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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A48666 it is the complementary color #5B7999. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A48666. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A48666 shade: #A98661, #BA9874, #CBAA87, #DCBC9A and #EDCEAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A48666. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A48666 shade: #A48666, #937453, #826240, #71502D and #603E1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A48666 shade: #A38566, #A37566 and #A36666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A48666 shade: #A38566, #A39666, #9FA366, #8FA366 and #7EA366

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A48666 shade matches the following richer shades: #A38566, #B78652, #CA863E, #DE872A and #F28816

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A48666 shade: #A38566, #8F8479, #7B848D, #6783A1 and #5383B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A48666 shade: #A36668, #A37466, #A38466, #A39466 and #A1A366

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A48666 shade: #725C44, #8B7053, #A38566, #B29A7F and #C2AE99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A48666 shade: #A48666, #78A366 and #6C66A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A48666 shade: #A48666, #66A384 and #8466A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A48666 shade: #A48666, #78A366, #6684A3 and #9066A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A48666 shade: #A48666, #66A366, #6684A3 and #A366A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 38 / 36

HEX #A48666

RGB 164 134 102

HSL 30.97, 0.25%, 0.52%

LAB 57.94, 6.82, 21.54

 

Complementary color

CMYK 41 / 21 / 0 / 40

HEX #5B7999

RGB 91 121 153

HSL 210.97, 0.25%, 0.48%

LAB 49.74, -2.18, -20.68

 

CMYK 0 / 21 / 43 / 34

HEX #A98661

RGB 169 134 97

HSL 30.83, 0.3%, 0.52%

LAB 58.37, 8.32, 24.99

 

CMYK 0 / 18 / 38 / 27

HEX #BA9874

RGB 186 152 116

HSL 30.86, 0.34%, 0.59%

LAB 65.09, 7.6, 23.72

 

CMYK 0 / 16 / 33 / 20

HEX #CBAA87

RGB 203 170 135

HSL 30.88, 0.4%, 0.66%

LAB 71.69, 6.99, 22.55

 

CMYK 0 / 15 / 30 / 14

HEX #DCBC9A

RGB 220 188 154

HSL 30.91, 0.49%, 0.73%

LAB 78.18, 6.46, 21.45

 

CMYK 0 / 13 / 27 / 7

HEX #EDCEAD

RGB 237 206 173

HSL 30.94, 0.64%, 0.8%

LAB 84.57, 5.99, 20.43

 

CMYK 0 / 18 / 38 / 36

HEX #A48666

RGB 164 134 102

HSL 30.97, 0.25%, 0.52%

LAB 57.94, 6.82, 21.54

 

CMYK 0 / 21 / 44 / 42

HEX #937453

RGB 147 116 83

HSL 30.94, 0.28%, 0.45%

LAB 51.06, 7.56, 22.85

 

CMYK 0 / 25 / 51 / 49

HEX #826240

RGB 130 98 64

HSL 30.91, 0.34%, 0.38%

LAB 44.02, 8.46, 24.29

 

CMYK 0 / 29 / 60 / 56

HEX #71502D

RGB 113 80 45

HSL 30.88, 0.43%, 0.31%

LAB 36.81, 9.59, 25.88

 

CMYK 0 / 35 / 73 / 62

HEX #603E1A

RGB 96 62 26

HSL 30.86, 0.57%, 0.24%

LAB 29.43, 11.07, 27.55

 

CMYK 0 / 18 / 37 / 36

HEX #A38566

RGB 163 133 102

HSL 30.49, 0.25%, 0.52%

LAB 57.58, 6.96, 21.03

 

CMYK 0 / 28 / 37 / 36

HEX #A37566

RGB 163 117 102

HSL 14.75, 0.25%, 0.52%

LAB 53.46, 16.04, 15.42

 

CMYK 0 / 37 / 37 / 36

HEX #A36666

RGB 163 102 102

HSL 0, 0.25%, 0.52%

LAB 49.8, 24.57, 10.33

 

CMYK 0 / 18 / 37 / 36

HEX #A38566

RGB 163 133 102

HSL 30.49, 0.25%, 0.52%

LAB 57.58, 6.96, 21.03

 

CMYK 0 / 8 / 37 / 36

HEX #A39666

RGB 163 150 102

HSL 47.21, 0.25%, 0.52%

LAB 62.13, -2.48, 27.08

 

CMYK 2 / 0 / 37 / 36

HEX #9FA366

RGB 159 163 102

HSL 63.93, 0.25%, 0.52%

LAB 65.38, -11.11, 31.23

 

CMYK 12 / 0 / 37 / 36

HEX #8FA366

RGB 143 163 102

HSL 79.67, 0.25%, 0.52%

LAB 64.16, -17.53, 29.41

 

CMYK 23 / 0 / 37 / 36

HEX #7EA366

RGB 126 163 102

HSL 96.39, 0.25%, 0.52%

LAB 63, -24.06, 27.68

 

CMYK 0 / 18 / 37 / 36

HEX #A38566

RGB 163 133 102

HSL 30.49, 0.25%, 0.52%

LAB 57.58, 6.96, 21.03

 

CMYK 0 / 27 / 55 / 28

HEX #B78652

RGB 183 134 82

HSL 30.89, 0.41%, 0.52%

LAB 59.64, 12.78, 35.13

 

CMYK 0 / 34 / 69 / 21

HEX #CA863E

RGB 202 134 62

HSL 30.86, 0.57%, 0.52%

LAB 61.61, 19.52, 48.14

 

CMYK 0 / 39 / 81 / 13

HEX #DE872A

RGB 222 135 42

HSL 31, 0.73%, 0.52%

LAB 64.18, 26.59, 60.08

 

CMYK 0 / 44 / 91 / 5

HEX #F28816

RGB 242 136 22

HSL 31.09, 0.89%, 0.52%

LAB 66.93, 33.86, 69.46

 

CMYK 0 / 18 / 37 / 36

HEX #A38566

RGB 163 133 102

HSL 30.49, 0.25%, 0.52%

LAB 57.58, 6.96, 21.03

 

CMYK 0 / 8 / 15 / 44

HEX #8F8479

RGB 143 132 121

HSL 30, 0.09%, 0.52%

LAB 55.81, 2.19, 7.43

 

CMYK 13 / 6 / 0 / 45

HEX #7B848D

RGB 123 132 141

HSL 210, 0.07%, 0.52%

LAB 54.7, -1.37, -5.97

 

CMYK 36 / 19 / 0 / 37

HEX #6783A1

RGB 103 131 161

HSL 211.03, 0.24%, 0.52%

LAB 53.7, -2.31, -19.2

 

CMYK 54 / 28 / 0 / 29

HEX #5383B5

RGB 83 131 181

HSL 210.61, 0.4%, 0.52%

LAB 53.39, -1.59, -31.28

 

CMYK 0 / 37 / 36 / 36

HEX #A36668

RGB 163 102 104

HSL 358.03, 0.25%, 0.52%

LAB 49.84, 24.82, 9.21

 

CMYK 0 / 29 / 37 / 36

HEX #A37466

RGB 163 116 102

HSL 13.77, 0.25%, 0.52%

LAB 53.21, 16.61, 15.08

 

CMYK 0 / 19 / 37 / 36

HEX #A38466

RGB 163 132 102

HSL 29.51, 0.25%, 0.52%

LAB 57.32, 7.53, 20.68

 

CMYK 0 / 9 / 37 / 36

HEX #A39466

RGB 163 148 102

HSL 45.25, 0.25%, 0.52%

LAB 61.59, -1.38, 26.37

 

CMYK 1 / 0 / 37 / 36

HEX #A1A366

RGB 161 163 102

HSL 61.97, 0.25%, 0.52%

LAB 65.54, -10.3, 31.47

 

CMYK 0 / 19 / 40 / 55

HEX #725C44

RGB 114 92 68

HSL 31.3, 0.25%, 0.36%

LAB 40.65, 5.31, 17.2

 

CMYK 0 / 19 / 40 / 45

HEX #8B7053

RGB 139 112 83

HSL 31.07, 0.25%, 0.44%

LAB 49.13, 6.4, 20.14

 

CMYK 0 / 18 / 37 / 36

HEX #A38566

RGB 163 133 102

HSL 30.49, 0.25%, 0.52%

LAB 57.58, 6.96, 21.03

 

CMYK 0 / 13 / 29 / 30

HEX #B29A7F

RGB 178 154 127

HSL 31.76, 0.25%, 0.6%

LAB 65.05, 4.7, 17.46

 

CMYK 0 / 10 / 21 / 24

HEX #C2AE99

RGB 194 174 153

HSL 30.73, 0.25%, 0.68%

LAB 72.26, 3.82, 13.4

 

CMYK 0 / 18 / 38 / 36

HEX #A48666

RGB 164 134 102

HSL 30.97, 0.25%, 0.52%

LAB 57.94, 6.82, 21.54

 

CMYK 26 / 0 / 37 / 36

HEX #78A366

RGB 120 163 102

HSL 102.3, 0.25%, 0.52%

LAB 62.63, -26.27, 27.13

 

CMYK 34 / 37 / 0 / 36

HEX #6C66A3

RGB 108 102 163

HSL 245.9, 0.25%, 0.52%

LAB 46.09, 17.07, -32.12

 

CMYK 0 / 18 / 38 / 36

HEX #A48666

RGB 164 134 102

HSL 30.97, 0.25%, 0.52%

LAB 57.94, 6.82, 21.54

 

CMYK 37 / 0 / 19 / 36

HEX #66A384

RGB 102 163 132

HSL 149.51, 0.25%, 0.52%

LAB 62.24, -26.84, 9.94

 

CMYK 19 / 37 / 0 / 36

HEX #8466A3

RGB 132 102 163

HSL 269.51, 0.25%, 0.52%

LAB 48.33, 24.42, -28.46

 

CMYK 0 / 18 / 38 / 36

HEX #A48666

RGB 164 134 102

HSL 30.97, 0.25%, 0.52%

LAB 57.94, 6.82, 21.54

 

CMYK 26 / 0 / 37 / 36

HEX #78A366

RGB 120 163 102

HSL 102.3, 0.25%, 0.52%

LAB 62.63, -26.27, 27.13

 

CMYK 37 / 19 / 0 / 36

HEX #6684A3

RGB 102 132 163

HSL 210.49, 0.25%, 0.52%

LAB 54, -2.63, -19.9

 

CMYK 12 / 37 / 0 / 36

HEX #9066A3

RGB 144 102 163

HSL 281.31, 0.25%, 0.52%

LAB 49.59, 28.25, -26.4

 

CMYK 0 / 18 / 38 / 36

HEX #A48666

RGB 164 134 102

HSL 30.97, 0.25%, 0.52%

LAB 57.94, 6.82, 21.54

 

CMYK 37 / 0 / 37 / 36

HEX #66A366

RGB 102 163 102

HSL 120, 0.25%, 0.52%

LAB 61.64, -32.49, 25.63

 

CMYK 37 / 19 / 0 / 36

HEX #6684A3

RGB 102 132 163

HSL 210.49, 0.25%, 0.52%

LAB 54, -2.63, -19.9

 

CMYK 0 / 37 / 0 / 36

HEX #A366A3

RGB 163 102 163

HSL 300, 0.25%, 0.52%

LAB 51.76, 34.43, -22.86

 

Description

Color code: HEX #A48666 | qconv.com Color code: HEX #A48666 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 134 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 134 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 38 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 38% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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