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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A40957 it is the complementary color #5BF6A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A40957. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A40957 shade: #A90952, #BA1B65, #CB2D78, #DC3F8B and #ED519E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A40957. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A40957 shade: #A40957, #930044, #820031, #71001E and #60000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A40957 shade: #A40857, #A4082D and #A40808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A40957 shade: #A40857, #A40881, #9E08A4, #7408A4 and #4908A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A40957 shade matches the following richer shades: #A40857

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A40957 shade: #A40857, #961657, #882457, #7A3256 and #6C4056

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A40957 shade: #9C08A4, #A40882, #A40859, #A4082F and #A40B08

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A40957 shade: #56042D, #7D0642, #A40857, #CB0A6B and #F20D80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A40957 shade: #A40957, #A47308 and #0897A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A40957 shade: #A40957, #59A408 and #0859A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A40957 shade: #A40957, #A47308, #08A454 and #083AA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A40957 shade: #A40957, #A4A208, #08A454 and #080BA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 47 / 36

HEX #A40957

RGB 164 9 87

HSL 329.81, 0.9%, 0.34%

LAB 35.55, 60.22, -0.78

 

Complementary color

CMYK 63 / 0 / 32 / 4

HEX #5BF6A8

RGB 91 246 168

HSL 149.81, 0.9%, 0.66%

LAB 87.47, -58.2, 25.75

 

CMYK 0 / 95 / 51 / 34

HEX #A90952

RGB 169 9 82

HSL 332.63, 0.9%, 0.35%

LAB 36.44, 61, 3.89

 

CMYK 0 / 85 / 46 / 27

HEX #BA1B65

RGB 186 27 101

HSL 332.08, 0.75%, 0.42%

LAB 41.47, 63.81, -0.51

 

CMYK 0 / 78 / 41 / 20

HEX #CB2D78

RGB 203 45 120

HSL 331.52, 0.64%, 0.49%

LAB 46.88, 65.4, -3.97

 

CMYK 0 / 71 / 37 / 14

HEX #DC3F8B

RGB 220 63 139

HSL 330.96, 0.69%, 0.55%

LAB 52.55, 66.14, -6.71

 

CMYK 0 / 66 / 33 / 7

HEX #ED519E

RGB 237 81 158

HSL 330.38, 0.81%, 0.62%

LAB 58.38, 66.32, -8.92

 

CMYK 0 / 95 / 47 / 36

HEX #A40957

RGB 164 9 87

HSL 329.81, 0.9%, 0.34%

LAB 35.55, 60.22, -0.78

 

CMYK 0 / 100 / 54 / 42

HEX #930044

RGB 147 0 68

HSL 332.24, 1%, 0.29%

LAB 30.93, 55.85, 4.56

 

CMYK 0 / 100 / 62 / 49

HEX #820031

RGB 130 0 49

HSL 337.38, 1%, 0.25%

LAB 26.64, 50.34, 10.85

 

CMYK 0 / 100 / 73 / 56

HEX #71001E

RGB 113 0 30

HSL 344.07, 1%, 0.22%

LAB 22.32, 44.86, 17.57

 

CMYK 0 / 100 / 89 / 62

HEX #60000B

RGB 96 0 11

HSL 353.13, 1%, 0.19%

LAB 17.97, 39.48, 23.2

 

CMYK 0 / 95 / 47 / 36

HEX #A40857

RGB 164 8 87

HSL 329.62, 0.91%, 0.34%

LAB 35.51, 60.35, -0.84

 

CMYK 0 / 95 / 73 / 36

HEX #A4082D

RGB 164 8 45

HSL 345.77, 0.91%, 0.34%

LAB 34.51, 57.62, 25.11

 

CMYK 0 / 95 / 95 / 36

HEX #A40808

RGB 164 8 8

HSL 0, 0.91%, 0.34%

LAB 34.16, 56.63, 44.93

 

CMYK 0 / 95 / 47 / 36

HEX #A40857

RGB 164 8 87

HSL 329.62, 0.91%, 0.34%

LAB 35.51, 60.35, -0.84

 

CMYK 0 / 95 / 21 / 36

HEX #A40881

RGB 164 8 129

HSL 313.46, 0.91%, 0.34%

LAB 37.21, 64.84, -24.92

 

CMYK 4 / 95 / 0 / 36

HEX #9E08A4

RGB 158 8 164

HSL 297.69, 0.91%, 0.34%

LAB 38.06, 68.71, -45.05

 

CMYK 29 / 95 / 0 / 36

HEX #7408A4

RGB 116 8 164

HSL 281.54, 0.91%, 0.34%

LAB 30.8, 62.27, -57.16

 

CMYK 55 / 95 / 0 / 36

HEX #4908A4

RGB 73 8 164

HSL 265, 0.91%, 0.34%

LAB 24.55, 57.56, -67.67

 

CMYK 0 / 95 / 47 / 36

HEX #A40857

RGB 164 8 87

HSL 329.62, 0.91%, 0.34%

LAB 35.51, 60.35, -0.84

 

CMYK 0 / 95 / 47 / 36

HEX #A40857

RGB 164 8 87

HSL 329.62, 0.91%, 0.34%

LAB 35.51, 60.35, -0.84

 

CMYK 0 / 85 / 42 / 41

HEX #961657

RGB 150 22 87

HSL 329.53, 0.74%, 0.34%

LAB 33.45, 54.55, -4.2

 

CMYK 0 / 74 / 36 / 47

HEX #882457

RGB 136 36 87

HSL 329.4, 0.58%, 0.34%

LAB 32.22, 46.44, -6.32

 

CMYK 0 / 59 / 30 / 52

HEX #7A3256

RGB 122 50 86

HSL 330, 0.42%, 0.34%

LAB 32.01, 35.57, -6.24

 

CMYK 0 / 41 / 20 / 58

HEX #6C4056

RGB 108 64 86

HSL 330, 0.26%, 0.34%

LAB 32.98, 22.53, -5.02

 

CMYK 5 / 95 / 0 / 36

HEX #9C08A4

RGB 156 8 164

HSL 296.92, 0.91%, 0.34%

LAB 37.7, 68.37, -45.65

 

CMYK 0 / 95 / 21 / 36

HEX #A40882

RGB 164 8 130

HSL 313.08, 0.91%, 0.34%

LAB 37.26, 64.96, -25.47

 

CMYK 0 / 95 / 46 / 36

HEX #A40859

RGB 164 8 89

HSL 328.85, 0.91%, 0.34%

LAB 35.57, 60.52, -2.04

 

CMYK 0 / 95 / 71 / 36

HEX #A4082F

RGB 164 8 47

HSL 345, 0.91%, 0.34%

LAB 34.54, 57.7, 23.87

 

CMYK 0 / 93 / 95 / 36

HEX #A40B08

RGB 164 11 8

HSL 1.15, 0.91%, 0.34%

LAB 34.29, 56.24, 45.01

 

CMYK 0 / 95 / 48 / 66

HEX #56042D

RGB 86 4 45

HSL 330, 0.91%, 0.18%

LAB 16.77, 37.66, -1.74

 

CMYK 0 / 95 / 47 / 51

HEX #7D0642

RGB 125 6 66

HSL 329.75, 0.91%, 0.26%

LAB 26.4, 49.33, -1.25

 

CMYK 0 / 95 / 47 / 36

HEX #A40857

RGB 164 8 87

HSL 329.62, 0.91%, 0.34%

LAB 35.51, 60.35, -0.84

 

CMYK 0 / 95 / 47 / 20

HEX #CB0A6B

RGB 203 10 107

HSL 329.84, 0.91%, 0.42%

LAB 44.2, 70.79, 0.12

 

CMYK 0 / 95 / 47 / 5

HEX #F20D80

RGB 242 13 128

HSL 329.87, 0.9%, 0.5%

LAB 52.65, 80.85, 0.5

 

CMYK 0 / 95 / 47 / 36

HEX #A40957

RGB 164 9 87

HSL 329.81, 0.9%, 0.34%

LAB 35.55, 60.22, -0.78

 

CMYK 0 / 30 / 95 / 36

HEX #A47308

RGB 164 115 8

HSL 41.15, 0.91%, 0.34%

LAB 52.03, 11.34, 56.95

 

CMYK 95 / 8 / 0 / 36

HEX #0897A4

RGB 8 151 164

HSL 185, 0.91%, 0.34%

LAB 56.94, -27.99, -16.25

 

CMYK 0 / 95 / 47 / 36

HEX #A40957

RGB 164 9 87

HSL 329.81, 0.9%, 0.34%

LAB 35.55, 60.22, -0.78

 

CMYK 46 / 0 / 95 / 36

HEX #59A408

RGB 89 164 8

HSL 88.85, 0.91%, 0.34%

LAB 60.51, -45.66, 61.02

 

CMYK 95 / 46 / 0 / 36

HEX #0859A4

RGB 8 89 164

HSL 208.85, 0.91%, 0.34%

LAB 37.62, 7.82, -46.46

 

CMYK 0 / 95 / 47 / 36

HEX #A40957

RGB 164 9 87

HSL 329.81, 0.9%, 0.34%

LAB 35.55, 60.22, -0.78

 

CMYK 0 / 30 / 95 / 36

HEX #A47308

RGB 164 115 8

HSL 41.15, 0.91%, 0.34%

LAB 52.03, 11.34, 56.95

 

CMYK 95 / 0 / 49 / 36

HEX #08A454

RGB 8 164 84

HSL 149.23, 0.91%, 0.34%

LAB 59.2, -54.07, 31.53

 

CMYK 95 / 65 / 0 / 36

HEX #083AA4

RGB 8 58 164

HSL 220.77, 0.91%, 0.34%

LAB 28.79, 28.88, -60.8

 

CMYK 0 / 95 / 47 / 36

HEX #A40957

RGB 164 9 87

HSL 329.81, 0.9%, 0.34%

LAB 35.55, 60.22, -0.78

 

CMYK 0 / 1 / 95 / 36

HEX #A4A208

RGB 164 162 8

HSL 59.23, 0.91%, 0.34%

LAB 64.76, -14.35, 66.44

 

CMYK 95 / 0 / 49 / 36

HEX #08A454

RGB 8 164 84

HSL 149.23, 0.91%, 0.34%

LAB 59.2, -54.07, 31.53

 

CMYK 95 / 93 / 0 / 36

HEX #080BA4

RGB 8 11 164

HSL 238.85, 0.91%, 0.34%

LAB 19.93, 53.92, -75.49

 

Description

Color code: HEX #A40957 | qconv.com Color code: HEX #A40957 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 9 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 9 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 47 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 47% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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