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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4704B it is the complementary color #5B8FB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4704B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4704B shade: #A97046, #BA8259, #CB946C, #DCA67F and #EDB892

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4704B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4704B shade: #A4704B, #935E38, #824C25, #713A12 and #602800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4704B shade: #A4704B, #A4584B and #A44B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4704B shade: #A4704B, #A4884B, #A4A04B, #90A44B and #78A44B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4704B shade matches the following richer shades: #A4704B, #B76D38, #CA6924 and #DE6611

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4704B shade: #A4704B, #90735E, #7D7672, #6A7A85 and #567D99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4704B shade: #A44B57, #A4574B, #A46E4B, #A4864B and #A49E4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4704B shade: #6B4931, #875D3E, #A4704B, #B68562 and #C39B7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4704B shade: #A4704B, #6EA44B and #4B4BA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4704B shade: #A4704B, #4BA46E and #6E4BA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4704B shade: #A4704B, #6EA44B, #4B80A4 and #804BA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4704B shade: #A4704B, #54A44B, #4B80A4 and #9B4BA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 54 / 36

HEX #A4704B

RGB 164 112 75

HSL 24.94, 0.37%, 0.47%

LAB 51.82, 16.38, 28.75

 

Complementary color

CMYK 49 / 21 / 0 / 29

HEX #5B8FB4

RGB 91 143 180

HSL 204.94, 0.37%, 0.53%

LAB 57.24, -6.94, -24.73

 

CMYK 0 / 34 / 59 / 34

HEX #A97046

RGB 169 112 70

HSL 25.45, 0.41%, 0.47%

LAB 52.36, 18.1, 32.32

 

CMYK 0 / 30 / 52 / 27

HEX #BA8259

RGB 186 130 89

HSL 25.36, 0.41%, 0.54%

LAB 59.09, 16.9, 30.72

 

CMYK 0 / 27 / 47 / 20

HEX #CB946C

RGB 203 148 108

HSL 25.26, 0.48%, 0.61%

LAB 65.72, 15.87, 29.25

 

CMYK 0 / 25 / 42 / 14

HEX #DCA67F

RGB 220 166 127

HSL 25.16, 0.57%, 0.68%

LAB 72.24, 14.98, 27.9

 

CMYK 0 / 22 / 38 / 7

HEX #EDB892

RGB 237 184 146

HSL 25.05, 0.72%, 0.75%

LAB 78.67, 14.2, 26.66

 

CMYK 0 / 32 / 54 / 36

HEX #A4704B

RGB 164 112 75

HSL 24.94, 0.37%, 0.47%

LAB 51.82, 16.38, 28.75

 

CMYK 0 / 36 / 62 / 42

HEX #935E38

RGB 147 94 56

HSL 25.05, 0.45%, 0.4%

LAB 44.93, 17.68, 30.43

 

CMYK 0 / 42 / 72 / 49

HEX #824C25

RGB 130 76 37

HSL 25.16, 0.56%, 0.33%

LAB 37.93, 19.24, 32.24

 

CMYK 0 / 49 / 84 / 56

HEX #713A12

RGB 113 58 18

HSL 25.26, 0.73%, 0.26%

LAB 30.83, 21.14, 33.91

 

CMYK 0 / 58 / 100 / 62

HEX #602800

RGB 96 40 0

HSL 25, 1%, 0.19%

LAB 23.69, 23.3, 33.99

 

CMYK 0 / 32 / 54 / 36

HEX #A4704B

RGB 164 112 75

HSL 24.94, 0.37%, 0.47%

LAB 51.82, 16.38, 28.75

 

CMYK 0 / 46 / 54 / 36

HEX #A4584B

RGB 164 88 75

HSL 8.76, 0.37%, 0.47%

LAB 46.15, 29.85, 21.45

 

CMYK 0 / 54 / 54 / 36

HEX #A44B4B

RGB 164 75 75

HSL 0, 0.37%, 0.47%

LAB 43.41, 36.78, 17.82

 

CMYK 0 / 32 / 54 / 36

HEX #A4704B

RGB 164 112 75

HSL 24.94, 0.37%, 0.47%

LAB 51.82, 16.38, 28.75

 

CMYK 0 / 17 / 54 / 36

HEX #A4884B

RGB 164 136 75

HSL 41.12, 0.37%, 0.47%

LAB 58.05, 2.83, 36.42

 

CMYK 0 / 2 / 54 / 36

HEX #A4A04B

RGB 164 160 75

HSL 57.3, 0.37%, 0.47%

LAB 64.6, -10.21, 44.16

 

CMYK 12 / 0 / 54 / 36

HEX #90A44B

RGB 144 164 75

HSL 73.48, 0.37%, 0.47%

LAB 64.15, -20.71, 43.24

 

CMYK 27 / 0 / 54 / 36

HEX #78A44B

RGB 120 164 75

HSL 89.66, 0.37%, 0.47%

LAB 62.55, -30.24, 40.96

 

CMYK 0 / 32 / 54 / 36

HEX #A4704B

RGB 164 112 75

HSL 24.94, 0.37%, 0.47%

LAB 51.82, 16.38, 28.75

 

CMYK 0 / 40 / 69 / 28

HEX #B76D38

RGB 183 109 56

HSL 25.04, 0.53%, 0.47%

LAB 53.27, 24.81, 41.28

 

CMYK 0 / 48 / 82 / 21

HEX #CA6924

RGB 202 105 36

HSL 24.94, 0.7%, 0.47%

LAB 54.85, 34, 53.01

 

CMYK 0 / 54 / 92 / 13

HEX #DE6611

RGB 222 102 17

HSL 24.88, 0.86%, 0.47%

LAB 57.15, 43.02, 62.36

 

CMYK 0 / 32 / 54 / 36

HEX #A4704B

RGB 164 112 75

HSL 24.94, 0.37%, 0.47%

LAB 51.82, 16.38, 28.75

 

CMYK 0 / 20 / 35 / 44

HEX #90735E

RGB 144 115 94

HSL 25.2, 0.21%, 0.47%

LAB 50.69, 8.22, 15.94

 

CMYK 0 / 6 / 9 / 51

HEX #7D7672

RGB 125 118 114

HSL 21.82, 0.05%, 0.47%

LAB 50.13, 1.93, 3.15

 

CMYK 20 / 8 / 0 / 48

HEX #6A7A85

RGB 106 122 133

HSL 204.44, 0.11%, 0.47%

LAB 50.31, -3.34, -7.97

 

CMYK 44 / 18 / 0 / 40

HEX #567D99

RGB 86 125 153

HSL 205.07, 0.28%, 0.47%

LAB 50.62, -5.89, -19.34

 

CMYK 0 / 54 / 47 / 36

HEX #A44B57

RGB 164 75 87

HSL 351.91, 0.37%, 0.47%

LAB 43.67, 37.92, 10.84

 

CMYK 0 / 47 / 54 / 36

HEX #A4574B

RGB 164 87 75

HSL 8.09, 0.37%, 0.47%

LAB 45.93, 30.4, 21.16

 

CMYK 0 / 33 / 54 / 36

HEX #A46E4B

RGB 164 110 75

HSL 23.6, 0.37%, 0.47%

LAB 51.33, 17.51, 28.12

 

CMYK 0 / 18 / 54 / 36

HEX #A4864B

RGB 164 134 75

HSL 39.78, 0.37%, 0.47%

LAB 57.51, 3.94, 35.78

 

CMYK 0 / 4 / 54 / 36

HEX #A49E4B

RGB 164 158 75

HSL 55.96, 0.37%, 0.47%

LAB 64.04, -9.15, 43.52

 

CMYK 0 / 32 / 54 / 58

HEX #6B4931

RGB 107 73 49

HSL 24.83, 0.37%, 0.31%

LAB 34.22, 11.45, 20.11

 

CMYK 0 / 31 / 54 / 47

HEX #875D3E

RGB 135 93 62

HSL 25.48, 0.37%, 0.39%

LAB 43.25, 13.45, 24.6

 

CMYK 0 / 32 / 54 / 36

HEX #A4704B

RGB 164 112 75

HSL 24.94, 0.37%, 0.47%

LAB 51.82, 16.38, 28.75

 

CMYK 0 / 27 / 46 / 29

HEX #B68562

RGB 182 133 98

HSL 25, 0.37%, 0.55%

LAB 59.53, 14.44, 26.22

 

CMYK 0 / 21 / 35 / 24

HEX #C39B7E

RGB 195 155 126

HSL 25.22, 0.37%, 0.63%

LAB 66.94, 10.82, 20.87

 

CMYK 0 / 32 / 54 / 36

HEX #A4704B

RGB 164 112 75

HSL 24.94, 0.37%, 0.47%

LAB 51.82, 16.38, 28.75

 

CMYK 33 / 0 / 54 / 36

HEX #6EA44B

RGB 110 164 75

HSL 96.4, 0.37%, 0.47%

LAB 61.98, -33.95, 40.14

 

CMYK 54 / 54 / 0 / 36

HEX #4B4BA4

RGB 75 75 164

HSL 240, 0.37%, 0.47%

LAB 36.38, 25.87, -48.31

 

CMYK 0 / 32 / 54 / 36

HEX #A4704B

RGB 164 112 75

HSL 24.94, 0.37%, 0.47%

LAB 51.82, 16.38, 28.75

 

CMYK 54 / 0 / 33 / 36

HEX #4BA46E

RGB 75 164 110

HSL 143.6, 0.37%, 0.47%

LAB 60.93, -39.3, 20.14

 

CMYK 33 / 54 / 0 / 36

HEX #6E4BA4

RGB 110 75 164

HSL 263.6, 0.37%, 0.47%

LAB 39.63, 34.26, -42.93

 

CMYK 0 / 32 / 54 / 36

HEX #A4704B

RGB 164 112 75

HSL 24.94, 0.37%, 0.47%

LAB 51.82, 16.38, 28.75

 

CMYK 33 / 0 / 54 / 36

HEX #6EA44B

RGB 110 164 75

HSL 96.4, 0.37%, 0.47%

LAB 61.98, -33.95, 40.14

 

CMYK 54 / 22 / 0 / 36

HEX #4B80A4

RGB 75 128 164

HSL 204.27, 0.37%, 0.47%

LAB 51.4, -7.03, -24.6

 

CMYK 22 / 54 / 0 / 36

HEX #804BA4

RGB 128 75 164

HSL 275.73, 0.37%, 0.47%

LAB 41.69, 39.09, -39.52

 

CMYK 0 / 32 / 54 / 36

HEX #A4704B

RGB 164 112 75

HSL 24.94, 0.37%, 0.47%

LAB 51.82, 16.38, 28.75

 

CMYK 49 / 0 / 54 / 36

HEX #54A44B

RGB 84 164 75

HSL 113.93, 0.37%, 0.47%

LAB 60.73, -42.54, 38.35

 

CMYK 54 / 22 / 0 / 36

HEX #4B80A4

RGB 75 128 164

HSL 204.27, 0.37%, 0.47%

LAB 51.4, -7.03, -24.6

 

CMYK 5 / 54 / 0 / 36

HEX #9B4BA4

RGB 155 75 164

HSL 293.93, 0.37%, 0.47%

LAB 45.19, 46.61, -33.75

 

Description

Color code: HEX #A4704B | qconv.com Color code: HEX #A4704B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 112 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 112 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 54 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 54% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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