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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A468E3 it is the complementary color #5B971C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A468E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A468E3 shade: #A968DE, #BA7AF1, #CB8CFF, #DC9EFF and #EDB0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A468E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A468E3 shade: #A468E3, #9356D0, #8244BD, #7132AA and #602097

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A468E3 shade: #A468E3, #C568E3, #E368DF, #E368BE and #E3689D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A468E3 shade: #A468E3, #8368E3 and #6868E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A468E3 shade matches the following richer shades: #A468E3 and #A359F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A468E3 shade: #A468E3, #A476D4, #A485C6, #A593B8 and #A5A1A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A468E3 shade: #686EE3, #8268E3, #A368E3, #C468E3 and #E368E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A468E3 shade: #7A26D2, #8F45DC, #A468E3, #B98BE9 and #CEADF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A468E3 shade: #A468E3, #E3688F and #68E372

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A468E3 shade: #A468E3, #E3A368 and #68E3A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A468E3 shade: #A468E3, #E3688F, #A7E368 and #68E3BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A468E3 shade: #A468E3, #E3686A, #A7E368 and #68E3E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 54 / 0 / 11

HEX #A468E3

RGB 164 104 227

HSL 269.27, 0.69%, 0.65%

LAB 55.42, 47.53, -53.79

 

Complementary color

CMYK 40 / 0 / 81 / 41

HEX #5B971C

RGB 91 151 28

HSL 89.27, 0.69%, 0.35%

LAB 56.53, -38.91, 53.45

 

CMYK 24 / 53 / 0 / 13

HEX #A968DE

RGB 169 104 222

HSL 273.05, 0.64%, 0.64%

LAB 55.69, 47.63, -50.51

 

CMYK 23 / 49 / 0 / 5

HEX #BA7AF1

RGB 186 122 241

HSL 272.27, 0.81%, 0.71%

LAB 62.26, 46.76, -50.57

 

CMYK 20 / 45 / 0 / 0

HEX #CB8CFF

RGB 203 140 255

HSL 272.87, 1%, 0.77%

LAB 68.51, 44.81, -48.26

 

CMYK 14 / 38 / 0 / 0

HEX #DC9EFF

RGB 220 158 255

HSL 278.35, 1%, 0.81%

LAB 74.12, 39.98, -39.36

 

CMYK 7 / 31 / 0 / 0

HEX #EDB0FF

RGB 237 176 255

HSL 286.33, 1%, 0.85%

LAB 79.77, 35.48, -30.48

 

CMYK 28 / 54 / 0 / 11

HEX #A468E3

RGB 164 104 227

HSL 269.27, 0.69%, 0.65%

LAB 55.42, 47.53, -53.79

 

CMYK 29 / 59 / 0 / 18

HEX #9356D0

RGB 147 86 208

HSL 270, 0.56%, 0.58%

LAB 48.78, 48.44, -53.75

 

CMYK 31 / 64 / 0 / 26

HEX #8244BD

RGB 130 68 189

HSL 270.74, 0.48%, 0.5%

LAB 42.08, 49.29, -53.63

 

CMYK 34 / 71 / 0 / 33

HEX #7132AA

RGB 113 50 170

HSL 271.5, 0.55%, 0.43%

LAB 35.39, 49.93, -53.32

 

CMYK 36 / 79 / 0 / 41

HEX #602097

RGB 96 32 151

HSL 272.27, 0.65%, 0.36%

LAB 28.78, 50.08, -52.66

 

CMYK 28 / 54 / 0 / 11

HEX #A468E3

RGB 164 104 227

HSL 269.27, 0.69%, 0.65%

LAB 55.42, 47.53, -53.79

 

CMYK 13 / 54 / 0 / 11

HEX #C568E3

RGB 197 104 227

HSL 285.37, 0.69%, 0.65%

LAB 59.27, 55.93, -47.44

 

CMYK 0 / 54 / 2 / 11

HEX #E368DF

RGB 227 104 223

HSL 301.95, 0.69%, 0.65%

LAB 62.98, 63.07, -39.09

 

CMYK 0 / 54 / 16 / 11

HEX #E368BE

RGB 227 104 190

HSL 318.05, 0.69%, 0.65%

LAB 61.61, 57.82, -22.6

 

CMYK 0 / 54 / 31 / 11

HEX #E3689D

RGB 227 104 157

HSL 334.15, 0.69%, 0.65%

LAB 60.49, 53.31, -5.37

 

CMYK 28 / 54 / 0 / 11

HEX #A468E3

RGB 164 104 227

HSL 269.27, 0.69%, 0.65%

LAB 55.42, 47.53, -53.79

 

CMYK 42 / 54 / 0 / 11

HEX #8368E3

RGB 131 104 227

HSL 253.17, 0.69%, 0.65%

LAB 52.14, 39.67, -59.22

 

CMYK 54 / 54 / 0 / 11

HEX #6868E3

RGB 104 104 227

HSL 240, 0.69%, 0.65%

LAB 49.97, 33.98, -62.84

 

CMYK 28 / 54 / 0 / 11

HEX #A468E3

RGB 164 104 227

HSL 269.27, 0.69%, 0.65%

LAB 55.42, 47.53, -53.79

 

CMYK 32 / 63 / 0 / 5

HEX #A359F1

RGB 163 89 241

HSL 269.21, 0.84%, 0.65%

LAB 53.26, 58.33, -65.11

 

CMYK 28 / 54 / 0 / 11

HEX #A468E3

RGB 164 104 227

HSL 269.27, 0.69%, 0.65%

LAB 55.42, 47.53, -53.79

 

CMYK 23 / 44 / 0 / 17

HEX #A476D4

RGB 164 118 212

HSL 269.36, 0.52%, 0.65%

LAB 57.66, 36.3, -41.8

 

CMYK 17 / 33 / 0 / 22

HEX #A485C6

RGB 164 133 198

HSL 268.62, 0.36%, 0.65%

LAB 60.56, 24.57, -29.37

 

CMYK 10 / 20 / 0 / 28

HEX #A593B8

RGB 165 147 184

HSL 269.19, 0.21%, 0.65%

LAB 63.61, 13.86, -16.79

 

CMYK 2 / 5 / 0 / 34

HEX #A5A1A9

RGB 165 161 169

HSL 270, 0.04%, 0.65%

LAB 66.79, 2.97, -3.64

 

CMYK 54 / 52 / 0 / 11

HEX #686EE3

RGB 104 110 227

HSL 237.07, 0.69%, 0.65%

LAB 51.43, 30.36, -60.48

 

CMYK 43 / 54 / 0 / 11

HEX #8268E3

RGB 130 104 227

HSL 252.68, 0.69%, 0.65%

LAB 52.05, 39.44, -59.37

 

CMYK 28 / 54 / 0 / 11

HEX #A368E3

RGB 163 104 227

HSL 268.78, 0.69%, 0.65%

LAB 55.31, 47.28, -53.97

 

CMYK 14 / 54 / 0 / 11

HEX #C468E3

RGB 196 104 227

HSL 284.88, 0.69%, 0.65%

LAB 59.14, 55.67, -47.64

 

CMYK 0 / 54 / 1 / 11

HEX #E368E1

RGB 227 104 225

HSL 300.98, 0.69%, 0.65%

LAB 63.07, 63.41, -40.07

 

CMYK 42 / 82 / 0 / 18

HEX #7A26D2

RGB 122 38 210

HSL 269.3, 0.69%, 0.49%

LAB 38.16, 65.69, -72.27

 

CMYK 35 / 69 / 0 / 14

HEX #8F45DC

RGB 143 69 220

HSL 269.4, 0.68%, 0.57%

LAB 45.99, 58.91, -65.12

 

CMYK 28 / 54 / 0 / 11

HEX #A468E3

RGB 164 104 227

HSL 269.27, 0.69%, 0.65%

LAB 55.42, 47.53, -53.79

 

CMYK 21 / 40 / 0 / 9

HEX #B98BE9

RGB 185 139 233

HSL 269.36, 0.68%, 0.73%

LAB 65.49, 35.41, -41.07

 

CMYK 14 / 28 / 0 / 6

HEX #CEADF0

RGB 206 173 240

HSL 269.55, 0.69%, 0.81%

LAB 75.64, 24.49, -29

 

CMYK 28 / 54 / 0 / 11

HEX #A468E3

RGB 164 104 227

HSL 269.27, 0.69%, 0.65%

LAB 55.42, 47.53, -53.79

 

CMYK 0 / 54 / 37 / 11

HEX #E3688F

RGB 227 104 143

HSL 340.98, 0.69%, 0.65%

LAB 60.08, 51.64, 2.14

 

CMYK 54 / 0 / 50 / 11

HEX #68E372

RGB 104 227 114

HSL 124.88, 0.69%, 0.65%

LAB 81.34, -57.1, 44.69

 

CMYK 28 / 54 / 0 / 11

HEX #A468E3

RGB 164 104 227

HSL 269.27, 0.69%, 0.65%

LAB 55.42, 47.53, -53.79

 

CMYK 0 / 28 / 54 / 11

HEX #E3A368

RGB 227 163 104

HSL 28.78, 0.69%, 0.65%

LAB 71.91, 17.23, 39.79

 

CMYK 54 / 0 / 28 / 11

HEX #68E3A3

RGB 104 227 163

HSL 148.78, 0.69%, 0.65%

LAB 82.12, -48.91, 21.05

 

CMYK 28 / 54 / 0 / 11

HEX #A468E3

RGB 164 104 227

HSL 269.27, 0.69%, 0.65%

LAB 55.42, 47.53, -53.79

 

CMYK 0 / 54 / 37 / 11

HEX #E3688F

RGB 227 104 143

HSL 340.98, 0.69%, 0.65%

LAB 60.08, 51.64, 2.14

 

CMYK 26 / 0 / 54 / 11

HEX #A7E368

RGB 167 227 104

HSL 89.27, 0.69%, 0.65%

LAB 84.05, -38.94, 53.28

 

CMYK 54 / 0 / 17 / 11

HEX #68E3BC

RGB 104 227 188

HSL 160.98, 0.69%, 0.65%

LAB 82.65, -43.62, 8.69

 

CMYK 28 / 54 / 0 / 11

HEX #A468E3

RGB 164 104 227

HSL 269.27, 0.69%, 0.65%

LAB 55.42, 47.53, -53.79

 

CMYK 0 / 54 / 53 / 11

HEX #E3686A

RGB 227 104 106

HSL 359.02, 0.69%, 0.65%

LAB 59.23, 48.03, 22.36

 

CMYK 26 / 0 / 54 / 11

HEX #A7E368

RGB 167 227 104

HSL 89.27, 0.69%, 0.65%

LAB 84.05, -38.94, 53.28

 

CMYK 54 / 0 / 1 / 11

HEX #68E3E1

RGB 104 227 225

HSL 179.02, 0.69%, 0.65%

LAB 83.61, -34.61, -9.47

 

Description

Color code: HEX #A468E3 | qconv.com Color code: HEX #A468E3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 104 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 104 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 54 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 54% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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