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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A36076 it is the complementary color #5C9F89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A36076. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A36076 shade: #A86071, #B97284, #CA8497, #DB96AA and #ECA8BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A36076. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A36076 shade: #A36076, #924E63, #813C50, #702A3D and #5F182A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A36076 shade: #A36076, #A36064 and #A36060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A36076 shade: #A36076, #A36088, #A3609A, #9A60A3 and #8860A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A36076 shade matches the following richer shades: #A36076, #B84C6F, #CC3768, #E02361 and #F40F5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A36076 shade: #A36076, #8F747D, #7B8884, #679C8B and #52B192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A36076 shade: #A3609A, #A36088, #A36076, #A36064 and #A36D60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A36076 shade: #704050, #8A4F63, #A36076, #B27A8D and #C194A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A36076 shade: #A36076, #A39A60 and #6091A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A36076 shade: #A36076, #76A360 and #6076A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A36076 shade: #A36076, #A39A60, #60A38D and #6069A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A36076 shade: #A36076, #98A360, #60A38D and #6B60A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 28 / 36

HEX #A36076

RGB 163 96 118

HSL 340.3, 0.27%, 0.51%

LAB 48.83, 30.1, -0.6

 

Complementary color

CMYK 42 / 0 / 14 / 38

HEX #5C9F89

RGB 92 159 137

HSL 160.3, 0.27%, 0.49%

LAB 60.67, -26.66, 4.84

 

CMYK 0 / 43 / 33 / 34

HEX #A86071

RGB 168 96 113

HSL 345.83, 0.29%, 0.52%

LAB 49.35, 31.28, 3.23

 

CMYK 0 / 38 / 29 / 27

HEX #B97284

RGB 185 114 132

HSL 344.79, 0.34%, 0.59%

LAB 56.1, 30.36, 2.05

 

CMYK 0 / 35 / 25 / 21

HEX #CA8497

RGB 202 132 151

HSL 343.71, 0.4%, 0.65%

LAB 62.75, 29.51, 1.03

 

CMYK 0 / 32 / 22 / 14

HEX #DB96AA

RGB 219 150 170

HSL 342.61, 0.49%, 0.72%

LAB 69.31, 28.73, 0.11

 

CMYK 0 / 29 / 20 / 7

HEX #ECA8BD

RGB 236 168 189

HSL 341.47, 0.64%, 0.79%

LAB 75.77, 28.01, -0.73

 

CMYK 0 / 41 / 28 / 36

HEX #A36076

RGB 163 96 118

HSL 340.3, 0.27%, 0.51%

LAB 48.83, 30.1, -0.6

 

CMYK 0 / 47 / 32 / 43

HEX #924E63

RGB 146 78 99

HSL 341.47, 0.3%, 0.44%

LAB 41.94, 31.04, 0.61

 

CMYK 0 / 53 / 38 / 49

HEX #813C50

RGB 129 60 80

HSL 342.61, 0.37%, 0.37%

LAB 34.96, 31.99, 2.09

 

CMYK 0 / 63 / 46 / 56

HEX #702A3D

RGB 112 42 61

HSL 343.71, 0.45%, 0.3%

LAB 27.95, 32.87, 4.03

 

CMYK 0 / 75 / 56 / 63

HEX #5F182A

RGB 95 24 42

HSL 344.79, 0.6%, 0.23%

LAB 21.03, 33.35, 6.77

 

CMYK 0 / 41 / 28 / 36

HEX #A36076

RGB 163 96 118

HSL 340.3, 0.27%, 0.51%

LAB 48.83, 30.1, -0.6

 

CMYK 0 / 41 / 39 / 36

HEX #A36064

RGB 163 96 100

HSL 356.42, 0.27%, 0.51%

LAB 48.35, 27.69, 9.49

 

CMYK 0 / 41 / 41 / 36

HEX #A36060

RGB 163 96 96

HSL 0, 0.27%, 0.51%

LAB 48.26, 27.21, 11.75

 

CMYK 0 / 41 / 28 / 36

HEX #A36076

RGB 163 96 118

HSL 340.3, 0.27%, 0.51%

LAB 48.83, 30.1, -0.6

 

CMYK 0 / 41 / 17 / 36

HEX #A36088

RGB 163 96 136

HSL 324.18, 0.27%, 0.51%

LAB 49.41, 32.9, -10.51

 

CMYK 0 / 41 / 6 / 36

HEX #A3609A

RGB 163 96 154

HSL 308.06, 0.27%, 0.51%

LAB 50.08, 36.04, -20.16

 

CMYK 6 / 41 / 0 / 36

HEX #9A60A3

RGB 154 96 163

HSL 291.94, 0.27%, 0.51%

LAB 49.35, 34.87, -26.68

 

CMYK 17 / 41 / 0 / 36

HEX #8860A3

RGB 136 96 163

HSL 275.82, 0.27%, 0.51%

LAB 47.29, 29.2, -30.04

 

CMYK 0 / 41 / 28 / 36

HEX #A36076

RGB 163 96 118

HSL 340.3, 0.27%, 0.51%

LAB 48.83, 30.1, -0.6

 

CMYK 0 / 59 / 40 / 28

HEX #B84C6F

RGB 184 76 111

HSL 340.56, 0.43%, 0.51%

LAB 47.63, 47.02, 2.24

 

CMYK 0 / 73 / 49 / 20

HEX #CC3768

RGB 204 55 104

HSL 340.27, 0.59%, 0.51%

LAB 47.71, 61.08, 7.07

 

CMYK 0 / 84 / 57 / 12

HEX #E02361

RGB 224 35 97

HSL 340.32, 0.75%, 0.51%

LAB 49.39, 71.33, 14.26

 

CMYK 0 / 94 / 63 / 4

HEX #F40F5A

RGB 244 15 90

HSL 340.35, 0.91%, 0.51%

LAB 52.19, 78.65, 22.97

 

CMYK 0 / 41 / 28 / 36

HEX #A36076

RGB 163 96 118

HSL 340.3, 0.27%, 0.51%

LAB 48.83, 30.1, -0.6

 

CMYK 0 / 19 / 13 / 44

HEX #8F747D

RGB 143 116 125

HSL 340, 0.11%, 0.51%

LAB 51.62, 12.11, -0.95

 

CMYK 10 / 0 / 3 / 47

HEX #7B8884

RGB 123 136 132

HSL 161.54, 0.05%, 0.51%

LAB 55.57, -5.56, 0.52

 

CMYK 34 / 0 / 11 / 39

HEX #679C8B

RGB 103 156 139

HSL 160.75, 0.21%, 0.51%

LAB 60.36, -21.48, 3.32

 

CMYK 54 / 0 / 18 / 31

HEX #52B192

RGB 82 177 146

HSL 160.42, 0.38%, 0.51%

LAB 65.99, -35.68, 7.4

 

CMYK 0 / 41 / 6 / 36

HEX #A3609A

RGB 163 96 154

HSL 308.06, 0.27%, 0.51%

LAB 50.08, 36.04, -20.16

 

CMYK 0 / 41 / 17 / 36

HEX #A36088

RGB 163 96 136

HSL 324.18, 0.27%, 0.51%

LAB 49.41, 32.9, -10.51

 

CMYK 0 / 41 / 28 / 36

HEX #A36076

RGB 163 96 118

HSL 340.3, 0.27%, 0.51%

LAB 48.83, 30.1, -0.6

 

CMYK 0 / 41 / 39 / 36

HEX #A36064

RGB 163 96 100

HSL 356.42, 0.27%, 0.51%

LAB 48.35, 27.69, 9.49

 

CMYK 0 / 33 / 41 / 36

HEX #A36D60

RGB 163 109 96

HSL 11.64, 0.27%, 0.51%

LAB 51.35, 19.86, 16.02

 

CMYK 0 / 43 / 29 / 56

HEX #704050

RGB 112 64 80

HSL 340, 0.27%, 0.35%

LAB 33.33, 23.12, -0.59

 

CMYK 0 / 43 / 28 / 46

HEX #8A4F63

RGB 138 79 99

HSL 339.66, 0.27%, 0.43%

LAB 41.05, 27.44, -0.83

 

CMYK 0 / 41 / 28 / 36

HEX #A36076

RGB 163 96 118

HSL 340.3, 0.27%, 0.51%

LAB 48.83, 30.1, -0.6

 

CMYK 0 / 31 / 21 / 30

HEX #B27A8D

RGB 178 122 141

HSL 339.64, 0.27%, 0.59%

LAB 57.37, 24.65, -1.42

 

CMYK 0 / 23 / 16 / 24

HEX #C194A3

RGB 193 148 163

HSL 340, 0.27%, 0.67%

LAB 65.87, 19.25, -1.32

 

CMYK 0 / 41 / 28 / 36

HEX #A36076

RGB 163 96 118

HSL 340.3, 0.27%, 0.51%

LAB 48.83, 30.1, -0.6

 

CMYK 0 / 6 / 41 / 36

HEX #A39A60

RGB 163 154 96

HSL 51.94, 0.27%, 0.51%

LAB 63.13, -5.36, 31.61

 

CMYK 41 / 11 / 0 / 36

HEX #6091A3

RGB 96 145 163

HSL 196.12, 0.27%, 0.51%

LAB 57.45, -11.64, -14.69

 

CMYK 0 / 41 / 28 / 36

HEX #A36076

RGB 163 96 118

HSL 340.3, 0.27%, 0.51%

LAB 48.83, 30.1, -0.6

 

CMYK 28 / 0 / 41 / 36

HEX #76A360

RGB 118 163 96

HSL 100.3, 0.27%, 0.51%

LAB 62.42, -27.87, 30.03

 

CMYK 41 / 28 / 0 / 36

HEX #6076A3

RGB 96 118 163

HSL 220.3, 0.27%, 0.51%

LAB 49.6, 3.9, -26.71

 

CMYK 0 / 41 / 28 / 36

HEX #A36076

RGB 163 96 118

HSL 340.3, 0.27%, 0.51%

LAB 48.83, 30.1, -0.6

 

CMYK 0 / 6 / 41 / 36

HEX #A39A60

RGB 163 154 96

HSL 51.94, 0.27%, 0.51%

LAB 63.13, -5.36, 31.61

 

CMYK 41 / 0 / 13 / 36

HEX #60A38D

RGB 96 163 141

HSL 160.3, 0.27%, 0.51%

LAB 62.17, -26.6, 4.77

 

CMYK 41 / 36 / 0 / 36

HEX #6069A3

RGB 96 105 163

HSL 231.94, 0.27%, 0.51%

LAB 45.95, 11.81, -32.4

 

CMYK 0 / 41 / 28 / 36

HEX #A36076

RGB 163 96 118

HSL 340.3, 0.27%, 0.51%

LAB 48.83, 30.1, -0.6

 

CMYK 7 / 0 / 41 / 36

HEX #98A360

RGB 152 163 96

HSL 69.85, 0.27%, 0.51%

LAB 64.74, -14.68, 33.46

 

CMYK 41 / 0 / 13 / 36

HEX #60A38D

RGB 96 163 141

HSL 160.3, 0.27%, 0.51%

LAB 62.17, -26.6, 4.77

 

CMYK 34 / 41 / 0 / 36

HEX #6B60A3

RGB 107 96 163

HSL 249.85, 0.27%, 0.51%

LAB 44.43, 20.46, -34.74

 

Description

Color code: HEX #A36076 | qconv.com Color code: HEX #A36076 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 96 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 96 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 28 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 28% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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