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Color name
HEX #A4D55C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4D55C it is the complementary color #5B2AA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4D55C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4D55C shade: #A9D557, #BAE76A, #CBF97D, #DCFF90 and #EDFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4D55C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4D55C shade: #A4D55C, #93C349, #82B136, #719F23 and #608D10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4D55C shade: #A4D55C, #C4D55C, #D5C55C, #D5A45C and #D5845C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4D55C shade: #A4D55C, #83D55C, #63D55C, #5CD576 and #5CD597

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4D55C shade matches the following richer shades: #A4D55C, #A7E54C and #AAF63B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4D55C shade: #A4D55C, #A1C46D, #9EB47D, #9BA38E and #97939E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4D55C shade: #D5C55C, #C5D55C, #A5D55C, #84D55C and #64D55C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4D55C shade: #7CB12D, #92CC3C, #A4D55C, #B6DD7D and #C9E69E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4D55C shade: #A4D55C, #5CD5A5 and #D55CD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4D55C shade: #A4D55C, #5CA5D5 and #D55CA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4D55C shade: #A4D55C, #5CD5A5, #8C5CD5 and #D55C8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4D55C shade: #A4D55C, #5CD5C9, #8C5CD5 and #D55C68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 57 / 16

HEX #A4D55C

RGB 164 213 92

HSL 84.3, 0.59%, 0.6%

LAB 79.76, -34.85, 53.69

 

Complementary color

CMYK 44 / 74 / 0 / 36

HEX #5B2AA3

RGB 91 42 163

HSL 264.3, 0.59%, 0.4%

LAB 30.7, 47.81, -56.87

 

CMYK 21 / 0 / 59 / 16

HEX #A9D557

RGB 169 213 87

HSL 80.95, 0.6%, 0.59%

LAB 80.02, -33.4, 56.28

 

CMYK 19 / 0 / 54 / 9

HEX #BAE76A

RGB 186 231 106

HSL 81.6, 0.72%, 0.66%

LAB 86.32, -33.61, 55.31

 

CMYK 18 / 0 / 50 / 2

HEX #CBF97D

RGB 203 249 125

HSL 82.26, 0.91%, 0.73%

LAB 92.54, -33.75, 54.26

 

CMYK 14 / 0 / 44 / 0

HEX #DCFF90

RGB 220 255 144

HSL 78.92, 1%, 0.78%

LAB 95.48, -28.3, 49.19

 

CMYK 7 / 0 / 36 / 0

HEX #EDFFA3

RGB 237 255 163

HSL 71.74, 1%, 0.82%

LAB 96.89, -19.89, 42.04

 

CMYK 23 / 0 / 57 / 16

HEX #A4D55C

RGB 164 213 92

HSL 84.3, 0.59%, 0.6%

LAB 79.76, -34.85, 53.69

 

CMYK 25 / 0 / 63 / 24

HEX #93C349

RGB 147 195 73

HSL 83.61, 0.5%, 0.53%

LAB 73.36, -34.64, 54.58

 

CMYK 27 / 0 / 69 / 31

HEX #82B136

RGB 130 177 54

HSL 82.93, 0.53%, 0.45%

LAB 66.87, -34.31, 55.18

 

CMYK 29 / 0 / 78 / 38

HEX #719F23

RGB 113 159 35

HSL 82.26, 0.64%, 0.38%

LAB 60.27, -33.81, 55.19

 

CMYK 32 / 0 / 89 / 45

HEX #608D10

RGB 96 141 16

HSL 81.6, 0.8%, 0.31%

LAB 53.57, -33.07, 54.06

 

CMYK 23 / 0 / 57 / 16

HEX #A4D55C

RGB 164 213 92

HSL 84.3, 0.59%, 0.6%

LAB 79.76, -34.85, 53.69

 

CMYK 8 / 0 / 57 / 16

HEX #C4D55C

RGB 196 213 92

HSL 68.43, 0.59%, 0.6%

LAB 81.89, -22.42, 56.68

 

CMYK 0 / 8 / 57 / 16

HEX #D5C55C

RGB 213 197 92

HSL 52.07, 0.59%, 0.6%

LAB 78.96, -7.45, 53.72

 

CMYK 0 / 23 / 57 / 16

HEX #D5A45C

RGB 213 164 92

HSL 35.7, 0.59%, 0.6%

LAB 70.5, 9.92, 43.86

 

CMYK 0 / 38 / 57 / 16

HEX #D5845C

RGB 213 132 92

HSL 19.83, 0.59%, 0.6%

LAB 62.86, 27.2, 34.53

 

CMYK 23 / 0 / 57 / 16

HEX #A4D55C

RGB 164 213 92

HSL 84.3, 0.59%, 0.6%

LAB 79.76, -34.85, 53.69

 

CMYK 38 / 0 / 57 / 16

HEX #83D55C

RGB 131 213 92

HSL 100.66, 0.59%, 0.6%

LAB 77.98, -46.43, 51.19

 

CMYK 54 / 0 / 57 / 16

HEX #63D55C

RGB 99 213 92

HSL 116.53, 0.59%, 0.6%

LAB 76.69, -55.82, 49.34

 

CMYK 57 / 0 / 45 / 16

HEX #5CD576

RGB 92 213 118

HSL 132.89, 0.59%, 0.6%

LAB 76.78, -53.99, 36.92

 

CMYK 57 / 0 / 29 / 16

HEX #5CD597

RGB 92 213 151

HSL 149.26, 0.59%, 0.6%

LAB 77.34, -48.11, 20.67

 

CMYK 23 / 0 / 57 / 16

HEX #A4D55C

RGB 164 213 92

HSL 84.3, 0.59%, 0.6%

LAB 79.76, -34.85, 53.69

 

CMYK 27 / 0 / 67 / 10

HEX #A7E54C

RGB 167 229 76

HSL 84.31, 0.75%, 0.6%

LAB 84.37, -42.17, 65.45

 

CMYK 31 / 0 / 76 / 4

HEX #AAF63B

RGB 170 246 59

HSL 84.39, 0.91%, 0.6%

LAB 89.29, -49.33, 76.17

 

CMYK 23 / 0 / 57 / 16

HEX #A4D55C

RGB 164 213 92

HSL 84.3, 0.59%, 0.6%

LAB 79.76, -34.85, 53.69

 

CMYK 18 / 0 / 44 / 23

HEX #A1C46D

RGB 161 196 109

HSL 84.14, 0.42%, 0.6%

LAB 74.93, -26.19, 39.76

 

CMYK 12 / 0 / 31 / 29

HEX #9EB47D

RGB 158 180 125

HSL 84, 0.27%, 0.6%

LAB 70.45, -17.26, 25.62

 

CMYK 5 / 0 / 13 / 36

HEX #9BA38E

RGB 155 163 142

HSL 82.86, 0.1%, 0.6%

LAB 65.84, -6.75, 9.94

 

CMYK 4 / 7 / 0 / 38

HEX #97939E

RGB 151 147 158

HSL 261.82, 0.05%, 0.6%

LAB 61.58, 3.62, -5.27

 

CMYK 0 / 8 / 57 / 16

HEX #D5C55C

RGB 213 197 92

HSL 52.07, 0.59%, 0.6%

LAB 78.96, -7.45, 53.72

 

CMYK 8 / 0 / 57 / 16

HEX #C5D55C

RGB 197 213 92

HSL 67.93, 0.59%, 0.6%

LAB 81.96, -22.02, 56.79

 

CMYK 23 / 0 / 57 / 16

HEX #A5D55C

RGB 165 213 92

HSL 83.8, 0.59%, 0.6%

LAB 79.82, -34.47, 53.78

 

CMYK 38 / 0 / 57 / 16

HEX #84D55C

RGB 132 213 92

HSL 100.17, 0.59%, 0.6%

LAB 78.03, -46.11, 51.25

 

CMYK 53 / 0 / 57 / 16

HEX #64D55C

RGB 100 213 92

HSL 116.03, 0.59%, 0.6%

LAB 76.72, -55.56, 49.39

 

CMYK 30 / 0 / 75 / 31

HEX #7CB12D

RGB 124 177 45

HSL 84.09, 0.59%, 0.44%

LAB 66.46, -37.18, 57.97

 

CMYK 28 / 0 / 71 / 20

HEX #92CC3C

RGB 146 204 60

HSL 84.17, 0.59%, 0.52%

LAB 75.84, -40, 62.32

 

CMYK 23 / 0 / 57 / 16

HEX #A4D55C

RGB 164 213 92

HSL 84.3, 0.59%, 0.6%

LAB 79.76, -34.85, 53.69

 

CMYK 18 / 0 / 43 / 13

HEX #B6DD7D

RGB 182 221 125

HSL 84.38, 0.59%, 0.68%

LAB 83.52, -28.44, 42.88

 

CMYK 13 / 0 / 31 / 10

HEX #C9E69E

RGB 201 230 158

HSL 84.17, 0.59%, 0.76%

LAB 87.72, -21.61, 32.02

 

CMYK 23 / 0 / 57 / 16

HEX #A4D55C

RGB 164 213 92

HSL 84.3, 0.59%, 0.6%

LAB 79.76, -34.85, 53.69

 

CMYK 57 / 0 / 23 / 16

HEX #5CD5A5

RGB 92 213 165

HSL 156.2, 0.59%, 0.6%

LAB 77.63, -45.18, 13.67

 

CMYK 0 / 57 / 0 / 16

HEX #D55CD5

RGB 213 92 213

HSL 300, 0.59%, 0.6%

LAB 58.61, 63.08, -40.46

 

CMYK 23 / 0 / 57 / 16

HEX #A4D55C

RGB 164 213 92

HSL 84.3, 0.59%, 0.6%

LAB 79.76, -34.85, 53.69

 

CMYK 57 / 23 / 0 / 16

HEX #5CA5D5

RGB 92 165 213

HSL 203.8, 0.59%, 0.6%

LAB 64.95, -8.97, -31.32

 

CMYK 0 / 57 / 23 / 16

HEX #D55CA5

RGB 213 92 165

HSL 323.8, 0.59%, 0.6%

LAB 56.6, 55.6, -16.03

 

CMYK 23 / 0 / 57 / 16

HEX #A4D55C

RGB 164 213 92

HSL 84.3, 0.59%, 0.6%

LAB 79.76, -34.85, 53.69

 

CMYK 57 / 0 / 23 / 16

HEX #5CD5A5

RGB 92 213 165

HSL 156.2, 0.59%, 0.6%

LAB 77.63, -45.18, 13.67

 

CMYK 34 / 57 / 0 / 16

HEX #8C5CD5

RGB 140 92 213

HSL 263.8, 0.59%, 0.6%

LAB 49.54, 44.78, -55.43

 

CMYK 0 / 57 / 34 / 16

HEX #D55C8C

RGB 213 92 140

HSL 336.2, 0.59%, 0.6%

LAB 55.78, 52.37, -2.64

 

CMYK 23 / 0 / 57 / 16

HEX #A4D55C

RGB 164 213 92

HSL 84.3, 0.59%, 0.6%

LAB 79.76, -34.85, 53.69

 

CMYK 57 / 0 / 6 / 16

HEX #5CD5C9

RGB 92 213 201

HSL 174.05, 0.59%, 0.6%

LAB 78.51, -36.61, -4.29

 

CMYK 34 / 57 / 0 / 16

HEX #8C5CD5

RGB 140 92 213

HSL 263.8, 0.59%, 0.6%

LAB 49.54, 44.78, -55.43

 

CMYK 0 / 57 / 51 / 16

HEX #D55C68

RGB 213 92 104

HSL 354.05, 0.59%, 0.6%

LAB 54.87, 48.67, 17.27

 

Description

Color code: HEX #A4D55C | qconv.com Color code: HEX #A4D55C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 213 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 213 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 57 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 57% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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