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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A35314 it is the complementary color #5CACEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A35314. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A35314 shade: #A8530F, #B96522, #CA7735, #DB8948 and #EC9B5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A35314. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A35314 shade: #A35314, #924101, #812F00, #701D00 and #5F0B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A35314 shade: #A35314, #A32C14 and #A31414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A35314 shade: #A35314, #A37914, #A3A014, #7FA314 and #59A314

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A35314 shade matches the following richer shades: #A35314 and #B25105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A35314 shade: #A35314, #945523, #855631, #765840 and #675A4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A35314 shade: #A31422, #A32C14, #A35214, #A37814 and #A39E14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A35314 shade: #592D0B, #7E400F, #A35314, #C86518 and #E47925

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A35314 shade: #A35314, #48A314 and #1814A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A35314 shade: #A35314, #14A352 and #5214A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A35314 shade: #A35314, #48A314, #1465A3 and #6E14A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A35314 shade: #A35314, #1DA314, #1465A3 and #9914A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 88 / 36

HEX #A35314

RGB 163 83 20

HSL 26.43, 0.78%, 0.36%

LAB 44.27, 29.07, 47.81

 

Complementary color

CMYK 61 / 27 / 0 / 8

HEX #5CACEB

RGB 92 172 235

HSL 206.43, 0.78%, 0.64%

LAB 67.86, -5.96, -38.91

 

CMYK 0 / 51 / 91 / 34

HEX #A8530F

RGB 168 83 15

HSL 26.67, 0.84%, 0.36%

LAB 45.01, 31.07, 50.37

 

CMYK 0 / 45 / 82 / 27

HEX #B96522

RGB 185 101 34

HSL 26.62, 0.69%, 0.43%

LAB 51.54, 29.03, 49.92

 

CMYK 0 / 41 / 74 / 21

HEX #CA7735

RGB 202 119 53

HSL 26.58, 0.58%, 0.5%

LAB 58.04, 27.21, 48.61

 

CMYK 0 / 37 / 67 / 14

HEX #DB8948

RGB 219 137 72

HSL 26.53, 0.67%, 0.57%

LAB 64.5, 25.61, 47.05

 

CMYK 0 / 34 / 61 / 7

HEX #EC9B5B

RGB 236 155 91

HSL 26.48, 0.79%, 0.64%

LAB 70.89, 24.19, 45.45

 

CMYK 0 / 49 / 88 / 36

HEX #A35314

RGB 163 83 20

HSL 26.43, 0.78%, 0.36%

LAB 44.27, 29.07, 47.81

 

CMYK 0 / 55 / 99 / 43

HEX #924101

RGB 146 65 1

HSL 26.48, 0.99%, 0.29%

LAB 37.65, 31.22, 47.83

 

CMYK 0 / 64 / 100 / 49

HEX #812F00

RGB 129 47 0

HSL 21.86, 1%, 0.25%

LAB 31.11, 33.51, 42.74

 

CMYK 0 / 74 / 100 / 56

HEX #701D00

RGB 112 29 0

HSL 15.54, 1%, 0.22%

LAB 24.71, 35.3, 36.04

 

CMYK 0 / 88 / 100 / 63

HEX #5F0B00

RGB 95 11 0

HSL 6.95, 1%, 0.19%

LAB 18.68, 35.83, 28.48

 

CMYK 0 / 49 / 88 / 36

HEX #A35314

RGB 163 83 20

HSL 26.43, 0.78%, 0.36%

LAB 44.27, 29.07, 47.81

 

CMYK 0 / 73 / 88 / 36

HEX #A32C14

RGB 163 44 20

HSL 10.07, 0.78%, 0.36%

LAB 37.19, 47.58, 41.99

 

CMYK 0 / 88 / 88 / 36

HEX #A31414

RGB 163 20 20

HSL 0, 0.78%, 0.36%

LAB 34.68, 54.63, 39.91

 

CMYK 0 / 49 / 88 / 36

HEX #A35314

RGB 163 83 20

HSL 26.43, 0.78%, 0.36%

LAB 44.27, 29.07, 47.81

 

CMYK 0 / 26 / 88 / 36

HEX #A37914

RGB 163 121 20

HSL 42.38, 0.78%, 0.36%

LAB 53.51, 7.72, 55.34

 

CMYK 0 / 2 / 88 / 36

HEX #A3A014

RGB 163 160 20

HSL 58.74, 0.78%, 0.36%

LAB 64.14, -13.54, 63.97

 

CMYK 22 / 0 / 88 / 36

HEX #7FA314

RGB 127 163 20

HSL 75.1, 0.78%, 0.36%

LAB 62.3, -30.63, 61.34

 

CMYK 45 / 0 / 88 / 36

HEX #59A314

RGB 89 163 20

HSL 91.05, 0.78%, 0.36%

LAB 60.22, -44.94, 58.74

 

CMYK 0 / 49 / 88 / 36

HEX #A35314

RGB 163 83 20

HSL 26.43, 0.78%, 0.36%

LAB 44.27, 29.07, 47.81

 

CMYK 0 / 54 / 97 / 30

HEX #B25105

RGB 178 81 5

HSL 26.36, 0.95%, 0.36%

LAB 46.12, 36.07, 54.48

 

CMYK 0 / 49 / 88 / 36

HEX #A35314

RGB 163 83 20

HSL 26.43, 0.78%, 0.36%

LAB 44.27, 29.07, 47.81

 

CMYK 0 / 43 / 76 / 42

HEX #945523

RGB 148 85 35

HSL 26.55, 0.62%, 0.36%

LAB 42.63, 21.98, 39.04

 

CMYK 0 / 35 / 63 / 48

HEX #855631

RGB 133 86 49

HSL 26.43, 0.46%, 0.36%

LAB 41, 15.55, 29.22

 

CMYK 0 / 25 / 46 / 54

HEX #765840

RGB 118 88 64

HSL 26.67, 0.3%, 0.36%

LAB 39.92, 9.02, 18.7

 

CMYK 0 / 13 / 23 / 60

HEX #675A4F

RGB 103 90 79

HSL 27.5, 0.13%, 0.36%

LAB 39.17, 3.31, 8.29

 

CMYK 0 / 88 / 79 / 36

HEX #A31422

RGB 163 20 34

HSL 354.13, 0.78%, 0.36%

LAB 34.81, 55.01, 32.23

 

CMYK 0 / 73 / 88 / 36

HEX #A32C14

RGB 163 44 20

HSL 10.07, 0.78%, 0.36%

LAB 37.19, 47.58, 41.99

 

CMYK 0 / 50 / 88 / 36

HEX #A35214

RGB 163 82 20

HSL 26.01, 0.78%, 0.36%

LAB 44.05, 29.61, 47.63

 

CMYK 0 / 26 / 88 / 36

HEX #A37814

RGB 163 120 20

HSL 41.96, 0.78%, 0.36%

LAB 53.24, 8.28, 55.13

 

CMYK 0 / 3 / 88 / 36

HEX #A39E14

RGB 163 158 20

HSL 57.9, 0.78%, 0.36%

LAB 63.58, -12.5, 63.52

 

CMYK 0 / 49 / 88 / 65

HEX #592D0B

RGB 89 45 11

HSL 26.15, 0.78%, 0.2%

LAB 23.75, 17.47, 29.17

 

CMYK 0 / 49 / 88 / 51

HEX #7E400F

RGB 126 64 15

HSL 26.49, 0.79%, 0.28%

LAB 34.27, 23.43, 39.07

 

CMYK 0 / 49 / 88 / 36

HEX #A35314

RGB 163 83 20

HSL 26.43, 0.78%, 0.36%

LAB 44.27, 29.07, 47.81

 

CMYK 0 / 50 / 88 / 22

HEX #C86518

RGB 200 101 24

HSL 26.25, 0.79%, 0.44%

LAB 53.66, 34.96, 56.3

 

CMYK 0 / 47 / 84 / 11

HEX #E47925

RGB 228 121 37

HSL 26.39, 0.78%, 0.52%

LAB 61.91, 36.24, 60.25

 

CMYK 0 / 49 / 88 / 36

HEX #A35314

RGB 163 83 20

HSL 26.43, 0.78%, 0.36%

LAB 44.27, 29.07, 47.81

 

CMYK 56 / 0 / 88 / 36

HEX #48A314

RGB 72 163 20

HSL 98.18, 0.78%, 0.36%

LAB 59.55, -50.15, 57.9

 

CMYK 85 / 88 / 0 / 36

HEX #1814A3

RGB 24 20 163

HSL 241.68, 0.78%, 0.36%

LAB 21.35, 50.93, -72.49

 

CMYK 0 / 49 / 88 / 36

HEX #A35314

RGB 163 83 20

HSL 26.43, 0.78%, 0.36%

LAB 44.27, 29.07, 47.81

 

CMYK 88 / 0 / 50 / 36

HEX #14A352

RGB 20 163 82

HSL 146.01, 0.78%, 0.36%

LAB 58.93, -53.32, 32.25

 

CMYK 50 / 88 / 0 / 36

HEX #5214A3

RGB 82 20 163

HSL 266.01, 0.78%, 0.36%

LAB 26.56, 55.25, -63.7

 

CMYK 0 / 49 / 88 / 36

HEX #A35314

RGB 163 83 20

HSL 26.43, 0.78%, 0.36%

LAB 44.27, 29.07, 47.81

 

CMYK 56 / 0 / 88 / 36

HEX #48A314

RGB 72 163 20

HSL 98.18, 0.78%, 0.36%

LAB 59.55, -50.15, 57.9

 

CMYK 88 / 38 / 0 / 36

HEX #1465A3

RGB 20 101 163

HSL 206.01, 0.78%, 0.36%

LAB 41.38, 0.37, -39.85

 

CMYK 33 / 88 / 0 / 36

HEX #6E14A3

RGB 110 20 163

HSL 277.76, 0.78%, 0.36%

LAB 30.54, 58.91, -57.01

 

CMYK 0 / 49 / 88 / 36

HEX #A35314

RGB 163 83 20

HSL 26.43, 0.78%, 0.36%

LAB 44.27, 29.07, 47.81

 

CMYK 82 / 0 / 88 / 36

HEX #1DA314

RGB 29 163 20

HSL 116.22, 0.78%, 0.36%

LAB 58.51, -58.83, 56.59

 

CMYK 88 / 38 / 0 / 36

HEX #1465A3

RGB 20 101 163

HSL 206.01, 0.78%, 0.36%

LAB 41.38, 0.37, -39.85

 

CMYK 6 / 88 / 0 / 36

HEX #9914A3

RGB 153 20 163

HSL 295.8, 0.78%, 0.36%

LAB 37.69, 65.95, -45.09

 

Description

Color code: HEX #A35314 | qconv.com Color code: HEX #A35314 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 83 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 83 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 88 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 88% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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