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Color name
HEX #A35C6D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A35C6D it is the complementary color #5CA392. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A35C6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A35C6D shade: #A85C68, #B96E7B, #CA808E, #DB92A1 and #ECA4B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A35C6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A35C6D shade: #A35C6D, #924A5A, #813847, #702634 and #5F1421

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A35C6D shade: #A35B6C and #A35B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A35C6D shade: #A35B6C, #A35B80, #A35B93, #9F5BA3 and #8C5BA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A35C6D shade matches the following richer shades: #A35B6C, #B74762, #CC3257, #E11D4C and #F50941

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A35C6D shade: #A35B6C, #8E7077, #798582, #65998D and #50AE97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A35C6D shade: #A35B93, #A35B80, #A35B6D, #A35C5B and #A3705B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A35C6D shade: #6E3E49, #884C5B, #A35B6C, #B27684 and #C0909C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A35C6D shade: #A35C6D, #A39F5B and #5B8AA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A35C6D shade: #A35C6D, #6DA35B and #5B6DA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A35C6D shade: #A35C6D, #A39F5B, #5BA391 and #5B5FA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A35C6D shade: #A35C6D, #91A35B, #5BA391 and #6D5BA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 33 / 36

HEX #A35C6D

RGB 163 92 109

HSL 345.63, 0.28%, 0.5%

LAB 47.68, 31.07, 3.13

 

Complementary color

CMYK 44 / 0 / 10 / 36

HEX #5CA392

RGB 92 163 146

HSL 165.63, 0.28%, 0.5%

LAB 62.12, -26.52, 1.87

 

CMYK 0 / 45 / 38 / 34

HEX #A85C68

RGB 168 92 104

HSL 350.53, 0.3%, 0.51%

LAB 48.23, 32.32, 7.02

 

CMYK 0 / 41 / 34 / 27

HEX #B96E7B

RGB 185 110 123

HSL 349.6, 0.35%, 0.58%

LAB 54.97, 31.34, 5.67

 

CMYK 0 / 37 / 30 / 21

HEX #CA808E

RGB 202 128 142

HSL 348.65, 0.41%, 0.65%

LAB 61.61, 30.42, 4.51

 

CMYK 0 / 33 / 26 / 14

HEX #DB92A1

RGB 219 146 161

HSL 347.67, 0.5%, 0.72%

LAB 68.16, 29.59, 3.47

 

CMYK 0 / 31 / 24 / 7

HEX #ECA4B4

RGB 236 164 180

HSL 346.67, 0.65%, 0.78%

LAB 74.62, 28.82, 2.54

 

CMYK 0 / 44 / 33 / 36

HEX #A35C6D

RGB 163 92 109

HSL 345.63, 0.28%, 0.5%

LAB 47.68, 31.07, 3.13

 

CMYK 0 / 49 / 38 / 43

HEX #924A5A

RGB 146 74 90

HSL 346.67, 0.33%, 0.43%

LAB 40.81, 32.05, 4.55

 

CMYK 0 / 57 / 45 / 49

HEX #813847

RGB 129 56 71

HSL 347.67, 0.39%, 0.36%

LAB 33.88, 33.05, 6.32

 

CMYK 0 / 66 / 54 / 56

HEX #702634

RGB 112 38 52

HSL 348.65, 0.49%, 0.29%

LAB 26.96, 33.91, 8.66

 

CMYK 0 / 79 / 65 / 63

HEX #5F1421

RGB 95 20 33

HSL 349.6, 0.65%, 0.23%

LAB 20.22, 34.25, 11.97

 

CMYK 0 / 44 / 34 / 36

HEX #A35B6C

RGB 163 91 108

HSL 345.83, 0.28%, 0.5%

LAB 47.43, 31.48, 3.37

 

CMYK 0 / 44 / 44 / 36

HEX #A35B5B

RGB 163 91 91

HSL 0, 0.28%, 0.5%

LAB 47.01, 29.41, 13.01

 

CMYK 0 / 44 / 34 / 36

HEX #A35B6C

RGB 163 91 108

HSL 345.83, 0.28%, 0.5%

LAB 47.43, 31.48, 3.37

 

CMYK 0 / 44 / 21 / 36

HEX #A35B80

RGB 163 91 128

HSL 329.17, 0.28%, 0.5%

LAB 48.04, 34.37, -7.78

 

CMYK 0 / 44 / 10 / 36

HEX #A35B93

RGB 163 91 147

HSL 313.33, 0.28%, 0.5%

LAB 48.73, 37.51, -18.08

 

CMYK 2 / 44 / 0 / 36

HEX #9F5BA3

RGB 159 91 163

HSL 296.67, 0.28%, 0.5%

LAB 48.88, 39.2, -27.36

 

CMYK 14 / 44 / 0 / 36

HEX #8C5BA3

RGB 140 91 163

HSL 280.83, 0.28%, 0.5%

LAB 46.58, 33.33, -31.12

 

CMYK 0 / 44 / 34 / 36

HEX #A35B6C

RGB 163 91 108

HSL 345.83, 0.28%, 0.5%

LAB 47.43, 31.48, 3.37

 

CMYK 0 / 61 / 46 / 28

HEX #B74762

RGB 183 71 98

HSL 345.54, 0.44%, 0.5%

LAB 46.25, 47.64, 8.16

 

CMYK 0 / 75 / 57 / 20

HEX #CC3257

RGB 204 50 87

HSL 345.58, 0.61%, 0.5%

LAB 46.72, 61.41, 16.12

 

CMYK 0 / 87 / 66 / 12

HEX #E11D4C

RGB 225 29 76

HSL 345.61, 0.77%, 0.5%

LAB 48.77, 71.51, 26.3

 

CMYK 0 / 96 / 73 / 4

HEX #F50941

RGB 245 9 65

HSL 345.76, 0.93%, 0.5%

LAB 51.83, 78.27, 37.52

 

CMYK 0 / 44 / 34 / 36

HEX #A35B6C

RGB 163 91 108

HSL 345.83, 0.28%, 0.5%

LAB 47.43, 31.48, 3.37

 

CMYK 0 / 21 / 16 / 44

HEX #8E7077

RGB 142 112 119

HSL 346, 0.12%, 0.5%

LAB 50.3, 13, 0.64

 

CMYK 9 / 0 / 2 / 48

HEX #798582

RGB 121 133 130

HSL 165, 0.05%, 0.5%

LAB 54.5, -5.01, 0.11

 

CMYK 34 / 0 / 8 / 40

HEX #65998D

RGB 101 153 141

HSL 166.15, 0.2%, 0.5%

LAB 59.41, -20.08, 0.8

 

CMYK 54 / 0 / 13 / 32

HEX #50AE97

RGB 80 174 151

HSL 165.32, 0.37%, 0.5%

LAB 65.13, -33.54, 3.38

 

CMYK 0 / 44 / 10 / 36

HEX #A35B93

RGB 163 91 147

HSL 313.33, 0.28%, 0.5%

LAB 48.73, 37.51, -18.08

 

CMYK 0 / 44 / 21 / 36

HEX #A35B80

RGB 163 91 128

HSL 329.17, 0.28%, 0.5%

LAB 48.04, 34.37, -7.78

 

CMYK 0 / 44 / 33 / 36

HEX #A35B6D

RGB 163 91 109

HSL 345, 0.28%, 0.5%

LAB 47.46, 31.62, 2.81

 

CMYK 0 / 44 / 44 / 36

HEX #A35C5B

RGB 163 92 91

HSL 0.83, 0.28%, 0.5%

LAB 47.23, 28.86, 13.33

 

CMYK 0 / 31 / 44 / 36

HEX #A3705B

RGB 163 112 91

HSL 17.5, 0.28%, 0.5%

LAB 51.98, 17.58, 19.8

 

CMYK 0 / 44 / 34 / 57

HEX #6E3E49

RGB 110 62 73

HSL 346.25, 0.28%, 0.34%

LAB 32.35, 22.45, 2.46

 

CMYK 0 / 44 / 33 / 47

HEX #884C5B

RGB 136 76 91

HSL 345, 0.28%, 0.42%

LAB 39.85, 27.22, 2.35

 

CMYK 0 / 44 / 34 / 36

HEX #A35B6C

RGB 163 91 108

HSL 345.83, 0.28%, 0.5%

LAB 47.43, 31.48, 3.37

 

CMYK 0 / 34 / 26 / 30

HEX #B27684

RGB 178 118 132

HSL 346, 0.28%, 0.58%

LAB 56.18, 25.52, 2.05

 

CMYK 0 / 25 / 19 / 25

HEX #C0909C

RGB 192 144 156

HSL 345, 0.28%, 0.66%

LAB 64.61, 19.97, 0.76

 

CMYK 0 / 44 / 33 / 36

HEX #A35C6D

RGB 163 92 109

HSL 345.63, 0.28%, 0.5%

LAB 47.68, 31.07, 3.13

 

CMYK 0 / 2 / 44 / 36

HEX #A39F5B

RGB 163 159 91

HSL 56.67, 0.28%, 0.5%

LAB 64.43, -8.59, 35.88

 

CMYK 44 / 15 / 0 / 36

HEX #5B8AA3

RGB 91 138 163

HSL 200.83, 0.28%, 0.5%

LAB 55.12, -9.08, -18.25

 

CMYK 0 / 44 / 33 / 36

HEX #A35C6D

RGB 163 92 109

HSL 345.63, 0.28%, 0.5%

LAB 47.68, 31.07, 3.13

 

CMYK 33 / 0 / 44 / 36

HEX #6DA35B

RGB 109 163 91

HSL 105, 0.28%, 0.5%

LAB 61.83, -31.8, 31.81

 

CMYK 44 / 33 / 0 / 36

HEX #5B6DA3

RGB 91 109 163

HSL 225, 0.28%, 0.5%

LAB 46.72, 7.99, -31.22

 

CMYK 0 / 44 / 33 / 36

HEX #A35C6D

RGB 163 92 109

HSL 345.63, 0.28%, 0.5%

LAB 47.68, 31.07, 3.13

 

CMYK 0 / 2 / 44 / 36

HEX #A39F5B

RGB 163 159 91

HSL 56.67, 0.28%, 0.5%

LAB 64.43, -8.59, 35.88

 

CMYK 44 / 0 / 11 / 36

HEX #5BA391

RGB 91 163 145

HSL 165, 0.28%, 0.5%

LAB 62.05, -27.02, 2.32

 

CMYK 44 / 42 / 0 / 36

HEX #5B5FA3

RGB 91 95 163

HSL 236.67, 0.28%, 0.5%

LAB 42.84, 16.67, -37.33

 

CMYK 0 / 44 / 33 / 36

HEX #A35C6D

RGB 163 92 109

HSL 345.63, 0.28%, 0.5%

LAB 47.68, 31.07, 3.13

 

CMYK 11 / 0 / 44 / 36

HEX #91A35B

RGB 145 163 91

HSL 75, 0.28%, 0.5%

LAB 64.14, -18.11, 35.2

 

CMYK 44 / 0 / 11 / 36

HEX #5BA391

RGB 91 163 145

HSL 165, 0.28%, 0.5%

LAB 62.05, -27.02, 2.32

 

CMYK 33 / 44 / 0 / 36

HEX #6D5BA3

RGB 109 91 163

HSL 255, 0.28%, 0.5%

LAB 43.33, 24.09, -36.46

 

Description

Color code: HEX #A35C6D | qconv.com Color code: HEX #A35C6D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 92 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 92 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 33 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 33% 36% C M Y K

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Provide designers and agencies with accurate color values.

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