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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A35632 it is the complementary color #5CA9CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A35632. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A35632 shade: #A8562D, #B96840, #CA7A53, #DB8C66 and #EC9E79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A35632. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A35632 shade: #A35632, #92441F, #81320C, #702000 and #5F0E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A35632 shade: #A35632, #A33732 and #A33232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A35632 shade: #A35632, #A37532, #A39332, #95A332 and #76A332

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A35632 shade matches the following richer shades: #A35632, #B55021 and #C6490F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A35632 shade: #A35632, #925C43, #816354, #6F6966 and #5E6F77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A35632 shade: #A3324A, #A33832, #A35632, #A37432 and #A39232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A35632 shade: #64351E, #844528, #A35632, #C3673C and #CC7F5B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A35632 shade: #A35632, #69A332 and #323BA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A35632 shade: #A35632, #32A356 and #5632A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A35632 shade: #A35632, #69A332, #327FA3 and #6C32A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A35632 shade: #A35632, #47A332, #327FA3 and #8F32A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 69 / 36

HEX #A35632

RGB 163 86 50

HSL 19.12, 0.53%, 0.42%

LAB 45.18, 28.68, 34.6

 

Complementary color

CMYK 55 / 18 / 0 / 20

HEX #5CA9CD

RGB 92 169 205

HSL 199.12, 0.53%, 0.58%

LAB 65.79, -13.57, -25.6

 

CMYK 0 / 49 / 73 / 34

HEX #A8562D

RGB 168 86 45

HSL 20, 0.58%, 0.42%

LAB 45.87, 30.48, 38.25

 

CMYK 0 / 44 / 65 / 27

HEX #B96840

RGB 185 104 64

HSL 19.83, 0.49%, 0.49%

LAB 52.49, 28.86, 36.25

 

CMYK 0 / 40 / 59 / 21

HEX #CA7A53

RGB 202 122 83

HSL 19.66, 0.53%, 0.56%

LAB 59.07, 27.42, 34.39

 

CMYK 0 / 36 / 53 / 14

HEX #DB8C66

RGB 219 140 102

HSL 19.49, 0.62%, 0.63%

LAB 65.57, 26.15, 32.69

 

CMYK 0 / 33 / 49 / 7

HEX #EC9E79

RGB 236 158 121

HSL 19.3, 0.75%, 0.7%

LAB 72.01, 25.02, 31.14

 

CMYK 0 / 47 / 69 / 36

HEX #A35632

RGB 163 86 50

HSL 19.12, 0.53%, 0.42%

LAB 45.18, 28.68, 34.6

 

CMYK 0 / 53 / 79 / 43

HEX #92441F

RGB 146 68 31

HSL 19.3, 0.65%, 0.35%

LAB 38.45, 30.4, 36.69

 

CMYK 0 / 61 / 91 / 49

HEX #81320C

RGB 129 50 12

HSL 19.49, 0.83%, 0.28%

LAB 31.75, 32.26, 38.4

 

CMYK 0 / 71 / 100 / 56

HEX #702000

RGB 112 32 0

HSL 17.14, 1%, 0.22%

LAB 25.19, 34, 36.5

 

CMYK 0 / 85 / 100 / 63

HEX #5F0E00

RGB 95 14 0

HSL 8.84, 1%, 0.19%

LAB 19, 34.93, 28.85

 

CMYK 0 / 47 / 69 / 36

HEX #A35632

RGB 163 86 50

HSL 19.12, 0.53%, 0.42%

LAB 45.18, 28.68, 34.6

 

CMYK 0 / 66 / 69 / 36

HEX #A33732

RGB 163 55 50

HSL 2.65, 0.53%, 0.42%

LAB 39.15, 44.23, 27.55

 

CMYK 0 / 69 / 69 / 36

HEX #A33232

RGB 163 50 50

HSL 0, 0.53%, 0.42%

LAB 38.37, 46.36, 26.61

 

CMYK 0 / 47 / 69 / 36

HEX #A35632

RGB 163 86 50

HSL 19.12, 0.53%, 0.42%

LAB 45.18, 28.68, 34.6

 

CMYK 0 / 28 / 69 / 36

HEX #A37532

RGB 163 117 50

HSL 35.58, 0.53%, 0.42%

LAB 52.66, 11.23, 42.88

 

CMYK 0 / 10 / 69 / 36

HEX #A39332

RGB 163 147 50

HSL 51.5, 0.53%, 0.42%

LAB 60.68, -5.47, 51.27

 

CMYK 9 / 0 / 69 / 36

HEX #95A332

RGB 149 163 50

HSL 67.43, 0.53%, 0.42%

LAB 64.01, -20.02, 54.26

 

CMYK 28 / 0 / 69 / 36

HEX #76A332

RGB 118 163 50

HSL 83.89, 0.53%, 0.42%

LAB 61.89, -32.78, 51.42

 

CMYK 0 / 47 / 69 / 36

HEX #A35632

RGB 163 86 50

HSL 19.12, 0.53%, 0.42%

LAB 45.18, 28.68, 34.6

 

CMYK 0 / 56 / 82 / 29

HEX #B55021

RGB 181 80 33

HSL 19.05, 0.69%, 0.42%

LAB 46.54, 38.35, 45.51

 

CMYK 0 / 63 / 92 / 22

HEX #C6490F

RGB 198 73 15

HSL 19.02, 0.86%, 0.42%

LAB 48.01, 47.64, 54.78

 

CMYK 0 / 47 / 69 / 36

HEX #A35632

RGB 163 86 50

HSL 19.12, 0.53%, 0.42%

LAB 45.18, 28.68, 34.6

 

CMYK 0 / 37 / 54 / 43

HEX #925C43

RGB 146 92 67

HSL 18.99, 0.37%, 0.42%

LAB 44.48, 19.34, 23.52

 

CMYK 0 / 23 / 35 / 49

HEX #816354

RGB 129 99 84

HSL 20, 0.21%, 0.42%

LAB 44.56, 9.85, 13.18

 

CMYK 0 / 5 / 8 / 56

HEX #6F6966

RGB 111 105 102

HSL 20, 0.04%, 0.42%

LAB 44.86, 1.76, 2.52

 

CMYK 21 / 7 / 0 / 53

HEX #5E6F77

RGB 94 111 119

HSL 199.2, 0.12%, 0.42%

LAB 45.74, -4.43, -6.56

 

CMYK 0 / 69 / 55 / 36

HEX #A3324A

RGB 163 50 74

HSL 347.26, 0.53%, 0.42%

LAB 38.83, 48, 12.21

 

CMYK 0 / 66 / 69 / 36

HEX #A33832

RGB 163 56 50

HSL 3.19, 0.53%, 0.42%

LAB 39.32, 43.79, 27.75

 

CMYK 0 / 47 / 69 / 36

HEX #A35632

RGB 163 86 50

HSL 19.12, 0.53%, 0.42%

LAB 45.18, 28.68, 34.6

 

CMYK 0 / 29 / 69 / 36

HEX #A37432

RGB 163 116 50

HSL 35.04, 0.53%, 0.42%

LAB 52.41, 11.79, 42.6

 

CMYK 0 / 10 / 69 / 36

HEX #A39232

RGB 163 146 50

HSL 50.97, 0.53%, 0.42%

LAB 60.4, -4.93, 50.99

 

CMYK 0 / 47 / 70 / 61

HEX #64351E

RGB 100 53 30

HSL 19.71, 0.54%, 0.25%

LAB 27.71, 18.8, 23.44

 

CMYK 0 / 48 / 70 / 48

HEX #844528

RGB 132 69 40

HSL 18.91, 0.53%, 0.34%

LAB 36.58, 24.37, 29.12

 

CMYK 0 / 47 / 69 / 36

HEX #A35632

RGB 163 86 50

HSL 19.12, 0.53%, 0.42%

LAB 45.18, 28.68, 34.6

 

CMYK 0 / 47 / 69 / 24

HEX #C3673C

RGB 195 103 60

HSL 19.11, 0.53%, 0.5%

LAB 53.63, 33.24, 40.07

 

CMYK 0 / 38 / 55 / 20

HEX #CC7F5B

RGB 204 127 91

HSL 19.12, 0.53%, 0.58%

LAB 60.58, 26.17, 31.96

 

CMYK 0 / 47 / 69 / 36

HEX #A35632

RGB 163 86 50

HSL 19.12, 0.53%, 0.42%

LAB 45.18, 28.68, 34.6

 

CMYK 36 / 0 / 69 / 36

HEX #69A332

RGB 105 163 50

HSL 90.8, 0.53%, 0.42%

LAB 61.16, -37.69, 50.43

 

CMYK 69 / 64 / 0 / 36

HEX #323BA3

RGB 50 59 163

HSL 235.22, 0.53%, 0.42%

LAB 30.52, 31.44, -57.31

 

CMYK 0 / 47 / 69 / 36

HEX #A35632

RGB 163 86 50

HSL 19.12, 0.53%, 0.42%

LAB 45.18, 28.68, 34.6

 

CMYK 69 / 0 / 47 / 36

HEX #32A356

RGB 50 163 86

HSL 139.12, 0.53%, 0.42%

LAB 59.47, -48.72, 30.96

 

CMYK 47 / 69 / 0 / 36

HEX #5632A3

RGB 86 50 163

HSL 259.12, 0.53%, 0.42%

LAB 31.59, 42.82, -55.44

 

CMYK 0 / 47 / 69 / 36

HEX #A35632

RGB 163 86 50

HSL 19.12, 0.53%, 0.42%

LAB 45.18, 28.68, 34.6

 

CMYK 36 / 0 / 69 / 36

HEX #69A332

RGB 105 163 50

HSL 90.8, 0.53%, 0.42%

LAB 61.16, -37.69, 50.43

 

CMYK 69 / 22 / 0 / 36

HEX #327FA3

RGB 50 127 163

HSL 199.12, 0.53%, 0.42%

LAB 50.1, -11.64, -26.11

 

CMYK 34 / 69 / 0 / 36

HEX #6C32A3

RGB 108 50 163

HSL 270.8, 0.53%, 0.42%

LAB 34.22, 47.19, -51.05

 

CMYK 0 / 47 / 69 / 36

HEX #A35632

RGB 163 86 50

HSL 19.12, 0.53%, 0.42%

LAB 45.18, 28.68, 34.6

 

CMYK 56 / 0 / 69 / 36

HEX #47A332

RGB 71 163 50

HSL 108.85, 0.53%, 0.42%

LAB 59.68, -48.56, 48.42

 

CMYK 69 / 22 / 0 / 36

HEX #327FA3

RGB 50 127 163

HSL 199.12, 0.53%, 0.42%

LAB 50.1, -11.64, -26.11

 

CMYK 12 / 69 / 0 / 36

HEX #8F32A3

RGB 143 50 163

HSL 289.38, 0.53%, 0.42%

LAB 39.18, 54.9, -42.8

 

Description

Color code: HEX #A35632 | qconv.com Color code: HEX #A35632 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 86 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 86 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 69 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 69% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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