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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3138A it is the complementary color #5CEC75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3138A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3138A shade: #A81385, #B92598, #CA37AB, #DB49BE and #EC5BD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3138A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3138A shade: #A3138A, #920177, #810064, #700051 and #5F003E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3138A shade: #A4138B, #A41364, #A4133C, #A41315 and #A41313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3138A shade: #A4138B, #9613A4, #6F13A4, #4813A4 and #2113A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3138A shade matches the following richer shades: #A4138B and #B30494

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3138A shade: #A4138B, #952281, #863077, #773F6E and #684E64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3138A shade: #6F13A4, #9513A4, #A4138C, #A41365 and #A4133E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3138A shade: #5A0A4C, #7F0E6B, #A4138B, #C917AA and #E524C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3138A shade: #A3138A, #A44813 and #13A482

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3138A shade: #A3138A, #8CA413 and #138CA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3138A shade: #A3138A, #A44813, #13A42B and #136FA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3138A shade: #A3138A, #A47313, #13A42B and #1343A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 15 / 36

HEX #A3138A

RGB 163 19 138

HSL 310.42, 0.79%, 0.36%

LAB 38, 64.27, -29.27

 

Complementary color

CMYK 61 / 0 / 50 / 7

HEX #5CEC75

RGB 92 236 117

HSL 130.42, 0.79%, 0.64%

LAB 83.73, -62.77, 46.12

 

CMYK 0 / 89 / 21 / 34

HEX #A81385

RGB 168 19 133

HSL 314.09, 0.8%, 0.37%

LAB 38.7, 64.65, -25.02

 

CMYK 0 / 80 / 18 / 27

HEX #B92598

RGB 185 37 152

HSL 313.38, 0.67%, 0.44%

LAB 44.1, 66.94, -27.96

 

CMYK 0 / 73 / 15 / 21

HEX #CA37AB

RGB 202 55 171

HSL 312.65, 0.58%, 0.5%

LAB 49.77, 68.18, -30.2

 

CMYK 0 / 67 / 13 / 14

HEX #DB49BE

RGB 219 73 190

HSL 311.92, 0.67%, 0.57%

LAB 55.63, 68.72, -31.93

 

CMYK 0 / 61 / 11 / 7

HEX #EC5BD1

RGB 236 91 209

HSL 311.17, 0.79%, 0.64%

LAB 61.58, 68.79, -33.3

 

CMYK 0 / 88 / 15 / 36

HEX #A3138A

RGB 163 19 138

HSL 310.42, 0.79%, 0.36%

LAB 38, 64.27, -29.27

 

CMYK 0 / 99 / 18 / 43

HEX #920177

RGB 146 1 119

HSL 311.17, 0.99%, 0.29%

LAB 32.84, 60.84, -25.74

 

CMYK 0 / 100 / 22 / 49

HEX #810064

RGB 129 0 100

HSL 313.49, 1%, 0.25%

LAB 28.35, 55.1, -20.84

 

CMYK 0 / 100 / 28 / 56

HEX #700051

RGB 112 0 81

HSL 316.61, 1%, 0.22%

LAB 23.8, 49.09, -15.61

 

CMYK 0 / 100 / 35 / 63

HEX #5F003E

RGB 95 0 62

HSL 320.84, 1%, 0.19%

LAB 19.14, 42.95, -10.06

 

CMYK 0 / 88 / 15 / 36

HEX #A4138B

RGB 164 19 139

HSL 310.34, 0.79%, 0.36%

LAB 38.24, 64.61, -29.5

 

CMYK 0 / 88 / 39 / 36

HEX #A41364

RGB 164 19 100

HSL 326.48, 0.79%, 0.36%

LAB 36.51, 59.94, -7.7

 

CMYK 0 / 88 / 63 / 36

HEX #A4133C

RGB 164 19 60

HSL 343.03, 0.79%, 0.36%

LAB 35.37, 56.7, 16.53

 

CMYK 0 / 88 / 87 / 36

HEX #A41315

RGB 164 19 21

HSL 359.17, 0.79%, 0.36%

LAB 34.83, 55.13, 39.62

 

CMYK 0 / 88 / 88 / 36

HEX #A41313

RGB 164 19 19

HSL 0, 0.79%, 0.36%

LAB 34.81, 55.09, 40.61

 

CMYK 0 / 88 / 15 / 36

HEX #A4138B

RGB 164 19 139

HSL 310.34, 0.79%, 0.36%

LAB 38.24, 64.61, -29.5

 

CMYK 9 / 88 / 0 / 36

HEX #9613A4

RGB 150 19 164

HSL 294.21, 0.79%, 0.36%

LAB 37.17, 65.77, -46.56

 

CMYK 32 / 88 / 0 / 36

HEX #6F13A4

RGB 111 19 164

HSL 278.07, 0.79%, 0.36%

LAB 30.7, 59.51, -57.35

 

CMYK 56 / 88 / 0 / 36

HEX #4813A4

RGB 72 19 164

HSL 261.93, 0.79%, 0.36%

LAB 25.33, 54.75, -66.38

 

CMYK 80 / 88 / 0 / 36

HEX #2113A4

RGB 33 19 164

HSL 245.79, 0.79%, 0.36%

LAB 21.83, 51.96, -72.28

 

CMYK 0 / 88 / 15 / 36

HEX #A4138B

RGB 164 19 139

HSL 310.34, 0.79%, 0.36%

LAB 38.24, 64.61, -29.5

 

CMYK 0 / 98 / 17 / 30

HEX #B30494

RGB 179 4 148

HSL 310.63, 0.96%, 0.36%

LAB 40.91, 70.63, -30.61

 

CMYK 0 / 88 / 15 / 36

HEX #A4138B

RGB 164 19 139

HSL 310.34, 0.79%, 0.36%

LAB 38.24, 64.61, -29.5

 

CMYK 0 / 77 / 13 / 42

HEX #952281

RGB 149 34 129

HSL 310.43, 0.63%, 0.36%

LAB 36.21, 56.27, -26.69

 

CMYK 0 / 64 / 11 / 47

HEX #863077

RGB 134 48 119

HSL 310.47, 0.47%, 0.36%

LAB 35.03, 45.46, -22.48

 

CMYK 0 / 47 / 8 / 53

HEX #773F6E

RGB 119 63 110

HSL 309.64, 0.31%, 0.36%

LAB 35.21, 31.49, -16.74

 

CMYK 0 / 25 / 4 / 59

HEX #684E64

RGB 104 78 100

HSL 309.23, 0.14%, 0.36%

LAB 36.58, 15.05, -8.55

 

CMYK 32 / 88 / 0 / 36

HEX #6F13A4

RGB 111 19 164

HSL 278.07, 0.79%, 0.36%

LAB 30.7, 59.51, -57.35

 

CMYK 9 / 88 / 0 / 36

HEX #9513A4

RGB 149 19 164

HSL 293.79, 0.79%, 0.36%

LAB 37, 65.6, -46.85

 

CMYK 0 / 88 / 15 / 36

HEX #A4138C

RGB 164 19 140

HSL 309.93, 0.79%, 0.36%

LAB 38.29, 64.75, -30.03

 

CMYK 0 / 88 / 38 / 36

HEX #A41365

RGB 164 19 101

HSL 326.07, 0.79%, 0.36%

LAB 36.55, 60.04, -8.29

 

CMYK 0 / 88 / 62 / 36

HEX #A4133E

RGB 164 19 62

HSL 342.21, 0.79%, 0.36%

LAB 35.41, 56.82, 15.28

 

CMYK 0 / 89 / 16 / 65

HEX #5A0A4C

RGB 90 10 76

HSL 310.5, 0.8%, 0.2%

LAB 19.69, 41.06, -18.98

 

CMYK 0 / 89 / 16 / 50

HEX #7F0E6B

RGB 127 14 107

HSL 310.62, 0.8%, 0.28%

LAB 29.13, 53.24, -24.18

 

CMYK 0 / 88 / 15 / 36

HEX #A4138B

RGB 164 19 139

HSL 310.34, 0.79%, 0.36%

LAB 38.24, 64.61, -29.5

 

CMYK 0 / 89 / 15 / 21

HEX #C917AA

RGB 201 23 170

HSL 310.45, 0.79%, 0.44%

LAB 46.89, 75.5, -34.14

 

CMYK 0 / 84 / 15 / 10

HEX #E524C3

RGB 229 36 195

HSL 310.57, 0.79%, 0.52%

LAB 53.88, 82.03, -37.43

 

CMYK 0 / 88 / 15 / 36

HEX #A3138A

RGB 163 19 138

HSL 310.42, 0.79%, 0.36%

LAB 38, 64.27, -29.27

 

CMYK 0 / 56 / 88 / 36

HEX #A44813

RGB 164 72 19

HSL 21.93, 0.79%, 0.36%

LAB 42.11, 35.27, 46.5

 

CMYK 88 / 0 / 21 / 36

HEX #13A482

RGB 19 164 130

HSL 165.93, 0.79%, 0.36%

LAB 60.16, -43.43, 7.78

 

CMYK 0 / 88 / 15 / 36

HEX #A3138A

RGB 163 19 138

HSL 310.42, 0.79%, 0.36%

LAB 38, 64.27, -29.27

 

CMYK 15 / 0 / 88 / 36

HEX #8CA413

RGB 140 164 19

HSL 69.93, 0.79%, 0.36%

LAB 63.49, -25.67, 62.89

 

CMYK 88 / 15 / 0 / 36

HEX #138CA4

RGB 19 140 164

HSL 189.93, 0.79%, 0.36%

LAB 53.57, -21.82, -21.38

 

CMYK 0 / 88 / 15 / 36

HEX #A3138A

RGB 163 19 138

HSL 310.42, 0.79%, 0.36%

LAB 38, 64.27, -29.27

 

CMYK 0 / 56 / 88 / 36

HEX #A44813

RGB 164 72 19

HSL 21.93, 0.79%, 0.36%

LAB 42.11, 35.27, 46.5

 

CMYK 88 / 0 / 74 / 36

HEX #13A42B

RGB 19 164 43

HSL 129.93, 0.79%, 0.36%

LAB 58.85, -58.69, 49.96

 

CMYK 88 / 32 / 0 / 36

HEX #136FA4

RGB 19 111 164

HSL 201.93, 0.79%, 0.36%

LAB 44.5, -5.47, -35.5

 

CMYK 0 / 88 / 15 / 36

HEX #A3138A

RGB 163 19 138

HSL 310.42, 0.79%, 0.36%

LAB 38, 64.27, -29.27

 

CMYK 0 / 30 / 88 / 36

HEX #A47313

RGB 164 115 19

HSL 39.72, 0.79%, 0.36%

LAB 52.06, 11.55, 54.5

 

CMYK 88 / 0 / 74 / 36

HEX #13A42B

RGB 19 164 43

HSL 129.93, 0.79%, 0.36%

LAB 58.85, -58.69, 49.96

 

CMYK 88 / 59 / 0 / 36

HEX #1343A4

RGB 19 67 164

HSL 220.14, 0.79%, 0.36%

LAB 31.42, 23.29, -56.49

 

Description

Color code: HEX #A3138A | qconv.com Color code: HEX #A3138A | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 19 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 19 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 15 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 15% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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