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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4096B it is the complementary color #5BF694. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4096B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4096B shade: #A90966, #BA1B79, #CB2D8C, #DC3F9F and #ED51B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4096B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4096B shade: #A4096B, #930058, #820045, #710032 and #60001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4096B shade: #A4086B, #A40841, #A40817 and #A40808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4096B shade: #A4086B, #A40895, #8908A4, #5F08A4 and #3508A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4096B shade matches the following richer shades: #A4086B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4096B shade: #A4086B, #961667, #882463, #7A3260 and #6C405C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4096B shade: #8A08A4, #A40895, #A4086B, #A40841 and #A40818

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4096B shade: #560438, #7D0651, #A4086B, #CB0A84 and #F20D9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4096B shade: #A4096B, #A46108 and #08A49F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4096B shade: #A4096B, #6BA408 and #086BA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4096B shade: #A4096B, #A46108, #08A441 and #084CA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4096B shade: #A4096B, #A48F08, #08A441 and #081DA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 35 / 36

HEX #A4096B

RGB 164 9 107

HSL 322.06, 0.9%, 0.34%

LAB 36.27, 62.15, -12.53

 

Complementary color

CMYK 63 / 0 / 40 / 4

HEX #5BF694

RGB 91 246 148

HSL 142.06, 0.9%, 0.66%

LAB 87.13, -61.84, 35.37

 

CMYK 0 / 95 / 40 / 34

HEX #A90966

RGB 169 9 102

HSL 325.13, 0.9%, 0.35%

LAB 37.1, 62.76, -8.01

 

CMYK 0 / 85 / 35 / 27

HEX #BA1B79

RGB 186 27 121

HSL 324.53, 0.75%, 0.42%

LAB 42.16, 65.75, -11.98

 

CMYK 0 / 78 / 31 / 20

HEX #CB2D8C

RGB 203 45 140

HSL 323.92, 0.64%, 0.49%

LAB 47.58, 67.51, -15.08

 

CMYK 0 / 71 / 28 / 14

HEX #DC3F9F

RGB 220 63 159

HSL 323.31, 0.69%, 0.55%

LAB 53.25, 68.4, -17.52

 

CMYK 0 / 66 / 25 / 7

HEX #ED51B2

RGB 237 81 178

HSL 322.69, 0.81%, 0.62%

LAB 59.07, 68.71, -19.47

 

CMYK 0 / 95 / 35 / 36

HEX #A4096B

RGB 164 9 107

HSL 322.06, 0.9%, 0.34%

LAB 36.27, 62.15, -12.53

 

CMYK 0 / 100 / 40 / 42

HEX #930058

RGB 147 0 88

HSL 324.08, 1%, 0.29%

LAB 31.6, 57.6, -7.69

 

CMYK 0 / 100 / 47 / 49

HEX #820045

RGB 130 0 69

HSL 328.15, 1%, 0.25%

LAB 27.23, 51.89, -1.94

 

CMYK 0 / 100 / 56 / 56

HEX #710032

RGB 113 0 50

HSL 333.45, 1%, 0.22%

LAB 22.8, 46.14, 4.22

 

CMYK 0 / 100 / 68 / 62

HEX #60001F

RGB 96 0 31

HSL 340.63, 1%, 0.19%

LAB 18.3, 40.38, 10.9

 

CMYK 0 / 95 / 35 / 36

HEX #A4086B

RGB 164 8 107

HSL 321.92, 0.91%, 0.34%

LAB 36.23, 62.28, -12.6

 

CMYK 0 / 95 / 60 / 36

HEX #A40841

RGB 164 8 65

HSL 338.08, 0.91%, 0.34%

LAB 34.9, 58.69, 12.63

 

CMYK 0 / 95 / 86 / 36

HEX #A40817

RGB 164 8 23

HSL 354.23, 0.91%, 0.34%

LAB 34.25, 56.89, 38.06

 

CMYK 0 / 95 / 95 / 36

HEX #A40808

RGB 164 8 8

HSL 0, 0.91%, 0.34%

LAB 34.16, 56.63, 44.93

 

CMYK 0 / 95 / 35 / 36

HEX #A4086B

RGB 164 8 107

HSL 321.92, 0.91%, 0.34%

LAB 36.23, 62.28, -12.6

 

CMYK 0 / 95 / 9 / 36

HEX #A40895

RGB 164 8 149

HSL 305.77, 0.91%, 0.34%

LAB 38.26, 67.52, -35.58

 

CMYK 16 / 95 / 0 / 36

HEX #8908A4

RGB 137 8 164

HSL 289.62, 0.91%, 0.34%

LAB 34.34, 65.31, -51.25

 

CMYK 42 / 95 / 0 / 36

HEX #5F08A4

RGB 95 8 164

HSL 273.46, 0.91%, 0.34%

LAB 27.54, 59.69, -62.64

 

CMYK 68 / 95 / 0 / 36

HEX #3508A4

RGB 53 8 164

HSL 257.31, 0.91%, 0.34%

LAB 22.34, 56.17, -71.4

 

CMYK 0 / 95 / 35 / 36

HEX #A4086B

RGB 164 8 107

HSL 321.92, 0.91%, 0.34%

LAB 36.23, 62.28, -12.6

 

CMYK 0 / 95 / 35 / 36

HEX #A4086B

RGB 164 8 107

HSL 321.92, 0.91%, 0.34%

LAB 36.23, 62.28, -12.6

 

CMYK 0 / 85 / 31 / 41

HEX #961667

RGB 150 22 103

HSL 322.03, 0.74%, 0.34%

LAB 34.06, 56.29, -13.61

 

CMYK 0 / 74 / 27 / 47

HEX #882463

RGB 136 36 99

HSL 322.2, 0.58%, 0.34%

LAB 32.69, 47.97, -13.36

 

CMYK 0 / 59 / 21 / 52

HEX #7A3260

RGB 122 50 96

HSL 321.67, 0.42%, 0.34%

LAB 32.4, 37.08, -12.11

 

CMYK 0 / 41 / 15 / 58

HEX #6C405C

RGB 108 64 92

HSL 321.82, 0.26%, 0.34%

LAB 33.2, 23.6, -8.53

 

CMYK 16 / 95 / 0 / 36

HEX #8A08A4

RGB 138 8 164

HSL 290, 0.91%, 0.34%

LAB 34.51, 65.46, -50.96

 

CMYK 0 / 95 / 9 / 36

HEX #A40895

RGB 164 8 149

HSL 305.77, 0.91%, 0.34%

LAB 38.26, 67.52, -35.58

 

CMYK 0 / 95 / 35 / 36

HEX #A4086B

RGB 164 8 107

HSL 321.92, 0.91%, 0.34%

LAB 36.23, 62.28, -12.6

 

CMYK 0 / 95 / 60 / 36

HEX #A40841

RGB 164 8 65

HSL 338.08, 0.91%, 0.34%

LAB 34.9, 58.69, 12.63

 

CMYK 0 / 95 / 85 / 36

HEX #A40818

RGB 164 8 24

HSL 353.85, 0.91%, 0.34%

LAB 34.26, 56.91, 37.52

 

CMYK 0 / 95 / 35 / 66

HEX #560438

RGB 86 4 56

HSL 321.95, 0.91%, 0.18%

LAB 17.23, 38.91, -8.93

 

CMYK 0 / 95 / 35 / 51

HEX #7D0651

RGB 125 6 81

HSL 322.18, 0.91%, 0.26%

LAB 26.97, 50.87, -10.5

 

CMYK 0 / 95 / 35 / 36

HEX #A4086B

RGB 164 8 107

HSL 321.92, 0.91%, 0.34%

LAB 36.23, 62.28, -12.6

 

CMYK 0 / 95 / 35 / 20

HEX #CB0A84

RGB 203 10 132

HSL 322.07, 0.91%, 0.42%

LAB 45.05, 73.07, -14.06

 

CMYK 0 / 95 / 35 / 5

HEX #F20D9E

RGB 242 13 158

HSL 322.01, 0.9%, 0.5%

LAB 53.64, 83.48, -15.97

 

CMYK 0 / 95 / 35 / 36

HEX #A4096B

RGB 164 9 107

HSL 322.06, 0.9%, 0.34%

LAB 36.27, 62.15, -12.53

 

CMYK 0 / 41 / 95 / 36

HEX #A46108

RGB 164 97 8

HSL 34.23, 0.91%, 0.34%

LAB 47.57, 21.53, 53.75

 

CMYK 95 / 0 / 3 / 36

HEX #08A49F

RGB 8 164 159

HSL 178.08, 0.91%, 0.34%

LAB 60.87, -35.79, -7.5

 

CMYK 0 / 95 / 35 / 36

HEX #A4096B

RGB 164 9 107

HSL 322.06, 0.9%, 0.34%

LAB 36.27, 62.15, -12.53

 

CMYK 35 / 0 / 95 / 36

HEX #6BA408

RGB 107 164 8

HSL 81.92, 0.91%, 0.34%

LAB 61.39, -39.27, 62.1

 

CMYK 95 / 35 / 0 / 36

HEX #086BA4

RGB 8 107 164

HSL 201.92, 0.91%, 0.34%

LAB 43.13, -3.65, -37.67

 

CMYK 0 / 95 / 35 / 36

HEX #A4096B

RGB 164 9 107

HSL 322.06, 0.9%, 0.34%

LAB 36.27, 62.15, -12.53

 

CMYK 0 / 41 / 95 / 36

HEX #A46108

RGB 164 97 8

HSL 34.23, 0.91%, 0.34%

LAB 47.57, 21.53, 53.75

 

CMYK 95 / 0 / 60 / 36

HEX #08A441

RGB 8 164 65

HSL 141.92, 0.91%, 0.34%

LAB 58.96, -56.99, 40.68

 

CMYK 95 / 54 / 0 / 36

HEX #084CA4

RGB 8 76 164

HSL 213.85, 0.91%, 0.34%

LAB 33.78, 16.55, -52.67

 

CMYK 0 / 95 / 35 / 36

HEX #A4096B

RGB 164 9 107

HSL 322.06, 0.9%, 0.34%

LAB 36.27, 62.15, -12.53

 

CMYK 0 / 13 / 95 / 36

HEX #A48F08

RGB 164 143 8

HSL 51.92, 0.91%, 0.34%

LAB 59.48, -4.25, 62.45

 

CMYK 95 / 0 / 60 / 36

HEX #08A441

RGB 8 164 65

HSL 141.92, 0.91%, 0.34%

LAB 58.96, -56.99, 40.68

 

CMYK 95 / 82 / 0 / 36

HEX #081DA4

RGB 8 29 164

HSL 231.92, 0.91%, 0.34%

LAB 22.34, 46.7, -71.47

 

Description

Color code: HEX #A4096B | qconv.com Color code: HEX #A4096B | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 9 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 9 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 35 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 35% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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