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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A31CCD it is the complementary color #5CE332. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A31CCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A31CCD shade: #A81CC8, #B92EDB, #CA40EE, #DB52FF and #EC64FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A31CCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A31CCD shade: #A31CCD, #920ABA, #8100A7, #700094 and #5F0081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A31CCD shade: #A41CCE, #CE1CC8, #CE1C98, #CE1C68 and #CE1C38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A31CCD shade: #A41CCE, #741CCE, #431CCE and #1C1CCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A31CCD shade matches the following richer shades: #A41CCE and #AE09E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A31CCD shade: #A41CCE, #9A2FBB, #9042A8, #865595 and #7C6882

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A31CCD shade: #421CCE, #721CCE, #A11CCE, #CE1CCB and #CE1C9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A31CCD shade: #6A1285, #8717AA, #A41CCE, #B830E2 and #C555E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A31CCD shade: #A31CCD, #CE1C25 and #1CCE5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A31CCD shade: #A31CCD, #CEA11C and #1CCEA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A31CCD shade: #A31CCD, #CE1C25, #48CE1C and #1CCEC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A31CCD shade: #A31CCD, #CE481C, #48CE1C and #1CA1CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 86 / 0 / 20

HEX #A31CCD

RGB 163 28 205

HSL 285.76, 0.76%, 0.46%

LAB 42.8, 73.35, -61.55

 

Complementary color

CMYK 59 / 0 / 78 / 11

HEX #5CE332

RGB 92 227 50

HSL 105.76, 0.76%, 0.54%

LAB 80.43, -66.15, 69.33

 

CMYK 16 / 86 / 0 / 22

HEX #A81CC8

RGB 168 28 200

HSL 288.84, 0.75%, 0.45%

LAB 43.25, 73.25, -57.89

 

CMYK 16 / 79 / 0 / 14

HEX #B92EDB

RGB 185 46 219

HSL 288.21, 0.71%, 0.52%

LAB 48.74, 75.09, -59.83

 

CMYK 15 / 73 / 0 / 7

HEX #CA40EE

RGB 202 64 238

HSL 287.59, 0.84%, 0.59%

LAB 54.45, 76.05, -61.26

 

CMYK 14 / 68 / 0 / 0

HEX #DB52FF

RGB 219 82 255

HSL 287.51, 1%, 0.66%

LAB 60.17, 76.05, -61.39

 

CMYK 7 / 61 / 0 / 0

HEX #EC64FF

RGB 236 100 255

HSL 292.65, 1%, 0.7%

LAB 65.1, 72.59, -53.41

 

CMYK 20 / 86 / 0 / 20

HEX #A31CCD

RGB 163 28 205

HSL 285.76, 0.76%, 0.46%

LAB 42.8, 73.35, -61.55

 

CMYK 22 / 95 / 0 / 27

HEX #920ABA

RGB 146 10 186

HSL 286.36, 0.9%, 0.38%

LAB 37.61, 70.34, -58.99

 

CMYK 23 / 100 / 0 / 35

HEX #8100A7

RGB 129 0 167

HSL 286.35, 1%, 0.33%

LAB 32.83, 65.78, -55.58

 

CMYK 24 / 100 / 0 / 42

HEX #700094

RGB 112 0 148

HSL 285.41, 1%, 0.29%

LAB 28.33, 59.93, -51.44

 

CMYK 26 / 100 / 0 / 49

HEX #5F0081

RGB 95 0 129

HSL 284.19, 1%, 0.25%

LAB 23.73, 53.93, -47.21

 

CMYK 20 / 86 / 0 / 19

HEX #A41CCE

RGB 164 28 206

HSL 285.84, 0.76%, 0.46%

LAB 43.03, 73.69, -61.75

 

CMYK 0 / 86 / 3 / 19

HEX #CE1CC8

RGB 206 28 200

HSL 302.02, 0.76%, 0.46%

LAB 49.64, 79.8, -47.28

 

CMYK 0 / 86 / 26 / 19

HEX #CE1C98

RGB 206 28 152

HSL 318.2, 0.76%, 0.46%

LAB 47.26, 73.47, -22.75

 

CMYK 0 / 86 / 50 / 19

HEX #CE1C68

RGB 206 28 104

HSL 334.38, 0.76%, 0.46%

LAB 45.57, 68.76, 4.05

 

CMYK 0 / 86 / 73 / 19

HEX #CE1C38

RGB 206 28 56

HSL 350.56, 0.76%, 0.46%

LAB 44.57, 65.89, 32.39

 

CMYK 20 / 86 / 0 / 19

HEX #A41CCE

RGB 164 28 206

HSL 285.84, 0.76%, 0.46%

LAB 43.03, 73.69, -61.75

 

CMYK 44 / 86 / 0 / 19

HEX #741CCE

RGB 116 28 206

HSL 269.66, 0.76%, 0.46%

LAB 35.98, 67.04, -73.55

 

CMYK 67 / 86 / 0 / 19

HEX #431CCE

RGB 67 28 206

HSL 253.15, 0.76%, 0.46%

LAB 30.59, 62.41, -82.64

 

CMYK 86 / 86 / 0 / 19

HEX #1C1CCE

RGB 28 28 206

HSL 240, 0.76%, 0.46%

LAB 28.2, 60.54, -86.68

 

CMYK 20 / 86 / 0 / 19

HEX #A41CCE

RGB 164 28 206

HSL 285.84, 0.76%, 0.46%

LAB 43.03, 73.69, -61.75

 

CMYK 23 / 96 / 0 / 12

HEX #AE09E1

RGB 174 9 225

HSL 285.83, 0.92%, 0.46%

LAB 45.12, 81.24, -69.19

 

CMYK 20 / 86 / 0 / 19

HEX #A41CCE

RGB 164 28 206

HSL 285.84, 0.76%, 0.46%

LAB 43.03, 73.69, -61.75

 

CMYK 18 / 75 / 0 / 27

HEX #9A2FBB

RGB 154 47 187

HSL 285.86, 0.6%, 0.46%

LAB 41.99, 63.04, -52.45

 

CMYK 14 / 61 / 0 / 34

HEX #9042A8

RGB 144 66 168

HSL 285.88, 0.44%, 0.46%

LAB 42.24, 48.92, -40.91

 

CMYK 10 / 43 / 0 / 42

HEX #865595

RGB 134 85 149

HSL 285.94, 0.27%, 0.46%

LAB 43.85, 31.81, -27.11

 

CMYK 5 / 20 / 0 / 49

HEX #7C6882

RGB 124 104 130

HSL 286.15, 0.11%, 0.46%

LAB 46.71, 13.02, -11.44

 

CMYK 68 / 86 / 0 / 19

HEX #421CCE

RGB 66 28 206

HSL 252.81, 0.76%, 0.46%

LAB 30.51, 62.34, -82.78

 

CMYK 45 / 86 / 0 / 19

HEX #721CCE

RGB 114 28 206

HSL 268.99, 0.76%, 0.46%

LAB 35.72, 66.8, -74

 

CMYK 22 / 86 / 0 / 19

HEX #A11CCE

RGB 161 28 206

HSL 284.83, 0.76%, 0.46%

LAB 42.56, 73.23, -62.54

 

CMYK 0 / 86 / 1 / 19

HEX #CE1CCB

RGB 206 28 203

HSL 301.01, 0.76%, 0.46%

LAB 49.81, 80.24, -48.74

 

CMYK 0 / 86 / 25 / 19

HEX #CE1C9B

RGB 206 28 155

HSL 317.19, 0.76%, 0.46%

LAB 47.39, 73.82, -24.35

 

CMYK 20 / 86 / 0 / 48

HEX #6A1285

RGB 106 18 133

HSL 285.91, 0.76%, 0.3%

LAB 27.27, 52.59, -43.89

 

CMYK 21 / 86 / 0 / 33

HEX #8717AA

RGB 135 23 170

HSL 285.71, 0.76%, 0.38%

LAB 35.33, 63.48, -53.26

 

CMYK 20 / 86 / 0 / 19

HEX #A41CCE

RGB 164 28 206

HSL 285.84, 0.76%, 0.46%

LAB 43.03, 73.69, -61.75

 

CMYK 19 / 79 / 0 / 11

HEX #B830E2

RGB 184 48 226

HSL 285.84, 0.75%, 0.54%

LAB 49.25, 75.61, -63

 

CMYK 15 / 63 / 0 / 9

HEX #C555E7

RGB 197 85 231

HSL 286.03, 0.75%, 0.62%

LAB 56.22, 65.55, -54.52

 

CMYK 20 / 86 / 0 / 20

HEX #A31CCD

RGB 163 28 205

HSL 285.76, 0.76%, 0.46%

LAB 42.8, 73.35, -61.55

 

CMYK 0 / 86 / 82 / 19

HEX #CE1C25

RGB 206 28 37

HSL 356.97, 0.76%, 0.46%

LAB 44.36, 65.26, 43.07

 

CMYK 86 / 0 / 56 / 19

HEX #1CCE5A

RGB 28 206 90

HSL 140.9, 0.76%, 0.46%

LAB 72.98, -65.76, 45.51

 

CMYK 20 / 86 / 0 / 20

HEX #A31CCD

RGB 163 28 205

HSL 285.76, 0.76%, 0.46%

LAB 42.8, 73.35, -61.55

 

CMYK 0 / 22 / 86 / 19

HEX #CEA11C

RGB 206 161 28

HSL 44.83, 0.76%, 0.46%

LAB 68.53, 5.3, 67.4

 

CMYK 86 / 0 / 22 / 19

HEX #1CCEA1

RGB 28 206 161

HSL 164.83, 0.76%, 0.46%

LAB 74.17, -52.1, 10.74

 

CMYK 20 / 86 / 0 / 20

HEX #A31CCD

RGB 163 28 205

HSL 285.76, 0.76%, 0.46%

LAB 42.8, 73.35, -61.55

 

CMYK 0 / 86 / 82 / 19

HEX #CE1C25

RGB 206 28 37

HSL 356.97, 0.76%, 0.46%

LAB 44.36, 65.26, 43.07

 

CMYK 65 / 0 / 86 / 19

HEX #48CE1C

RGB 72 206 28

HSL 105.17, 0.76%, 0.46%

LAB 73.29, -64.7, 68.18

 

CMYK 86 / 0 / 4 / 19

HEX #1CCEC5

RGB 28 206 197

HSL 176.97, 0.76%, 0.46%

LAB 75.09, -42.53, -7.33

 

CMYK 20 / 86 / 0 / 20

HEX #A31CCD

RGB 163 28 205

HSL 285.76, 0.76%, 0.46%

LAB 42.8, 73.35, -61.55

 

CMYK 0 / 65 / 86 / 19

HEX #CE481C

RGB 206 72 28

HSL 14.83, 0.76%, 0.46%

LAB 49.3, 51.14, 51.73

 

CMYK 65 / 0 / 86 / 19

HEX #48CE1C

RGB 72 206 28

HSL 105.17, 0.76%, 0.46%

LAB 73.29, -64.7, 68.18

 

CMYK 86 / 22 / 0 / 19

HEX #1CA1CE

RGB 28 161 206

HSL 195.17, 0.76%, 0.46%

LAB 61.82, -17.81, -32.43

 

Description

Color code: HEX #A31CCD | qconv.com Color code: HEX #A31CCD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 28 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 28 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 86 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 86% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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