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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2EFD5 it is the complementary color #5D102A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2EFD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2EFD5 shade: #A7EFD0, #B8FFE3, #C9FFF6, #DAFFFF and #EBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2EFD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2EFD5 shade: #A2EFD5, #91DDC2, #80CBAF, #6FB99C and #5EA789

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2EFD5 shade: #A3EFD5, #A3EFC1, #A3EFAC, #AEEFA3 and #C3EFA3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2EFD5 shade: #A3EFD5, #A3EFEA, #A3E0EF, #A3CBEF and #A3B7EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2EFD5 shade matches the following richer shades: #A3EFD5 and #9AF8D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2EFD5 shade: #A3EFD5, #ACE6D2, #B4DED0, #BDD5CD and #C6CCCA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2EFD5 shade: #A3EFAC, #A3EFC0, #A3EFD4, #A3EFE9 and #A3E1EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2EFD5 shade: #5CE3B6, #80E9C5, #A3EFD5, #C6F5E5 and #E9FBF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2EFD5 shade: #A2EFD5, #A3AEEF and #EFB6A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2EFD5 shade: #A2EFD5, #D4A3EF and #EFD4A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2EFD5 shade: #A2EFD5, #A3AEEF, #EFA3BE and #EFE4A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2EFD5 shade: #A2EFD5, #AEA3EF, #EFA3BE and #E4EFA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 11 / 6

HEX #A2EFD5

RGB 162 239 213

HSL 159.74, 0.71%, 0.79%

LAB 89.03, -29.14, 5.05

 

Complementary color

CMYK 0 / 83 / 55 / 64

HEX #5D102A

RGB 93 16 42

HSL 339.74, 0.71%, 0.21%

LAB 19.49, 35.81, 4.55

 

CMYK 30 / 0 / 13 / 6

HEX #A7EFD0

RGB 167 239 208

HSL 154.17, 0.69%, 0.8%

LAB 89.16, -28.72, 7.89

 

CMYK 28 / 0 / 11 / 0

HEX #B8FFE3

RGB 184 255 227

HSL 156.34, 1%, 0.86%

LAB 94.85, -27.57, 6.34

 

CMYK 21 / 0 / 4 / 0

HEX #C9FFF6

RGB 201 255 246

HSL 170, 1%, 0.89%

LAB 96.24, -18.74, -1.3

 

CMYK 15 / 0 / 0 / 0

HEX #DAFFFF

RGB 218 255 255

HSL 180, 1%, 0.93%

LAB 97.49, -11.79, -3.99

 

CMYK 8 / 0 / 0 / 0

HEX #EBFFFF

RGB 235 255 255

HSL 180, 1%, 0.96%

LAB 98.59, -6.47, -2.24

 

CMYK 32 / 0 / 11 / 6

HEX #A2EFD5

RGB 162 239 213

HSL 159.74, 0.71%, 0.79%

LAB 89.03, -29.14, 5.05

 

CMYK 34 / 0 / 12 / 13

HEX #91DDC2

RGB 145 221 194

HSL 158.68, 0.53%, 0.72%

LAB 82.72, -29.35, 5.83

 

CMYK 37 / 0 / 14 / 20

HEX #80CBAF

RGB 128 203 175

HSL 157.6, 0.42%, 0.65%

LAB 76.31, -29.57, 6.65

 

CMYK 40 / 0 / 16 / 27

HEX #6FB99C

RGB 111 185 156

HSL 156.49, 0.35%, 0.58%

LAB 69.81, -29.79, 7.52

 

CMYK 44 / 0 / 18 / 35

HEX #5EA789

RGB 94 167 137

HSL 155.34, 0.29%, 0.51%

LAB 63.2, -30.01, 8.46

 

CMYK 32 / 0 / 11 / 6

HEX #A3EFD5

RGB 163 239 213

HSL 159.47, 0.7%, 0.79%

LAB 89.08, -28.86, 5.13

 

CMYK 32 / 0 / 19 / 6

HEX #A3EFC1

RGB 163 239 193

HSL 143.68, 0.7%, 0.79%

LAB 88.62, -32.81, 14.9

 

CMYK 32 / 0 / 28 / 6

HEX #A3EFAC

RGB 163 239 172

HSL 127.11, 0.7%, 0.79%

LAB 88.21, -36.55, 25.15

 

CMYK 27 / 0 / 32 / 6

HEX #AEEFA3

RGB 174 239 163

HSL 111.32, 0.7%, 0.79%

LAB 88.63, -34.49, 30.41

 

CMYK 18 / 0 / 32 / 6

HEX #C3EFA3

RGB 195 239 163

HSL 94.74, 0.7%, 0.79%

LAB 89.85, -27.37, 32.26

 

CMYK 32 / 0 / 11 / 6

HEX #A3EFD5

RGB 163 239 213

HSL 159.47, 0.7%, 0.79%

LAB 89.08, -28.86, 5.13

 

CMYK 32 / 0 / 2 / 6

HEX #A3EFEA

RGB 163 239 234

HSL 176.05, 0.7%, 0.79%

LAB 89.61, -24.34, -5.06

 

CMYK 32 / 6 / 0 / 6

HEX #A3E0EF

RGB 163 224 239

HSL 191.84, 0.7%, 0.79%

LAB 85.67, -15.75, -13.53

 

CMYK 32 / 15 / 0 / 6

HEX #A3CBEF

RGB 163 203 239

HSL 208.42, 0.7%, 0.79%

LAB 80.03, -4.87, -22.04

 

CMYK 32 / 23 / 0 / 6

HEX #A3B7EF

RGB 163 183 239

HSL 224.21, 0.7%, 0.79%

LAB 74.75, 5.94, -30.1

 

CMYK 32 / 0 / 11 / 6

HEX #A3EFD5

RGB 163 239 213

HSL 159.47, 0.7%, 0.79%

LAB 89.08, -28.86, 5.13

 

CMYK 38 / 0 / 13 / 3

HEX #9AF8D8

RGB 154 248 216

HSL 159.57, 0.87%, 0.79%

LAB 91.22, -34.93, 6.61

 

CMYK 32 / 0 / 11 / 6

HEX #A3EFD5

RGB 163 239 213

HSL 159.47, 0.7%, 0.79%

LAB 89.08, -28.86, 5.13

 

CMYK 25 / 0 / 9 / 10

HEX #ACE6D2

RGB 172 230 210

HSL 159.31, 0.54%, 0.79%

LAB 87.01, -22.48, 3.77

 

CMYK 19 / 0 / 6 / 13

HEX #B4DED0

RGB 180 222 208

HSL 160, 0.39%, 0.79%

LAB 85.25, -16.44, 2.33

 

CMYK 11 / 0 / 4 / 16

HEX #BDD5CD

RGB 189 213 205

HSL 160, 0.22%, 0.79%

LAB 83.34, -9.54, 1.22

 

CMYK 3 / 0 / 1 / 20

HEX #C6CCCA

RGB 198 204 202

HSL 160, 0.06%, 0.79%

LAB 81.54, -2.42, 0.27

 

CMYK 32 / 0 / 28 / 6

HEX #A3EFAC

RGB 163 239 172

HSL 127.11, 0.7%, 0.79%

LAB 88.21, -36.55, 25.15

 

CMYK 32 / 0 / 20 / 6

HEX #A3EFC0

RGB 163 239 192

HSL 142.89, 0.7%, 0.79%

LAB 88.6, -33, 15.39

 

CMYK 32 / 0 / 11 / 6

HEX #A3EFD4

RGB 163 239 212

HSL 158.68, 0.7%, 0.79%

LAB 89.05, -29.06, 5.62

 

CMYK 32 / 0 / 3 / 6

HEX #A3EFE9

RGB 163 239 233

HSL 175.26, 0.7%, 0.79%

LAB 89.58, -24.56, -4.57

 

CMYK 32 / 6 / 0 / 6

HEX #A3E1EF

RGB 163 225 239

HSL 191.05, 0.7%, 0.79%

LAB 85.94, -16.26, -13.13

 

CMYK 59 / 0 / 20 / 11

HEX #5CE3B6

RGB 92 227 182

HSL 160, 0.71%, 0.63%

LAB 82.16, -47.39, 11.1

 

CMYK 45 / 0 / 15 / 9

HEX #80E9C5

RGB 128 233 197

HSL 159.43, 0.7%, 0.71%

LAB 85.45, -38.79, 8.09

 

CMYK 32 / 0 / 11 / 6

HEX #A3EFD5

RGB 163 239 213

HSL 159.47, 0.7%, 0.79%

LAB 89.08, -28.86, 5.13

 

CMYK 19 / 0 / 7 / 4

HEX #C6F5E5

RGB 198 245 229

HSL 159.57, 0.7%, 0.87%

LAB 93, -18.12, 2.74

 

CMYK 7 / 0 / 2 / 2

HEX #E9FBF5

RGB 233 251 245

HSL 160, 0.69%, 0.95%

LAB 97.19, -6.96, 0.84

 

CMYK 32 / 0 / 11 / 6

HEX #A2EFD5

RGB 162 239 213

HSL 159.74, 0.71%, 0.79%

LAB 89.03, -29.14, 5.05

 

CMYK 32 / 27 / 0 / 6

HEX #A3AEEF

RGB 163 174 239

HSL 231.32, 0.7%, 0.79%

LAB 72.42, 10.92, -33.7

 

CMYK 0 / 24 / 32 / 6

HEX #EFB6A3

RGB 239 182 163

HSL 15, 0.7%, 0.79%

LAB 78.72, 18.07, 17.67

 

CMYK 32 / 0 / 11 / 6

HEX #A2EFD5

RGB 162 239 213

HSL 159.74, 0.71%, 0.79%

LAB 89.03, -29.14, 5.05

 

CMYK 11 / 32 / 0 / 6

HEX #D4A3EF

RGB 212 163 239

HSL 278.68, 0.7%, 0.79%

LAB 73.82, 31.59, -31.21

 

CMYK 0 / 11 / 32 / 6

HEX #EFD4A3

RGB 239 212 163

HSL 38.68, 0.7%, 0.79%

LAB 86.05, 2.35, 27.72

 

CMYK 32 / 0 / 11 / 6

HEX #A2EFD5

RGB 162 239 213

HSL 159.74, 0.71%, 0.79%

LAB 89.03, -29.14, 5.05

 

CMYK 32 / 27 / 0 / 6

HEX #A3AEEF

RGB 163 174 239

HSL 231.32, 0.7%, 0.79%

LAB 72.42, 10.92, -33.7

 

CMYK 0 / 32 / 21 / 6

HEX #EFA3BE

RGB 239 163 190

HSL 338.68, 0.7%, 0.79%

LAB 74.99, 31.87, -2.38

 

CMYK 0 / 5 / 32 / 6

HEX #EFE4A3

RGB 239 228 163

HSL 51.32, 0.7%, 0.79%

LAB 90.08, -5.82, 33.13

 

CMYK 32 / 0 / 11 / 6

HEX #A2EFD5

RGB 162 239 213

HSL 159.74, 0.71%, 0.79%

LAB 89.03, -29.14, 5.05

 

CMYK 27 / 32 / 0 / 6

HEX #AEA3EF

RGB 174 163 239

HSL 248.68, 0.7%, 0.79%

LAB 70.47, 20.21, -36.66

 

CMYK 0 / 32 / 21 / 6

HEX #EFA3BE

RGB 239 163 190

HSL 338.68, 0.7%, 0.79%

LAB 74.99, 31.87, -2.38

 

CMYK 5 / 0 / 32 / 6

HEX #E4EFA3

RGB 228 239 163

HSL 68.68, 0.7%, 0.79%

LAB 92.07, -15.44, 35.62

 

Description

Color code: HEX #A2EFD5 | qconv.com Color code: HEX #A2EFD5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 239 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 239 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 11 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 11% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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