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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A38E23 it is the complementary color #5C71DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A38E23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A38E23 shade: #A88E1E, #B9A031, #CAB244, #DBC457 and #ECD66A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A38E23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A38E23 shade: #A38E23, #927C10, #816A00, #705800 and #5F4600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A38E23 shade: #A48E22, #A46C22, #A44922, #A42622 and #A42222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A38E23 shade: #A48E22, #96A422, #73A422, #50A422 and #2DA422

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A38E23 shade matches the following richer shades: #A48E22, #B49912 and #C4A402

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A38E23 shade: #A48E22, #948432, #837942, #736E53 and #636363

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A38E23 shade: #A44922, #A46C22, #A48E22, #97A422 and #74A422

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A38E23 shade: #605314, #82711B, #A48E22, #C6AC2A and #D6BE42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A38E23 shade: #A38E23, #22A427 and #5A22A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A38E23 shade: #A38E23, #22A48E and #8E22A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A38E23 shade: #A38E23, #22A427, #2238A4 and #A4229F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A38E23 shade: #A38E23, #22A44D, #2238A4 and #A42278

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 79 / 36

HEX #A38E23

RGB 163 142 35

HSL 50.16, 0.65%, 0.39%

LAB 59.21, -3.47, 55.61

 

Complementary color

CMYK 58 / 49 / 0 / 14

HEX #5C71DC

RGB 92 113 220

HSL 230.16, 0.65%, 0.61%

LAB 50.98, 23.93, -57.29

 

CMYK 0 / 15 / 82 / 34

HEX #A88E1E

RGB 168 142 30

HSL 48.7, 0.7%, 0.39%

LAB 59.68, -1.38, 57.85

 

CMYK 0 / 14 / 74 / 27

HEX #B9A031

RGB 185 160 49

HSL 48.97, 0.58%, 0.46%

LAB 66.27, -2.73, 57.92

 

CMYK 0 / 12 / 66 / 21

HEX #CAB244

RGB 202 178 68

HSL 49.25, 0.56%, 0.53%

LAB 72.77, -3.85, 57.32

 

CMYK 0 / 11 / 60 / 14

HEX #DBC457

RGB 219 196 87

HSL 49.55, 0.65%, 0.6%

LAB 79.17, -4.79, 56.38

 

CMYK 0 / 9 / 55 / 7

HEX #ECD66A

RGB 236 214 106

HSL 49.85, 0.77%, 0.67%

LAB 85.49, -5.59, 55.29

 

CMYK 0 / 13 / 79 / 36

HEX #A38E23

RGB 163 142 35

HSL 50.16, 0.65%, 0.39%

LAB 59.21, -3.47, 55.61

 

CMYK 0 / 15 / 89 / 43

HEX #927C10

RGB 146 124 16

HSL 49.85, 0.8%, 0.32%

LAB 52.47, -1.98, 54.76

 

CMYK 0 / 18 / 100 / 49

HEX #816A00

RGB 129 106 0

HSL 49.3, 1%, 0.25%

LAB 45.6, -0.16, 52.22

 

CMYK 0 / 21 / 100 / 56

HEX #705800

RGB 112 88 0

HSL 47.14, 1%, 0.22%

LAB 38.59, 2.07, 46.44

 

CMYK 0 / 26 / 100 / 63

HEX #5F4600

RGB 95 70 0

HSL 44.21, 1%, 0.19%

LAB 31.38, 4.46, 40.5

 

CMYK 0 / 13 / 79 / 36

HEX #A48E22

RGB 164 142 34

HSL 49.85, 0.66%, 0.39%

LAB 59.3, -3.06, 56.07

 

CMYK 0 / 34 / 79 / 36

HEX #A46C22

RGB 164 108 34

HSL 34.15, 0.66%, 0.39%

LAB 50.37, 15.99, 47.82

 

CMYK 0 / 55 / 79 / 36

HEX #A44922

RGB 164 73 34

HSL 18, 0.66%, 0.39%

LAB 42.42, 35.22, 40.11

 

CMYK 0 / 77 / 79 / 36

HEX #A42622

RGB 164 38 34

HSL 1.85, 0.66%, 0.39%

LAB 36.73, 50.45, 34.32

 

CMYK 0 / 79 / 79 / 36

HEX #A42222

RGB 164 34 34

HSL 0, 0.66%, 0.39%

LAB 36.28, 51.73, 33.84

 

CMYK 0 / 13 / 79 / 36

HEX #A48E22

RGB 164 142 34

HSL 49.85, 0.66%, 0.39%

LAB 59.3, -3.06, 56.07

 

CMYK 9 / 0 / 79 / 36

HEX #96A422

RGB 150 164 34

HSL 66.46, 0.66%, 0.39%

LAB 64.28, -20.88, 60.12

 

CMYK 30 / 0 / 79 / 36

HEX #73A422

RGB 115 164 34

HSL 82.62, 0.66%, 0.39%

LAB 61.92, -35.36, 57.09

 

CMYK 51 / 0 / 79 / 36

HEX #50A422

RGB 80 164 34

HSL 98.77, 0.66%, 0.39%

LAB 60.22, -47.54, 54.89

 

CMYK 73 / 0 / 79 / 36

HEX #2DA422

RGB 45 164 34

HSL 114.92, 0.66%, 0.39%

LAB 59.18, -56, 53.53

 

CMYK 0 / 13 / 79 / 36

HEX #A48E22

RGB 164 142 34

HSL 49.85, 0.66%, 0.39%

LAB 59.3, -3.06, 56.07

 

CMYK 0 / 15 / 90 / 29

HEX #B49912

RGB 180 153 18

HSL 50, 0.82%, 0.39%

LAB 63.78, -2.22, 64.74

 

CMYK 0 / 16 / 99 / 23

HEX #C4A402

RGB 196 164 2

HSL 50.1, 0.98%, 0.39%

LAB 68.23, -1.14, 71.08

 

CMYK 0 / 13 / 79 / 36

HEX #A48E22

RGB 164 142 34

HSL 49.85, 0.66%, 0.39%

LAB 59.3, -3.06, 56.07

 

CMYK 0 / 11 / 66 / 42

HEX #948432

RGB 148 132 50

HSL 50.2, 0.49%, 0.39%

LAB 55.1, -4.01, 45.02

 

CMYK 0 / 8 / 50 / 49

HEX #837942

RGB 131 121 66

HSL 50.77, 0.33%, 0.39%

LAB 50.56, -4.2, 31.36

 

CMYK 0 / 4 / 28 / 55

HEX #736E53

RGB 115 110 83

HSL 50.63, 0.16%, 0.39%

LAB 46.21, -2.77, 15.8

 

CMYK 0 / 0 / 0 / 61

HEX #636363

RGB 99 99 99

HSL 0, 0%, 0.39%

LAB 41.96, 0, -0.01

 

CMYK 0 / 55 / 79 / 36

HEX #A44922

RGB 164 73 34

HSL 18, 0.66%, 0.39%

LAB 42.42, 35.22, 40.11

 

CMYK 0 / 34 / 79 / 36

HEX #A46C22

RGB 164 108 34

HSL 34.15, 0.66%, 0.39%

LAB 50.37, 15.99, 47.82

 

CMYK 0 / 13 / 79 / 36

HEX #A48E22

RGB 164 142 34

HSL 49.85, 0.66%, 0.39%

LAB 59.3, -3.06, 56.07

 

CMYK 8 / 0 / 79 / 36

HEX #97A422

RGB 151 164 34

HSL 66, 0.66%, 0.39%

LAB 64.36, -20.45, 60.21

 

CMYK 29 / 0 / 79 / 36

HEX #74A422

RGB 116 164 34

HSL 82.15, 0.66%, 0.39%

LAB 61.98, -34.97, 57.16

 

CMYK 0 / 14 / 79 / 62

HEX #605314

RGB 96 83 20

HSL 49.74, 0.66%, 0.23%

LAB 35.45, -2.24, 36.63

 

CMYK 0 / 13 / 79 / 49

HEX #82711B

RGB 130 113 27

HSL 50.1, 0.66%, 0.31%

LAB 47.8, -2.94, 46.76

 

CMYK 0 / 13 / 79 / 36

HEX #A48E22

RGB 164 142 34

HSL 49.85, 0.66%, 0.39%

LAB 59.3, -3.06, 56.07

 

CMYK 0 / 13 / 79 / 22

HEX #C6AC2A

RGB 198 172 42

HSL 50, 0.65%, 0.47%

LAB 70.65, -3.66, 64.91

 

CMYK 0 / 11 / 69 / 16

HEX #D6BE42

RGB 214 190 66

HSL 50.27, 0.64%, 0.55%

LAB 76.99, -5.07, 62.83

 

CMYK 0 / 13 / 79 / 36

HEX #A38E23

RGB 163 142 35

HSL 50.16, 0.65%, 0.39%

LAB 59.21, -3.47, 55.61

 

CMYK 79 / 0 / 76 / 36

HEX #22A427

RGB 34 164 39

HSL 122.31, 0.66%, 0.39%

LAB 59.01, -57.38, 51.63

 

CMYK 45 / 79 / 0 / 36

HEX #5A22A4

RGB 90 34 164

HSL 265.85, 0.66%, 0.39%

LAB 29.41, 51.5, -59.59

 

CMYK 0 / 13 / 79 / 36

HEX #A38E23

RGB 163 142 35

HSL 50.16, 0.65%, 0.39%

LAB 59.21, -3.47, 55.61

 

CMYK 79 / 0 / 13 / 36

HEX #22A48E

RGB 34 164 142

HSL 169.85, 0.66%, 0.39%

LAB 60.64, -38.95, 1.76

 

CMYK 13 / 79 / 0 / 36

HEX #8E22A4

RGB 142 34 164

HSL 289.85, 0.66%, 0.39%

LAB 37.07, 60.65, -46.8

 

CMYK 0 / 13 / 79 / 36

HEX #A38E23

RGB 163 142 35

HSL 50.16, 0.65%, 0.39%

LAB 59.21, -3.47, 55.61

 

CMYK 79 / 0 / 76 / 36

HEX #22A427

RGB 34 164 39

HSL 122.31, 0.66%, 0.39%

LAB 59.01, -57.38, 51.63

 

CMYK 79 / 66 / 0 / 36

HEX #2238A4

RGB 34 56 164

HSL 229.85, 0.66%, 0.39%

LAB 29.03, 31.89, -60.39

 

CMYK 0 / 79 / 3 / 36

HEX #A4229F

RGB 164 34 159

HSL 302.31, 0.66%, 0.39%

LAB 40.48, 64.22, -38.13

 

CMYK 0 / 13 / 79 / 36

HEX #A38E23

RGB 163 142 35

HSL 50.16, 0.65%, 0.39%

LAB 59.21, -3.47, 55.61

 

CMYK 79 / 0 / 53 / 36

HEX #22A44D

RGB 34 164 77

HSL 139.85, 0.66%, 0.39%

LAB 59.37, -53.02, 35.38

 

CMYK 79 / 66 / 0 / 36

HEX #2238A4

RGB 34 56 164

HSL 229.85, 0.66%, 0.39%

LAB 29.03, 31.89, -60.39

 

CMYK 0 / 79 / 27 / 36

HEX #A42278

RGB 164 34 120

HSL 320.31, 0.66%, 0.39%

LAB 38.54, 58.66, -17.26

 

Description

Color code: HEX #A38E23 | qconv.com Color code: HEX #A38E23 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 142 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 142 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 79 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 79% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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