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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A34418 it is the complementary color #5CBBE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A34418. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A34418 shade: #A84413, #B95626, #CA6839, #DB7A4C and #EC8C5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A34418. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A34418 shade: #A34418, #923205, #812000, #700E00 and #5F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A34418 shade: #A44418, #A41F18 and #A41818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A34418 shade: #A44418, #A46A18, #A49018, #92A418 and #6CA418

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A34418 shade matches the following richer shades: #A44418 and #B33F09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A34418 shade: #A44418, #944A27, #854F37, #765546 and #675B55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A34418 shade: #A41839, #A41D18, #A44218, #A46718 and #A48C18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A34418 shade: #5C260D, #803513, #A44418, #C8531D and #DF672F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A34418 shade: #A34418, #5EA418 and #1826A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A34418 shade: #A34418, #18A442 and #4218A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A34418 shade: #A34418, #5EA418, #187AA4 and #5E18A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A34418 shade: #A34418, #34A418, #187AA4 and #8818A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 85 / 36

HEX #A34418

RGB 163 68 24

HSL 18.99, 0.74%, 0.37%

LAB 41.2, 37.03, 43.61

 

Complementary color

CMYK 60 / 19 / 0 / 9

HEX #5CBBE7

RGB 92 187 231

HSL 198.99, 0.74%, 0.63%

LAB 71.95, -15.31, -30.39

 

CMYK 0 / 60 / 89 / 34

HEX #A84413

RGB 168 68 19

HSL 19.73, 0.8%, 0.37%

LAB 42.01, 38.85, 46.69

 

CMYK 0 / 54 / 79 / 27

HEX #B95626

RGB 185 86 38

HSL 19.59, 0.66%, 0.44%

LAB 48.4, 37.06, 45.17

 

CMYK 0 / 49 / 72 / 21

HEX #CA6839

RGB 202 104 57

HSL 19.45, 0.58%, 0.51%

LAB 54.82, 35.36, 43.22

 

CMYK 0 / 44 / 65 / 14

HEX #DB7A4C

RGB 219 122 76

HSL 19.3, 0.67%, 0.58%

LAB 61.22, 33.8, 41.26

 

CMYK 0 / 41 / 60 / 7

HEX #EC8C5F

RGB 236 140 95

HSL 19.15, 0.79%, 0.65%

LAB 67.59, 32.37, 39.41

 

CMYK 0 / 58 / 85 / 36

HEX #A34418

RGB 163 68 24

HSL 18.99, 0.74%, 0.37%

LAB 41.2, 37.03, 43.61

 

CMYK 0 / 66 / 97 / 43

HEX #923205

RGB 146 50 5

HSL 19.15, 0.93%, 0.3%

LAB 34.81, 38.76, 44.64

 

CMYK 0 / 75 / 100 / 49

HEX #812000

RGB 129 32 0

HSL 14.88, 1%, 0.25%

LAB 28.64, 40.18, 40.86

 

CMYK 0 / 88 / 100 / 56

HEX #700E00

RGB 112 14 0

HSL 7.5, 1%, 0.22%

LAB 22.86, 40.48, 34.19

 

CMYK 0 / 100 / 100 / 63

HEX #5F0000

RGB 95 0 0

HSL 0, 1%, 0.19%

LAB 17.61, 38.89, 27.21

 

CMYK 0 / 59 / 85 / 36

HEX #A44418

RGB 164 68 24

HSL 18.86, 0.74%, 0.37%

LAB 41.36, 37.42, 43.83

 

CMYK 0 / 81 / 85 / 36

HEX #A41F18

RGB 164 31 24

HSL 3, 0.74%, 0.37%

LAB 35.87, 52.32, 38.97

 

CMYK 0 / 85 / 85 / 36

HEX #A41818

RGB 164 24 24

HSL 0, 0.74%, 0.37%

LAB 35.23, 54.13, 38.4

 

CMYK 0 / 59 / 85 / 36

HEX #A44418

RGB 164 68 24

HSL 18.86, 0.74%, 0.37%

LAB 41.36, 37.42, 43.83

 

CMYK 0 / 35 / 85 / 36

HEX #A46A18

RGB 164 106 24

HSL 35.14, 0.74%, 0.37%

LAB 49.82, 16.78, 51.11

 

CMYK 0 / 12 / 85 / 36

HEX #A49018

RGB 164 144 24

HSL 51.43, 0.74%, 0.37%

LAB 59.8, -4.47, 59.51

 

CMYK 11 / 0 / 85 / 36

HEX #92A418

RGB 146 164 24

HSL 67.71, 0.74%, 0.37%

LAB 63.94, -22.96, 62.37

 

CMYK 34 / 0 / 85 / 36

HEX #6CA418

RGB 108 164 24

HSL 84, 0.74%, 0.37%

LAB 61.49, -38.47, 59.3

 

CMYK 0 / 59 / 85 / 36

HEX #A44418

RGB 164 68 24

HSL 18.86, 0.74%, 0.37%

LAB 41.36, 37.42, 43.83

 

CMYK 0 / 65 / 95 / 30

HEX #B33F09

RGB 179 63 9

HSL 19.06, 0.9%, 0.37%

LAB 43, 45.13, 51.52

 

CMYK 0 / 59 / 85 / 36

HEX #A44418

RGB 164 68 24

HSL 18.86, 0.74%, 0.37%

LAB 41.36, 37.42, 43.83

 

CMYK 0 / 50 / 74 / 42

HEX #944A27

RGB 148 74 39

HSL 19.27, 0.58%, 0.37%

LAB 40.15, 28.35, 34.35

 

CMYK 0 / 41 / 59 / 48

HEX #854F37

RGB 133 79 55

HSL 18.46, 0.41%, 0.37%

LAB 39.33, 20.15, 23.71

 

CMYK 0 / 28 / 41 / 54

HEX #765546

RGB 118 85 70

HSL 18.75, 0.26%, 0.37%

LAB 39.23, 11.57, 14.14

 

CMYK 0 / 12 / 17 / 60

HEX #675B55

RGB 103 91 85

HSL 20, 0.1%, 0.37%

LAB 39.62, 3.74, 5.23

 

CMYK 0 / 85 / 65 / 36

HEX #A41839

RGB 164 24 57

HSL 345.86, 0.74%, 0.37%

LAB 35.68, 55.47, 18.87

 

CMYK 0 / 82 / 85 / 36

HEX #A41D18

RGB 164 29 24

HSL 2.14, 0.74%, 0.37%

LAB 35.67, 52.87, 38.79

 

CMYK 0 / 60 / 85 / 36

HEX #A44218

RGB 164 66 24

HSL 18, 0.74%, 0.37%

LAB 40.98, 38.41, 43.5

 

CMYK 0 / 37 / 85 / 36

HEX #A46718

RGB 164 103 24

HSL 33.86, 0.74%, 0.37%

LAB 49.08, 18.48, 50.48

 

CMYK 0 / 15 / 85 / 36

HEX #A48C18

RGB 164 140 24

HSL 49.71, 0.74%, 0.37%

LAB 58.71, -2.29, 58.6

 

CMYK 0 / 59 / 86 / 64

HEX #5C260D

RGB 92 38 13

HSL 18.99, 0.75%, 0.21%

LAB 22.62, 23.09, 27.27

 

CMYK 0 / 59 / 85 / 50

HEX #803513

RGB 128 53 19

HSL 18.72, 0.74%, 0.29%

LAB 32.22, 30.48, 35.62

 

CMYK 0 / 59 / 85 / 36

HEX #A44418

RGB 164 68 24

HSL 18.86, 0.74%, 0.37%

LAB 41.36, 37.42, 43.83

 

CMYK 0 / 59 / 86 / 22

HEX #C8531D

RGB 200 83 29

HSL 18.95, 0.75%, 0.45%

LAB 50.16, 44.05, 51.63

 

CMYK 0 / 54 / 79 / 13

HEX #DF672F

RGB 223 103 47

HSL 19.09, 0.73%, 0.53%

LAB 57.65, 43.62, 51.98

 

CMYK 0 / 58 / 85 / 36

HEX #A34418

RGB 163 68 24

HSL 18.99, 0.74%, 0.37%

LAB 41.2, 37.03, 43.61

 

CMYK 43 / 0 / 85 / 36

HEX #5EA418

RGB 94 164 24

HSL 90, 0.74%, 0.37%

LAB 60.78, -43.51, 58.4

 

CMYK 85 / 77 / 0 / 36

HEX #1826A4

RGB 24 38 164

HSL 234, 0.74%, 0.37%

LAB 24.52, 42.37, -67.84

 

CMYK 0 / 58 / 85 / 36

HEX #A34418

RGB 163 68 24

HSL 18.99, 0.74%, 0.37%

LAB 41.2, 37.03, 43.61

 

CMYK 85 / 0 / 60 / 36

HEX #18A442

RGB 24 164 66

HSL 138, 0.74%, 0.37%

LAB 59.1, -55.72, 40.41

 

CMYK 60 / 85 / 0 / 36

HEX #4218A4

RGB 66 24 164

HSL 258, 0.74%, 0.37%

LAB 25.24, 52.45, -66.56

 

CMYK 0 / 58 / 85 / 36

HEX #A34418

RGB 163 68 24

HSL 18.99, 0.74%, 0.37%

LAB 41.2, 37.03, 43.61

 

CMYK 43 / 0 / 85 / 36

HEX #5EA418

RGB 94 164 24

HSL 90, 0.74%, 0.37%

LAB 60.78, -43.51, 58.4

 

CMYK 85 / 26 / 0 / 36

HEX #187AA4

RGB 24 122 164

HSL 198, 0.74%, 0.37%

LAB 48, -11.57, -30

 

CMYK 43 / 85 / 0 / 36

HEX #5E18A4

RGB 94 24 164

HSL 270, 0.74%, 0.37%

LAB 28.68, 55.75, -60.77

 

CMYK 0 / 58 / 85 / 36

HEX #A34418

RGB 163 68 24

HSL 18.99, 0.74%, 0.37%

LAB 41.2, 37.03, 43.61

 

CMYK 68 / 0 / 85 / 36

HEX #34A418

RGB 52 164 24

HSL 108, 0.74%, 0.37%

LAB 59.29, -55.21, 56.52

 

CMYK 85 / 26 / 0 / 36

HEX #187AA4

RGB 24 122 164

HSL 198, 0.74%, 0.37%

LAB 48, -11.57, -30

 

CMYK 17 / 85 / 0 / 36

HEX #8818A4

RGB 136 24 164

HSL 288, 0.74%, 0.37%

LAB 35.14, 62.28, -49.96

 

Description

Color code: HEX #A34418 | qconv.com Color code: HEX #A34418 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 68 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 68 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 85 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 85% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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