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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A461BD it is the complementary color #5B9E42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A461BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A461BD shade: #A961B8, #BA73CB, #CB85DE, #DC97F1 and #EDA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A461BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A461BD shade: #A461BD, #934FAA, #823D97, #712B84 and #601971

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A461BD shade: #A360BC, #BC60BC, #BC60A4, #BC608B and #BC6072

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A461BD shade: #A360BC, #8A60BC, #7260BC and #6060BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A461BD shade matches the following richer shades: #A360BC, #AC4ECE, #B43CE1 and #BC2AF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A461BD shade: #A360BC, #9B72AA, #938598, #8A9786 and #82A974

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A461BD shade: #7160BC, #8A60BC, #A260BC, #BB60BC and #BC60A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A461BD shade: #783B8F, #9148AC, #A360BC, #B47DC8 and #C59AD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A461BD shade: #A461BD, #BC6068 and #60BC7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A461BD shade: #A461BD, #BCA260 and #60BCA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A461BD shade: #A461BD, #BC6068, #7ABC60 and #60BCB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A461BD shade: #A461BD, #BC7460, #7ABC60 and #60A8BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 49 / 0 / 26

HEX #A461BD

RGB 164 97 189

HSL 283.7, 0.41%, 0.56%

LAB 51.97, 42.75, -37.64

 

Complementary color

CMYK 42 / 0 / 58 / 38

HEX #5B9E42

RGB 91 158 66

HSL 103.7, 0.41%, 0.44%

LAB 59.04, -38.87, 40.81

 

CMYK 8 / 47 / 0 / 28

HEX #A961B8

RGB 169 97 184

HSL 289.66, 0.38%, 0.55%

LAB 52.34, 43.17, -34.13

 

CMYK 8 / 43 / 0 / 20

HEX #BA73CB

RGB 186 115 203

HSL 288.41, 0.46%, 0.62%

LAB 58.99, 42.39, -34.46

 

CMYK 9 / 40 / 0 / 13

HEX #CB85DE

RGB 203 133 222

HSL 287.19, 0.57%, 0.7%

LAB 65.55, 41.63, -34.74

 

CMYK 9 / 37 / 0 / 5

HEX #DC97F1

RGB 220 151 241

HSL 286, 0.76%, 0.77%

LAB 72.03, 40.88, -35

 

CMYK 7 / 34 / 0 / 0

HEX #EDA9FF

RGB 237 169 255

HSL 287.44, 1%, 0.83%

LAB 78.23, 39.19, -32.86

 

CMYK 13 / 49 / 0 / 26

HEX #A461BD

RGB 164 97 189

HSL 283.7, 0.41%, 0.56%

LAB 51.97, 42.75, -37.64

 

CMYK 14 / 54 / 0 / 33

HEX #934FAA

RGB 147 79 170

HSL 284.84, 0.37%, 0.49%

LAB 45.22, 43.52, -37.34

 

CMYK 14 / 60 / 0 / 41

HEX #823D97

RGB 130 61 151

HSL 286, 0.42%, 0.42%

LAB 38.41, 44.19, -36.92

 

CMYK 14 / 67 / 0 / 48

HEX #712B84

RGB 113 43 132

HSL 287.19, 0.51%, 0.34%

LAB 31.59, 44.58, -36.26

 

CMYK 15 / 78 / 0 / 56

HEX #601971

RGB 96 25 113

HSL 288.41, 0.64%, 0.27%

LAB 24.87, 44.33, -35.15

 

CMYK 13 / 49 / 0 / 26

HEX #A360BC

RGB 163 96 188

HSL 283.7, 0.41%, 0.56%

LAB 51.59, 42.79, -37.66

 

CMYK 0 / 49 / 0 / 26

HEX #BC60BC

RGB 188 96 188

HSL 300, 0.41%, 0.56%

LAB 54.75, 49.98, -32.49

 

CMYK 0 / 49 / 13 / 26

HEX #BC60A4

RGB 188 96 164

HSL 315.65, 0.41%, 0.56%

LAB 53.75, 45.83, -20.13

 

CMYK 0 / 49 / 26 / 26

HEX #BC608B

RGB 188 96 139

HSL 331.96, 0.41%, 0.56%

LAB 52.86, 42.02, -6.77

 

CMYK 0 / 49 / 39 / 26

HEX #BC6072

RGB 188 96 114

HSL 348.26, 0.41%, 0.56%

LAB 52.14, 38.81, 7

 

CMYK 13 / 49 / 0 / 26

HEX #A360BC

RGB 163 96 188

HSL 283.7, 0.41%, 0.56%

LAB 51.59, 42.79, -37.66

 

CMYK 27 / 49 / 0 / 26

HEX #8A60BC

RGB 138 96 188

HSL 267.39, 0.41%, 0.56%

LAB 48.76, 35.75, -42.32

 

CMYK 39 / 49 / 0 / 26

HEX #7260BC

RGB 114 96 188

HSL 251.74, 0.41%, 0.56%

LAB 46.41, 29.37, -46.2

 

CMYK 49 / 49 / 0 / 26

HEX #6060BC

RGB 96 96 188

HSL 240, 0.41%, 0.56%

LAB 44.92, 25, -48.67

 

CMYK 13 / 49 / 0 / 26

HEX #A360BC

RGB 163 96 188

HSL 283.7, 0.41%, 0.56%

LAB 51.59, 42.79, -37.66

 

CMYK 17 / 62 / 0 / 19

HEX #AC4ECE

RGB 172 78 206

HSL 284.06, 0.57%, 0.56%

LAB 50.31, 57.92, -49.98

 

CMYK 20 / 73 / 0 / 12

HEX #B43CE1

RGB 180 60 225

HSL 283.64, 0.73%, 0.56%

LAB 49.94, 70.8, -61.34

 

CMYK 23 / 83 / 0 / 5

HEX #BC2AF3

RGB 188 42 243

HSL 283.58, 0.89%, 0.56%

LAB 50.47, 80.99, -70.58

 

CMYK 13 / 49 / 0 / 26

HEX #A360BC

RGB 163 96 188

HSL 283.7, 0.41%, 0.56%

LAB 51.59, 42.79, -37.66

 

CMYK 9 / 33 / 0 / 33

HEX #9B72AA

RGB 155 114 170

HSL 283.93, 0.25%, 0.56%

LAB 53.93, 26.42, -23.68

 

CMYK 3 / 13 / 0 / 40

HEX #938598

RGB 147 133 152

HSL 284.21, 0.08%, 0.56%

LAB 57.31, 8.93, -8.22

 

CMYK 9 / 0 / 11 / 41

HEX #8A9786

RGB 138 151 134

HSL 105.88, 0.08%, 0.56%

LAB 61.01, -7.98, 7.37

 

CMYK 23 / 0 / 31 / 34

HEX #82A974

RGB 130 169 116

HSL 104.15, 0.24%, 0.56%

LAB 65.27, -23.45, 23.18

 

CMYK 40 / 49 / 0 / 26

HEX #7160BC

RGB 113 96 188

HSL 251.09, 0.41%, 0.56%

LAB 46.32, 29.12, -46.35

 

CMYK 27 / 49 / 0 / 26

HEX #8A60BC

RGB 138 96 188

HSL 267.39, 0.41%, 0.56%

LAB 48.76, 35.75, -42.32

 

CMYK 14 / 49 / 0 / 26

HEX #A260BC

RGB 162 96 188

HSL 283.04, 0.41%, 0.56%

LAB 51.47, 42.5, -37.86

 

CMYK 1 / 49 / 0 / 26

HEX #BB60BC

RGB 187 96 188

HSL 299.35, 0.41%, 0.56%

LAB 54.62, 49.69, -32.7

 

CMYK 0 / 49 / 12 / 26

HEX #BC60A5

RGB 188 96 165

HSL 315, 0.41%, 0.56%

LAB 53.79, 45.99, -20.65

 

CMYK 16 / 59 / 0 / 44

HEX #783B8F

RGB 120 59 143

HSL 283.57, 0.42%, 0.4%

LAB 36.18, 40.8, -35.67

 

CMYK 16 / 58 / 0 / 33

HEX #9148AC

RGB 145 72 172

HSL 283.8, 0.41%, 0.48%

LAB 43.7, 47.04, -40.94

 

CMYK 13 / 49 / 0 / 26

HEX #A360BC

RGB 163 96 188

HSL 283.7, 0.41%, 0.56%

LAB 51.59, 42.79, -37.66

 

CMYK 10 / 38 / 0 / 22

HEX #B47DC8

RGB 180 125 200

HSL 284, 0.41%, 0.64%

LAB 60.37, 34.5, -30.66

 

CMYK 8 / 28 / 0 / 16

HEX #C59AD5

RGB 197 154 213

HSL 283.73, 0.41%, 0.72%

LAB 69.32, 26.5, -24

 

CMYK 13 / 49 / 0 / 26

HEX #A461BD

RGB 164 97 189

HSL 283.7, 0.41%, 0.56%

LAB 51.97, 42.75, -37.64

 

CMYK 0 / 49 / 45 / 26

HEX #BC6068

RGB 188 96 104

HSL 354.78, 0.41%, 0.56%

LAB 51.9, 37.7, 12.59

 

CMYK 49 / 0 / 34 / 26

HEX #60BC7D

RGB 96 188 125

HSL 138.91, 0.41%, 0.56%

LAB 69.42, -41.52, 23.66

 

CMYK 13 / 49 / 0 / 26

HEX #A461BD

RGB 164 97 189

HSL 283.7, 0.41%, 0.56%

LAB 51.97, 42.75, -37.64

 

CMYK 0 / 14 / 49 / 26

HEX #BCA260

RGB 188 162 96

HSL 43.04, 0.41%, 0.56%

LAB 67.56, 0.83, 37.66

 

CMYK 49 / 0 / 14 / 26

HEX #60BCA2

RGB 96 188 162

HSL 163.04, 0.41%, 0.56%

LAB 70.22, -33.76, 4.75

 

CMYK 13 / 49 / 0 / 26

HEX #A461BD

RGB 164 97 189

HSL 283.7, 0.41%, 0.56%

LAB 51.97, 42.75, -37.64

 

CMYK 0 / 49 / 45 / 26

HEX #BC6068

RGB 188 96 104

HSL 354.78, 0.41%, 0.56%

LAB 51.9, 37.7, 12.59

 

CMYK 35 / 0 / 49 / 26

HEX #7ABC60

RGB 122 188 96

HSL 103.04, 0.41%, 0.56%

LAB 70.14, -38.12, 39.8

 

CMYK 49 / 0 / 4 / 26

HEX #60BCB5

RGB 96 188 181

HSL 175.43, 0.41%, 0.56%

LAB 70.73, -29.1, -4.92

 

CMYK 13 / 49 / 0 / 26

HEX #A461BD

RGB 164 97 189

HSL 283.7, 0.41%, 0.56%

LAB 51.97, 42.75, -37.64

 

CMYK 0 / 38 / 49 / 26

HEX #BC7460

RGB 188 116 96

HSL 13.04, 0.41%, 0.56%

LAB 56.11, 26.14, 22.98

 

CMYK 35 / 0 / 49 / 26

HEX #7ABC60

RGB 122 188 96

HSL 103.04, 0.41%, 0.56%

LAB 70.14, -38.12, 39.8

 

CMYK 49 / 11 / 0 / 26

HEX #60A8BC

RGB 96 168 188

HSL 193.04, 0.41%, 0.56%

LAB 65.06, -17.09, -17.26

 

Description

Color code: HEX #A461BD | qconv.com Color code: HEX #A461BD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 97 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 97 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 49 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 49% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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