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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4D4F9 it is the complementary color #5B2B06. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4D4F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4D4F9 shade: #A9D4F4, #BAE6FF, #CBF8FF, #DCFFFF and #EDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4D4F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4D4F9 shade: #A4D4F9, #93C2E6, #82B0D3, #719EC0 and #608CAD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4D4F9 shade: #A3D4F9, #A3BDF9, #A3A6F9, #B8A3F9 and #CFA3F9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4D4F9 shade: #A3D4F9, #A3BDF9, #A3A6F9 and #A3A3F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4D4F9 shade matches the following richer shades: #A3D4F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4D4F9 shade: #A3D4F9, #ABD3F1, #B3D2E9, #BBD1E1 and #C3D0D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4D4F9 shade: #A3F9F0, #A3EAF9, #A3D4F9, #A3BDF9 and #A3A6F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4D4F9 shade: #56AFF4, #7DC1F6, #A3D4F9, #CAE6FB and #F1F8FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4D4F9 shade: #A4D4F9, #D9A3F9 and #F6F9A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4D4F9 shade: #A4D4F9, #F9A3D4 and #D4F9A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4D4F9 shade: #A4D4F9, #D9A3F9, #F9C8A3 and #C3F9A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4D4F9 shade: #A4D4F9, #F3A3F9, #F9C8A3 and #A9F9A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 15 / 0 / 2

HEX #A4D4F9

RGB 164 212 249

HSL 206.12, 0.88%, 0.81%

LAB 82.82, -6.89, -23.12

 

Complementary color

CMYK 0 / 53 / 93 / 64

HEX #5B2B06

RGB 91 43 6

HSL 26.12, 0.88%, 0.19%

LAB 23.56, 19.45, 31.13

 

CMYK 31 / 13 / 0 / 4

HEX #A9D4F4

RGB 169 212 244

HSL 205.6, 0.77%, 0.81%

LAB 82.94, -6.72, -20.25

 

CMYK 27 / 10 / 0 / 0

HEX #BAE6FF

RGB 186 230 255

HSL 201.74, 1%, 0.86%

LAB 89.04, -8.67, -16.76

 

CMYK 20 / 3 / 0 / 0

HEX #CBF8FF

RGB 203 248 255

HSL 188.08, 1%, 0.9%

LAB 94.76, -12.83, -8.12

 

CMYK 14 / 0 / 0 / 0

HEX #DCFFFF

RGB 220 255 255

HSL 180, 1%, 0.93%

LAB 97.61, -11.18, -3.79

 

CMYK 7 / 0 / 0 / 0

HEX #EDFFFF

RGB 237 255 255

HSL 180, 1%, 0.96%

LAB 98.73, -5.84, -2.02

 

CMYK 34 / 15 / 0 / 2

HEX #A4D4F9

RGB 164 212 249

HSL 206.12, 0.88%, 0.81%

LAB 82.82, -6.89, -23.12

 

CMYK 36 / 16 / 0 / 10

HEX #93C2E6

RGB 147 194 230

HSL 206.02, 0.62%, 0.74%

LAB 76.38, -6.72, -22.85

 

CMYK 38 / 17 / 0 / 17

HEX #82B0D3

RGB 130 176 211

HSL 205.93, 0.48%, 0.67%

LAB 69.82, -6.54, -22.58

 

CMYK 41 / 18 / 0 / 25

HEX #719EC0

RGB 113 158 192

HSL 205.82, 0.39%, 0.6%

LAB 63.15, -6.31, -22.32

 

CMYK 45 / 19 / 0 / 32

HEX #608CAD

RGB 96 140 173

HSL 205.71, 0.32%, 0.53%

LAB 56.35, -6.04, -22.08

 

CMYK 35 / 15 / 0 / 2

HEX #A3D4F9

RGB 163 212 249

HSL 205.81, 0.88%, 0.81%

LAB 82.76, -7.16, -23.22

 

CMYK 35 / 24 / 0 / 2

HEX #A3BDF9

RGB 163 189 249

HSL 221.86, 0.88%, 0.81%

LAB 76.69, 5.17, -32.51

 

CMYK 35 / 33 / 0 / 2

HEX #A3A6F9

RGB 163 166 249

HSL 237.91, 0.88%, 0.81%

LAB 70.8, 17.96, -41.65

 

CMYK 26 / 35 / 0 / 2

HEX #B8A3F9

RGB 184 163 249

HSL 254.65, 0.88%, 0.81%

LAB 71.71, 25.48, -40.11

 

CMYK 17 / 35 / 0 / 2

HEX #CFA3F9

RGB 207 163 249

HSL 270.7, 0.88%, 0.81%

LAB 73.74, 32.18, -36.8

 

CMYK 35 / 15 / 0 / 2

HEX #A3D4F9

RGB 163 212 249

HSL 205.81, 0.88%, 0.81%

LAB 82.76, -7.16, -23.22

 

CMYK 35 / 24 / 0 / 2

HEX #A3BDF9

RGB 163 189 249

HSL 221.86, 0.88%, 0.81%

LAB 76.69, 5.17, -32.51

 

CMYK 35 / 33 / 0 / 2

HEX #A3A6F9

RGB 163 166 249

HSL 237.91, 0.88%, 0.81%

LAB 70.8, 17.96, -41.65

 

CMYK 35 / 35 / 0 / 2

HEX #A3A3F9

RGB 163 163 249

HSL 240, 0.88%, 0.81%

LAB 70.05, 19.66, -42.82

 

CMYK 35 / 15 / 0 / 2

HEX #A3D4F9

RGB 163 212 249

HSL 205.81, 0.88%, 0.81%

LAB 82.76, -7.16, -23.22

 

CMYK 35 / 15 / 0 / 2

HEX #A3D4F9

RGB 163 212 249

HSL 205.81, 0.88%, 0.81%

LAB 82.76, -7.16, -23.22

 

CMYK 29 / 12 / 0 / 5

HEX #ABD3F1

RGB 171 211 241

HSL 205.71, 0.71%, 0.81%

LAB 82.7, -6.34, -19.02

 

CMYK 23 / 10 / 0 / 9

HEX #B3D2E9

RGB 179 210 233

HSL 205.56, 0.55%, 0.81%

LAB 82.68, -5.31, -14.74

 

CMYK 17 / 7 / 0 / 12

HEX #BBD1E1

RGB 187 209 225

HSL 205.26, 0.39%, 0.81%

LAB 82.7, -4.07, -10.39

 

CMYK 10 / 4 / 0 / 15

HEX #C3D0D9

RGB 195 208 217

HSL 204.55, 0.22%, 0.81%

LAB 82.77, -2.63, -5.97

 

CMYK 35 / 0 / 4 / 2

HEX #A3F9F0

RGB 163 249 240

HSL 173.72, 0.88%, 0.81%

LAB 92.5, -27.81, -3.92

 

CMYK 35 / 6 / 0 / 2

HEX #A3EAF9

RGB 163 234 249

HSL 190.47, 0.88%, 0.81%

LAB 88.67, -18.42, -14.3

 

CMYK 35 / 15 / 0 / 2

HEX #A3D4F9

RGB 163 212 249

HSL 205.81, 0.88%, 0.81%

LAB 82.76, -7.16, -23.22

 

CMYK 35 / 24 / 0 / 2

HEX #A3BDF9

RGB 163 189 249

HSL 221.86, 0.88%, 0.81%

LAB 76.69, 5.17, -32.51

 

CMYK 35 / 33 / 0 / 2

HEX #A3A6F9

RGB 163 166 249

HSL 237.91, 0.88%, 0.81%

LAB 70.8, 17.96, -41.65

 

CMYK 65 / 28 / 0 / 4

HEX #56AFF4

RGB 86 175 244

HSL 206.2, 0.88%, 0.65%

LAB 68.87, -5.77, -42.25

 

CMYK 49 / 22 / 0 / 4

HEX #7DC1F6

RGB 125 193 246

HSL 206.28, 0.87%, 0.73%

LAB 75.55, -7.33, -32.83

 

CMYK 35 / 15 / 0 / 2

HEX #A3D4F9

RGB 163 212 249

HSL 205.81, 0.88%, 0.81%

LAB 82.76, -7.16, -23.22

 

CMYK 20 / 8 / 0 / 2

HEX #CAE6FB

RGB 202 230 251

HSL 205.71, 0.86%, 0.89%

LAB 89.91, -4.84, -13.26

 

CMYK 5 / 2 / 0 / 0

HEX #F1F8FE

RGB 241 248 254

HSL 207.69, 0.87%, 0.97%

LAB 97.22, -1.2, -3.68

 

CMYK 34 / 15 / 0 / 2

HEX #A4D4F9

RGB 164 212 249

HSL 206.12, 0.88%, 0.81%

LAB 82.82, -6.89, -23.12

 

CMYK 13 / 35 / 0 / 2

HEX #D9A3F9

RGB 217 163 249

HSL 277.67, 0.88%, 0.81%

LAB 74.69, 35.16, -35.25

 

CMYK 1 / 0 / 35 / 2

HEX #F6F9A3

RGB 246 249 163

HSL 62.09, 0.88%, 0.81%

LAB 95.99, -13.62, 41

 

CMYK 34 / 15 / 0 / 2

HEX #A4D4F9

RGB 164 212 249

HSL 206.12, 0.88%, 0.81%

LAB 82.82, -6.89, -23.12

 

CMYK 0 / 35 / 15 / 2

HEX #F9A3D4

RGB 249 163 212

HSL 325.81, 0.88%, 0.81%

LAB 76.73, 38.65, -11.72

 

CMYK 15 / 0 / 35 / 2

HEX #D4F9A3

RGB 212 249 163

HSL 85.81, 0.88%, 0.81%

LAB 93.62, -26.11, 37.45

 

CMYK 34 / 15 / 0 / 2

HEX #A4D4F9

RGB 164 212 249

HSL 206.12, 0.88%, 0.81%

LAB 82.82, -6.89, -23.12

 

CMYK 13 / 35 / 0 / 2

HEX #D9A3F9

RGB 217 163 249

HSL 277.67, 0.88%, 0.81%

LAB 74.69, 35.16, -35.25

 

CMYK 0 / 20 / 35 / 2

HEX #F9C8A3

RGB 249 200 163

HSL 25.81, 0.88%, 0.81%

LAB 84.01, 12.41, 25.11

 

CMYK 22 / 0 / 35 / 2

HEX #C3F9A3

RGB 195 249 163

HSL 97.67, 0.88%, 0.81%

LAB 92.57, -32.06, 35.88

 

CMYK 34 / 15 / 0 / 2

HEX #A4D4F9

RGB 164 212 249

HSL 206.12, 0.88%, 0.81%

LAB 82.82, -6.89, -23.12

 

CMYK 2 / 35 / 0 / 2

HEX #F3A3F9

RGB 243 163 249

HSL 295.81, 0.88%, 0.81%

LAB 77.33, 43.04, -30.95

 

CMYK 0 / 20 / 35 / 2

HEX #F9C8A3

RGB 249 200 163

HSL 25.81, 0.88%, 0.81%

LAB 84.01, 12.41, 25.11

 

CMYK 32 / 0 / 35 / 2

HEX #A9F9A3

RGB 169 249 163

HSL 115.81, 0.88%, 0.81%

LAB 91.16, -40.61, 33.74

 

Description

Color code: HEX #A4D4F9 | qconv.com Color code: HEX #A4D4F9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 212 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 212 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 15 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 15% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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