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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A45C3D it is the complementary color #5BA3C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A45C3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A45C3D shade: #A95C38, #BA6E4B, #CB805E, #DC9271 and #EDA484

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A45C3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A45C3D shade: #A45C3D, #934A2A, #823817, #712604 and #601400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A45C3D shade: #A35B3C, #A33F3C and #A33C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A45C3D shade: #A35B3C, #A3773C, #A3933C, #98A33C and #7CA33C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A45C3D shade matches the following richer shades: #A35B3C, #B5542A, #C84D18 and #DA4506

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A45C3D shade: #A35B3C, #91624E, #7F6A60, #6D7173 and #5B7885

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A45C3D shade: #A33C54, #A3403C, #A35B3C, #A3773C and #A3923C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A45C3D shade: #673926, #854A31, #A35B3C, #BD6E4C and #C8866A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A45C3D shade: #A45C3D, #70A33C and #3C46A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A45C3D shade: #A45C3D, #3CA35B and #5B3CA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A45C3D shade: #A45C3D, #70A33C, #3C84A3 and #703CA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A45C3D shade: #A45C3D, #51A33C, #3C84A3 and #8F3CA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 63 / 36

HEX #A45C3D

RGB 164 92 61

HSL 18.06, 0.46%, 0.44%

LAB 46.82, 26.51, 30.44

 

Complementary color

CMYK 53 / 16 / 0 / 24

HEX #5BA3C2

RGB 91 163 194

HSL 198.06, 0.46%, 0.56%

LAB 63.6, -13.82, -22.85

 

CMYK 0 / 46 / 67 / 34

HEX #A95C38

RGB 169 92 56

HSL 19.12, 0.5%, 0.44%

LAB 47.46, 28.26, 34.16

 

CMYK 0 / 41 / 60 / 27

HEX #BA6E4B

RGB 186 110 75

HSL 18.92, 0.45%, 0.51%

LAB 54.13, 26.78, 32.23

 

CMYK 0 / 37 / 54 / 20

HEX #CB805E

RGB 203 128 94

HSL 18.72, 0.51%, 0.58%

LAB 60.73, 25.47, 30.48

 

CMYK 0 / 34 / 49 / 14

HEX #DC9271

RGB 220 146 113

HSL 18.5, 0.6%, 0.65%

LAB 67.25, 24.32, 28.9

 

CMYK 0 / 31 / 44 / 7

HEX #EDA484

RGB 237 164 132

HSL 18.29, 0.74%, 0.72%

LAB 73.69, 23.3, 27.47

 

CMYK 0 / 44 / 63 / 36

HEX #A45C3D

RGB 164 92 61

HSL 18.06, 0.46%, 0.44%

LAB 46.82, 26.51, 30.44

 

CMYK 0 / 50 / 71 / 42

HEX #934A2A

RGB 147 74 42

HSL 18.29, 0.56%, 0.37%

LAB 40.03, 28.1, 32.53

 

CMYK 0 / 57 / 82 / 49

HEX #823817

RGB 130 56 23

HSL 18.5, 0.7%, 0.3%

LAB 33.21, 29.86, 34.7

 

CMYK 0 / 66 / 96 / 56

HEX #712604

RGB 113 38 4

HSL 18.72, 0.93%, 0.23%

LAB 26.46, 31.66, 36.11

 

CMYK 0 / 79 / 100 / 62

HEX #601400

RGB 96 20 0

HSL 12.5, 1%, 0.19%

LAB 19.99, 33.13, 30.05

 

CMYK 0 / 44 / 63 / 36

HEX #A35B3C

RGB 163 91 60

HSL 18.06, 0.46%, 0.44%

LAB 46.44, 26.57, 30.51

 

CMYK 0 / 61 / 63 / 36

HEX #A33F3C

RGB 163 63 60

HSL 1.75, 0.46%, 0.44%

LAB 40.68, 41.19, 23.38

 

CMYK 0 / 63 / 63 / 36

HEX #A33C3C

RGB 163 60 60

HSL 0, 0.46%, 0.44%

LAB 40.15, 42.6, 22.71

 

CMYK 0 / 44 / 63 / 36

HEX #A35B3C

RGB 163 91 60

HSL 18.06, 0.46%, 0.44%

LAB 46.44, 26.57, 30.51

 

CMYK 0 / 27 / 63 / 36

HEX #A3773C

RGB 163 119 60

HSL 34.37, 0.46%, 0.44%

LAB 53.28, 10.75, 38.57

 

CMYK 0 / 10 / 63 / 36

HEX #A3933C

RGB 163 147 60

HSL 50.68, 0.46%, 0.44%

LAB 60.76, -4.84, 46.94

 

CMYK 7 / 0 / 63 / 36

HEX #98A33C

RGB 152 163 60

HSL 66.41, 0.46%, 0.44%

LAB 64.32, -18.08, 50.51

 

CMYK 24 / 0 / 63 / 36

HEX #7CA33C

RGB 124 163 60

HSL 82.72, 0.46%, 0.44%

LAB 62.34, -29.65, 47.79

 

CMYK 0 / 44 / 63 / 36

HEX #A35B3C

RGB 163 91 60

HSL 18.06, 0.46%, 0.44%

LAB 46.44, 26.57, 30.51

 

CMYK 0 / 54 / 77 / 29

HEX #B5542A

RGB 181 84 42

HSL 18.13, 0.62%, 0.44%

LAB 47.41, 36.66, 42.02

 

CMYK 0 / 62 / 88 / 22

HEX #C84D18

RGB 200 77 24

HSL 18.07, 0.79%, 0.44%

LAB 49.07, 46.72, 52.69

 

CMYK 0 / 68 / 97 / 15

HEX #DA4506

RGB 218 69 6

HSL 17.83, 0.95%, 0.44%

LAB 50.89, 56.13, 60.56

 

CMYK 0 / 44 / 63 / 36

HEX #A35B3C

RGB 163 91 60

HSL 18.06, 0.46%, 0.44%

LAB 46.44, 26.57, 30.51

 

CMYK 0 / 32 / 46 / 43

HEX #91624E

RGB 145 98 78

HSL 17.91, 0.3%, 0.44%

LAB 46.05, 16.56, 19.08

 

CMYK 0 / 17 / 24 / 50

HEX #7F6A60

RGB 127 106 96

HSL 19.35, 0.14%, 0.44%

LAB 46.53, 6.65, 8.71

 

CMYK 5 / 2 / 0 / 55

HEX #6D7173

RGB 109 113 115

HSL 200, 0.03%, 0.44%

LAB 47.36, -1.1, -1.64

 

CMYK 32 / 10 / 0 / 48

HEX #5B7885

RGB 91 120 133

HSL 198.57, 0.19%, 0.44%

LAB 48.7, -7.09, -10.48

 

CMYK 0 / 63 / 48 / 36

HEX #A33C54

RGB 163 60 84

HSL 346.02, 0.46%, 0.44%

LAB 40.67, 44.57, 8.46

 

CMYK 0 / 61 / 63 / 36

HEX #A3403C

RGB 163 64 60

HSL 2.33, 0.46%, 0.44%

LAB 40.86, 40.71, 23.61

 

CMYK 0 / 44 / 63 / 36

HEX #A35B3C

RGB 163 91 60

HSL 18.06, 0.46%, 0.44%

LAB 46.44, 26.57, 30.51

 

CMYK 0 / 27 / 63 / 36

HEX #A3773C

RGB 163 119 60

HSL 34.37, 0.46%, 0.44%

LAB 53.28, 10.75, 38.57

 

CMYK 0 / 10 / 63 / 36

HEX #A3923C

RGB 163 146 60

HSL 50.1, 0.46%, 0.44%

LAB 60.49, -4.3, 46.64

 

CMYK 0 / 45 / 63 / 60

HEX #673926

RGB 103 57 38

HSL 17.54, 0.46%, 0.28%

LAB 29.29, 18.37, 20.55

 

CMYK 0 / 44 / 63 / 48

HEX #854A31

RGB 133 74 49

HSL 17.86, 0.46%, 0.36%

LAB 38.03, 22.56, 25.65

 

CMYK 0 / 44 / 63 / 36

HEX #A35B3C

RGB 163 91 60

HSL 18.06, 0.46%, 0.44%

LAB 46.44, 26.57, 30.51

 

CMYK 0 / 42 / 60 / 26

HEX #BD6E4C

RGB 189 110 76

HSL 18.05, 0.46%, 0.52%

LAB 54.55, 28.09, 32.28

 

CMYK 0 / 33 / 47 / 22

HEX #C8866A

RGB 200 134 106

HSL 17.87, 0.46%, 0.6%

LAB 61.97, 22.11, 25.37

 

CMYK 0 / 44 / 63 / 36

HEX #A45C3D

RGB 164 92 61

HSL 18.06, 0.46%, 0.44%

LAB 46.82, 26.51, 30.44

 

CMYK 31 / 0 / 63 / 36

HEX #70A33C

RGB 112 163 60

HSL 89.71, 0.46%, 0.44%

LAB 61.62, -34.27, 46.8

 

CMYK 63 / 57 / 0 / 36

HEX #3C46A3

RGB 60 70 163

HSL 234.17, 0.46%, 0.44%

LAB 33.95, 25.85, -51.7

 

CMYK 0 / 44 / 63 / 36

HEX #A45C3D

RGB 164 92 61

HSL 18.06, 0.46%, 0.44%

LAB 46.82, 26.51, 30.44

 

CMYK 63 / 0 / 44 / 36

HEX #3CA35B

RGB 60 163 91

HSL 138.06, 0.46%, 0.44%

LAB 59.81, -45.88, 28.81

 

CMYK 44 / 63 / 0 / 36

HEX #5B3CA3

RGB 91 60 163

HSL 258.06, 0.46%, 0.44%

LAB 34.19, 38.21, -51.19

 

CMYK 0 / 44 / 63 / 36

HEX #A45C3D

RGB 164 92 61

HSL 18.06, 0.46%, 0.44%

LAB 46.82, 26.51, 30.44

 

CMYK 31 / 0 / 63 / 36

HEX #70A33C

RGB 112 163 60

HSL 89.71, 0.46%, 0.44%

LAB 61.62, -34.27, 46.8

 

CMYK 63 / 19 / 0 / 36

HEX #3C84A3

RGB 60 132 163

HSL 198.06, 0.46%, 0.44%

LAB 51.96, -12.74, -23.21

 

CMYK 31 / 63 / 0 / 36

HEX #703CA3

RGB 112 60 163

HSL 270.29, 0.46%, 0.44%

LAB 36.59, 42.95, -47.18

 

CMYK 0 / 44 / 63 / 36

HEX #A45C3D

RGB 164 92 61

HSL 18.06, 0.46%, 0.44%

LAB 46.82, 26.51, 30.44

 

CMYK 50 / 0 / 63 / 36

HEX #51A33C

RGB 81 163 60

HSL 107.77, 0.46%, 0.44%

LAB 60.13, -44.76, 44.73

 

CMYK 63 / 19 / 0 / 36

HEX #3C84A3

RGB 60 132 163

HSL 198.06, 0.46%, 0.44%

LAB 51.96, -12.74, -23.21

 

CMYK 12 / 63 / 0 / 36

HEX #8F3CA3

RGB 143 60 163

HSL 288.35, 0.46%, 0.44%

LAB 40.76, 50.51, -40.28

 

Description

Color code: HEX #A45C3D | qconv.com Color code: HEX #A45C3D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 92 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 92 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 63 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 63% 36% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

24% - Javascript Jedi
Link: http://javascript-jedi.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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