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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7BDE9 it is the complementary color #584216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7BDE9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7BDE9 shade: #ACBDE4, #BDCFF7, #CEE1FF, #DFF3FF and #F0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7BDE9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7BDE9 shade: #A7BDE9, #96ABD6, #8599C3, #7487B0 and #63759D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7BDE9 shade: #A5BBE8, #A5A9E8, #B3A5E8, #C5A5E8 and #D7A5E8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7BDE9 shade: #A5BBE8, #A5A9E8 and #A5A5E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7BDE9 shade matches the following richer shades: #A5BBE8, #9CB8F1 and #93B5FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7BDE9 shade: #A5BBE8, #AEBEDF, #B7C1D6, #C0C4CD and #C9C7C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7BDE9 shade: #A5DFE8, #A5CDE8, #A5BBE8, #A5A9E8 and #B2A5E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7BDE9 shade: #638AD8, #84A2E0, #A5BBE8, #C6D4F0 and #E7EDF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7BDE9 shade: #A7BDE9, #DFA5E8 and #D6E8A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7BDE9 shade: #A7BDE9, #E8A5BB and #BBE8A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7BDE9 shade: #A7BDE9, #DFA5E8, #E8D2A5 and #AEE8A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7BDE9 shade: #A7BDE9, #E8A5DD, #E8D2A5 and #A5E8B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 19 / 0 / 9

HEX #A7BDE9

RGB 167 189 233

HSL 220, 0.6%, 0.78%

LAB 76.37, 2.33, -24.36

 

Complementary color

CMYK 0 / 25 / 75 / 65

HEX #584216

RGB 88 66 22

HSL 40, 0.6%, 0.22%

LAB 29.49, 4.32, 29.43

 

CMYK 25 / 17 / 0 / 11

HEX #ACBDE4

RGB 172 189 228

HSL 221.79, 0.51%, 0.78%

LAB 76.54, 2.63, -21.38

 

CMYK 23 / 16 / 0 / 3

HEX #BDCFF7

RGB 189 207 247

HSL 221.38, 0.78%, 0.85%

LAB 83, 2.41, -21.64

 

CMYK 19 / 12 / 0 / 0

HEX #CEE1FF

RGB 206 225 255

HSL 216.73, 1%, 0.9%

LAB 89.01, -0.19, -16.67

 

CMYK 13 / 5 / 0 / 0

HEX #DFF3FF

RGB 223 243 255

HSL 202.5, 1%, 0.94%

LAB 94.74, -4.21, -8

 

CMYK 6 / 0 / 0 / 0

HEX #F0FFFF

RGB 240 255 255

HSL 180, 1%, 0.97%

LAB 98.93, -4.88, -1.7

 

CMYK 28 / 19 / 0 / 9

HEX #A7BDE9

RGB 167 189 233

HSL 220, 0.6%, 0.78%

LAB 76.37, 2.33, -24.36

 

CMYK 30 / 20 / 0 / 16

HEX #96ABD6

RGB 150 171 214

HSL 220.31, 0.44%, 0.71%

LAB 69.8, 2.6, -24.16

 

CMYK 32 / 22 / 0 / 24

HEX #8599C3

RGB 133 153 195

HSL 220.65, 0.34%, 0.64%

LAB 63.1, 2.9, -23.97

 

CMYK 34 / 23 / 0 / 31

HEX #7487B0

RGB 116 135 176

HSL 221, 0.28%, 0.57%

LAB 56.26, 3.24, -23.82

 

CMYK 37 / 25 / 0 / 38

HEX #63759D

RGB 99 117 157

HSL 221.38, 0.23%, 0.5%

LAB 49.26, 3.64, -23.7

 

CMYK 29 / 19 / 0 / 9

HEX #A5BBE8

RGB 165 187 232

HSL 220.3, 0.59%, 0.78%

LAB 75.68, 2.6, -24.89

 

CMYK 29 / 27 / 0 / 9

HEX #A5A9E8

RGB 165 169 232

HSL 236.42, 0.59%, 0.78%

LAB 71.01, 12.54, -32.06

 

CMYK 23 / 29 / 0 / 9

HEX #B3A5E8

RGB 179 165 232

HSL 252.54, 0.59%, 0.78%

LAB 71.09, 18.9, -31.85

 

CMYK 15 / 29 / 0 / 9

HEX #C5A5E8

RGB 197 165 232

HSL 268.66, 0.59%, 0.78%

LAB 72.63, 24.39, -29.34

 

CMYK 7 / 29 / 0 / 9

HEX #D7A5E8

RGB 215 165 232

HSL 284.78, 0.59%, 0.78%

LAB 74.31, 30.02, -26.63

 

CMYK 29 / 19 / 0 / 9

HEX #A5BBE8

RGB 165 187 232

HSL 220.3, 0.59%, 0.78%

LAB 75.68, 2.6, -24.89

 

CMYK 29 / 27 / 0 / 9

HEX #A5A9E8

RGB 165 169 232

HSL 236.42, 0.59%, 0.78%

LAB 71.01, 12.54, -32.06

 

CMYK 29 / 29 / 0 / 9

HEX #A5A5E8

RGB 165 165 232

HSL 240, 0.59%, 0.78%

LAB 69.99, 14.78, -33.64

 

CMYK 29 / 19 / 0 / 9

HEX #A5BBE8

RGB 165 187 232

HSL 220.3, 0.59%, 0.78%

LAB 75.68, 2.6, -24.89

 

CMYK 35 / 24 / 0 / 5

HEX #9CB8F1

RGB 156 184 241

HSL 220.24, 0.75%, 0.78%

LAB 74.64, 3.95, -31.4

 

CMYK 41 / 28 / 0 / 2

HEX #93B5FA

RGB 147 181 250

HSL 220.19, 0.91%, 0.78%

LAB 73.64, 5.63, -37.84

 

CMYK 29 / 19 / 0 / 9

HEX #A5BBE8

RGB 165 187 232

HSL 220.3, 0.59%, 0.78%

LAB 75.68, 2.6, -24.89

 

CMYK 22 / 15 / 0 / 13

HEX #AEBEDF

RGB 174 190 223

HSL 220.41, 0.43%, 0.78%

LAB 76.77, 1.55, -18.31

 

CMYK 14 / 10 / 0 / 16

HEX #B7C1D6

RGB 183 193 214

HSL 220.65, 0.27%, 0.78%

LAB 77.91, 0.81, -11.67

 

CMYK 6 / 4 / 0 / 20

HEX #C0C4CD

RGB 192 196 205

HSL 221.54, 0.12%, 0.78%

LAB 79.1, 0.34, -4.98

 

CMYK 0 / 1 / 2 / 21

HEX #C9C7C4

RGB 201 199 196

HSL 36, 0.04%, 0.78%

LAB 80.32, 0.15, 1.73

 

CMYK 29 / 4 / 0 / 9

HEX #A5DFE8

RGB 165 223 232

HSL 188.06, 0.59%, 0.78%

LAB 85.3, -16.31, -10.38

 

CMYK 29 / 12 / 0 / 9

HEX #A5CDE8

RGB 165 205 232

HSL 204.18, 0.59%, 0.78%

LAB 80.45, -7.03, -17.64

 

CMYK 29 / 19 / 0 / 9

HEX #A5BBE8

RGB 165 187 232

HSL 220.3, 0.59%, 0.78%

LAB 75.68, 2.6, -24.89

 

CMYK 29 / 27 / 0 / 9

HEX #A5A9E8

RGB 165 169 232

HSL 236.42, 0.59%, 0.78%

LAB 71.01, 12.54, -32.06

 

CMYK 23 / 29 / 0 / 9

HEX #B2A5E8

RGB 178 165 232

HSL 251.64, 0.59%, 0.78%

LAB 71.01, 18.6, -31.98

 

CMYK 54 / 36 / 0 / 15

HEX #638AD8

RGB 99 138 216

HSL 220, 0.6%, 0.62%

LAB 57.83, 8.92, -44.1

 

CMYK 41 / 28 / 0 / 12

HEX #84A2E0

RGB 132 162 224

HSL 220.43, 0.6%, 0.7%

LAB 66.62, 5.29, -34.66

 

CMYK 29 / 19 / 0 / 9

HEX #A5BBE8

RGB 165 187 232

HSL 220.3, 0.59%, 0.78%

LAB 75.68, 2.6, -24.89

 

CMYK 18 / 12 / 0 / 6

HEX #C6D4F0

RGB 198 212 240

HSL 220, 0.58%, 0.86%

LAB 84.68, 0.96, -15.33

 

CMYK 7 / 5 / 0 / 2

HEX #E7EDF9

RGB 231 237 249

HSL 220, 0.6%, 0.94%

LAB 93.62, 0.24, -6.48

 

CMYK 28 / 19 / 0 / 9

HEX #A7BDE9

RGB 167 189 233

HSL 220, 0.6%, 0.78%

LAB 76.37, 2.33, -24.36

 

CMYK 4 / 29 / 0 / 9

HEX #DFA5E8

RGB 223 165 232

HSL 291.94, 0.59%, 0.78%

LAB 75.09, 32.56, -25.36

 

CMYK 8 / 0 / 29 / 9

HEX #D6E8A5

RGB 214 232 165

HSL 76.12, 0.59%, 0.78%

LAB 89.26, -16.9, 30.68

 

CMYK 28 / 19 / 0 / 9

HEX #A7BDE9

RGB 167 189 233

HSL 220, 0.6%, 0.78%

LAB 76.37, 2.33, -24.36

 

CMYK 0 / 29 / 19 / 9

HEX #E8A5BB

RGB 232 165 187

HSL 340.3, 0.59%, 0.78%

LAB 74.61, 27.88, -1.38

 

CMYK 19 / 0 / 29 / 9

HEX #BBE8A5

RGB 187 232 165

HSL 100.3, 0.59%, 0.78%

LAB 87.48, -26.53, 27.98

 

CMYK 28 / 19 / 0 / 9

HEX #A7BDE9

RGB 167 189 233

HSL 220, 0.6%, 0.78%

LAB 76.37, 2.33, -24.36

 

CMYK 4 / 29 / 0 / 9

HEX #DFA5E8

RGB 223 165 232

HSL 291.94, 0.59%, 0.78%

LAB 75.09, 32.56, -25.36

 

CMYK 0 / 9 / 29 / 9

HEX #E8D2A5

RGB 232 210 165

HSL 40.3, 0.59%, 0.78%

LAB 84.98, 0.97, 25.12

 

CMYK 25 / 0 / 29 / 9

HEX #AEE8A5

RGB 174 232 165

HSL 111.94, 0.59%, 0.78%

LAB 86.72, -30.93, 26.81

 

CMYK 28 / 19 / 0 / 9

HEX #A7BDE9

RGB 167 189 233

HSL 220, 0.6%, 0.78%

LAB 76.37, 2.33, -24.36

 

CMYK 0 / 29 / 5 / 9

HEX #E8A5DD

RGB 232 165 221

HSL 309.85, 0.59%, 0.78%

LAB 75.63, 33.45, -18.47

 

CMYK 0 / 9 / 29 / 9

HEX #E8D2A5

RGB 232 210 165

HSL 40.3, 0.59%, 0.78%

LAB 84.98, 0.97, 25.12

 

CMYK 29 / 0 / 24 / 9

HEX #A5E8B0

RGB 165 232 176

HSL 129.85, 0.59%, 0.78%

LAB 86.43, -32.01, 20.66

 

Description

Color code: HEX #A7BDE9 | qconv.com Color code: HEX #A7BDE9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 189 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 189 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 19 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 19% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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