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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4C54E it is the complementary color #5B3AB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4C54E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4C54E shade: #A9C549, #BAD75C, #CBE96F, #DCFB82 and #EDFF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4C54E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4C54E shade: #A4C54E, #93B33B, #82A128, #718F15 and #607D02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4C54E shade: #A4C54D, #C4C54D, #C5A64D, #C5854D and #C5654D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4C54E shade: #A4C54D, #84C54D, #63C54D, #4DC558 and #4DC578

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4C54E shade matches the following richer shades: #A4C54D, #ACD83A, #B5EB27 and #BDFE14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4C54E shade: #A4C54D, #9BB260, #939F73, #8A8C86 and #827999

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4C54E shade: #C5A54D, #C5C54D, #A5C54D, #85C54D and #65C54D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4C54E shade: #76912F, #8FB039, #A4C54D, #B4CF6D and #C4D98C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4C54E shade: #A4C54E, #4DC585 and #B54DC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4C54E shade: #A4C54E, #4DA5C5 and #C54DA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4C54E shade: #A4C54E, #4DC585, #6D4DC5 and #C54D8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4C54E shade: #A4C54E, #4DC5A9, #6D4DC5 and #C54D69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 60 / 23

HEX #A4C54E

RGB 164 197 78

HSL 76.64, 0.51%, 0.54%

LAB 75.06, -28.57, 54.6

 

Complementary color

CMYK 49 / 67 / 0 / 31

HEX #5B3AB1

RGB 91 58 177

HSL 256.64, 0.51%, 0.46%

LAB 34.85, 43.37, -58.48

 

CMYK 14 / 0 / 63 / 23

HEX #A9C549

RGB 169 197 73

HSL 73.55, 0.52%, 0.53%

LAB 75.36, -26.96, 57.16

 

CMYK 13 / 0 / 57 / 16

HEX #BAD75C

RGB 186 215 92

HSL 74.15, 0.61%, 0.6%

LAB 81.74, -27.35, 56.32

 

CMYK 13 / 0 / 52 / 9

HEX #CBE96F

RGB 203 233 111

HSL 74.75, 0.73%, 0.67%

LAB 88.03, -27.64, 55.32

 

CMYK 12 / 0 / 48 / 2

HEX #DCFB82

RGB 220 251 130

HSL 75.37, 0.94%, 0.75%

LAB 94.24, -27.87, 54.25

 

CMYK 7 / 0 / 42 / 0

HEX #EDFF95

RGB 237 255 149

HSL 70.19, 1%, 0.79%

LAB 96.7, -21.45, 48.57

 

CMYK 17 / 0 / 60 / 23

HEX #A4C54E

RGB 164 197 78

HSL 76.64, 0.51%, 0.54%

LAB 75.06, -28.57, 54.6

 

CMYK 18 / 0 / 67 / 30

HEX #93B33B

RGB 147 179 59

HSL 76, 0.5%, 0.47%

LAB 68.58, -28.17, 55.31

 

CMYK 19 / 0 / 75 / 37

HEX #82A128

RGB 130 161 40

HSL 75.37, 0.6%, 0.39%

LAB 61.99, -27.62, 55.52

 

CMYK 21 / 0 / 85 / 44

HEX #718F15

RGB 113 143 21

HSL 74.75, 0.74%, 0.32%

LAB 55.29, -26.85, 54.77

 

CMYK 23 / 0 / 98 / 51

HEX #607D02

RGB 96 125 2

HSL 74.15, 0.97%, 0.25%

LAB 48.46, -25.84, 52.61

 

CMYK 17 / 0 / 61 / 23

HEX #A4C54D

RGB 164 197 77

HSL 76.5, 0.51%, 0.54%

LAB 75.05, -28.65, 55.03

 

CMYK 1 / 0 / 61 / 23

HEX #C4C54D

RGB 196 197 77

HSL 60.5, 0.51%, 0.54%

LAB 77.4, -15.6, 58.27

 

CMYK 0 / 16 / 61 / 23

HEX #C5A64D

RGB 197 166 77

HSL 44.5, 0.51%, 0.54%

LAB 69.24, 0.93, 49.31

 

CMYK 0 / 32 / 61 / 23

HEX #C5854D

RGB 197 133 77

HSL 28, 0.51%, 0.54%

LAB 60.94, 18.9, 39.71

 

CMYK 0 / 49 / 61 / 23

HEX #C5654D

RGB 197 101 77

HSL 12, 0.51%, 0.54%

LAB 53.72, 36.16, 30.94

 

CMYK 17 / 0 / 61 / 23

HEX #A4C54D

RGB 164 197 77

HSL 76.5, 0.51%, 0.54%

LAB 75.05, -28.65, 55.03

 

CMYK 33 / 0 / 61 / 23

HEX #84C54D

RGB 132 197 77

HSL 92.5, 0.51%, 0.54%

LAB 73.14, -40.7, 52.37

 

CMYK 50 / 0 / 61 / 23

HEX #63C54D

RGB 99 197 77

HSL 109, 0.51%, 0.54%

LAB 71.64, -51.3, 50.27

 

CMYK 61 / 0 / 55 / 23

HEX #4DC558

RGB 77 197 88

HSL 125.5, 0.51%, 0.54%

LAB 71.02, -55.63, 44.33

 

CMYK 61 / 0 / 39 / 23

HEX #4DC578

RGB 77 197 120

HSL 141.5, 0.51%, 0.54%

LAB 71.46, -50.7, 28.9

 

CMYK 17 / 0 / 61 / 23

HEX #A4C54D

RGB 164 197 77

HSL 76.5, 0.51%, 0.54%

LAB 75.05, -28.65, 55.03

 

CMYK 20 / 0 / 73 / 15

HEX #ACD83A

RGB 172 216 58

HSL 76.71, 0.67%, 0.54%

LAB 80.84, -35.59, 68.48

 

CMYK 23 / 0 / 83 / 8

HEX #B5EB27

RGB 181 235 39

HSL 76.53, 0.83%, 0.54%

LAB 86.7, -41.38, 79.28

 

CMYK 26 / 0 / 92 / 0

HEX #BDFE14

RGB 189 254 20

HSL 76.67, 0.99%, 0.54%

LAB 92.47, -46.98, 87.38

 

CMYK 17 / 0 / 61 / 23

HEX #A4C54D

RGB 164 197 77

HSL 76.5, 0.51%, 0.54%

LAB 75.05, -28.65, 55.03

 

CMYK 13 / 0 / 46 / 30

HEX #9BB260

RGB 155 178 96

HSL 76.83, 0.35%, 0.54%

LAB 69.22, -21.14, 39.12

 

CMYK 8 / 0 / 28 / 38

HEX #939F73

RGB 147 159 115

HSL 76.36, 0.19%, 0.54%

LAB 63.54, -12.04, 21.6

 

CMYK 1 / 0 / 4 / 45

HEX #8A8C86

RGB 138 140 134

HSL 80, 0.03%, 0.54%

LAB 57.92, -1.9, 2.94

 

CMYK 15 / 21 / 0 / 40

HEX #827999

RGB 130 121 153

HSL 256.88, 0.14%, 0.54%

LAB 52.64, 10.16, -15.98

 

CMYK 0 / 16 / 61 / 23

HEX #C5A54D

RGB 197 165 77

HSL 44, 0.51%, 0.54%

LAB 68.98, 1.47, 49.01

 

CMYK 0 / 0 / 61 / 23

HEX #C5C54D

RGB 197 197 77

HSL 60, 0.51%, 0.54%

LAB 77.48, -15.18, 58.37

 

CMYK 16 / 0 / 61 / 23

HEX #A5C54D

RGB 165 197 77

HSL 76, 0.51%, 0.54%

LAB 75.12, -28.26, 55.12

 

CMYK 32 / 0 / 61 / 23

HEX #85C54D

RGB 133 197 77

HSL 92, 0.51%, 0.54%

LAB 73.19, -40.35, 52.44

 

CMYK 49 / 0 / 61 / 23

HEX #65C54D

RGB 101 197 77

HSL 108, 0.51%, 0.54%

LAB 71.71, -50.73, 50.38

 

CMYK 19 / 0 / 68 / 43

HEX #76912F

RGB 118 145 47

HSL 76.53, 0.51%, 0.38%

LAB 56.39, -24.33, 46.95

 

CMYK 19 / 0 / 68 / 31

HEX #8FB039

RGB 143 176 57

HSL 76.64, 0.51%, 0.46%

LAB 67.42, -28.49, 54.82

 

CMYK 17 / 0 / 61 / 23

HEX #A4C54D

RGB 164 197 77

HSL 76.5, 0.51%, 0.54%

LAB 75.05, -28.65, 55.03

 

CMYK 13 / 0 / 47 / 19

HEX #B4CF6D

RGB 180 207 109

HSL 76.53, 0.51%, 0.62%

LAB 79.29, -24.25, 45.43

 

CMYK 10 / 0 / 35 / 15

HEX #C4D98C

RGB 196 217 140

HSL 76.36, 0.5%, 0.7%

LAB 83.58, -19.45, 35.65

 

CMYK 17 / 0 / 60 / 23

HEX #A4C54E

RGB 164 197 78

HSL 76.64, 0.51%, 0.54%

LAB 75.06, -28.57, 54.6

 

CMYK 61 / 0 / 32 / 23

HEX #4DC585

RGB 77 197 133

HSL 148, 0.51%, 0.54%

LAB 71.69, -48.25, 22.38

 

CMYK 8 / 61 / 0 / 23

HEX #B54DC5

RGB 181 77 197

HSL 292, 0.51%, 0.54%

LAB 50.88, 58.8, -43.83

 

CMYK 17 / 0 / 60 / 23

HEX #A4C54E

RGB 164 197 78

HSL 76.64, 0.51%, 0.54%

LAB 75.06, -28.57, 54.6

 

CMYK 61 / 16 / 0 / 23

HEX #4DA5C5

RGB 77 165 197

HSL 196, 0.51%, 0.54%

LAB 63.77, -16.81, -24.31

 

CMYK 0 / 61 / 16 / 23

HEX #C54DA5

RGB 197 77 165

HSL 316, 0.51%, 0.54%

LAB 51.72, 57.65, -23.72

 

CMYK 17 / 0 / 60 / 23

HEX #A4C54E

RGB 164 197 78

HSL 76.64, 0.51%, 0.54%

LAB 75.06, -28.57, 54.6

 

CMYK 61 / 0 / 32 / 23

HEX #4DC585

RGB 77 197 133

HSL 148, 0.51%, 0.54%

LAB 71.69, -48.25, 22.38

 

CMYK 45 / 61 / 0 / 23

HEX #6D4DC5

RGB 109 77 197

HSL 256, 0.51%, 0.54%

LAB 42.14, 41.95, -58.31

 

CMYK 0 / 61 / 28 / 23

HEX #C54D8D

RGB 197 77 141

HSL 328, 0.51%, 0.54%

LAB 50.81, 54.31, -10.9

 

CMYK 17 / 0 / 60 / 23

HEX #A4C54E

RGB 164 197 78

HSL 76.64, 0.51%, 0.54%

LAB 75.06, -28.57, 54.6

 

CMYK 61 / 0 / 14 / 23

HEX #4DC5A9

RGB 77 197 169

HSL 166, 0.51%, 0.54%

LAB 72.48, -40.23, 4.12

 

CMYK 45 / 61 / 0 / 23

HEX #6D4DC5

RGB 109 77 197

HSL 256, 0.51%, 0.54%

LAB 42.14, 41.95, -58.31

 

CMYK 0 / 61 / 47 / 23

HEX #C54D69

RGB 197 77 105

HSL 346, 0.51%, 0.54%

LAB 49.74, 50.26, 9.16

 

Description

Color code: HEX #A4C54E | qconv.com Color code: HEX #A4C54E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 197 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 197 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 60 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 60% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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