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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7F2DF it is the complementary color #580D20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7F2DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7F2DF shade: #ACF2DA, #BDFFED, #CEFFFF, #DFFFFF and #F0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7F2DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7F2DF shade: #A7F2DF, #96E0CC, #85CEB9, #74BCA6 and #63AA93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7F2DF shade: #A6F1DE, #A6F1CA, #A6F1B5, #AAF1A6 and #BFF1A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7F2DF shade: #A6F1DE, #A6F0F1, #A6DCF1, #A6C7F1 and #A6B3F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7F2DF shade matches the following richer shades: #A6F1DE and #9EF9E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7F2DF shade: #A6F1DE, #AEE9DA, #B6E1D6, #BFD8D2 and #C7D0CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7F2DF shade: #A6F1B5, #A6F1C9, #A6F1DD, #A6F1F1 and #A6DDF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7F2DF shade: #5EE7C4, #82ECD1, #A6F1DE, #CAF7EB and #EEFCF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7F2DF shade: #A7F2DF, #A6ABF1 and #F1BFA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7F2DF shade: #A7F2DF, #DDA6F1 and #F1DDA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7F2DF shade: #A7F2DF, #A6ABF1, #F1A6BA and #F1ECA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7F2DF shade: #A7F2DF, #B7A6F1, #F1A6BA and #E0F1A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 8 / 5

HEX #A7F2DF

RGB 167 242 223

HSL 164.8, 0.74%, 0.8%

LAB 90.34, -27.07, 1.78

 

Complementary color

CMYK 0 / 85 / 64 / 65

HEX #580D20

RGB 88 13 32

HSL 344.8, 0.74%, 0.2%

LAB 17.77, 34.38, 9.14

 

CMYK 29 / 0 / 10 / 5

HEX #ACF2DA

RGB 172 242 218

HSL 159.43, 0.73%, 0.81%

LAB 90.48, -26.67, 4.61

 

CMYK 26 / 0 / 7 / 0

HEX #BDFFED

RGB 189 255 237

HSL 163.64, 1%, 0.87%

LAB 95.35, -24.1, 1.96

 

CMYK 19 / 0 / 0 / 0

HEX #CEFFFF

RGB 206 255 255

HSL 180, 1%, 0.9%

LAB 96.76, -15.42, -5.14

 

CMYK 13 / 0 / 0 / 0

HEX #DFFFFF

RGB 223 255 255

HSL 180, 1%, 0.94%

LAB 97.8, -10.25, -3.49

 

CMYK 6 / 0 / 0 / 0

HEX #F0FFFF

RGB 240 255 255

HSL 180, 1%, 0.97%

LAB 98.93, -4.88, -1.7

 

CMYK 31 / 0 / 8 / 5

HEX #A7F2DF

RGB 167 242 223

HSL 164.8, 0.74%, 0.8%

LAB 90.34, -27.07, 1.78

 

CMYK 33 / 0 / 9 / 12

HEX #96E0CC

RGB 150 224 204

HSL 163.78, 0.54%, 0.73%

LAB 84.05, -27.25, 2.49

 

CMYK 35 / 0 / 10 / 19

HEX #85CEB9

RGB 133 206 185

HSL 162.74, 0.43%, 0.66%

LAB 77.66, -27.44, 3.24

 

CMYK 38 / 0 / 12 / 26

HEX #74BCA6

RGB 116 188 166

HSL 161.67, 0.35%, 0.6%

LAB 71.17, -27.64, 4.04

 

CMYK 42 / 0 / 14 / 33

HEX #63AA93

RGB 99 170 147

HSL 160.56, 0.29%, 0.53%

LAB 64.57, -27.84, 4.89

 

CMYK 31 / 0 / 8 / 5

HEX #A6F1DE

RGB 166 241 222

HSL 164.8, 0.73%, 0.8%

LAB 89.99, -27.08, 1.79

 

CMYK 31 / 0 / 16 / 5

HEX #A6F1CA

RGB 166 241 202

HSL 148.8, 0.73%, 0.8%

LAB 89.52, -31.14, 11.52

 

CMYK 31 / 0 / 25 / 5

HEX #A6F1B5

RGB 166 241 181

HSL 132, 0.73%, 0.8%

LAB 89.09, -35, 21.77

 

CMYK 29 / 0 / 31 / 5

HEX #AAF1A6

RGB 170 241 166

HSL 116.8, 0.73%, 0.8%

LAB 89.02, -36.24, 29.38

 

CMYK 21 / 0 / 31 / 5

HEX #BFF1A6

RGB 191 241 166

HSL 100, 0.73%, 0.8%

LAB 90.2, -29.27, 31.17

 

CMYK 31 / 0 / 8 / 5

HEX #A6F1DE

RGB 166 241 222

HSL 164.8, 0.73%, 0.8%

LAB 89.99, -27.08, 1.79

 

CMYK 31 / 0 / 0 / 5

HEX #A6F0F1

RGB 166 240 241

HSL 180.8, 0.73%, 0.8%

LAB 90.22, -22.44, -7.79

 

CMYK 31 / 9 / 0 / 5

HEX #A6DCF1

RGB 166 220 241

HSL 196.8, 0.73%, 0.8%

LAB 84.81, -12.42, -15.86

 

CMYK 31 / 17 / 0 / 5

HEX #A6C7F1

RGB 166 199 241

HSL 213.6, 0.73%, 0.8%

LAB 79.22, -1.41, -24.33

 

CMYK 31 / 26 / 0 / 5

HEX #A6B3F1

RGB 166 179 241

HSL 229.6, 0.73%, 0.8%

LAB 74, 9.49, -32.33

 

CMYK 31 / 0 / 8 / 5

HEX #A6F1DE

RGB 166 241 222

HSL 164.8, 0.73%, 0.8%

LAB 89.99, -27.08, 1.79

 

CMYK 37 / 0 / 9 / 2

HEX #9EF9E2

RGB 158 249 226

HSL 164.84, 0.88%, 0.8%

LAB 91.91, -32.21, 2.45

 

CMYK 31 / 0 / 8 / 5

HEX #A6F1DE

RGB 166 241 222

HSL 164.8, 0.73%, 0.8%

LAB 89.99, -27.08, 1.79

 

CMYK 25 / 0 / 6 / 9

HEX #AEE9DA

RGB 174 233 218

HSL 164.75, 0.57%, 0.8%

LAB 88.13, -21.72, 1.22

 

CMYK 19 / 0 / 5 / 12

HEX #B6E1D6

RGB 182 225 214

HSL 164.65, 0.42%, 0.8%

LAB 86.33, -16.12, 0.75

 

CMYK 12 / 0 / 3 / 15

HEX #BFD8D2

RGB 191 216 210

HSL 165.6, 0.24%, 0.8%

LAB 84.4, -9.46, 0.12

 

CMYK 4 / 0 / 1 / 18

HEX #C7D0CE

RGB 199 208 206

HSL 166.67, 0.09%, 0.8%

LAB 82.76, -3.42, -0.08

 

CMYK 31 / 0 / 25 / 5

HEX #A6F1B5

RGB 166 241 181

HSL 132, 0.73%, 0.8%

LAB 89.09, -35, 21.77

 

CMYK 31 / 0 / 17 / 5

HEX #A6F1C9

RGB 166 241 201

HSL 148, 0.73%, 0.8%

LAB 89.5, -31.33, 12.01

 

CMYK 31 / 0 / 8 / 5

HEX #A6F1DD

RGB 166 241 221

HSL 164, 0.73%, 0.8%

LAB 89.97, -27.3, 2.28

 

CMYK 31 / 0 / 0 / 5

HEX #A6F1F1

RGB 166 241 241

HSL 180, 0.73%, 0.8%

LAB 90.49, -22.93, -7.39

 

CMYK 31 / 8 / 0 / 5

HEX #A6DDF1

RGB 166 221 241

HSL 196, 0.73%, 0.8%

LAB 85.08, -12.93, -15.45

 

CMYK 59 / 0 / 15 / 9

HEX #5EE7C4

RGB 94 231 196

HSL 164.67, 0.74%, 0.64%

LAB 83.71, -45.5, 5.96

 

CMYK 45 / 0 / 11 / 7

HEX #82ECD1

RGB 130 236 209

HSL 164.72, 0.74%, 0.72%

LAB 86.67, -37.02, 3.56

 

CMYK 31 / 0 / 8 / 5

HEX #A6F1DE

RGB 166 241 222

HSL 164.8, 0.73%, 0.8%

LAB 89.99, -27.08, 1.79

 

CMYK 18 / 0 / 5 / 3

HEX #CAF7EB

RGB 202 247 235

HSL 164, 0.74%, 0.88%

LAB 93.92, -16.69, 0.99

 

CMYK 6 / 0 / 2 / 1

HEX #EEFCF8

RGB 238 252 248

HSL 162.86, 0.7%, 0.96%

LAB 97.86, -5.29, 0.32

 

CMYK 31 / 0 / 8 / 5

HEX #A7F2DF

RGB 167 242 223

HSL 164.8, 0.74%, 0.8%

LAB 90.34, -27.07, 1.78

 

CMYK 31 / 29 / 0 / 5

HEX #A6ABF1

RGB 166 171 241

HSL 236, 0.73%, 0.8%

LAB 71.95, 13.94, -35.5

 

CMYK 0 / 21 / 31 / 5

HEX #F1BFA6

RGB 241 191 166

HSL 20, 0.73%, 0.8%

LAB 81.13, 14.45, 19.44

 

CMYK 31 / 0 / 8 / 5

HEX #A7F2DF

RGB 167 242 223

HSL 164.8, 0.74%, 0.8%

LAB 90.34, -27.07, 1.78

 

CMYK 8 / 31 / 0 / 5

HEX #DDA6F1

RGB 221 166 241

HSL 284, 0.73%, 0.8%

LAB 75.45, 33.15, -29.71

 

CMYK 0 / 8 / 31 / 5

HEX #F1DDA6

RGB 241 221 166

HSL 44, 0.73%, 0.8%

LAB 88.53, -1.14, 29.54

 

CMYK 31 / 0 / 8 / 5

HEX #A7F2DF

RGB 167 242 223

HSL 164.8, 0.74%, 0.8%

LAB 90.34, -27.07, 1.78

 

CMYK 31 / 29 / 0 / 5

HEX #A6ABF1

RGB 166 171 241

HSL 236, 0.73%, 0.8%

LAB 71.95, 13.94, -35.5

 

CMYK 0 / 31 / 23 / 5

HEX #F1A6BA

RGB 241 166 186

HSL 344, 0.73%, 0.8%

LAB 75.77, 30.41, 0.99

 

CMYK 0 / 2 / 31 / 5

HEX #F1ECA6

RGB 241 236 166

HSL 56, 0.73%, 0.8%

LAB 92.33, -8.72, 34.62

 

CMYK 31 / 0 / 8 / 5

HEX #A7F2DF

RGB 167 242 223

HSL 164.8, 0.74%, 0.8%

LAB 90.34, -27.07, 1.78

 

CMYK 24 / 31 / 0 / 5

HEX #B7A6F1

RGB 183 166 241

HSL 253.6, 0.73%, 0.8%

LAB 72.02, 21.63, -35.29

 

CMYK 0 / 31 / 23 / 5

HEX #F1A6BA

RGB 241 166 186

HSL 344, 0.73%, 0.8%

LAB 75.77, 30.41, 0.99

 

CMYK 7 / 0 / 31 / 5

HEX #E0F1A6

RGB 224 241 166

HSL 73.6, 0.73%, 0.8%

LAB 92.36, -17.52, 34.43

HEX #E0F1A6

Description

Color code: HEX #A7F2DF | qconv.com Color code: HEX #A7F2DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 242 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 242 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 8 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 8% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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