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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A315E4 it is the complementary color #5CEA1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A315E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A315E4 shade: #A815DF, #B927F2, #CA39FF, #DB4BFF and #EC5DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A315E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A315E4 shade: #A315E4, #9203D1, #8100BE, #7000AB and #5F0098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A315E4 shade: #A315E4, #DB15E4, #E415B5, #E4157D and #E41546

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A315E4 shade: #A315E4, #6B15E4, #3315E4 and #1515E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A315E4 shade matches the following richer shades: #A315E4 and #AB01F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A315E4 shade: #A315E4, #9C29D0, #943DBC, #8C51A8 and #856693

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A315E4 shade: #3415E4, #6B15E4, #A215E4, #DA15E4 and #E415B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A315E4 shade: #6D0E99, #8811BE, #A315E4, #B336EC and #C15CEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A315E4 shade: #A315E4, #E4152D and #15E450

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A315E4 shade: #A315E4, #E4A215 and #15E4A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A315E4 shade: #A315E4, #E4152D, #56E415 and #15E4CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A315E4 shade: #A315E4, #E43B15, #56E415 and #15BEE4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 91 / 0 / 11

HEX #A315E4

RGB 163 21 228

HSL 281.16, 0.83%, 0.49%

LAB 44.12, 78.9, -72.6

 

Complementary color

CMYK 61 / 0 / 88 / 8

HEX #5CEA1B

RGB 92 234 27

HSL 101.16, 0.83%, 0.51%

LAB 82.49, -69.45, 76.5

 

CMYK 25 / 91 / 0 / 13

HEX #A815DF

RGB 168 21 223

HSL 283.66, 0.83%, 0.48%

LAB 44.5, 78.64, -69.1

 

CMYK 24 / 84 / 0 / 5

HEX #B927F2

RGB 185 39 242

HSL 283.15, 0.89%, 0.55%

LAB 49.71, 81.06, -71.28

 

CMYK 21 / 78 / 0 / 0

HEX #CA39FF

RGB 202 57 255

HSL 283.94, 1%, 0.61%

LAB 54.76, 81.39, -70.22

 

CMYK 14 / 71 / 0 / 0

HEX #DB4BFF

RGB 219 75 255

HSL 288, 1%, 0.65%

LAB 59.26, 78.63, -62.85

 

CMYK 7 / 64 / 0 / 0

HEX #EC5DFF

RGB 236 93 255

HSL 292.96, 1%, 0.68%

LAB 64.06, 75.44, -55.04

 

CMYK 29 / 91 / 0 / 11

HEX #A315E4

RGB 163 21 228

HSL 281.16, 0.83%, 0.49%

LAB 44.12, 78.9, -72.6

 

CMYK 30 / 99 / 0 / 18

HEX #9203D1

RGB 146 3 209

HSL 281.65, 0.97%, 0.42%

LAB 39.21, 75.39, -69.84

 

CMYK 32 / 100 / 0 / 25

HEX #8100BE

RGB 129 0 190

HSL 280.74, 1%, 0.37%

LAB 34.77, 70.12, -66.11

 

CMYK 35 / 100 / 0 / 33

HEX #7000AB

RGB 112 0 171

HSL 279.3, 1%, 0.34%

LAB 30.36, 64.42, -62.12

 

CMYK 38 / 100 / 0 / 40

HEX #5F0098

RGB 95 0 152

HSL 277.5, 1%, 0.3%

LAB 25.86, 58.61, -58.06

 

CMYK 29 / 91 / 0 / 11

HEX #A315E4

RGB 163 21 228

HSL 281.16, 0.83%, 0.49%

LAB 44.12, 78.9, -72.6

 

CMYK 4 / 91 / 0 / 11

HEX #DB15E4

RGB 219 21 228

HSL 297.39, 0.83%, 0.49%

LAB 53.17, 87.15, -57.53

 

CMYK 0 / 91 / 21 / 11

HEX #E415B5

RGB 228 21 181

HSL 313.62, 0.83%, 0.49%

LAB 52.25, 82.39, -31.86

 

CMYK 0 / 91 / 45 / 11

HEX #E4157D

RGB 228 21 125

HSL 329.86, 0.83%, 0.49%

LAB 50.11, 76.69, -1.72

 

CMYK 0 / 91 / 69 / 11

HEX #E41546

RGB 228 21 70

HSL 345.8, 0.83%, 0.49%

LAB 48.85, 73.2, 30.16

 

CMYK 29 / 91 / 0 / 11

HEX #A315E4

RGB 163 21 228

HSL 281.16, 0.83%, 0.49%

LAB 44.12, 78.9, -72.6

 

CMYK 53 / 91 / 0 / 11

HEX #6B15E4

RGB 107 21 228

HSL 264.93, 0.83%, 0.49%

LAB 36.49, 72.81, -85.44

 

CMYK 78 / 91 / 0 / 11

HEX #3315E4

RGB 51 21 228

HSL 248.7, 0.83%, 0.49%

LAB 31.44, 69.48, -93.96

 

CMYK 91 / 91 / 0 / 11

HEX #1515E4

RGB 21 21 228

HSL 240, 0.83%, 0.49%

LAB 30.15, 68.74, -96.15

 

CMYK 29 / 91 / 0 / 11

HEX #A315E4

RGB 163 21 228

HSL 281.16, 0.83%, 0.49%

LAB 44.12, 78.9, -72.6

 

CMYK 31 / 100 / 0 / 3

HEX #AB01F8

RGB 171 1 248

HSL 281.3, 0.99%, 0.49%

LAB 46.25, 85.72, -80.37

 

CMYK 29 / 91 / 0 / 11

HEX #A315E4

RGB 163 21 228

HSL 281.16, 0.83%, 0.49%

LAB 44.12, 78.9, -72.6

 

CMYK 25 / 80 / 0 / 18

HEX #9C29D0

RGB 156 41 208

HSL 281.32, 0.67%, 0.49%

LAB 43.07, 69.48, -62.89

 

CMYK 21 / 68 / 0 / 26

HEX #943DBC

RGB 148 61 188

HSL 281.1, 0.51%, 0.49%

LAB 43.16, 56.4, -51.19

 

CMYK 17 / 52 / 0 / 34

HEX #8C51A8

RGB 140 81 168

HSL 280.69, 0.35%, 0.49%

LAB 44.64, 40.04, -37.12

 

CMYK 10 / 31 / 0 / 42

HEX #856693

RGB 133 102 147

HSL 281.33, 0.18%, 0.49%

LAB 47.75, 21.08, -19.9

 

CMYK 77 / 91 / 0 / 11

HEX #3415E4

RGB 52 21 228

HSL 248.99, 0.83%, 0.49%

LAB 31.5, 69.51, -93.86

 

CMYK 53 / 91 / 0 / 11

HEX #6B15E4

RGB 107 21 228

HSL 264.93, 0.83%, 0.49%

LAB 36.49, 72.81, -85.44

 

CMYK 29 / 91 / 0 / 11

HEX #A215E4

RGB 162 21 228

HSL 280.87, 0.83%, 0.49%

LAB 43.97, 78.77, -72.86

 

CMYK 4 / 91 / 0 / 11

HEX #DA15E4

RGB 218 21 228

HSL 297.1, 0.83%, 0.49%

LAB 53, 86.99, -57.81

 

CMYK 0 / 91 / 20 / 11

HEX #E415B7

RGB 228 21 183

HSL 313.04, 0.83%, 0.49%

LAB 52.34, 82.63, -32.89

 

CMYK 29 / 91 / 0 / 40

HEX #6D0E99

RGB 109 14 153

HSL 281.01, 0.83%, 0.33%

LAB 29.07, 58.05, -53.33

 

CMYK 28 / 91 / 0 / 25

HEX #8811BE

RGB 136 17 190

HSL 281.27, 0.84%, 0.41%

LAB 36.65, 68.68, -62.98

 

CMYK 29 / 91 / 0 / 11

HEX #A315E4

RGB 163 21 228

HSL 281.16, 0.83%, 0.49%

LAB 44.12, 78.9, -72.6

 

CMYK 24 / 77 / 0 / 7

HEX #B336EC

RGB 179 54 236

HSL 281.21, 0.83%, 0.57%

LAB 49.83, 74.79, -67.74

 

CMYK 19 / 62 / 0 / 6

HEX #C15CEF

RGB 193 92 239

HSL 281.22, 0.82%, 0.65%

LAB 57.29, 63.1, -57.32

 

CMYK 29 / 91 / 0 / 11

HEX #A315E4

RGB 163 21 228

HSL 281.16, 0.83%, 0.49%

LAB 44.12, 78.9, -72.6

 

CMYK 0 / 91 / 80 / 11

HEX #E4152D

RGB 228 21 45

HSL 353.04, 0.83%, 0.49%

LAB 48.54, 72.31, 44.34

 

CMYK 91 / 0 / 65 / 11

HEX #15E450

RGB 21 228 80

HSL 137.1, 0.83%, 0.49%

LAB 79.74, -74.15, 57.62

 

CMYK 29 / 91 / 0 / 11

HEX #A315E4

RGB 163 21 228

HSL 281.16, 0.83%, 0.49%

LAB 44.12, 78.9, -72.6

 

CMYK 0 / 29 / 91 / 11

HEX #E4A215

RGB 228 162 21

HSL 40.87, 0.83%, 0.49%

LAB 71.14, 14.25, 72.01

 

CMYK 91 / 0 / 29 / 11

HEX #15E4A2

RGB 21 228 162

HSL 160.87, 0.83%, 0.49%

LAB 80.88, -60.66, 19.62

 

CMYK 29 / 91 / 0 / 11

HEX #A315E4

RGB 163 21 228

HSL 281.16, 0.83%, 0.49%

LAB 44.12, 78.9, -72.6

 

CMYK 0 / 91 / 80 / 11

HEX #E4152D

RGB 228 21 45

HSL 353.04, 0.83%, 0.49%

LAB 48.54, 72.31, 44.34

 

CMYK 62 / 0 / 91 / 11

HEX #56E415

RGB 86 228 21

HSL 101.16, 0.83%, 0.49%

LAB 80.47, -69.02, 75.67

 

CMYK 91 / 0 / 11 / 11

HEX #15E4CC

RGB 21 228 204

HSL 173.04, 0.83%, 0.49%

LAB 81.84, -50.34, -1.13

 

CMYK 29 / 91 / 0 / 11

HEX #A315E4

RGB 163 21 228

HSL 281.16, 0.83%, 0.49%

LAB 44.12, 78.9, -72.6

 

CMYK 0 / 74 / 91 / 11

HEX #E43B15

RGB 228 59 21

HSL 11.01, 0.83%, 0.49%

LAB 51.47, 63.05, 57.78

 

CMYK 62 / 0 / 91 / 11

HEX #56E415

RGB 86 228 21

HSL 101.16, 0.83%, 0.49%

LAB 80.47, -69.02, 75.67

 

CMYK 91 / 17 / 0 / 11

HEX #15BEE4

RGB 21 190 228

HSL 191.01, 0.83%, 0.49%

LAB 71.27, -25.73, -29.92

 

Description

Color code: HEX #A315E4 | qconv.com Color code: HEX #A315E4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 21 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 21 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 91 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 91% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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