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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A31D87 it is the complementary color #5CE278. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A31D87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A31D87 shade: #A81D82, #B92F95, #CA41A8, #DB53BB and #EC65CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A31D87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A31D87 shade: #A31D87, #920B74, #810061, #70004E and #5F003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A31D87 shade: #A41D88, #A41D63, #A41D3F and #A41D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A31D87 shade: #A41D88, #9C1DA4, #771DA4, #531DA4 and #2E1DA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A31D87 shade matches the following richer shades: #A41D88 and #B40D91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A31D87 shade: #A41D88, #952C7F, #853C76, #754C6D and #665B63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A31D87 shade: #771DA4, #9B1DA4, #A41D89, #A41D65 and #A41D41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A31D87 shade: #5E104E, #81166B, #A41D88, #C723A5 and #DB38B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A31D87 shade: #A31D87, #A4531D and #1DA489

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A31D87 shade: #A31D87, #89A41D and #1D89A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A31D87 shade: #A31D87, #A4531D, #1DA438 and #1D6EA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A31D87 shade: #A31D87, #A47C1D, #1DA438 and #1D45A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 17 / 36

HEX #A31D87

RGB 163 29 135

HSL 312.54, 0.7%, 0.38%

LAB 38.58, 61.74, -26.52

 

Complementary color

CMYK 59 / 0 / 47 / 11

HEX #5CE278

RGB 92 226 120

HSL 132.54, 0.7%, 0.62%

LAB 80.75, -58.65, 40.97

 

CMYK 0 / 83 / 23 / 34

HEX #A81D82

RGB 168 29 130

HSL 316.4, 0.71%, 0.39%

LAB 39.27, 62.2, -22.28

 

CMYK 0 / 75 / 19 / 27

HEX #B92F95

RGB 185 47 149

HSL 315.65, 0.59%, 0.45%

LAB 44.97, 63.65, -24.8

 

CMYK 0 / 68 / 17 / 21

HEX #CA41A8

RGB 202 65 168

HSL 314.89, 0.56%, 0.52%

LAB 50.88, 64.27, -26.71

 

CMYK 0 / 62 / 15 / 14

HEX #DB53BB

RGB 219 83 187

HSL 314.12, 0.65%, 0.59%

LAB 56.91, 64.35, -28.21

 

CMYK 0 / 57 / 13 / 7

HEX #EC65CE

RGB 236 101 206

HSL 313.33, 0.78%, 0.66%

LAB 63.01, 64.11, -29.4

 

CMYK 0 / 82 / 17 / 36

HEX #A31D87

RGB 163 29 135

HSL 312.54, 0.7%, 0.38%

LAB 38.58, 61.74, -26.52

 

CMYK 0 / 92 / 21 / 43

HEX #920B74

RGB 146 11 116

HSL 313.33, 0.86%, 0.31%

LAB 33.16, 59.06, -23.35

 

CMYK 0 / 100 / 25 / 49

HEX #810061

RGB 129 0 97

HSL 314.88, 1%, 0.25%

LAB 28.19, 54.71, -19.12

 

CMYK 0 / 100 / 30 / 56

HEX #70004E

RGB 112 0 78

HSL 318.21, 1%, 0.22%

LAB 23.65, 48.72, -13.81

 

CMYK 0 / 100 / 38 / 63

HEX #5F003B

RGB 95 0 59

HSL 322.74, 1%, 0.19%

LAB 19.01, 42.6, -8.16

 

CMYK 0 / 82 / 17 / 36

HEX #A41D88

RGB 164 29 136

HSL 312.44, 0.7%, 0.38%

LAB 38.81, 62.1, -26.76

 

CMYK 0 / 82 / 40 / 36

HEX #A41D63

RGB 164 29 99

HSL 328.89, 0.7%, 0.38%

LAB 37.25, 57.62, -5.97

 

CMYK 0 / 82 / 62 / 36

HEX #A41D3F

RGB 164 29 63

HSL 344.89, 0.7%, 0.38%

LAB 36.23, 54.6, 15.74

 

CMYK 0 / 82 / 82 / 36

HEX #A41D1D

RGB 164 29 29

HSL 0, 0.7%, 0.38%

LAB 35.71, 53.01, 36.12

 

CMYK 0 / 82 / 17 / 36

HEX #A41D88

RGB 164 29 136

HSL 312.44, 0.7%, 0.38%

LAB 38.81, 62.1, -26.76

 

CMYK 5 / 82 / 0 / 36

HEX #9C1DA4

RGB 156 29 164

HSL 296.44, 0.7%, 0.38%

LAB 38.94, 64.72, -43.66

 

CMYK 27 / 82 / 0 / 36

HEX #771DA4

RGB 119 29 164

HSL 280, 0.7%, 0.38%

LAB 32.88, 58, -53.75

 

CMYK 49 / 82 / 0 / 36

HEX #531DA4

RGB 83 29 164

HSL 264, 0.7%, 0.38%

LAB 27.84, 52.52, -62.2

 

CMYK 72 / 82 / 0 / 36

HEX #2E1DA4

RGB 46 29 164

HSL 247.56, 0.7%, 0.38%

LAB 24.13, 48.56, -68.45

 

CMYK 0 / 82 / 17 / 36

HEX #A41D88

RGB 164 29 136

HSL 312.44, 0.7%, 0.38%

LAB 38.81, 62.1, -26.76

 

CMYK 0 / 93 / 19 / 29

HEX #B40D91

RGB 180 13 145

HSL 312.57, 0.87%, 0.38%

LAB 41.27, 69.5, -28.2

 

CMYK 0 / 82 / 17 / 36

HEX #A41D88

RGB 164 29 136

HSL 312.44, 0.7%, 0.38%

LAB 38.81, 62.1, -26.76

 

CMYK 0 / 70 / 15 / 42

HEX #952C7F

RGB 149 44 127

HSL 312.57, 0.54%, 0.38%

LAB 37.34, 52.49, -23.68

 

CMYK 0 / 55 / 11 / 48

HEX #853C76

RGB 133 60 118

HSL 312.33, 0.38%, 0.38%

LAB 36.98, 39.17, -18.85

 

CMYK 0 / 35 / 7 / 54

HEX #754C6D

RGB 117 76 109

HSL 311.71, 0.21%, 0.38%

LAB 37.94, 22.99, -11.96

 

CMYK 0 / 11 / 3 / 60

HEX #665B63

RGB 102 91 99

HSL 316.36, 0.06%, 0.38%

LAB 39.93, 6.03, -2.96

 

CMYK 27 / 82 / 0 / 36

HEX #771DA4

RGB 119 29 164

HSL 280, 0.7%, 0.38%

LAB 32.88, 58, -53.75

 

CMYK 5 / 82 / 0 / 36

HEX #9B1DA4

RGB 155 29 164

HSL 296, 0.7%, 0.38%

LAB 38.77, 64.53, -43.94

 

CMYK 0 / 82 / 16 / 36

HEX #A41D89

RGB 164 29 137

HSL 312, 0.7%, 0.38%

LAB 38.86, 62.24, -27.29

 

CMYK 0 / 82 / 38 / 36

HEX #A41D65

RGB 164 29 101

HSL 328, 0.7%, 0.38%

LAB 37.32, 57.83, -7.14

 

CMYK 0 / 82 / 60 / 36

HEX #A41D41

RGB 164 29 65

HSL 344, 0.7%, 0.38%

LAB 36.28, 54.73, 14.5

 

CMYK 0 / 83 / 17 / 63

HEX #5E104E

RGB 94 16 78

HSL 312.31, 0.71%, 0.22%

LAB 21.21, 40.64, -17.9

 

CMYK 0 / 83 / 17 / 49

HEX #81166B

RGB 129 22 107

HSL 312.34, 0.71%, 0.3%

LAB 30.16, 51.81, -22.53

 

CMYK 0 / 82 / 17 / 36

HEX #A41D88

RGB 164 29 136

HSL 312.44, 0.7%, 0.38%

LAB 38.81, 62.1, -26.76

 

CMYK 0 / 82 / 17 / 22

HEX #C723A5

RGB 199 35 165

HSL 312.44, 0.7%, 0.46%

LAB 47.05, 72.19, -30.93

 

CMYK 0 / 74 / 16 / 14

HEX #DB38B9

RGB 219 56 185

HSL 312.52, 0.69%, 0.54%

LAB 53.38, 73.73, -32.55

 

CMYK 0 / 82 / 17 / 36

HEX #A31D87

RGB 163 29 135

HSL 312.54, 0.7%, 0.38%

LAB 38.58, 61.74, -26.52

 

CMYK 0 / 49 / 82 / 36

HEX #A4531D

RGB 164 83 29

HSL 24, 0.7%, 0.38%

LAB 44.47, 29.76, 44.43

 

CMYK 82 / 0 / 16 / 36

HEX #1DA489

RGB 29 164 137

HSL 168, 0.7%, 0.38%

LAB 60.44, -40.79, 4.27

 

CMYK 0 / 82 / 17 / 36

HEX #A31D87

RGB 163 29 135

HSL 312.54, 0.7%, 0.38%

LAB 38.58, 61.74, -26.52

 

CMYK 16 / 0 / 82 / 36

HEX #89A41D

RGB 137 164 29

HSL 72, 0.7%, 0.38%

LAB 63.31, -26.64, 60.31

 

CMYK 82 / 16 / 0 / 36

HEX #1D89A4

RGB 29 137 164

HSL 192, 0.7%, 0.38%

LAB 52.77, -19.45, -22.61

 

CMYK 0 / 82 / 17 / 36

HEX #A31D87

RGB 163 29 135

HSL 312.54, 0.7%, 0.38%

LAB 38.58, 61.74, -26.52

 

CMYK 0 / 49 / 82 / 36

HEX #A4531D

RGB 164 83 29

HSL 24, 0.7%, 0.38%

LAB 44.47, 29.76, 44.43

 

CMYK 82 / 0 / 66 / 36

HEX #1DA438

RGB 29 164 56

HSL 132, 0.7%, 0.38%

LAB 59.06, -56.41, 44.94

 

CMYK 82 / 33 / 0 / 36

HEX #1D6EA4

RGB 29 110 164

HSL 204, 0.7%, 0.38%

LAB 44.37, -4.02, -35.7

 

CMYK 0 / 82 / 17 / 36

HEX #A31D87

RGB 163 29 135

HSL 312.54, 0.7%, 0.38%

LAB 38.58, 61.74, -26.52

 

CMYK 0 / 24 / 82 / 36

HEX #A47C1D

RGB 164 124 29

HSL 42.22, 0.7%, 0.38%

LAB 54.45, 6.75, 53.42

 

CMYK 82 / 0 / 66 / 36

HEX #1DA438

RGB 29 164 56

HSL 132, 0.7%, 0.38%

LAB 59.06, -56.41, 44.94

 

CMYK 82 / 58 / 0 / 36

HEX #1D45A4

RGB 29 69 164

HSL 222.22, 0.7%, 0.38%

LAB 32.25, 22.71, -55.13

 

Description

Color code: HEX #A31D87 | qconv.com Color code: HEX #A31D87 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 29 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 29 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 17 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 17% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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