, 22.49

 

CMYK 0 / 100 / 18 / 69

HEX #500042

RGB 80 0 66

HSL 310.5, 1%, 0.16%

LAB 16, 40.13, -18.01

 

CMYK 0 / 100 / 17 / 53

HEX #790065

RGB 121 0 101

HSL 309.92, 1%, 0.24%

LAB 26.75, 53.61, -24.11

 

CMYK 0 / 100 / 17 / 36

HEX #A30087

RGB 163 0 135

HSL 310.31, 1%, 0.32%

LAB 37, 66.35, -29

 

CMYK 0 / 100 / 17 / 20

HEX #CC00A9

RGB 204 0 169

HSL 310.29, 1%, 0.4%

LAB 46.58, 78.32, -33.99

 

CMYK 0 / 100 / 17 / 4

HEX #F500CC

RGB 245 0 204

HSL 310.04, 1%, 0.48%

LAB 55.86, 89.97, -39.3

 

CMYK 0 / 100 / 17 / 35

HEX #A50089

RGB 165 0 137

HSL 310.18, 1%, 0.32%

LAB 37.49, 66.99, -29.43

 

CMYK 0 / 64 / 100 / 36

HEX #A33B00

RGB 163 59 0

HSL 21.72, 1%, 0.32%

LAB 39.44, 40.92, 50.73

 

CMYK 100 / 0 / 23 / 36

HEX #00A37D

RGB 0 163 125

HSL 166.01, 1%, 0.32%

LAB 59.59, -45.24, 9.76

 

CMYK 0 / 100 / 17 / 35

HEX #A50089

RGB 165 0 137

HSL 310.18, 1%, 0.32%

LAB 37.49, 66.99, -29.43

 

CMYK 17 / 0 / 100 / 36

HEX #88A300

RGB 136 163 0

HSL 69.94, 1%, 0.32%

LAB 62.87, -27.24, 65.13

 

CMYK 100 / 17 / 0 / 36

HEX #0088A3

RGB 0 136 163

HSL 189.94, 1%, 0.32%

LAB 52.12, -20.96, -23.05

 

CMYK 0 / 100 / 17 / 35

HEX #A50089

RGB 165 0 137

HSL 310.18, 1%, 0.32%

LAB 37.49, 66.99, -29.43

 

CMYK 0 / 64 / 100 / 36

HEX #A33B00

RGB 163 59 0

HSL 21.72, 1%, 0.32%

LAB 39.44, 40.92, 50.73

 

CMYK 100 / 0 / 83 / 36

HEX #00A31B

RGB 0 163 27

HSL 129.94, 1%, 0.32%

LAB 58.3, -60.69, 54.58

 

CMYK 100 / 37 / 0 / 36

HEX #0067A3

RGB 0 103 163

HSL 202.09, 1%, 0.32%

LAB 41.76, -1.94, -39.26

 

CMYK 0 / 100 / 17 / 35

HEX #A50089

RGB 165 0 137

HSL 310.18, 1%, 0.32%

LAB 37.49, 66.99, -29.43

 

CMYK 0 / 34 / 100 / 36

HEX #A36C00

RGB 163 108 0

HSL 39.75, 1%, 0.32%

LAB 50.11, 14.73, 57.18

 

CMYK 100 / 0 / 83 / 36

HEX #00A31B

RGB 0 163 27

HSL 129.94, 1%, 0.32%

LAB 58.3, -60.69, 54.58

 

CMYK 100 / 67 / 0 / 36

HEX #0036A3

RGB 0 54 163

HSL 220.12, 1%, 0.32%

LAB 27.53, 30.87, -62.29

 

Description

Color code: HEX #A50089 | qconv.com Color code: HEX #A50089 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, none green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 0 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 17 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 17% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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