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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3557C it is the complementary color #5CAA83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3557C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3557C shade: #A85577, #B9678A, #CA799D, #DB8BB0 and #EC9DC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3557C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3557C shade: #A3557C, #924369, #813156, #701F43 and #5F0D30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3557C shade: #A3567C, #A35668 and #A35656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3557C shade: #A3567C, #A35691, #A056A3, #8B56A3 and #7656A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3557C shade matches the following richer shades: #A3567C, #B7417C, #CC2D7C, #E0197C and #F4057C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3557C shade: #A3567C, #8F6A7C, #7B7E7C, #67927C and #52A77C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3557C shade: #A156A3, #A35691, #A3567C, #A35668 and #A35856

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3557C shade: #6D3953, #884768, #A3567C, #B36F91 and #C18AA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3557C shade: #A3557C, #A38C56 and #569BA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3557C shade: #A3557C, #7CA356 and #567CA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3557C shade: #A3557C, #A38C56, #56A37C and #566DA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3557C shade: #A3557C, #A3A356, #56A37C and #5656A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 24 / 36

HEX #A3557C

RGB 163 85 124

HSL 330, 0.31%, 0.49%

LAB 46.63, 37, -7.47

 

Complementary color

CMYK 46 / 0 / 23 / 33

HEX #5CAA83

RGB 92 170 131

HSL 150, 0.31%, 0.51%

LAB 63.89, -33.28, 12.76

 

CMYK 0 / 49 / 29 / 34

HEX #A85577

RGB 168 85 119

HSL 335.42, 0.33%, 0.5%

LAB 47.18, 38.03, -3.57

 

CMYK 0 / 44 / 25 / 27

HEX #B9678A

RGB 185 103 138

HSL 334.39, 0.37%, 0.56%

LAB 53.87, 37.17, -4.74

 

CMYK 0 / 40 / 22 / 21

HEX #CA799D

RGB 202 121 157

HSL 333.33, 0.43%, 0.63%

LAB 60.49, 36.32, -5.74

 

CMYK 0 / 37 / 20 / 14

HEX #DB8BB0

RGB 219 139 176

HSL 332.25, 0.53%, 0.7%

LAB 67.02, 35.52, -6.62

 

CMYK 0 / 33 / 17 / 7

HEX #EC9DC3

RGB 236 157 195

HSL 331.14, 0.68%, 0.77%

LAB 73.47, 34.75, -7.4

 

CMYK 0 / 48 / 24 / 36

HEX #A3557C

RGB 163 85 124

HSL 330, 0.31%, 0.49%

LAB 46.63, 37, -7.47

 

CMYK 0 / 54 / 28 / 43

HEX #924369

RGB 146 67 105

HSL 331.14, 0.37%, 0.42%

LAB 39.82, 37.8, -6.24

 

CMYK 0 / 62 / 33 / 49

HEX #813156

RGB 129 49 86

HSL 332.25, 0.45%, 0.35%

LAB 33, 38.46, -4.65

 

CMYK 0 / 72 / 40 / 56

HEX #701F43

RGB 112 31 67

HSL 333.33, 0.57%, 0.28%

LAB 26.24, 38.71, -2.46

 

CMYK 0 / 86 / 49 / 63

HEX #5F0D30

RGB 95 13 48

HSL 334.39, 0.76%, 0.21%

LAB 19.78, 37.96, 0.76

 

CMYK 0 / 47 / 24 / 36

HEX #A3567C

RGB 163 86 124

HSL 330.39, 0.31%, 0.49%

LAB 46.84, 36.46, -7.16

 

CMYK 0 / 47 / 36 / 36

HEX #A35668

RGB 163 86 104

HSL 345.97, 0.31%, 0.49%

LAB 46.23, 33.69, 4.06

 

CMYK 0 / 47 / 47 / 36

HEX #A35656

RGB 163 86 86

HSL 0, 0.31%, 0.49%

LAB 45.79, 31.61, 14.35

 

CMYK 0 / 47 / 24 / 36

HEX #A3567C

RGB 163 86 124

HSL 330.39, 0.31%, 0.49%

LAB 46.84, 36.46, -7.16

 

CMYK 0 / 47 / 11 / 36

HEX #A35691

RGB 163 86 145

HSL 314.03, 0.31%, 0.49%

LAB 47.61, 39.84, -18.61

 

CMYK 2 / 47 / 0 / 36

HEX #A056A3

RGB 160 86 163

HSL 297.66, 0.31%, 0.49%

LAB 47.97, 42.18, -28.76

 

CMYK 15 / 47 / 0 / 36

HEX #8B56A3

RGB 139 86 163

HSL 281.3, 0.31%, 0.49%

LAB 45.34, 35.86, -33.07

 

CMYK 28 / 47 / 0 / 36

HEX #7656A3

RGB 118 86 163

HSL 264.94, 0.31%, 0.49%

LAB 42.99, 29.69, -36.93

 

CMYK 0 / 47 / 24 / 36

HEX #A3567C

RGB 163 86 124

HSL 330.39, 0.31%, 0.49%

LAB 46.84, 36.46, -7.16

 

CMYK 0 / 64 / 32 / 28

HEX #B7417C

RGB 183 65 124

HSL 330, 0.48%, 0.49%

LAB 46.05, 53.16, -8.03

 

CMYK 0 / 78 / 39 / 20

HEX #CC2D7C

RGB 204 45 124

HSL 330.19, 0.64%, 0.49%

LAB 47.2, 66.05, -5.92

 

CMYK 0 / 89 / 45 / 12

HEX #E0197C

RGB 224 25 124

HSL 330.15, 0.8%, 0.49%

LAB 49.49, 75.15, -2.1

 

CMYK 0 / 98 / 49 / 4

HEX #F4057C

RGB 244 5 124

HSL 330.13, 0.96%, 0.49%

LAB 52.73, 81.56, 3.08

 

CMYK 0 / 47 / 24 / 36

HEX #A3567C

RGB 163 86 124

HSL 330.39, 0.31%, 0.49%

LAB 46.84, 36.46, -7.16

 

CMYK 0 / 26 / 13 / 44

HEX #8F6A7C

RGB 143 106 124

HSL 330.81, 0.15%, 0.49%

LAB 49.01, 17.77, -4.21

 

CMYK 2 / 0 / 2 / 51

HEX #7B7E7C

RGB 123 126 124

HSL 140, 0.01%, 0.49%

LAB 52.5, -1.52, 0.69

 

CMYK 29 / 0 / 15 / 43

HEX #67927C

RGB 103 146 124

HSL 149.3, 0.17%, 0.49%

LAB 56.97, -19.6, 6.97

 

CMYK 51 / 0 / 26 / 35

HEX #52A77C

RGB 82 167 124

HSL 149.65, 0.34%, 0.49%

LAB 62.41, -36.02, 14.5

 

CMYK 1 / 47 / 0 / 36

HEX #A156A3

RGB 161 86 163

HSL 298.44, 0.31%, 0.49%

LAB 48.1, 42.49, -28.55

 

CMYK 0 / 47 / 11 / 36

HEX #A35691

RGB 163 86 145

HSL 314.03, 0.31%, 0.49%

LAB 47.61, 39.84, -18.61

 

CMYK 0 / 47 / 24 / 36

HEX #A3567C

RGB 163 86 124

HSL 330.39, 0.31%, 0.49%

LAB 46.84, 36.46, -7.16

 

CMYK 0 / 47 / 36 / 36

HEX #A35668

RGB 163 86 104

HSL 345.97, 0.31%, 0.49%

LAB 46.23, 33.69, 4.06

 

CMYK 0 / 46 / 47 / 36

HEX #A35856

RGB 163 88 86

HSL 1.56, 0.31%, 0.49%

LAB 46.23, 30.52, 14.95

 

CMYK 0 / 48 / 24 / 57

HEX #6D3953

RGB 109 57 83

HSL 330, 0.31%, 0.33%

LAB 31.35, 26.56, -5.5

 

CMYK 0 / 48 / 24 / 47

HEX #884768

RGB 136 71 104

HSL 329.54, 0.31%, 0.41%

LAB 39.14, 31.96, -6.79

 

CMYK 0 / 47 / 24 / 36

HEX #A3567C

RGB 163 86 124

HSL 330.39, 0.31%, 0.49%

LAB 46.84, 36.46, -7.16

 

CMYK 0 / 38 / 19 / 30

HEX #B36F91

RGB 179 111 145

HSL 330, 0.31%, 0.57%

LAB 55.07, 31.76, -7.14

 

CMYK 0 / 28 / 14 / 24

HEX #C18AA6

RGB 193 138 166

HSL 329.45, 0.31%, 0.65%

LAB 63.56, 25.28, -6.42

 

CMYK 0 / 48 / 24 / 36

HEX #A3557C

RGB 163 85 124

HSL 330, 0.31%, 0.49%

LAB 46.63, 37, -7.47

 

CMYK 0 / 14 / 47 / 36

HEX #A38C56

RGB 163 140 86

HSL 42.08, 0.31%, 0.49%

LAB 59.17, 1.23, 31.94

 

CMYK 47 / 5 / 0 / 36

HEX #569BA3

RGB 86 155 163

HSL 186.23, 0.31%, 0.49%

LAB 59.95, -19.58, -10.97

 

CMYK 0 / 48 / 24 / 36

HEX #A3557C

RGB 163 85 124

HSL 330, 0.31%, 0.49%

LAB 46.63, 37, -7.47

 

CMYK 24 / 0 / 47 / 36

HEX #7CA356

RGB 124 163 86

HSL 90.39, 0.31%, 0.49%

LAB 62.64, -26.97, 35.6

 

CMYK 47 / 24 / 0 / 36

HEX #567CA3

RGB 86 124 163

HSL 210.39, 0.31%, 0.49%

LAB 50.73, -2.34, -25

 

CMYK 0 / 48 / 24 / 36

HEX #A3557C

RGB 163 85 124

HSL 330, 0.31%, 0.49%

LAB 46.63, 37, -7.47

 

CMYK 0 / 14 / 47 / 36

HEX #A38C56

RGB 163 140 86

HSL 42.08, 0.31%, 0.49%

LAB 59.17, 1.23, 31.94

 

CMYK 47 / 0 / 24 / 36

HEX #56A37C

RGB 86 163 124

HSL 149.61, 0.31%, 0.49%

LAB 61.33, -33.12, 13.02

 

CMYK 47 / 33 / 0 / 36

HEX #566DA3

RGB 86 109 163

HSL 222.08, 0.31%, 0.49%

LAB 46.39, 6.67, -31.76

 

CMYK 0 / 48 / 24 / 36

HEX #A3557C

RGB 163 85 124

HSL 330, 0.31%, 0.49%

LAB 46.63, 37, -7.47

 

CMYK 0 / 0 / 47 / 36

HEX #A3A356

RGB 163 163 86

HSL 60, 0.31%, 0.49%

LAB 65.48, -11.21, 39.73

 

CMYK 47 / 0 / 24 / 36

HEX #56A37C

RGB 86 163 124

HSL 149.61, 0.31%, 0.49%

LAB 61.33, -33.12, 13.02

 

CMYK 47 / 47 / 0 / 36

HEX #5656A3

RGB 86 86 163

HSL 240, 0.31%, 0.49%

LAB 40.05, 21.07, -41.8

 

Description

Color code: HEX #A3557C | qconv.com Color code: HEX #A3557C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 85 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 85 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 24 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 24% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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