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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A46254 it is the complementary color #5B9DAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A46254. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A46254 shade: #A9624F, #BA7462, #CB8675, #DC9888 and #EDAA9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A46254. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A46254 shade: #A46254, #935041, #823E2E, #712C1B and #601A08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A46254 shade: #A46254 and #A45454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A46254 shade: #A46254, #A47854, #A48E54, #A4A354 and #90A454

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A46254 shade matches the following richer shades: #A46254, #B95540, #CD482C, #E13B18 and #F52E04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A46254 shade: #A46254, #907069, #7C7D7D, #688A91 and #5497A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A46254 shade: #A45472, #A4545C, #A46254, #A47754 and #A48C54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A46254 shade: #6E4238, #895246, #A46254, #B47A6E and #C29389

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A46254 shade: #A46254, #87A454 and #5467A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A46254 shade: #A46254, #54A462 and #6254A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A46254 shade: #A46254, #87A454, #5497A4 and #7254A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A46254 shade: #A46254, #6FA454, #5497A4 and #8A54A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 49 / 36

HEX #A46254

RGB 164 98 84

HSL 10.5, 0.32%, 0.49%

LAB 48.6, 25.17, 19.37

 

Complementary color

CMYK 47 / 8 / 0 / 33

HEX #5B9DAB

RGB 91 157 171

HSL 190.5, 0.32%, 0.51%

LAB 61.03, -17.21, -13.85

 

CMYK 0 / 42 / 53 / 34

HEX #A9624F

RGB 169 98 79

HSL 12.67, 0.36%, 0.49%

LAB 49.17, 26.73, 23.19

 

CMYK 0 / 38 / 47 / 27

HEX #BA7462

RGB 186 116 98

HSL 12.27, 0.39%, 0.56%

LAB 55.9, 25.53, 21.51

 

CMYK 0 / 34 / 42 / 20

HEX #CB8675

RGB 203 134 117

HSL 11.86, 0.45%, 0.63%

LAB 62.53, 24.47, 20.03

 

CMYK 0 / 31 / 38 / 14

HEX #DC9888

RGB 220 152 136

HSL 11.43, 0.55%, 0.7%

LAB 69.08, 23.53, 18.71

 

CMYK 0 / 28 / 35 / 7

HEX #EDAA9B

RGB 237 170 155

HSL 10.98, 0.69%, 0.77%

LAB 75.53, 22.69, 17.51

 

CMYK 0 / 40 / 49 / 36

HEX #A46254

RGB 164 98 84

HSL 10.5, 0.32%, 0.49%

LAB 48.6, 25.17, 19.37

 

CMYK 0 / 46 / 56 / 42

HEX #935041

RGB 147 80 65

HSL 10.98, 0.39%, 0.42%

LAB 41.72, 26.44, 21.18

 

CMYK 0 / 52 / 65 / 49

HEX #823E2E

RGB 130 62 46

HSL 11.43, 0.48%, 0.35%

LAB 34.78, 27.86, 23.35

 

CMYK 0 / 61 / 76 / 56

HEX #712C1B

RGB 113 44 27

HSL 11.86, 0.61%, 0.27%

LAB 27.82, 29.4, 25.96

 

CMYK 0 / 73 / 92 / 62

HEX #601A08

RGB 96 26 8

HSL 12.27, 0.85%, 0.2%

LAB 20.99, 30.81, 27.9

 

CMYK 0 / 40 / 49 / 36

HEX #A46254

RGB 164 98 84

HSL 10.5, 0.32%, 0.49%

LAB 48.6, 25.17, 19.37

 

CMYK 0 / 49 / 49 / 36

HEX #A45454

RGB 164 84 84

HSL 0, 0.32%, 0.49%

LAB 45.46, 32.88, 15.13

 

CMYK 0 / 40 / 49 / 36

HEX #A46254

RGB 164 98 84

HSL 10.5, 0.32%, 0.49%

LAB 48.6, 25.17, 19.37

 

CMYK 0 / 27 / 49 / 36

HEX #A47854

RGB 164 120 84

HSL 27, 0.32%, 0.49%

LAB 53.99, 12.7, 26.46

 

CMYK 0 / 13 / 49 / 36

HEX #A48E54

RGB 164 142 84

HSL 43.5, 0.32%, 0.49%

LAB 59.78, 0.35, 33.79

 

CMYK 0 / 1 / 49 / 36

HEX #A4A354

RGB 164 163 84

HSL 59.25, 0.32%, 0.49%

LAB 65.54, -10.99, 40.83

 

CMYK 12 / 0 / 49 / 36

HEX #90A454

RGB 144 164 84

HSL 75, 0.32%, 0.49%

LAB 64.26, -19.8, 38.92

 

CMYK 0 / 40 / 49 / 36

HEX #A46254

RGB 164 98 84

HSL 10.5, 0.32%, 0.49%

LAB 48.6, 25.17, 19.37

 

CMYK 0 / 54 / 65 / 27

HEX #B95540

RGB 185 85 64

HSL 10.41, 0.49%, 0.49%

LAB 48.49, 38.86, 31.48

 

CMYK 0 / 65 / 79 / 20

HEX #CD482C

RGB 205 72 44

HSL 10.43, 0.65%, 0.49%

LAB 49.25, 51.25, 44.15

 

CMYK 0 / 74 / 89 / 12

HEX #E13B18

RGB 225 59 24

HSL 10.45, 0.81%, 0.49%

LAB 50.92, 62.18, 56.05

 

CMYK 0 / 81 / 98 / 4

HEX #F52E04

RGB 245 46 4

HSL 10.46, 0.97%, 0.49%

LAB 53.36, 71.49, 65.08

 

CMYK 0 / 40 / 49 / 36

HEX #A46254

RGB 164 98 84

HSL 10.5, 0.32%, 0.49%

LAB 48.6, 25.17, 19.37

 

CMYK 0 / 22 / 27 / 44

HEX #907069

RGB 144 112 105

HSL 10.77, 0.16%, 0.49%

LAB 50.14, 11.53, 8.73

 

CMYK 1 / 0 / 0 / 51

HEX #7C7D7D

RGB 124 125 125

HSL 180, 0%, 0.49%

LAB 52.32, -0.37, -0.14

 

CMYK 28 / 5 / 0 / 43

HEX #688A91

RGB 104 138 145

HSL 190.24, 0.16%, 0.49%

LAB 55.24, -10.13, -7.62

 

CMYK 49 / 8 / 0 / 35

HEX #5497A5

RGB 84 151 165

HSL 190.37, 0.33%, 0.49%

LAB 58.73, -17.38, -13.95

 

CMYK 0 / 49 / 30 / 36

HEX #A45472

RGB 164 84 114

HSL 337.5, 0.32%, 0.49%

LAB 46.24, 36.45, -1.98

 

CMYK 0 / 49 / 44 / 36

HEX #A4545C

RGB 164 84 92

HSL 354, 0.32%, 0.49%

LAB 45.64, 33.72, 10.53

 

CMYK 0 / 40 / 49 / 36

HEX #A46254

RGB 164 98 84

HSL 10.5, 0.32%, 0.49%

LAB 48.6, 25.17, 19.37

 

CMYK 0 / 27 / 49 / 36

HEX #A47754

RGB 164 119 84

HSL 26.25, 0.32%, 0.49%

LAB 53.74, 13.27, 26.13

 

CMYK 0 / 15 / 49 / 36

HEX #A48C54

RGB 164 140 84

HSL 42, 0.32%, 0.49%

LAB 59.24, 1.46, 33.12

 

CMYK 0 / 40 / 49 / 57

HEX #6E4238

RGB 110 66 56

HSL 11.11, 0.33%, 0.33%

LAB 32.91, 17.84, 14.13

 

CMYK 0 / 40 / 49 / 46

HEX #895246

RGB 137 82 70

HSL 10.75, 0.32%, 0.41%

LAB 40.89, 21.58, 16.8

 

CMYK 0 / 40 / 49 / 36

HEX #A46254

RGB 164 98 84

HSL 10.5, 0.32%, 0.49%

LAB 48.6, 25.17, 19.37

 

CMYK 0 / 32 / 39 / 29

HEX #B47A6E

RGB 180 122 110

HSL 10.29, 0.32%, 0.57%

LAB 56.83, 21.12, 15.76

 

CMYK 0 / 24 / 29 / 24

HEX #C29389

RGB 194 147 137

HSL 10.53, 0.32%, 0.65%

LAB 65.08, 16.27, 12.16

 

CMYK 0 / 40 / 49 / 36

HEX #A46254

RGB 164 98 84

HSL 10.5, 0.32%, 0.49%

LAB 48.6, 25.17, 19.37

 

CMYK 18 / 0 / 49 / 36

HEX #87A454

RGB 135 164 84

HSL 81.75, 0.32%, 0.49%

LAB 63.62, -23.42, 38

 

CMYK 49 / 37 / 0 / 36

HEX #5467A4

RGB 84 103 164

HSL 225.75, 0.32%, 0.49%

LAB 44.61, 10.18, -35.16

 

CMYK 0 / 40 / 49 / 36

HEX #A46254

RGB 164 98 84

HSL 10.5, 0.32%, 0.49%

LAB 48.6, 25.17, 19.37

 

CMYK 49 / 0 / 40 / 36

HEX #54A462

RGB 84 164 98

HSL 130.5, 0.32%, 0.49%

LAB 61.06, -39.11, 26.87

 

CMYK 40 / 49 / 0 / 36

HEX #6254A4

RGB 98 84 164

HSL 250.5, 0.32%, 0.49%

LAB 40.6, 25.68, -41.44

 

CMYK 0 / 40 / 49 / 36

HEX #A46254

RGB 164 98 84

HSL 10.5, 0.32%, 0.49%

LAB 48.6, 25.17, 19.37

 

CMYK 18 / 0 / 49 / 36

HEX #87A454

RGB 135 164 84

HSL 81.75, 0.32%, 0.49%

LAB 63.62, -23.42, 38

 

CMYK 49 / 8 / 0 / 36

HEX #5497A4

RGB 84 151 164

HSL 189.75, 0.32%, 0.49%

LAB 58.69, -17.67, -13.43

 

CMYK 30 / 49 / 0 / 36

HEX #7254A4

RGB 114 84 164

HSL 262.5, 0.32%, 0.49%

LAB 42.15, 30.01, -38.88

 

CMYK 0 / 40 / 49 / 36

HEX #A46254

RGB 164 98 84

HSL 10.5, 0.32%, 0.49%

LAB 48.6, 25.17, 19.37

 

CMYK 32 / 0 / 49 / 36

HEX #6FA454

RGB 111 164 84

HSL 99.75, 0.32%, 0.49%

LAB 62.14, -32.5, 35.85

 

CMYK 49 / 8 / 0 / 36

HEX #5497A4

RGB 84 151 164

HSL 189.75, 0.32%, 0.49%

LAB 58.69, -17.67, -13.43

 

CMYK 16 / 49 / 0 / 36

HEX #8A54A4

RGB 138 84 164

HSL 280.5, 0.32%, 0.49%

LAB 44.84, 36.91, -34.47

 

Description

Color code: HEX #A46254 | qconv.com Color code: HEX #A46254 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 98 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 98 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 49 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 49% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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