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Color name
HEX #A7E4FB

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7E4FB it is the complementary color #581B04. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7E4FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7E4FB shade: #ACE4F6, #BDF6FF, #CEFFFF, #DFFFFF and #F0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7E4FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7E4FB shade: #A7E4FB, #96D2E8, #85C0D5, #74AEC2 and #639CAF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7E4FB shade: #A7E3FA, #A7CDFA, #A7B6FA, #AEA7FA and #C4A7FA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7E4FB shade: #A7E3FA, #A7CDFA, #A7B6FA and #A7A7FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7E4FB shade matches the following richer shades: #A7E3FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7E4FB shade: #A7E3FA, #AEE0F3, #B6DDEC, #BDD9E4 and #C5D6DD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7E4FB shade: #A7FAE4, #A7FAFA, #A7E4FA, #A7CEFA and #A7B8FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7E4FB shade: #58CBF7, #7FD7F9, #A7E3FA, #CEF0FC and #F6FCFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7E4FB shade: #A7E4FB, #CEA7FA and #FAEFA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7E4FB shade: #A7E4FB, #FAA7E4 and #E4FAA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7E4FB shade: #A7E4FB, #CEA7FA, #FABDA7 and #D3FAA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7E4FB shade: #A7E4FB, #E7A7FA, #FABDA7 and #BAFAA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 9 / 0 / 2

HEX #A7E4FB

RGB 167 228 251

HSL 196.43, 0.91%, 0.82%

LAB 87.32, -13.85, -17.35

 

Complementary color

CMYK 0 / 69 / 95 / 65

HEX #581B04

RGB 88 27 4

HSL 16.43, 0.91%, 0.18%

LAB 19.5, 27.01, 27.42

 

CMYK 30 / 7 / 0 / 4

HEX #ACE4F6

RGB 172 228 246

HSL 194.59, 0.8%, 0.82%

LAB 87.44, -13.66, -14.52

 

CMYK 26 / 4 / 0 / 0

HEX #BDF6FF

RGB 189 246 255

HSL 188.18, 1%, 0.87%

LAB 93.43, -15.9, -10.18

 

CMYK 19 / 0 / 0 / 0

HEX #CEFFFF

RGB 206 255 255

HSL 180, 1%, 0.9%

LAB 96.76, -15.42, -5.14

 

CMYK 13 / 0 / 0 / 0

HEX #DFFFFF

RGB 223 255 255

HSL 180, 1%, 0.94%

LAB 97.8, -10.25, -3.49

 

CMYK 6 / 0 / 0 / 0

HEX #F0FFFF

RGB 240 255 255

HSL 180, 1%, 0.97%

LAB 98.93, -4.88, -1.7

 

CMYK 33 / 9 / 0 / 2

HEX #A7E4FB

RGB 167 228 251

HSL 196.43, 0.91%, 0.82%

LAB 87.32, -13.85, -17.35

 

CMYK 35 / 9 / 0 / 9

HEX #96D2E8

RGB 150 210 232

HSL 196.1, 0.64%, 0.75%

LAB 80.96, -13.8, -16.96

 

CMYK 38 / 10 / 0 / 16

HEX #85C0D5

RGB 133 192 213

HSL 195.75, 0.49%, 0.68%

LAB 74.5, -13.74, -16.56

 

CMYK 40 / 10 / 0 / 24

HEX #74AEC2

RGB 116 174 194

HSL 195.38, 0.39%, 0.61%

LAB 67.93, -13.67, -16.16

 

CMYK 43 / 11 / 0 / 31

HEX #639CAF

RGB 99 156 175

HSL 195, 0.32%, 0.54%

LAB 61.24, -13.56, -15.74

 

CMYK 33 / 9 / 0 / 2

HEX #A7E3FA

RGB 167 227 250

HSL 196.63, 0.89%, 0.82%

LAB 87.02, -13.58, -17.27

 

CMYK 33 / 18 / 0 / 2

HEX #A7CDFA

RGB 167 205 250

HSL 212.53, 0.89%, 0.82%

LAB 81.17, -2.12, -26.15

 

CMYK 33 / 27 / 0 / 2

HEX #A7B6FA

RGB 167 182 250

HSL 229.16, 0.89%, 0.82%

LAB 75.19, 10.37, -35.35

 

CMYK 30 / 33 / 0 / 2

HEX #AEA7FA

RGB 174 167 250

HSL 245.06, 0.89%, 0.82%

LAB 71.92, 20.67, -40.39

 

CMYK 22 / 33 / 0 / 2

HEX #C4A7FA

RGB 196 167 250

HSL 260.96, 0.89%, 0.82%

LAB 73.72, 26.96, -37.44

 

CMYK 33 / 9 / 0 / 2

HEX #A7E3FA

RGB 167 227 250

HSL 196.63, 0.89%, 0.82%

LAB 87.02, -13.58, -17.27

 

CMYK 33 / 18 / 0 / 2

HEX #A7CDFA

RGB 167 205 250

HSL 212.53, 0.89%, 0.82%

LAB 81.17, -2.12, -26.15

 

CMYK 33 / 27 / 0 / 2

HEX #A7B6FA

RGB 167 182 250

HSL 229.16, 0.89%, 0.82%

LAB 75.19, 10.37, -35.35

 

CMYK 33 / 33 / 0 / 2

HEX #A7A7FA

RGB 167 167 250

HSL 240, 0.89%, 0.82%

LAB 71.39, 18.74, -41.25

 

CMYK 33 / 9 / 0 / 2

HEX #A7E3FA

RGB 167 227 250

HSL 196.63, 0.89%, 0.82%

LAB 87.02, -13.58, -17.27

 

CMYK 33 / 9 / 0 / 2

HEX #A7E3FA

RGB 167 227 250

HSL 196.63, 0.89%, 0.82%

LAB 87.02, -13.58, -17.27

 

CMYK 28 / 8 / 0 / 5

HEX #AEE0F3

RGB 174 224 243

HSL 196.52, 0.74%, 0.82%

LAB 86.4, -11.75, -14.49

 

CMYK 23 / 6 / 0 / 7

HEX #B6DDEC

RGB 182 221 236

HSL 196.67, 0.59%, 0.82%

LAB 85.86, -9.46, -11.55

 

CMYK 17 / 5 / 0 / 11

HEX #BDD9E4

RGB 189 217 228

HSL 196.92, 0.42%, 0.82%

LAB 85.02, -6.98, -8.52

 

CMYK 11 / 3 / 0 / 13

HEX #C5D6DD

RGB 197 214 221

HSL 197.5, 0.26%, 0.82%

LAB 84.58, -4.32, -5.4

 

CMYK 33 / 0 / 9 / 2

HEX #A7FAE4

RGB 167 250 228

HSL 164.1, 0.89%, 0.82%

LAB 92.66, -29.82, 2.55

 

CMYK 33 / 0 / 0 / 2

HEX #A7FAFA

RGB 167 250 250

HSL 180, 0.89%, 0.82%

LAB 93.23, -24.99, -8.01

 

CMYK 33 / 9 / 0 / 2

HEX #A7E4FA

RGB 167 228 250

HSL 195.9, 0.89%, 0.82%

LAB 87.29, -14.09, -16.87

 

CMYK 33 / 18 / 0 / 2

HEX #A7CEFA

RGB 167 206 250

HSL 211.81, 0.89%, 0.82%

LAB 81.43, -2.66, -25.74

 

CMYK 33 / 26 / 0 / 2

HEX #A7B8FA

RGB 167 184 250

HSL 227.71, 0.89%, 0.82%

LAB 75.7, 9.27, -34.56

 

CMYK 64 / 18 / 0 / 3

HEX #58CBF7

RGB 88 203 247

HSL 196.6, 0.91%, 0.66%

LAB 76.98, -19.44, -31.27

 

CMYK 49 / 14 / 0 / 2

HEX #7FD7F9

RGB 127 215 249

HSL 196.72, 0.91%, 0.74%

LAB 81.81, -17.57, -24.82

 

CMYK 33 / 9 / 0 / 2

HEX #A7E3FA

RGB 167 227 250

HSL 196.63, 0.89%, 0.82%

LAB 87.02, -13.58, -17.27

 

CMYK 18 / 5 / 0 / 1

HEX #CEF0FC

RGB 206 240 252

HSL 195.65, 0.88%, 0.9%

LAB 92.78, -8.53, -9.47

 

CMYK 3 / 1 / 0 / 0

HEX #F6FCFE

RGB 246 252 254

HSL 195, 0.8%, 0.98%

LAB 98.58, -1.61, -1.65

 

CMYK 33 / 9 / 0 / 2

HEX #A7E4FB

RGB 167 228 251

HSL 196.43, 0.91%, 0.82%

LAB 87.32, -13.85, -17.35

 

CMYK 18 / 33 / 0 / 2

HEX #CEA7FA

RGB 206 167 250

HSL 268.19, 0.89%, 0.82%

LAB 74.61, 29.91, -35.99

 

CMYK 0 / 4 / 33 / 2

HEX #FAEFA7

RGB 250 239 167

HSL 52.05, 0.89%, 0.82%

LAB 93.82, -6.7, 36.22

 

CMYK 33 / 9 / 0 / 2

HEX #A7E4FB

RGB 167 228 251

HSL 196.43, 0.91%, 0.82%

LAB 87.32, -13.85, -17.35

 

CMYK 0 / 33 / 9 / 2

HEX #FAA7E4

RGB 250 167 228

HSL 315.9, 0.89%, 0.82%

LAB 78.21, 39.47, -18.19

 

CMYK 9 / 0 / 33 / 2

HEX #E4FAA7

RGB 228 250 167

HSL 75.9, 0.89%, 0.82%

LAB 95.02, -20.3, 37.5

 

CMYK 33 / 9 / 0 / 2

HEX #A7E4FB

RGB 167 228 251

HSL 196.43, 0.91%, 0.82%

LAB 87.32, -13.85, -17.35

 

CMYK 18 / 33 / 0 / 2

HEX #CEA7FA

RGB 206 167 250

HSL 268.19, 0.89%, 0.82%

LAB 74.61, 29.91, -35.99

 

CMYK 0 / 24 / 33 / 2

HEX #FABDA7

RGB 250 189 167

HSL 15.9, 0.89%, 0.82%

LAB 81.57, 19.04, 19.65

 

CMYK 16 / 0 / 33 / 2

HEX #D3FAA7

RGB 211 250 167

HSL 88.19, 0.89%, 0.82%

LAB 93.89, -26.41, 35.8

 

CMYK 33 / 9 / 0 / 2

HEX #A7E4FB

RGB 167 228 251

HSL 196.43, 0.91%, 0.82%

LAB 87.32, -13.85, -17.35

 

CMYK 8 / 33 / 0 / 2

HEX #E7A7FA

RGB 231 167 250

HSL 286.27, 0.89%, 0.82%

LAB 77, 37.46, -32.11

 

CMYK 0 / 24 / 33 / 2

HEX #FABDA7

RGB 250 189 167

HSL 15.9, 0.89%, 0.82%

LAB 81.57, 19.04, 19.65

 

CMYK 26 / 0 / 33 / 2

HEX #BAFAA7

RGB 186 250 167

HSL 106.27, 0.89%, 0.82%

LAB 92.4, -34.98, 33.55

 

Description

Color code: HEX #A7E4FB | qconv.com Color code: HEX #A7E4FB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 228 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 228 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 9 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 9% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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