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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4003F it is the complementary color #5BFFC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4003F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4003F shade: #A9003A, #BA124D, #CB2460, #DC3673 and #ED4886

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4003F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4003F shade: #A4003F, #93002C, #820019, #710006 and #600000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4003F shade: #A3003E, #A30012 and #A30000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4003F shade: #A3003E, #A3006A, #A30096, #8300A3 and #5700A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4003F shade matches the following richer shades: #A3003E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4003F shade: #A3003E, #950D41, #881A44, #7B2747 and #6E344A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4003F shade: #A30098, #A3006C, #A30041, #A30015 and #A31500

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4003F shade: #50001E, #79002E, #A3003E, #CC004E and #F5005E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4003F shade: #A4003F, #A38200 and #0082A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4003F shade: #A4003F, #41A300 and #0041A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4003F shade: #A4003F, #A38200, #00A361 and #0020A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4003F shade: #A4003F, #92A300, #00A361 and #1000A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 62 / 36

HEX #A4003F

RGB 164 0 63

HSL 336.95, 1%, 0.32%

LAB 34.5, 59.59, 13.4

 

Complementary color

CMYK 64 / 0 / 25 / 0

HEX #5BFFC0

RGB 91 255 192

HSL 156.95, 1%, 0.68%

LAB 90.57, -56.85, 17.78

 

CMYK 0 / 100 / 66 / 34

HEX #A9003A

RGB 169 0 58

HSL 339.41, 1%, 0.33%

LAB 35.48, 60.51, 18.17

 

CMYK 0 / 90 / 59 / 27

HEX #BA124D

RGB 186 18 77

HSL 338.93, 0.82%, 0.4%

LAB 40.26, 63.59, 12.97

 

CMYK 0 / 82 / 53 / 20

HEX #CB2460

RGB 203 36 96

HSL 338.44, 0.7%, 0.47%

LAB 45.36, 65.69, 8.64

 

CMYK 0 / 75 / 48 / 14

HEX #DC3673

RGB 220 54 115

HSL 337.95, 0.7%, 0.54%

LAB 50.79, 66.78, 5.16

 

CMYK 0 / 70 / 43 / 7

HEX #ED4886

RGB 237 72 134

HSL 337.45, 0.82%, 0.61%

LAB 56.45, 67.19, 2.33

 

CMYK 0 / 100 / 62 / 36

HEX #A4003F

RGB 164 0 63

HSL 336.95, 1%, 0.32%

LAB 34.5, 59.59, 13.4

 

CMYK 0 / 100 / 70 / 42

HEX #93002C

RGB 147 0 44

HSL 342.04, 1%, 0.29%

LAB 30.36, 54.34, 19.82

 

CMYK 0 / 100 / 81 / 49

HEX #820019

RGB 130 0 25

HSL 348.46, 1%, 0.25%

LAB 26.2, 49.16, 26.42

 

CMYK 0 / 100 / 95 / 56

HEX #710006

RGB 113 0 6

HSL 356.81, 1%, 0.22%

LAB 22.03, 44.08, 30.95

 

CMYK 0 / 100 / 100 / 62

HEX #600000

RGB 96 0 0

HSL 0, 1%, 0.19%

LAB 17.86, 39.18, 27.56

 

CMYK 0 / 100 / 62 / 36

HEX #A3003E

RGB 163 0 62

HSL 337.18, 1%, 0.32%

LAB 34.26, 59.28, 13.7

 

CMYK 0 / 100 / 89 / 36

HEX #A30012

RGB 163 0 18

HSL 353.37, 1%, 0.32%

LAB 33.63, 57.57, 40.07

 

CMYK 0 / 100 / 100 / 36

HEX #A30000

RGB 163 0 0

HSL 0, 1%, 0.32%

LAB 33.53, 57.32, 47.71

 

CMYK 0 / 100 / 62 / 36

HEX #A3003E

RGB 163 0 62

HSL 337.18, 1%, 0.32%

LAB 34.26, 59.28, 13.7

 

CMYK 0 / 100 / 35 / 36

HEX #A3006A

RGB 163 0 106

HSL 320.98, 1%, 0.32%

LAB 35.65, 62.93, -12.86

 

CMYK 0 / 100 / 8 / 36

HEX #A30096

RGB 163 0 150

HSL 304.79, 1%, 0.32%

LAB 37.82, 68.39, -36.9

 

CMYK 20 / 100 / 0 / 36

HEX #8300A3

RGB 131 0 163

HSL 288.22, 1%, 0.32%

LAB 32.85, 65.34, -53.1

 

CMYK 47 / 100 / 0 / 36

HEX #5700A3

RGB 87 0 163

HSL 272.02, 1%, 0.32%

LAB 25.77, 60.16, -64.97

 

CMYK 0 / 100 / 62 / 36

HEX #A3003E

RGB 163 0 62

HSL 337.18, 1%, 0.32%

LAB 34.26, 59.28, 13.7

 

CMYK 0 / 100 / 62 / 36

HEX #A3003E

RGB 163 0 62

HSL 337.18, 1%, 0.32%

LAB 34.26, 59.28, 13.7

 

CMYK 0 / 91 / 56 / 42

HEX #950D41

RGB 149 13 65

HSL 337.06, 0.84%, 0.32%

LAB 31.94, 54.19, 8.05

 

CMYK 0 / 81 / 50 / 47

HEX #881A44

RGB 136 26 68

HSL 337.09, 0.68%, 0.32%

LAB 30.38, 47.87, 3.46

 

CMYK 0 / 68 / 42 / 52

HEX #7B2747

RGB 123 39 71

HSL 337.14, 0.52%, 0.32%

LAB 29.71, 39.28, 0.19

 

CMYK 0 / 53 / 33 / 57

HEX #6E344A

RGB 110 52 74

HSL 337.24, 0.36%, 0.32%

LAB 30.07, 28.41, -1.51

 

CMYK 0 / 100 / 7 / 36

HEX #A30098

RGB 163 0 152

HSL 304.05, 1%, 0.32%

LAB 37.94, 68.68, -37.94

 

CMYK 0 / 100 / 34 / 36

HEX #A3006C

RGB 163 0 108

HSL 320.25, 1%, 0.32%

LAB 35.73, 63.14, -14.01

 

CMYK 0 / 100 / 60 / 36

HEX #A30041

RGB 163 0 65

HSL 336.07, 1%, 0.32%

LAB 34.33, 59.47, 11.82

 

CMYK 0 / 100 / 87 / 36

HEX #A30015

RGB 163 0 21

HSL 352.27, 1%, 0.32%

LAB 33.65, 57.63, 38.53

 

CMYK 0 / 87 / 100 / 36

HEX #A31500

RGB 163 21 0

HSL 7.73, 1%, 0.32%

LAB 34.65, 54.12, 48.35

 

CMYK 0 / 100 / 63 / 69

HEX #50001E

RGB 80 0 30

HSL 337.5, 1%, 0.16%

LAB 14.4, 36, 5.68

 

CMYK 0 / 100 / 62 / 53

HEX #79002E

RGB 121 0 46

HSL 337.19, 1%, 0.24%

LAB 24.52, 47.87, 9.69

 

CMYK 0 / 100 / 62 / 36

HEX #A3003E

RGB 163 0 62

HSL 337.18, 1%, 0.32%

LAB 34.26, 59.28, 13.7

 

CMYK 0 / 100 / 62 / 20

HEX #CC004E

RGB 204 0 78

HSL 337.06, 1%, 0.4%

LAB 43.34, 69.94, 17.15

 

CMYK 0 / 100 / 62 / 4

HEX #F5005E

RGB 245 0 94

HSL 336.98, 1%, 0.48%

LAB 52.09, 80.21, 20.44

 

CMYK 0 / 100 / 62 / 36

HEX #A4003F

RGB 164 0 63

HSL 336.95, 1%, 0.32%

LAB 34.5, 59.59, 13.4

 

CMYK 0 / 20 / 100 / 36

HEX #A38200

RGB 163 130 0

HSL 47.85, 1%, 0.32%

LAB 55.84, 2.32, 61.08

 

CMYK 100 / 20 / 0 / 36

HEX #0082A3

RGB 0 130 163

HSL 192.15, 1%, 0.32%

LAB 50.23, -17.72, -25.97

 

CMYK 0 / 100 / 62 / 36

HEX #A4003F

RGB 164 0 63

HSL 336.95, 1%, 0.32%

LAB 34.5, 59.59, 13.4

 

CMYK 60 / 0 / 100 / 36

HEX #41A300

RGB 65 163 0

HSL 96.07, 1%, 0.32%

LAB 59.27, -52.57, 60.79

 

CMYK 100 / 60 / 0 / 36

HEX #0041A3

RGB 0 65 163

HSL 216.07, 1%, 0.32%

LAB 30.46, 23.35, -57.47

 

CMYK 0 / 100 / 62 / 36

HEX #A4003F

RGB 164 0 63

HSL 336.95, 1%, 0.32%

LAB 34.5, 59.59, 13.4

 

CMYK 0 / 20 / 100 / 36

HEX #A38200

RGB 163 130 0

HSL 47.85, 1%, 0.32%

LAB 55.84, 2.32, 61.08

 

CMYK 100 / 0 / 40 / 36

HEX #00A361

RGB 0 163 97

HSL 155.71, 1%, 0.32%

LAB 59.03, -51.67, 24.42

 

CMYK 100 / 80 / 0 / 36

HEX #0020A3

RGB 0 32 163

HSL 228.22, 1%, 0.32%

LAB 22.57, 44.58, -70.48

 

CMYK 0 / 100 / 62 / 36

HEX #A4003F

RGB 164 0 63

HSL 336.95, 1%, 0.32%

LAB 34.5, 59.59, 13.4

 

CMYK 10 / 0 / 100 / 36

HEX #92A300

RGB 146 163 0

HSL 66.26, 1%, 0.32%

LAB 63.59, -22.93, 65.99

 

CMYK 100 / 0 / 40 / 36

HEX #00A361

RGB 0 163 97

HSL 155.71, 1%, 0.32%

LAB 59.03, -51.67, 24.42

 

CMYK 90 / 100 / 0 / 36

HEX #1000A3

RGB 16 0 163

HSL 245.89, 1%, 0.32%

LAB 19.03, 56.81, -76.37

 

Description

Color code: HEX #A4003F | qconv.com Color code: HEX #A4003F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, none green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 0 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 62 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 62% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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