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Color name
HEX #A7A148

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7A148 it is the complementary color #585EB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7A148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7A148 shade: #ACA143, #BDB356, #CEC569, #DFD77C and #F0E98F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7A148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7A148 shade: #A7A148, #968F35, #857D22, #746B0F and #635900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7A148 shade: #A7A147, #A78747, #A76E47, #A75447 and #A74747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7A148 shade: #A7A147, #93A747, #7AA747, #60A747 and #47A749

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7A148 shade matches the following richer shades: #A7A147, #BBB234, #CEC321 and #E1D40D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7A148 shade: #A7A147, #94905B, #817F6E, #6D6E82 and #5A5D95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7A148 shade: #A76E47, #A78747, #A7A147, #94A747 and #7BA747

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7A148 shade: #6E6A2F, #8A853B, #A7A147, #BAB45E and #C6C17B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7A148 shade: #A7A148, #47A754 and #7B47A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7A148 shade: #A7A148, #47A7A1 and #A147A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7A148 shade: #A7A148, #47A754, #474EA7 and #A7479B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7A148 shade: #A7A148, #47A771, #474EA7 and #A7477E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 57 / 35

HEX #A7A148

RGB 167 161 72

HSL 56.21, 0.4%, 0.47%

LAB 65.1, -9.7, 46.25

 

Complementary color

CMYK 52 / 49 / 0 / 28

HEX #585EB7

RGB 88 94 183

HSL 236.21, 0.4%, 0.53%

LAB 43.51, 22.85, -48.05

 

CMYK 0 / 6 / 61 / 33

HEX #ACA143

RGB 172 161 67

HSL 53.71, 0.44%, 0.47%

LAB 65.49, -7.91, 49.13

 

CMYK 0 / 5 / 54 / 26

HEX #BDB356

RGB 189 179 86

HSL 54.17, 0.44%, 0.54%

LAB 72.05, -8.65, 48.05

 

CMYK 0 / 4 / 49 / 19

HEX #CEC569

RGB 206 197 105

HSL 54.65, 0.51%, 0.61%

LAB 78.51, -9.26, 46.89

 

CMYK 0 / 4 / 44 / 13

HEX #DFD77C

RGB 223 215 124

HSL 55.15, 0.61%, 0.68%

LAB 84.87, -9.77, 45.7

 

CMYK 0 / 3 / 40 / 6

HEX #F0E98F

RGB 240 233 143

HSL 55.67, 0.76%, 0.75%

LAB 91.14, -10.2, 44.53

 

CMYK 0 / 4 / 57 / 35

HEX #A7A148

RGB 167 161 72

HSL 56.21, 0.4%, 0.47%

LAB 65.1, -9.7, 46.25

 

CMYK 0 / 5 / 65 / 41

HEX #968F35

RGB 150 143 53

HSL 55.67, 0.48%, 0.4%

LAB 58.4, -8.93, 47.23

 

CMYK 0 / 6 / 74 / 48

HEX #857D22

RGB 133 125 34

HSL 55.15, 0.59%, 0.33%

LAB 51.58, -7.94, 47.79

 

CMYK 0 / 8 / 87 / 55

HEX #746B0F

RGB 116 107 15

HSL 54.65, 0.77%, 0.26%

LAB 44.61, -6.66, 47.32

 

CMYK 0 / 10 / 100 / 61

HEX #635900

RGB 99 89 0

HSL 53.94, 1%, 0.19%

LAB 37.48, -5.01, 45

 

CMYK 0 / 4 / 57 / 35

HEX #A7A147

RGB 167 161 71

HSL 56.25, 0.4%, 0.47%

LAB 65.09, -9.78, 46.71

 

CMYK 0 / 19 / 57 / 35

HEX #A78747

RGB 167 135 71

HSL 40, 0.4%, 0.47%

LAB 58.04, 4.36, 38.56

 

CMYK 0 / 34 / 57 / 35

HEX #A76E47

RGB 167 110 71

HSL 24.38, 0.4%, 0.47%

LAB 51.64, 18.45, 30.82

 

CMYK 0 / 50 / 57 / 35

HEX #A75447

RGB 167 84 71

HSL 8.13, 0.4%, 0.47%

LAB 45.65, 32.87, 23.26

 

CMYK 0 / 57 / 57 / 35

HEX #A74747

RGB 167 71 71

HSL 0, 0.4%, 0.47%

LAB 43.03, 39.59, 19.84

 

CMYK 0 / 4 / 57 / 35

HEX #A7A147

RGB 167 161 71

HSL 56.25, 0.4%, 0.47%

LAB 65.09, -9.78, 46.71

 

CMYK 12 / 0 / 57 / 35

HEX #93A747

RGB 147 167 71

HSL 72.5, 0.4%, 0.47%

LAB 65.2, -21.35, 46.4

 

CMYK 27 / 0 / 57 / 35

HEX #7AA747

RGB 122 167 71

HSL 88.13, 0.4%, 0.47%

LAB 63.53, -31.32, 44.06

 

CMYK 43 / 0 / 57 / 35

HEX #60A747

RGB 96 167 71

HSL 104.38, 0.4%, 0.47%

LAB 62.15, -40.56, 42.1

 

CMYK 57 / 0 / 56 / 35

HEX #47A749

RGB 71 167 73

HSL 121.25, 0.4%, 0.47%

LAB 61.18, -47.59, 39.76

 

CMYK 0 / 4 / 57 / 35

HEX #A7A147

RGB 167 161 71

HSL 56.25, 0.4%, 0.47%

LAB 65.09, -9.78, 46.71

 

CMYK 0 / 5 / 72 / 27

HEX #BBB234

RGB 187 178 52

HSL 56, 0.56%, 0.47%

LAB 71.32, -11.18, 61.75

 

CMYK 0 / 5 / 84 / 19

HEX #CEC321

RGB 206 195 33

HSL 56.18, 0.72%, 0.47%

LAB 77.44, -12.35, 73.52

 

CMYK 0 / 6 / 94 / 12

HEX #E1D40D

RGB 225 212 13

HSL 56.32, 0.89%, 0.47%

LAB 83.51, -13.1, 82.29

 

CMYK 0 / 4 / 57 / 35

HEX #A7A147

RGB 167 161 71

HSL 56.25, 0.4%, 0.47%

LAB 65.09, -9.78, 46.71

 

CMYK 0 / 3 / 39 / 42

HEX #94905B

RGB 148 144 91

HSL 55.79, 0.24%, 0.47%

LAB 58.97, -6.8, 28.7

 

CMYK 0 / 2 / 15 / 49

HEX #817F6E

RGB 129 127 110

HSL 53.68, 0.08%, 0.47%

LAB 52.92, -2.38, 9.52

 

CMYK 16 / 15 / 0 / 49

HEX #6D6E82

RGB 109 110 130

HSL 237.14, 0.09%, 0.47%

LAB 46.99, 4.04, -11.14

 

CMYK 40 / 38 / 0 / 42

HEX #5A5D95

RGB 90 93 149

HSL 236.95, 0.25%, 0.47%

LAB 41.49, 13.44, -31.12

 

CMYK 0 / 34 / 57 / 35

HEX #A76E47

RGB 167 110 71

HSL 24.38, 0.4%, 0.47%

LAB 51.64, 18.45, 30.82

 

CMYK 0 / 19 / 57 / 35

HEX #A78747

RGB 167 135 71

HSL 40, 0.4%, 0.47%

LAB 58.04, 4.36, 38.56

 

CMYK 0 / 4 / 57 / 35

HEX #A7A147

RGB 167 161 71

HSL 56.25, 0.4%, 0.47%

LAB 65.09, -9.78, 46.71

 

CMYK 11 / 0 / 57 / 35

HEX #94A747

RGB 148 167 71

HSL 71.88, 0.4%, 0.47%

LAB 65.27, -20.93, 46.5

 

CMYK 26 / 0 / 57 / 35

HEX #7BA747

RGB 123 167 71

HSL 87.5, 0.4%, 0.47%

LAB 63.59, -30.93, 44.14

 

CMYK 0 / 4 / 57 / 57

HEX #6E6A2F

RGB 110 106 47

HSL 56.19, 0.4%, 0.31%

LAB 43.99, -7.05, 33.16

 

CMYK 0 / 4 / 57 / 46

HEX #8A853B

RGB 138 133 59

HSL 56.2, 0.4%, 0.39%

LAB 54.55, -8.39, 39.86

 

CMYK 0 / 4 / 57 / 35

HEX #A7A147

RGB 167 161 71

HSL 56.25, 0.4%, 0.47%

LAB 65.09, -9.78, 46.71

 

CMYK 0 / 3 / 49 / 27

HEX #BAB45E

RGB 186 180 94

HSL 56.09, 0.4%, 0.55%

LAB 72.15, -9.73, 44.24

 

CMYK 0 / 3 / 38 / 22

HEX #C6C17B

RGB 198 193 123

HSL 56, 0.4%, 0.63%

LAB 77.03, -8.6, 35.88

 

CMYK 0 / 4 / 57 / 35

HEX #A7A148

RGB 167 161 72

HSL 56.21, 0.4%, 0.47%

LAB 65.1, -9.7, 46.25

 

CMYK 57 / 0 / 50 / 35

HEX #47A754

RGB 71 167 84

HSL 128.13, 0.4%, 0.47%

LAB 61.32, -46.06, 34.44

 

CMYK 26 / 57 / 0 / 35

HEX #7B47A7

RGB 123 71 167

HSL 272.5, 0.4%, 0.47%

LAB 40.42, 40.69, -43.36

 

CMYK 0 / 4 / 57 / 35

HEX #A7A148

RGB 167 161 72

HSL 56.21, 0.4%, 0.47%

LAB 65.1, -9.7, 46.25

 

CMYK 57 / 0 / 4 / 35

HEX #47A7A1

RGB 71 167 161

HSL 176.25, 0.4%, 0.47%

LAB 62.97, -29.49, -5.4

 

CMYK 4 / 57 / 0 / 35

HEX #A147A7

RGB 161 71 167

HSL 296.25, 0.4%, 0.47%

LAB 45.46, 50.79, -35.05

 

CMYK 0 / 4 / 57 / 35

HEX #A7A148

RGB 167 161 72

HSL 56.21, 0.4%, 0.47%

LAB 65.1, -9.7, 46.25

 

CMYK 57 / 0 / 50 / 35

HEX #47A754

RGB 71 167 84

HSL 128.13, 0.4%, 0.47%

LAB 61.32, -46.06, 34.44

 

CMYK 57 / 53 / 0 / 35

HEX #474EA7

RGB 71 78 167

HSL 235.63, 0.4%, 0.47%

LAB 37.07, 24.12, -49.01

 

CMYK 0 / 57 / 7 / 35

HEX #A7479B

RGB 167 71 155

HSL 307.5, 0.4%, 0.47%

LAB 45.76, 50.31, -27.39

 

CMYK 0 / 4 / 57 / 35

HEX #A7A148

RGB 167 161 72

HSL 56.21, 0.4%, 0.47%

LAB 65.1, -9.7, 46.25

 

CMYK 57 / 0 / 32 / 35

HEX #47A771

RGB 71 167 113

HSL 146.25, 0.4%, 0.47%

LAB 61.8, -40.96, 19.65

 

CMYK 57 / 53 / 0 / 35

HEX #474EA7

RGB 71 78 167

HSL 235.63, 0.4%, 0.47%

LAB 37.07, 24.12, -49.01

 

CMYK 0 / 57 / 25 / 35

HEX #A7477E

RGB 167 71 126

HSL 325.63, 0.4%, 0.47%

LAB 44.56, 45.76, -11.74

 

Description

Color code: HEX #A7A148 | qconv.com Color code: HEX #A7A148 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 161 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 161 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 57 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 57% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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