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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4E697 it is the complementary color #5B1968. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4E697. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4E697 shade: #A9E692, #BAF8A5, #CBFFB8, #DCFFCB and #EDFFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4E697. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4E697 shade: #A4E697, #93D484, #82C271, #71B05E and #609E4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4E697 shade: #A5E698, #BAE698, #CFE698, #E4E698 and #E6D398

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4E697 shade: #A5E698, #98E6A0, #98E6B5, #98E6CA and #98E6DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4E697 shade matches the following richer shades: #A5E698, #9EF08E and #97FA83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4E697 shade: #A5E698, #ACDBA2, #B2D1AC, #B9C7B7 and #C0BCC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4E697 shade: #CEE698, #BAE698, #A5E698, #98E6A0 and #98E6B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4E697 shade: #6BD655, #88DE77, #A5E698, #C2EEB9 and #DFF6DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4E697 shade: #A4E697, #98E3E6 and #E698C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4E697 shade: #A4E697, #98A5E6 and #E698A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4E697 shade: #A4E697, #98E3E6, #D998E6 and #E69A98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4E697 shade: #A4E697, #98CCE6, #D998E6 and #E6B298

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 34 / 10

HEX #A4E697

RGB 164 230 151

HSL 110.13, 0.61%, 0.75%

LAB 85.36, -35.46, 32.05

 

Complementary color

CMYK 13 / 76 / 0 / 59

HEX #5B1968

RGB 91 25 104

HSL 290.13, 0.61%, 0.25%

LAB 23.4, 41.34, -31.74

 

CMYK 27 / 0 / 37 / 10

HEX #A9E692

RGB 169 230 146

HSL 103.57, 0.63%, 0.74%

LAB 85.56, -34.53, 34.88

 

CMYK 25 / 0 / 33 / 3

HEX #BAF8A5

RGB 186 248 165

HSL 104.82, 0.86%, 0.81%

LAB 91.82, -34.36, 33.78

 

CMYK 20 / 0 / 28 / 0

HEX #CBFFB8

RGB 203 255 184

HSL 103.94, 1%, 0.86%

LAB 95.02, -29.09, 28.71

 

CMYK 14 / 0 / 20 / 0

HEX #DCFFCB

RGB 220 255 203

HSL 100.38, 1%, 0.9%

LAB 96.43, -20.42, 21.18

 

CMYK 7 / 0 / 13 / 0

HEX #EDFFDE

RGB 237 255 222

HSL 92.73, 1%, 0.94%

LAB 97.95, -11.6, 13.78

 

CMYK 29 / 0 / 34 / 10

HEX #A4E697

RGB 164 230 151

HSL 110.13, 0.61%, 0.75%

LAB 85.36, -35.46, 32.05

 

CMYK 31 / 0 / 38 / 17

HEX #93D484

RGB 147 212 132

HSL 108.75, 0.48%, 0.67%

LAB 79.02, -35.67, 33.18

 

CMYK 33 / 0 / 42 / 24

HEX #82C271

RGB 130 194 113

HSL 107.41, 0.4%, 0.6%

LAB 72.58, -35.86, 34.37

 

CMYK 36 / 0 / 47 / 31

HEX #71B05E

RGB 113 176 94

HSL 106.1, 0.34%, 0.53%

LAB 66.04, -36.02, 35.61

 

CMYK 39 / 0 / 53 / 38

HEX #609E4B

RGB 96 158 75

HSL 104.82, 0.36%, 0.46%

LAB 59.39, -36.12, 36.86

 

CMYK 28 / 0 / 34 / 10

HEX #A5E698

RGB 165 230 152

HSL 110, 0.61%, 0.75%

LAB 85.43, -34.99, 31.64

 

CMYK 19 / 0 / 34 / 10

HEX #BAE698

RGB 186 230 152

HSL 93.85, 0.61%, 0.75%

LAB 86.65, -27.8, 33.48

 

CMYK 10 / 0 / 34 / 10

HEX #CFE698

RGB 207 230 152

HSL 77.69, 0.61%, 0.75%

LAB 88.03, -20.21, 35.55

 

CMYK 1 / 0 / 34 / 10

HEX #E4E698

RGB 228 230 152

HSL 61.54, 0.61%, 0.75%

LAB 89.56, -12.32, 37.84

 

CMYK 0 / 8 / 34 / 10

HEX #E6D398

RGB 230 211 152

HSL 45.38, 0.61%, 0.75%

LAB 84.83, -1.94, 31.65

 

CMYK 28 / 0 / 34 / 10

HEX #A5E698

RGB 165 230 152

HSL 110, 0.61%, 0.75%

LAB 85.43, -34.99, 31.64

 

CMYK 34 / 0 / 30 / 10

HEX #98E6A0

RGB 152 230 160

HSL 126.15, 0.61%, 0.75%

LAB 84.9, -37.87, 26.72

 

CMYK 34 / 0 / 21 / 10

HEX #98E6B5

RGB 152 230 181

HSL 142.31, 0.61%, 0.75%

LAB 85.3, -34.15, 16.39

 

CMYK 34 / 0 / 12 / 10

HEX #98E6CA

RGB 152 230 202

HSL 158.46, 0.61%, 0.75%

LAB 85.77, -29.98, 6.06

 

CMYK 34 / 0 / 3 / 10

HEX #98E6DF

RGB 152 230 223

HSL 174.62, 0.61%, 0.75%

LAB 86.3, -25.41, -4.22

 

CMYK 28 / 0 / 34 / 10

HEX #A5E698

RGB 165 230 152

HSL 110, 0.61%, 0.75%

LAB 85.43, -34.99, 31.64

 

CMYK 34 / 0 / 41 / 6

HEX #9EF08E

RGB 158 240 142

HSL 110.2, 0.77%, 0.75%

LAB 87.75, -43.18, 39.62

 

CMYK 40 / 0 / 48 / 2

HEX #97FA83

RGB 151 250 131

HSL 109.92, 0.92%, 0.75%

LAB 90.13, -51.05, 47.88

 

CMYK 28 / 0 / 34 / 10

HEX #A5E698

RGB 165 230 152

HSL 110, 0.61%, 0.75%

LAB 85.43, -34.99, 31.64

 

CMYK 21 / 0 / 26 / 14

HEX #ACDBA2

RGB 172 219 162

HSL 109.47, 0.44%, 0.75%

LAB 82.94, -25.89, 23.19

 

CMYK 15 / 0 / 18 / 18

HEX #B2D1AC

RGB 178 209 172

HSL 110.27, 0.29%, 0.75%

LAB 80.76, -17.24, 14.97

 

CMYK 7 / 0 / 8 / 22

HEX #B9C7B7

RGB 185 199 183

HSL 112.5, 0.13%, 0.75%

LAB 78.8, -7.76, 6.36

 

CMYK 1 / 3 / 0 / 24

HEX #C0BCC1

RGB 192 188 193

HSL 288, 0.04%, 0.75%

LAB 76.69, 2.32, -2.03

 

CMYK 10 / 0 / 34 / 10

HEX #CEE698

RGB 206 230 152

HSL 78.46, 0.61%, 0.75%

LAB 87.96, -20.58, 35.45

 

CMYK 19 / 0 / 34 / 10

HEX #BAE698

RGB 186 230 152

HSL 93.85, 0.61%, 0.75%

LAB 86.65, -27.8, 33.48

 

CMYK 28 / 0 / 34 / 10

HEX #A5E698

RGB 165 230 152

HSL 110, 0.61%, 0.75%

LAB 85.43, -34.99, 31.64

 

CMYK 34 / 0 / 30 / 10

HEX #98E6A0

RGB 152 230 160

HSL 126.15, 0.61%, 0.75%

LAB 84.9, -37.87, 26.72

 

CMYK 34 / 0 / 22 / 10

HEX #98E6B4

RGB 152 230 180

HSL 141.54, 0.61%, 0.75%

LAB 85.28, -34.33, 16.89

 

CMYK 50 / 0 / 60 / 16

HEX #6BD655

RGB 107 214 85

HSL 109.77, 0.61%, 0.59%

LAB 77.21, -54.82, 53.15

 

CMYK 39 / 0 / 46 / 13

HEX #88DE77

RGB 136 222 119

HSL 110.1, 0.61%, 0.67%

LAB 81.19, -45.45, 42.35

 

CMYK 28 / 0 / 34 / 10

HEX #A5E698

RGB 165 230 152

HSL 110, 0.61%, 0.75%

LAB 85.43, -34.99, 31.64

 

CMYK 18 / 0 / 22 / 7

HEX #C2EEB9

RGB 194 238 185

HSL 109.81, 0.61%, 0.83%

LAB 89.92, -23.88, 21.1

 

CMYK 9 / 0 / 11 / 4

HEX #DFF6DA

RGB 223 246 218

HSL 109.29, 0.61%, 0.91%

LAB 94.59, -12.53, 10.93

 

CMYK 29 / 0 / 34 / 10

HEX #A4E697

RGB 164 230 151

HSL 110.13, 0.61%, 0.75%

LAB 85.36, -35.46, 32.05

 

CMYK 34 / 1 / 0 / 10

HEX #98E3E6

RGB 152 227 230

HSL 182.31, 0.61%, 0.75%

LAB 85.67, -22.33, -8.85

 

CMYK 0 / 34 / 15 / 10

HEX #E698C4

RGB 230 152 196

HSL 326.15, 0.61%, 0.75%

LAB 71.73, 35.5, -10.62

 

CMYK 29 / 0 / 34 / 10

HEX #A4E697

RGB 164 230 151

HSL 110.13, 0.61%, 0.75%

LAB 85.36, -35.46, 32.05

 

CMYK 34 / 28 / 0 / 10

HEX #98A5E6

RGB 152 165 230

HSL 230, 0.61%, 0.75%

LAB 68.97, 10.59, -34.2

 

CMYK 0 / 34 / 28 / 10

HEX #E698A5

RGB 230 152 165

HSL 350, 0.61%, 0.75%

LAB 70.87, 30.94, 5.31

 

CMYK 29 / 0 / 34 / 10

HEX #A4E697

RGB 164 230 151

HSL 110.13, 0.61%, 0.75%

LAB 85.36, -35.46, 32.05

 

CMYK 34 / 1 / 0 / 10

HEX #98E3E6

RGB 152 227 230

HSL 182.31, 0.61%, 0.75%

LAB 85.67, -22.33, -8.85

 

CMYK 6 / 34 / 0 / 10

HEX #D998E6

RGB 217 152 230

HSL 290, 0.61%, 0.75%

LAB 71.5, 37.28, -29.83

 

CMYK 0 / 33 / 34 / 10

HEX #E69A98

RGB 230 154 152

HSL 1.54, 0.61%, 0.75%

LAB 71.01, 28.2, 12.72

 

CMYK 29 / 0 / 34 / 10

HEX #A4E697

RGB 164 230 151

HSL 110.13, 0.61%, 0.75%

LAB 85.36, -35.46, 32.05

 

CMYK 34 / 11 / 0 / 10

HEX #98CCE6

RGB 152 204 230

HSL 200, 0.61%, 0.75%

LAB 79.37, -10.64, -18.28

 

CMYK 6 / 34 / 0 / 10

HEX #D998E6

RGB 217 152 230

HSL 290, 0.61%, 0.75%

LAB 71.5, 37.28, -29.83

 

CMYK 0 / 23 / 34 / 10

HEX #E6B298

RGB 230 178 152

HSL 20, 0.61%, 0.75%

LAB 76.64, 15.38, 20.56

 

Description

Color code: HEX #A4E697 | qconv.com Color code: HEX #A4E697 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 230 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 230 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 34 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 34% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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