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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7C350 it is the complementary color #583CAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7C350. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7C350 shade: #ACC34B, #BDD55E, #CEE771, #DFF984 and #F0FF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7C350. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7C350 shade: #A7C350, #96B13D, #859F2A, #748D17 and #637B04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7C350 shade: #A7C350, #C3C050, #C3A150, #C38250 and #C36350

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7C350 shade: #A7C350, #88C350, #69C350, #50C356 and #50C375

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7C350 shade matches the following richer shades: #A7C350, #B0D63D, #BAE92A and #C4FC17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7C350 shade: #A7C350, #9DB063, #939D76, #898A89 and #80779C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7C350 shade: #C3A050, #C3BF50, #A8C350, #89C350 and #6BC350

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7C350 shade: #788F31, #92AE3B, #A7C350, #B6CD6E and #C6D88D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7C350 shade: #A7C350, #50C382 and #B050C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7C350 shade: #A7C350, #50A8C3 and #C350A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7C350 shade: #A7C350, #50C382, #6B50C3 and #C35091

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7C350 shade: #A7C350, #50C3A4, #6B50C3 and #C3506E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 59 / 24

HEX #A7C350

RGB 167 195 80

HSL 74.61, 0.49%, 0.54%

LAB 74.71, -26.26, 53.4

 

Complementary color

CMYK 50 / 66 / 0 / 31

HEX #583CAF

RGB 88 60 175

HSL 254.61, 0.49%, 0.46%

LAB 34.81, 41.1, -57.38

 

CMYK 12 / 0 / 62 / 24

HEX #ACC34B

RGB 172 195 75

HSL 71.5, 0.5%, 0.53%

LAB 75.02, -24.63, 56.01

 

CMYK 11 / 0 / 56 / 16

HEX #BDD55E

RGB 189 213 94

HSL 72.1, 0.59%, 0.6%

LAB 81.41, -25.04, 55.11

 

CMYK 11 / 0 / 51 / 9

HEX #CEE771

RGB 206 231 113

HSL 72.71, 0.71%, 0.67%

LAB 87.71, -25.36, 54.08

 

CMYK 10 / 0 / 47 / 2

HEX #DFF984

RGB 223 249 132

HSL 73.33, 0.91%, 0.75%

LAB 93.93, -25.61, 52.99

 

CMYK 6 / 0 / 41 / 0

HEX #F0FF97

RGB 240 255 151

HSL 68.65, 1%, 0.8%

LAB 96.93, -20.11, 47.96

 

CMYK 14 / 0 / 59 / 24

HEX #A7C350

RGB 167 195 80

HSL 74.61, 0.49%, 0.54%

LAB 74.71, -26.26, 53.4

 

CMYK 15 / 0 / 66 / 31

HEX #96B13D

RGB 150 177 61

HSL 73.97, 0.49%, 0.47%

LAB 68.22, -25.84, 54.17

 

CMYK 16 / 0 / 74 / 38

HEX #859F2A

RGB 133 159 42

HSL 73.33, 0.58%, 0.39%

LAB 61.61, -25.28, 54.52

 

CMYK 18 / 0 / 84 / 45

HEX #748D17

RGB 116 141 23

HSL 72.71, 0.72%, 0.32%

LAB 54.89, -24.51, 53.98

 

CMYK 20 / 0 / 97 / 52

HEX #637B04

RGB 99 123 4

HSL 72.1, 0.94%, 0.25%

LAB 48.04, -23.48, 51.97

 

CMYK 14 / 0 / 59 / 24

HEX #A7C350

RGB 167 195 80

HSL 74.61, 0.49%, 0.54%

LAB 74.71, -26.26, 53.4

 

CMYK 0 / 2 / 59 / 24

HEX #C3C050

RGB 195 192 80

HSL 58.43, 0.49%, 0.54%

LAB 76, -13.28, 55.41

 

CMYK 0 / 17 / 59 / 24

HEX #C3A150

RGB 195 161 80

HSL 42.26, 0.49%, 0.54%

LAB 67.78, 2.98, 46.15

 

CMYK 0 / 33 / 59 / 24

HEX #C38250

RGB 195 130 80

HSL 26.09, 0.49%, 0.54%

LAB 60.02, 19.93, 36.98

 

CMYK 0 / 49 / 59 / 24

HEX #C36350

RGB 195 99 80

HSL 9.91, 0.49%, 0.54%

LAB 53.06, 36.64, 28.35

 

CMYK 14 / 0 / 59 / 24

HEX #A7C350

RGB 167 195 80

HSL 74.61, 0.49%, 0.54%

LAB 74.71, -26.26, 53.4

 

CMYK 30 / 0 / 59 / 24

HEX #88C350

RGB 136 195 80

HSL 90.78, 0.49%, 0.54%

LAB 72.79, -38.11, 50.71

 

CMYK 46 / 0 / 59 / 24

HEX #69C350

RGB 105 195 80

HSL 106.96, 0.49%, 0.54%

LAB 71.29, -48.43, 48.6

 

CMYK 59 / 0 / 56 / 24

HEX #50C356

RGB 80 195 86

HSL 123.13, 0.49%, 0.54%

LAB 70.46, -54.45, 44.63

 

CMYK 59 / 0 / 40 / 24

HEX #50C375

RGB 80 195 117

HSL 139.3, 0.49%, 0.54%

LAB 70.88, -49.79, 29.72

 

CMYK 14 / 0 / 59 / 24

HEX #A7C350

RGB 167 195 80

HSL 74.61, 0.49%, 0.54%

LAB 74.71, -26.26, 53.4

 

CMYK 18 / 0 / 71 / 16

HEX #B0D63D

RGB 176 214 61

HSL 74.9, 0.65%, 0.54%

LAB 80.55, -32.94, 67.26

 

CMYK 20 / 0 / 82 / 9

HEX #BAE92A

RGB 186 233 42

HSL 74.76, 0.81%, 0.54%

LAB 86.45, -38.47, 78.5

 

CMYK 22 / 0 / 91 / 1

HEX #C4FC17

RGB 196 252 23

HSL 74.67, 0.97%, 0.54%

LAB 92.32, -43.45, 87.07

 

CMYK 14 / 0 / 59 / 24

HEX #A7C350

RGB 167 195 80

HSL 74.61, 0.49%, 0.54%

LAB 74.71, -26.26, 53.4

 

CMYK 11 / 0 / 44 / 31

HEX #9DB063

RGB 157 176 99

HSL 74.81, 0.33%, 0.54%

LAB 68.84, -19, 37.15

 

CMYK 6 / 0 / 25 / 38

HEX #939D76

RGB 147 157 118

HSL 75.38, 0.17%, 0.54%

LAB 63.03, -10.52, 19.26

 

CMYK 1 / 0 / 1 / 46

HEX #898A89

RGB 137 138 137

HSL 120, 0%, 0.54%

LAB 57.37, -0.56, 0.4

 

CMYK 18 / 24 / 0 / 39

HEX #80779C

RGB 128 119 156

HSL 254.59, 0.16%, 0.54%

LAB 52.04, 11.36, -18.66

 

CMYK 0 / 18 / 59 / 24

HEX #C3A050

RGB 195 160 80

HSL 41.74, 0.49%, 0.54%

LAB 67.52, 3.52, 45.85

 

CMYK 0 / 2 / 59 / 24

HEX #C3BF50

RGB 195 191 80

HSL 57.91, 0.49%, 0.54%

LAB 75.73, -12.77, 55.11

 

CMYK 14 / 0 / 59 / 24

HEX #A8C350

RGB 168 195 80

HSL 74.09, 0.49%, 0.54%

LAB 74.78, -25.86, 53.49

 

CMYK 30 / 0 / 59 / 24

HEX #89C350

RGB 137 195 80

HSL 90.26, 0.49%, 0.54%

LAB 72.84, -37.74, 50.78

 

CMYK 45 / 0 / 59 / 24

HEX #6BC350

RGB 107 195 80

HSL 105.91, 0.49%, 0.54%

LAB 71.37, -47.82, 48.72

 

CMYK 16 / 0 / 66 / 44

HEX #788F31

RGB 120 143 49

HSL 74.68, 0.49%, 0.38%

LAB 55.95, -22.33, 45.66

 

CMYK 16 / 0 / 66 / 32

HEX #92AE3B

RGB 146 174 59

HSL 74.61, 0.49%, 0.46%

LAB 67.05, -26.16, 53.69

 

CMYK 14 / 0 / 59 / 24

HEX #A7C350

RGB 167 195 80

HSL 74.61, 0.49%, 0.54%

LAB 74.71, -26.26, 53.4

 

CMYK 11 / 0 / 46 / 20

HEX #B6CD6E

RGB 182 205 110

HSL 74.53, 0.49%, 0.62%

LAB 78.89, -22.39, 44.49

 

CMYK 8 / 0 / 35 / 15

HEX #C6D88D

RGB 198 216 141

HSL 74.4, 0.49%, 0.7%

LAB 83.46, -18.08, 35.02

 

CMYK 14 / 0 / 59 / 24

HEX #A7C350

RGB 167 195 80

HSL 74.61, 0.49%, 0.54%

LAB 74.71, -26.26, 53.4

 

CMYK 59 / 0 / 33 / 24

HEX #50C382

RGB 80 195 130

HSL 146.09, 0.49%, 0.54%

LAB 71.11, -47.39, 23.19

 

CMYK 10 / 59 / 0 / 24

HEX #B050C3

RGB 176 80 195

HSL 290.09, 0.49%, 0.54%

LAB 50.58, 55.8, -43.19

 

CMYK 14 / 0 / 59 / 24

HEX #A7C350

RGB 167 195 80

HSL 74.61, 0.49%, 0.54%

LAB 74.71, -26.26, 53.4

 

CMYK 59 / 14 / 0 / 24

HEX #50A8C3

RGB 80 168 195

HSL 194.09, 0.49%, 0.54%

LAB 64.68, -18.44, -21.79

 

CMYK 0 / 59 / 14 / 24

HEX #C350A8

RGB 195 80 168

HSL 314.09, 0.49%, 0.54%

LAB 52.03, 56.22, -25.03

 

CMYK 14 / 0 / 59 / 24

HEX #A7C350

RGB 167 195 80

HSL 74.61, 0.49%, 0.54%

LAB 74.71, -26.26, 53.4

 

CMYK 59 / 0 / 33 / 24

HEX #50C382

RGB 80 195 130

HSL 146.09, 0.49%, 0.54%

LAB 71.11, -47.39, 23.19

 

CMYK 45 / 59 / 0 / 24

HEX #6B50C3

RGB 107 80 195

HSL 254.09, 0.49%, 0.54%

LAB 42.47, 39.23, -56.63

 

CMYK 0 / 59 / 26 / 24

HEX #C35091

RGB 195 80 145

HSL 326.09, 0.49%, 0.54%

LAB 51.13, 52.89, -12.82

 

CMYK 14 / 0 / 59 / 24

HEX #A7C350

RGB 167 195 80

HSL 74.61, 0.49%, 0.54%

LAB 74.71, -26.26, 53.4

 

CMYK 59 / 0 / 16 / 24

HEX #50C3A4

RGB 80 195 164

HSL 163.83, 0.49%, 0.54%

LAB 71.84, -39.98, 5.92

 

CMYK 45 / 59 / 0 / 24

HEX #6B50C3

RGB 107 80 195

HSL 254.09, 0.49%, 0.54%

LAB 42.47, 39.23, -56.63

 

CMYK 0 / 59 / 44 / 24

HEX #C3506E

RGB 195 80 110

HSL 344.35, 0.49%, 0.54%

LAB 50.06, 48.72, 6.55

 

Description

Color code: HEX #A7C350 | qconv.com Color code: HEX #A7C350 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 195 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 195 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 59 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 59% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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