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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A49721 it is the complementary color #5B68DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A49721. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A49721 shade: #A9971C, #BAA92F, #CBBB42, #DCCD55 and #EDDF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A49721. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A49721 shade: #A49721, #93850E, #827300, #716100 and #604F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A49721 shade: #A59821, #A57421, #A55121, #A52D21 and #A52121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A49721 shade: #A59821, #8EA521, #6BA521, #47A521 and #24A521

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A49721 shade matches the following richer shades: #A59821, #B5A411 and #C5B101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A49721 shade: #A59821, #948B31, #847E41, #747152 and #646462

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A49721 shade: #A55121, #A57421, #A59721, #8FA521 and #6CA521

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A49721 shade: #605813, #82781A, #A59821, #C7B728 and #D8C941

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A49721 shade: #A49721, #21A52E and #6321A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A49721 shade: #A49721, #21A597 and #9721A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A49721 shade: #A49721, #21A52E, #212EA5 and #A52197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A49721 shade: #A49721, #21A556, #212EA5 and #A52170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 80 / 36

HEX #A49721

RGB 164 151 33

HSL 54.05, 0.66%, 0.39%

LAB 61.77, -7.96, 58.62

 

Complementary color

CMYK 59 / 53 / 0 / 13

HEX #5B68DE

RGB 91 104 222

HSL 234.05, 0.66%, 0.61%

LAB 48.76, 29.94, -62.01

 

CMYK 0 / 11 / 83 / 34

HEX #A9971C

RGB 169 151 28

HSL 52.34, 0.72%, 0.39%

LAB 62.21, -5.87, 60.66

 

CMYK 0 / 9 / 75 / 27

HEX #BAA92F

RGB 186 169 47

HSL 52.66, 0.6%, 0.46%

LAB 68.77, -7.16, 61.08

 

CMYK 0 / 8 / 67 / 20

HEX #CBBB42

RGB 203 187 66

HSL 52.99, 0.57%, 0.53%

LAB 75.22, -8.22, 60.72

 

CMYK 0 / 7 / 61 / 14

HEX #DCCD55

RGB 220 205 85

HSL 53.33, 0.66%, 0.6%

LAB 81.58, -9.11, 59.94

 

CMYK 0 / 6 / 56 / 7

HEX #EDDF68

RGB 237 223 104

HSL 53.68, 0.79%, 0.67%

LAB 87.86, -9.87, 58.95

 

CMYK 0 / 8 / 80 / 36

HEX #A49721

RGB 164 151 33

HSL 54.05, 0.66%, 0.39%

LAB 61.77, -7.96, 58.62

 

CMYK 0 / 10 / 90 / 42

HEX #93850E

RGB 147 133 14

HSL 53.68, 0.83%, 0.32%

LAB 55.08, -6.54, 57.33

 

CMYK 0 / 12 / 100 / 49

HEX #827300

RGB 130 115 0

HSL 53.08, 1%, 0.25%

LAB 48.27, -4.81, 54.16

 

CMYK 0 / 14 / 100 / 56

HEX #716100

RGB 113 97 0

HSL 51.5, 1%, 0.22%

LAB 41.31, -2.75, 48.4

 

CMYK 0 / 18 / 100 / 62

HEX #604F00

RGB 96 79 0

HSL 49.38, 1%, 0.19%

LAB 34.15, -0.55, 42.48

 

CMYK 0 / 8 / 80 / 35

HEX #A59821

RGB 165 152 33

HSL 54.09, 0.67%, 0.39%

LAB 62.14, -8.04, 58.98

 

CMYK 0 / 30 / 80 / 35

HEX #A57421

RGB 165 116 33

HSL 37.73, 0.67%, 0.39%

LAB 52.51, 11.87, 50.26

 

CMYK 0 / 51 / 80 / 35

HEX #A55121

RGB 165 81 33

HSL 21.82, 0.67%, 0.39%

LAB 44.22, 31.4, 42.42

 

CMYK 0 / 73 / 80 / 35

HEX #A52D21

RGB 165 45 33

HSL 5.45, 0.67%, 0.39%

LAB 37.82, 48.24, 36.06

 

CMYK 0 / 80 / 80 / 35

HEX #A52121

RGB 165 33 33

HSL 0, 0.67%, 0.39%

LAB 36.36, 52.3, 34.57

 

CMYK 0 / 8 / 80 / 35

HEX #A59821

RGB 165 152 33

HSL 54.09, 0.67%, 0.39%

LAB 62.14, -8.04, 58.98

 

CMYK 14 / 0 / 80 / 35

HEX #8EA521

RGB 142 165 33

HSL 70.45, 0.67%, 0.39%

LAB 63.97, -24.85, 59.91

 

CMYK 35 / 0 / 80 / 35

HEX #6BA521

RGB 107 165 33

HSL 86.36, 0.67%, 0.39%

LAB 61.78, -38.89, 57.1

 

CMYK 57 / 0 / 80 / 35

HEX #47A521

RGB 71 165 33

HSL 102.73, 0.67%, 0.39%

LAB 60.21, -50.55, 55.07

 

CMYK 78 / 0 / 80 / 35

HEX #24A521

RGB 36 165 33

HSL 118.64, 0.67%, 0.39%

LAB 59.34, -57.83, 53.94

 

CMYK 0 / 8 / 80 / 35

HEX #A59821

RGB 165 152 33

HSL 54.09, 0.67%, 0.39%

LAB 62.14, -8.04, 58.98

 

CMYK 0 / 9 / 91 / 29

HEX #B5A411

RGB 181 164 17

HSL 53.78, 0.83%, 0.39%

LAB 66.84, -7.66, 67.35

 

CMYK 0 / 10 / 99 / 23

HEX #C5B101

RGB 197 177 1

HSL 53.88, 0.99%, 0.39%

LAB 71.77, -7.56, 73.78

 

CMYK 0 / 8 / 80 / 35

HEX #A59821

RGB 165 152 33

HSL 54.09, 0.67%, 0.39%

LAB 62.14, -8.04, 58.98

 

CMYK 0 / 6 / 67 / 42

HEX #948B31

RGB 148 139 49

HSL 54.55, 0.5%, 0.39%

LAB 57.06, -7.91, 47.52

 

CMYK 0 / 5 / 51 / 48

HEX #847E41

RGB 132 126 65

HSL 54.63, 0.34%, 0.39%

LAB 52.07, -6.65, 33.75

 

CMYK 0 / 3 / 29 / 55

HEX #747152

RGB 116 113 82

HSL 54.71, 0.17%, 0.39%

LAB 47.15, -4.22, 17.67

 

CMYK 0 / 0 / 2 / 61

HEX #646462

RGB 100 100 98

HSL 60, 0.01%, 0.39%

LAB 42.32, -0.41, 1.13

 

CMYK 0 / 51 / 80 / 35

HEX #A55121

RGB 165 81 33

HSL 21.82, 0.67%, 0.39%

LAB 44.22, 31.4, 42.42

 

CMYK 0 / 30 / 80 / 35

HEX #A57421

RGB 165 116 33

HSL 37.73, 0.67%, 0.39%

LAB 52.51, 11.87, 50.26

 

CMYK 0 / 8 / 80 / 35

HEX #A59721

RGB 165 151 33

HSL 53.64, 0.67%, 0.39%

LAB 61.86, -7.51, 58.73

 

CMYK 13 / 0 / 80 / 35

HEX #8FA521

RGB 143 165 33

HSL 70, 0.67%, 0.39%

LAB 64.05, -24.43, 60

 

CMYK 35 / 0 / 80 / 35

HEX #6CA521

RGB 108 165 33

HSL 85.91, 0.67%, 0.39%

LAB 61.83, -38.52, 57.17

 

CMYK 0 / 8 / 80 / 62

HEX #605813

RGB 96 88 19

HSL 53.77, 0.67%, 0.23%

LAB 36.95, -5.26, 38.46

 

CMYK 0 / 8 / 80 / 49

HEX #82781A

RGB 130 120 26

HSL 54.23, 0.67%, 0.31%

LAB 49.8, -6.93, 48.96

 

CMYK 0 / 8 / 80 / 35

HEX #A59821

RGB 165 152 33

HSL 54.09, 0.67%, 0.39%

LAB 62.14, -8.04, 58.98

 

CMYK 0 / 8 / 80 / 22

HEX #C7B728

RGB 199 183 40

HSL 53.96, 0.67%, 0.47%

LAB 73.65, -9.04, 68.22

 

CMYK 0 / 7 / 70 / 15

HEX #D8C941

RGB 216 201 65

HSL 54.04, 0.66%, 0.55%

LAB 80.04, -9.91, 66.32

 

CMYK 0 / 8 / 80 / 36

HEX #A49721

RGB 164 151 33

HSL 54.05, 0.66%, 0.39%

LAB 61.77, -7.96, 58.62

 

CMYK 80 / 0 / 72 / 35

HEX #21A52E

RGB 33 165 46

HSL 125.91, 0.67%, 0.39%

LAB 59.37, -57.25, 49.41

 

CMYK 40 / 80 / 0 / 35

HEX #6321A5

RGB 99 33 165

HSL 270, 0.67%, 0.39%

LAB 30.54, 53.55, -58.3

 

CMYK 0 / 8 / 80 / 36

HEX #A49721

RGB 164 151 33

HSL 54.05, 0.66%, 0.39%

LAB 61.77, -7.96, 58.62

 

CMYK 80 / 0 / 8 / 35

HEX #21A597

RGB 33 165 151

HSL 173.64, 0.67%, 0.39%

LAB 61.19, -36.98, -2.5

 

CMYK 8 / 80 / 0 / 35

HEX #9721A5

RGB 151 33 165

HSL 293.64, 0.67%, 0.39%

LAB 38.52, 62.87, -44.98

 

CMYK 0 / 8 / 80 / 36

HEX #A49721

RGB 164 151 33

HSL 54.05, 0.66%, 0.39%

LAB 61.77, -7.96, 58.62

 

CMYK 80 / 0 / 72 / 35

HEX #21A52E

RGB 33 165 46

HSL 125.91, 0.67%, 0.39%

LAB 59.37, -57.25, 49.41

 

CMYK 80 / 72 / 0 / 35

HEX #212EA5

RGB 33 46 165

HSL 234.09, 0.67%, 0.39%

LAB 26.72, 38.55, -64.8

 

CMYK 0 / 80 / 8 / 35

HEX #A52197

RGB 165 33 151

HSL 306.36, 0.67%, 0.39%

LAB 40.12, 63.46, -33.85

 

CMYK 0 / 8 / 80 / 36

HEX #A49721

RGB 164 151 33

HSL 54.05, 0.66%, 0.39%

LAB 61.77, -7.96, 58.62

 

CMYK 80 / 0 / 48 / 35

HEX #21A556

RGB 33 165 86

HSL 144.09, 0.67%, 0.39%

LAB 59.8, -52.04, 31.31

 

CMYK 80 / 72 / 0 / 35

HEX #212EA5

RGB 33 46 165

HSL 234.09, 0.67%, 0.39%

LAB 26.72, 38.55, -64.8

 

CMYK 0 / 80 / 32 / 35

HEX #A52170

RGB 165 33 112

HSL 324.09, 0.67%, 0.39%

LAB 38.3, 58.23, -12.59

 

Description

Color code: HEX #A49721 | qconv.com Color code: HEX #A49721 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 151 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 151 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 80 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 80% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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