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Color name
HEX #A7A1B9

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7A1B9 it is the complementary color #585E46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7A1B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7A1B9 shade: #ACA1B4, #BDB3C7, #CEC5DA, #DFD7ED and #F0E9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7A1B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7A1B9 shade: #A7A1B9, #968FA6, #857D93, #746B80 and #63596D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7A1B9 shade: #A7A1B9, #ADA1B9, #B4A1B9, #B9A1B8 and #B9A1B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7A1B9 shade: #A7A1B9 and #A1A1B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7A1B9 shade matches the following richer shades: #A7A1B9, #A093C6, #9A86D4, #9379E1 and #8C6CEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7A1B9 shade: #A7A1B9, #ADAEAC, #B4BB9F, #BBC892 and #C1D584

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7A1B9 shade: #A1A8B9, #A1A1B9, #A7A1B9, #ADA1B9 and #B4A1B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7A1B9 shade: #7A7196, #9189A8, #A7A1B9, #BDB8CB and #D3D0DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7A1B9 shade: #A7A1B9, #B9A1AE and #A4B9A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7A1B9 shade: #A7A1B9, #B9A7A1 and #A1B9A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7A1B9 shade: #A7A1B9, #B9A1AE, #B3B9A1 and #A1B9AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7A1B9 shade: #A7A1B9, #B9A1A7, #B3B9A1 and #A1B9B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 13 / 0 / 27

HEX #A7A1B9

RGB 167 161 185

HSL 255, 0.15%, 0.68%

LAB 67.43, 6.89, -11.58

 

Complementary color

CMYK 6 / 0 / 26 / 63

HEX #585E46

RGB 88 94 70

HSL 75, 0.15%, 0.32%

LAB 38.76, -7.04, 13.01

 

CMYK 4 / 11 / 0 / 29

HEX #ACA1B4

RGB 172 161 180

HSL 274.74, 0.11%, 0.67%

LAB 67.69, 7.59, -8.37

 

CMYK 5 / 10 / 0 / 22

HEX #BDB3C7

RGB 189 179 199

HSL 270, 0.15%, 0.74%

LAB 74.31, 7.3, -8.85

 

CMYK 6 / 10 / 0 / 15

HEX #CEC5DA

RGB 206 197 218

HSL 265.71, 0.22%, 0.81%

LAB 80.8, 7.02, -9.32

 

CMYK 6 / 9 / 0 / 7

HEX #DFD7ED

RGB 223 215 237

HSL 261.82, 0.38%, 0.89%

LAB 87.19, 6.77, -9.79

 

CMYK 6 / 9 / 0 / 0

HEX #F0E9FF

RGB 240 233 255

HSL 259.09, 1%, 0.96%

LAB 93.46, 6.34, -9.77

 

CMYK 10 / 13 / 0 / 27

HEX #A7A1B9

RGB 167 161 185

HSL 255, 0.15%, 0.68%

LAB 67.43, 6.89, -11.58

 

CMYK 10 / 14 / 0 / 35

HEX #968FA6

RGB 150 143 166

HSL 258.26, 0.11%, 0.61%

LAB 60.68, 7.19, -11.17

 

CMYK 10 / 15 / 0 / 42

HEX #857D93

RGB 133 125 147

HSL 261.82, 0.09%, 0.53%

LAB 53.77, 7.52, -10.75

 

CMYK 9 / 16 / 0 / 50

HEX #746B80

RGB 116 107 128

HSL 265.71, 0.09%, 0.46%

LAB 46.69, 7.88, -10.34

 

CMYK 9 / 18 / 0 / 57

HEX #63596D

RGB 99 89 109

HSL 270, 0.1%, 0.39%

LAB 39.41, 8.29, -9.93

 

CMYK 10 / 13 / 0 / 27

HEX #A7A1B9

RGB 167 161 185

HSL 255, 0.15%, 0.68%

LAB 67.43, 6.89, -11.58

 

CMYK 6 / 13 / 0 / 27

HEX #ADA1B9

RGB 173 161 185

HSL 270, 0.15%, 0.68%

LAB 67.93, 8.94, -10.79

 

CMYK 3 / 13 / 0 / 27

HEX #B4A1B9

RGB 180 161 185

HSL 287.5, 0.15%, 0.68%

LAB 68.53, 11.35, -9.83

 

CMYK 0 / 13 / 1 / 27

HEX #B9A1B8

RGB 185 161 184

HSL 302.5, 0.15%, 0.68%

LAB 68.94, 12.9, -8.61

 

CMYK 0 / 13 / 4 / 27

HEX #B9A1B1

RGB 185 161 177

HSL 320, 0.15%, 0.68%

LAB 68.74, 11.59, -5.03

 

CMYK 10 / 13 / 0 / 27

HEX #A7A1B9

RGB 167 161 185

HSL 255, 0.15%, 0.68%

LAB 67.43, 6.89, -11.58

 

CMYK 13 / 13 / 0 / 27

HEX #A1A1B9

RGB 161 161 185

HSL 240, 0.15%, 0.68%

LAB 66.95, 4.88, -12.35

 

CMYK 10 / 13 / 0 / 27

HEX #A7A1B9

RGB 167 161 185

HSL 255, 0.15%, 0.68%

LAB 67.43, 6.89, -11.58

 

CMYK 19 / 26 / 0 / 22

HEX #A093C6

RGB 160 147 198

HSL 255.29, 0.31%, 0.68%

LAB 63.69, 15.33, -24.58

 

CMYK 27 / 37 / 0 / 17

HEX #9A86D4

RGB 154 134 212

HSL 255.38, 0.48%, 0.68%

LAB 60.49, 24.3, -37.42

 

CMYK 35 / 46 / 0 / 12

HEX #9379E1

RGB 147 121 225

HSL 255, 0.63%, 0.68%

LAB 57.38, 33.2, -49.65

 

CMYK 41 / 55 / 0 / 7

HEX #8C6CEE

RGB 140 108 238

HSL 254.77, 0.79%, 0.68%

LAB 54.53, 42.43, -61.51

 

CMYK 10 / 13 / 0 / 27

HEX #A7A1B9

RGB 167 161 185

HSL 255, 0.15%, 0.68%

LAB 67.43, 6.89, -11.58

 

CMYK 1 / 0 / 1 / 32

HEX #ADAEAC

RGB 173 174 172

HSL 90, 0.01%, 0.68%

LAB 70.96, -0.73, 0.89

 

CMYK 4 / 0 / 15 / 27

HEX #B4BB9F

RGB 180 187 159

HSL 75, 0.17%, 0.68%

LAB 74.67, -7.41, 13.37

 

CMYK 7 / 0 / 27 / 22

HEX #BBC892

RGB 187 200 146

HSL 74.44, 0.33%, 0.68%

LAB 78.43, -13.52, 25.59

 

CMYK 9 / 0 / 38 / 16

HEX #C1D584

RGB 193 213 132

HSL 74.81, 0.49%, 0.68%

LAB 82.16, -19.6, 37.82

 

CMYK 13 / 9 / 0 / 27

HEX #A1A8B9

RGB 161 168 185

HSL 222.5, 0.15%, 0.68%

LAB 68.81, 1.01, -9.57

 

CMYK 13 / 13 / 0 / 27

HEX #A1A1B9

RGB 161 161 185

HSL 240, 0.15%, 0.68%

LAB 66.95, 4.88, -12.35

 

CMYK 10 / 13 / 0 / 27

HEX #A7A1B9

RGB 167 161 185

HSL 255, 0.15%, 0.68%

LAB 67.43, 6.89, -11.58

 

CMYK 6 / 13 / 0 / 27

HEX #ADA1B9

RGB 173 161 185

HSL 270, 0.15%, 0.68%

LAB 67.93, 8.94, -10.79

 

CMYK 3 / 13 / 0 / 27

HEX #B4A1B9

RGB 180 161 185

HSL 287.5, 0.15%, 0.68%

LAB 68.53, 11.35, -9.83

 

CMYK 19 / 25 / 0 / 41

HEX #7A7196

RGB 122 113 150

HSL 254.59, 0.15%, 0.52%

LAB 49.68, 11.48, -18.8

 

CMYK 14 / 18 / 0 / 34

HEX #9189A8

RGB 145 137 168

HSL 255.48, 0.15%, 0.6%

LAB 58.73, 9.35, -15.28

 

CMYK 10 / 13 / 0 / 27

HEX #A7A1B9

RGB 167 161 185

HSL 255, 0.15%, 0.68%

LAB 67.43, 6.89, -11.58

 

CMYK 7 / 9 / 0 / 20

HEX #BDB8CB

RGB 189 184 203

HSL 255.79, 0.15%, 0.76%

LAB 75.71, 5.38, -8.95

 

CMYK 4 / 5 / 0 / 14

HEX #D3D0DC

RGB 211 208 220

HSL 255, 0.15%, 0.84%

LAB 84.03, 3.24, -5.56

 

CMYK 10 / 13 / 0 / 27

HEX #A7A1B9

RGB 167 161 185

HSL 255, 0.15%, 0.68%

LAB 67.43, 6.89, -11.58

 

CMYK 0 / 13 / 6 / 27

HEX #B9A1AE

RGB 185 161 174

HSL 327.5, 0.15%, 0.68%

LAB 68.65, 11.05, -3.49

 

CMYK 11 / 0 / 13 / 27

HEX #A4B9A1

RGB 164 185 161

HSL 112.5, 0.15%, 0.68%

LAB 73, -11.78, 9.76

 

CMYK 10 / 13 / 0 / 27

HEX #A7A1B9

RGB 167 161 185

HSL 255, 0.15%, 0.68%

LAB 67.43, 6.89, -11.58

 

CMYK 0 / 10 / 13 / 27

HEX #B9A7A1

RGB 185 167 161

HSL 15, 0.15%, 0.68%

LAB 69.84, 5.49, 5.46

 

CMYK 13 / 0 / 10 / 27

HEX #A1B9A7

RGB 161 185 167

HSL 135, 0.15%, 0.68%

LAB 72.93, -11.72, 6.37

 

CMYK 10 / 13 / 0 / 27

HEX #A7A1B9

RGB 167 161 185

HSL 255, 0.15%, 0.68%

LAB 67.43, 6.89, -11.58

 

CMYK 0 / 13 / 6 / 27

HEX #B9A1AE

RGB 185 161 174

HSL 327.5, 0.15%, 0.68%

LAB 68.65, 11.05, -3.49

 

CMYK 3 / 0 / 13 / 27

HEX #B3B9A1

RGB 179 185 161

HSL 75, 0.15%, 0.68%

LAB 74.1, -6.39, 11.47

 

CMYK 13 / 0 / 7 / 27

HEX #A1B9AC

RGB 161 185 172

HSL 147.5, 0.15%, 0.68%

LAB 73.06, -10.77, 3.82

 

CMYK 10 / 13 / 0 / 27

HEX #A7A1B9

RGB 167 161 185

HSL 255, 0.15%, 0.68%

LAB 67.43, 6.89, -11.58

 

CMYK 0 / 13 / 10 / 27

HEX #B9A1A7

RGB 185 161 167

HSL 345, 0.15%, 0.68%

LAB 68.46, 9.81, 0.12

 

CMYK 3 / 0 / 13 / 27

HEX #B3B9A1

RGB 179 185 161

HSL 75, 0.15%, 0.68%

LAB 74.1, -6.39, 11.47

 

CMYK 13 / 0 / 3 / 27

HEX #A1B9B3

RGB 161 185 179

HSL 165, 0.15%, 0.68%

LAB 73.24, -9.39, 0.27

 

Description

Color code: HEX #A7A1B9 | qconv.com Color code: HEX #A7A1B9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 161 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 161 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 13 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 13% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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