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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A406DE it is the complementary color #5BF921. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A406DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A406DE shade: #A906D9, #BA18EC, #CB2AFF, #DC3CFF and #ED4EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A406DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A406DE shade: #A406DE, #9300CB, #8200B8, #7100A5 and #600092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A406DE shade: #A505DF, #DF05DF, #DF05A4, #DF0569 and #DF052F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A406DE shade: #A505DF, #6A05DF, #2F05DF and #0505DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A406DE shade matches the following richer shades: #A505DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A406DE shade: #A505DF, #9C18CD, #942ABA, #8B3DA8 and #825095

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A406DE shade: #2D05DF, #6705DF, #A105DF, #DC05DF and #DF05A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A406DE shade: #69038F, #8704B7, #A505DF, #BB15F9 and #C73DFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A406DE shade: #A406DE, #DF0517 and #05DF4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A406DE shade: #A406DE, #DFA105 and #05DFA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A406DE shade: #A406DE, #DF0517, #43DF05 and #05DFCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A406DE shade: #A406DE, #DF3405, #43DF05 and #05B0DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 97 / 0 / 13

HEX #A406DE

RGB 164 6 222

HSL 283.89, 0.95%, 0.45%

LAB 43.21, 79.69, -70.67

 

Complementary color

CMYK 63 / 0 / 87 / 2

HEX #5BF921

RGB 91 249 33

HSL 103.89, 0.95%, 0.55%

LAB 87.04, -74.29, 79.32

 

CMYK 22 / 97 / 0 / 15

HEX #A906D9

RGB 169 6 217

HSL 286.35, 0.95%, 0.44%

LAB 43.62, 79.45, -67.1

 

CMYK 21 / 90 / 0 / 7

HEX #BA18EC

RGB 186 24 236

HSL 285.85, 0.85%, 0.51%

LAB 48.45, 83.02, -69.94

 

CMYK 20 / 84 / 0 / 0

HEX #CB2AFF

RGB 203 42 255

HSL 285.35, 1%, 0.58%

LAB 53.57, 85.47, -72.15

 

CMYK 14 / 76 / 0 / 0

HEX #DC3CFF

RGB 220 60 255

HSL 289.23, 1%, 0.62%

LAB 57.72, 83.65, -65.32

 

CMYK 7 / 69 / 0 / 0

HEX #ED4EFF

RGB 237 78 255

HSL 293.9, 1%, 0.65%

LAB 62.23, 81.21, -57.95

 

CMYK 26 / 97 / 0 / 13

HEX #A406DE

RGB 164 6 222

HSL 283.89, 0.95%, 0.45%

LAB 43.21, 79.69, -70.67

 

CMYK 28 / 100 / 0 / 20

HEX #9300CB

RGB 147 0 203

HSL 283.45, 1%, 0.4%

LAB 38.75, 74.73, -67.1

 

CMYK 29 / 100 / 0 / 28

HEX #8200B8

RGB 130 0 184

HSL 282.39, 1%, 0.36%

LAB 34.41, 69.09, -63.15

 

CMYK 32 / 100 / 0 / 35

HEX #7100A5

RGB 113 0 165

HSL 281.09, 1%, 0.32%

LAB 29.98, 63.34, -59.13

 

CMYK 34 / 100 / 0 / 43

HEX #600092

RGB 96 0 146

HSL 279.45, 1%, 0.29%

LAB 25.45, 57.48, -55.03

 

CMYK 26 / 98 / 0 / 13

HEX #A505DF

RGB 165 5 223

HSL 284.04, 0.96%, 0.45%

LAB 43.41, 80.1, -70.9

 

CMYK 0 / 98 / 0 / 13

HEX #DF05DF

RGB 223 5 223

HSL 300, 0.96%, 0.45%

LAB 53.09, 88.44, -54.79

 

CMYK 0 / 98 / 26 / 13

HEX #DF05A4

RGB 223 5 164

HSL 316.24, 0.96%, 0.45%

LAB 50.07, 80.91, -25.31

 

CMYK 0 / 98 / 53 / 13

HEX #DF0569

RGB 223 5 105

HSL 332.48, 0.96%, 0.45%

LAB 48.03, 75.57, 7.4

 

CMYK 0 / 98 / 79 / 13

HEX #DF052F

RGB 223 5 47

HSL 348.44, 0.96%, 0.45%

LAB 46.98, 72.72, 41.31

 

CMYK 26 / 98 / 0 / 13

HEX #A505DF

RGB 165 5 223

HSL 284.04, 0.96%, 0.45%

LAB 43.41, 80.1, -70.9

 

CMYK 52 / 98 / 0 / 13

HEX #6A05DF

RGB 106 5 223

HSL 267.8, 0.96%, 0.45%

LAB 35, 74.13, -85.03

 

CMYK 79 / 98 / 0 / 13

HEX #2F05DF

RGB 47 5 223

HSL 251.56, 0.96%, 0.45%

LAB 29.51, 71.26, -94.31

 

CMYK 98 / 98 / 0 / 13

HEX #0505DF

RGB 5 5 223

HSL 240, 0.96%, 0.45%

LAB 28.03, 70.68, -96.83

 

CMYK 26 / 98 / 0 / 13

HEX #A505DF

RGB 165 5 223

HSL 284.04, 0.96%, 0.45%

LAB 43.41, 80.1, -70.9

 

CMYK 26 / 98 / 0 / 13

HEX #A505DF

RGB 165 5 223

HSL 284.04, 0.96%, 0.45%

LAB 43.41, 80.1, -70.9

 

CMYK 24 / 88 / 0 / 20

HEX #9C18CD

RGB 156 24 205

HSL 283.76, 0.79%, 0.45%

LAB 41.42, 73.1, -63.85

 

CMYK 20 / 77 / 0 / 27

HEX #942ABA

RGB 148 42 186

HSL 284.17, 0.63%, 0.45%

LAB 40.41, 63.42, -54.45

 

CMYK 17 / 64 / 0 / 34

HEX #8B3DA8

RGB 139 61 168

HSL 283.74, 0.47%, 0.45%

LAB 40.66, 50.09, -43.46

 

CMYK 13 / 46 / 0 / 42

HEX #825095

RGB 130 80 149

HSL 283.48, 0.3%, 0.45%

LAB 42.24, 33.43, -29.67

 

CMYK 80 / 98 / 0 / 13

HEX #2D05DF

RGB 45 5 223

HSL 251.01, 0.96%, 0.45%

LAB 29.4, 71.21, -94.51

 

CMYK 54 / 98 / 0 / 13

HEX #6705DF

RGB 103 5 223

HSL 266.97, 0.96%, 0.45%

LAB 34.64, 73.91, -85.65

 

CMYK 28 / 98 / 0 / 13

HEX #A105DF

RGB 161 5 223

HSL 282.94, 0.96%, 0.45%

LAB 42.78, 79.6, -71.95

 

CMYK 1 / 98 / 0 / 13

HEX #DC05DF

RGB 220 5 223

HSL 299.17, 0.96%, 0.45%

LAB 52.57, 87.96, -55.65

 

CMYK 0 / 98 / 24 / 13

HEX #DF05A9

RGB 223 5 169

HSL 314.86, 0.96%, 0.45%

LAB 50.29, 81.47, -27.93

 

CMYK 27 / 98 / 0 / 44

HEX #69038F

RGB 105 3 143

HSL 283.71, 0.96%, 0.29%

LAB 26.88, 57.46, -50.77

 

CMYK 26 / 98 / 0 / 28

HEX #8704B7

RGB 135 4 183

HSL 283.91, 0.96%, 0.37%

LAB 35.31, 69.01, -61.04

 

CMYK 26 / 98 / 0 / 13

HEX #A505DF

RGB 165 5 223

HSL 284.04, 0.96%, 0.45%

LAB 43.41, 80.1, -70.9

 

CMYK 25 / 92 / 0 / 2

HEX #BB15F9

RGB 187 21 249

HSL 283.68, 0.95%, 0.53%

LAB 49.42, 85.89, -75.65

 

CMYK 20 / 76 / 0 / 2

HEX #C73DFA

RGB 199 61 250

HSL 283.81, 0.95%, 0.61%

LAB 54.43, 78.7, -68

 

CMYK 26 / 97 / 0 / 13

HEX #A406DE

RGB 164 6 222

HSL 283.89, 0.95%, 0.45%

LAB 43.21, 79.69, -70.67

 

CMYK 0 / 98 / 90 / 13

HEX #DF0517

RGB 223 5 23

HSL 355.05, 0.96%, 0.45%

LAB 46.79, 72.2, 53.32

 

CMYK 98 / 0 / 67 / 13

HEX #05DF4A

RGB 5 223 74

HSL 138.99, 0.96%, 0.45%

LAB 78.05, -73.96, 58.17

 

CMYK 26 / 97 / 0 / 13

HEX #A406DE

RGB 164 6 222

HSL 283.89, 0.95%, 0.45%

LAB 43.21, 79.69, -70.67

 

CMYK 0 / 28 / 98 / 13

HEX #DFA105

RGB 223 161 5

HSL 42.94, 0.96%, 0.45%

LAB 70.31, 12.43, 73.48

 

CMYK 98 / 0 / 28 / 13

HEX #05DFA1

RGB 5 223 161

HSL 162.94, 0.96%, 0.45%

LAB 79.26, -59.6, 17.88

 

CMYK 26 / 97 / 0 / 13

HEX #A406DE

RGB 164 6 222

HSL 283.89, 0.95%, 0.45%

LAB 43.21, 79.69, -70.67

 

CMYK 0 / 98 / 90 / 13

HEX #DF0517

RGB 223 5 23

HSL 355.05, 0.96%, 0.45%

LAB 46.79, 72.2, 53.32

 

CMYK 70 / 0 / 98 / 13

HEX #43DF05

RGB 67 223 5

HSL 102.94, 0.96%, 0.45%

LAB 78.45, -71.55, 75.57

 

CMYK 98 / 0 / 8 / 13

HEX #05DFCD

RGB 5 223 205

HSL 175.05, 0.96%, 0.45%

LAB 80.3, -48.47, -3.93

 

CMYK 26 / 97 / 0 / 13

HEX #A406DE

RGB 164 6 222

HSL 283.89, 0.95%, 0.45%

LAB 43.21, 79.69, -70.67

 

CMYK 0 / 77 / 98 / 13

HEX #DF3405

RGB 223 52 5

HSL 12.94, 0.96%, 0.45%

LAB 49.68, 63.58, 60.67

 

CMYK 70 / 0 / 98 / 13

HEX #43DF05

RGB 67 223 5

HSL 102.94, 0.96%, 0.45%

LAB 78.45, -71.55, 75.57

 

CMYK 98 / 21 / 0 / 13

HEX #05B0DF

RGB 5 176 223

HSL 192.94, 0.96%, 0.45%

LAB 66.83, -20.79, -34.06

 

Description

Color code: HEX #A406DE | qconv.com Color code: HEX #A406DE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 6 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 6 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 97 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 97% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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