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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A38832 it is the complementary color #5C77CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A38832. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A38832 shade: #A8882D, #B99A40, #CAAC53, #DBBE66 and #ECD079

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A38832. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A38832 shade: #A38832, #92761F, #81640C, #705200 and #5F4000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A38832 shade: #A38832, #A36A32, #A34B32 and #A33232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A38832 shade: #A38832, #A0A332, #81A332, #63A332 and #44A332

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A38832 shade matches the following richer shades: #A38832, #B59121 and #C69A0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A38832 shade: #A38832, #927F43, #817654, #6F6D66 and #5E6477

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A38832 shade: #A34A32, #A36932, #A38732, #A1A332 and #83A332

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A38832 shade: #64541E, #846E28, #A38832, #C3A23C and #CCB15B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A38832 shade: #A38832, #38A332 and #5A32A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A38832 shade: #A38832, #32A387 and #8732A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A38832 shade: #A38832, #38A332, #324EA3 and #9E32A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A38832 shade: #A38832, #32A34E, #324EA3 and #A33287

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 69 / 36

HEX #A38832

RGB 163 136 50

HSL 45.66, 0.53%, 0.42%

LAB 57.68, 0.56, 48.18

 

Complementary color

CMYK 55 / 42 / 0 / 20

HEX #5C77CD

RGB 92 119 205

HSL 225.66, 0.53%, 0.58%

LAB 51.7, 15.33, -47.64

 

CMYK 0 / 19 / 73 / 34

HEX #A8882D

RGB 168 136 45

HSL 44.39, 0.58%, 0.42%

LAB 58.15, 2.54, 50.97

 

CMYK 0 / 17 / 65 / 27

HEX #B99A40

RGB 185 154 64

HSL 44.63, 0.49%, 0.49%

LAB 64.8, 1.32, 50.11

 

CMYK 0 / 15 / 59 / 21

HEX #CAAC53

RGB 202 172 83

HSL 44.87, 0.53%, 0.56%

LAB 71.34, 0.31, 48.98

 

CMYK 0 / 13 / 53 / 14

HEX #DBBE66

RGB 219 190 102

HSL 45.13, 0.62%, 0.63%

LAB 77.78, -0.55, 47.75

 

CMYK 0 / 12 / 49 / 7

HEX #ECD079

RGB 236 208 121

HSL 45.39, 0.75%, 0.7%

LAB 84.13, -1.27, 46.51

 

CMYK 0 / 17 / 69 / 36

HEX #A38832

RGB 163 136 50

HSL 45.66, 0.53%, 0.42%

LAB 57.68, 0.56, 48.18

 

CMYK 0 / 19 / 79 / 43

HEX #92761F

RGB 146 118 31

HSL 45.39, 0.65%, 0.35%

LAB 50.88, 1.9, 48.74

 

CMYK 0 / 22 / 91 / 49

HEX #81640C

RGB 129 100 12

HSL 45.13, 0.83%, 0.28%

LAB 43.96, 3.58, 48.15

 

CMYK 0 / 27 / 100 / 56

HEX #705200

RGB 112 82 0

HSL 43.93, 1%, 0.22%

LAB 36.89, 5.67, 45.26

 

CMYK 0 / 33 / 100 / 63

HEX #5F4000

RGB 95 64 0

HSL 40.42, 1%, 0.19%

LAB 29.66, 8.2, 39.24

 

CMYK 0 / 17 / 69 / 36

HEX #A38832

RGB 163 136 50

HSL 45.66, 0.53%, 0.42%

LAB 57.68, 0.56, 48.18

 

CMYK 0 / 35 / 69 / 36

HEX #A36A32

RGB 163 106 50

HSL 29.73, 0.53%, 0.42%

LAB 49.89, 17.47, 39.86

 

CMYK 0 / 54 / 69 / 36

HEX #A34B32

RGB 163 75 50

HSL 13.27, 0.53%, 0.42%

LAB 42.84, 34.56, 31.9

 

CMYK 0 / 69 / 69 / 36

HEX #A33232

RGB 163 50 50

HSL 0, 0.53%, 0.42%

LAB 38.37, 46.36, 26.61

 

CMYK 0 / 17 / 69 / 36

HEX #A38832

RGB 163 136 50

HSL 45.66, 0.53%, 0.42%

LAB 57.68, 0.56, 48.18

 

CMYK 2 / 0 / 69 / 36

HEX #A0A332

RGB 160 163 50

HSL 61.59, 0.53%, 0.42%

LAB 64.88, -15.26, 55.42

 

CMYK 21 / 0 / 69 / 36

HEX #81A332

RGB 129 163 50

HSL 78.05, 0.53%, 0.42%

LAB 62.59, -28.39, 52.35

 

CMYK 39 / 0 / 69 / 36

HEX #63A332

RGB 99 163 50

HSL 93.98, 0.53%, 0.42%

LAB 60.85, -39.83, 50.01

 

CMYK 58 / 0 / 69 / 36

HEX #44A332

RGB 68 163 50

HSL 110.44, 0.53%, 0.42%

LAB 59.57, -49.35, 48.28

 

CMYK 0 / 17 / 69 / 36

HEX #A38832

RGB 163 136 50

HSL 45.66, 0.53%, 0.42%

LAB 57.68, 0.56, 48.18

 

CMYK 0 / 20 / 82 / 29

HEX #B59121

RGB 181 145 33

HSL 45.41, 0.69%, 0.42%

LAB 61.81, 2.96, 59.29

 

CMYK 0 / 22 / 92 / 22

HEX #C69A0F

RGB 198 154 15

HSL 45.57, 0.86%, 0.42%

LAB 65.87, 5.27, 67.69

 

CMYK 0 / 17 / 69 / 36

HEX #A38832

RGB 163 136 50

HSL 45.66, 0.53%, 0.42%

LAB 57.68, 0.56, 48.18

 

CMYK 0 / 13 / 54 / 43

HEX #927F43

RGB 146 127 67

HSL 45.57, 0.37%, 0.42%

LAB 53.7, -0.8, 34.97

 

CMYK 0 / 9 / 35 / 49

HEX #817654

RGB 129 118 84

HSL 45.33, 0.21%, 0.42%

LAB 49.81, -1.24, 20.3

 

CMYK 0 / 2 / 8 / 56

HEX #6F6D66

RGB 111 109 102

HSL 46.67, 0.04%, 0.42%

LAB 46.01, -0.6, 4.18

 

CMYK 21 / 16 / 0 / 53

HEX #5E6477

RGB 94 100 119

HSL 225.6, 0.12%, 0.42%

LAB 42.5, 2.14, -11.43

 

CMYK 0 / 55 / 69 / 36

HEX #A34A32

RGB 163 74 50

HSL 12.74, 0.53%, 0.42%

LAB 42.63, 35.08, 31.67

 

CMYK 0 / 36 / 69 / 36

HEX #A36932

RGB 163 105 50

HSL 29.2, 0.53%, 0.42%

LAB 49.64, 18.04, 39.59

 

CMYK 0 / 17 / 69 / 36

HEX #A38732

RGB 163 135 50

HSL 45.13, 0.53%, 0.42%

LAB 57.41, 1.11, 47.9

 

CMYK 1 / 0 / 69 / 36

HEX #A1A332

RGB 161 163 50

HSL 61.06, 0.53%, 0.42%

LAB 64.96, -14.83, 55.53

 

CMYK 20 / 0 / 69 / 36

HEX #83A332

RGB 131 163 50

HSL 76.99, 0.53%, 0.42%

LAB 62.72, -27.58, 52.53

 

CMYK 0 / 16 / 70 / 61

HEX #64541E

RGB 100 84 30

HSL 46.29, 0.54%, 0.25%

LAB 36.26, -0.26, 32.98

 

CMYK 0 / 17 / 70 / 48

HEX #846E28

RGB 132 110 40

HSL 45.65, 0.53%, 0.34%

LAB 47.25, 0.39, 40.83

 

CMYK 0 / 17 / 69 / 36

HEX #A38832

RGB 163 136 50

HSL 45.66, 0.53%, 0.42%

LAB 57.68, 0.56, 48.18

 

CMYK 0 / 17 / 69 / 24

HEX #C3A23C

RGB 195 162 60

HSL 45.33, 0.53%, 0.5%

LAB 67.85, 1.15, 55.38

 

CMYK 0 / 13 / 55 / 20

HEX #CCB15B

RGB 204 177 91

HSL 45.66, 0.53%, 0.58%

LAB 72.92, -0.88, 47

 

CMYK 0 / 17 / 69 / 36

HEX #A38832

RGB 163 136 50

HSL 45.66, 0.53%, 0.42%

LAB 57.68, 0.56, 48.18

 

CMYK 66 / 0 / 69 / 36

HEX #38A332

RGB 56 163 50

HSL 116.81, 0.53%, 0.42%

LAB 59.22, -52.21, 47.8

 

CMYK 45 / 69 / 0 / 36

HEX #5A32A3

RGB 90 50 163

HSL 261.24, 0.53%, 0.42%

LAB 32.03, 43.58, -54.7

 

CMYK 0 / 17 / 69 / 36

HEX #A38832

RGB 163 136 50

HSL 45.66, 0.53%, 0.42%

LAB 57.68, 0.56, 48.18

 

CMYK 69 / 0 / 17 / 36

HEX #32A387

RGB 50 163 135

HSL 165.13, 0.53%, 0.42%

LAB 60.45, -38.26, 5.45

 

CMYK 17 / 69 / 0 / 36

HEX #8732A3

RGB 135 50 163

HSL 285.13, 0.53%, 0.42%

LAB 37.98, 53.09, -44.79

 

CMYK 0 / 17 / 69 / 36

HEX #A38832

RGB 163 136 50

HSL 45.66, 0.53%, 0.42%

LAB 57.68, 0.56, 48.18

 

CMYK 66 / 0 / 69 / 36

HEX #38A332

RGB 56 163 50

HSL 116.81, 0.53%, 0.42%

LAB 59.22, -52.21, 47.8

 

CMYK 69 / 52 / 0 / 36

HEX #324EA3

RGB 50 78 163

HSL 225.13, 0.53%, 0.42%

LAB 35.54, 18.9, -49.15

 

CMYK 3 / 69 / 0 / 36

HEX #9E32A3

RGB 158 50 163

HSL 297.35, 0.53%, 0.42%

LAB 41.52, 58.36, -38.93

 

CMYK 0 / 17 / 69 / 36

HEX #A38832

RGB 163 136 50

HSL 45.66, 0.53%, 0.42%

LAB 57.68, 0.56, 48.18

 

CMYK 69 / 0 / 52 / 36

HEX #32A34E

RGB 50 163 78

HSL 134.87, 0.53%, 0.42%

LAB 59.36, -49.99, 34.94

 

CMYK 69 / 52 / 0 / 36

HEX #324EA3

RGB 50 78 163

HSL 225.13, 0.53%, 0.42%

LAB 35.54, 18.9, -49.15

 

CMYK 0 / 69 / 17 / 36

HEX #A33287

RGB 163 50 135

HSL 314.87, 0.53%, 0.42%

LAB 40.92, 55.07, -22.86

 

Description

Color code: HEX #A38832 | qconv.com Color code: HEX #A38832 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 136 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 136 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 69 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 69% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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