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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2E2EB it is the complementary color #5D1D14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2E2EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2E2EB shade: #A7E2E6, #B8F4F9, #C9FFFF, #DAFFFF and #EBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2E2EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2E2EB shade: #A2E2EB, #91D0D8, #80BEC5, #6FACB2 and #5E9A9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2E2EB shade: #A2E2EB, #A2CEEB, #A2BBEB, #A2A7EB and #B1A2EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2E2EB shade: #A2E2EB, #A2CEEB, #A2BBEB, #A2A7EB and #A2A2EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2E2EB shade matches the following richer shades: #A2E2EB, #99E9F4 and #90F0FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2E2EB shade: #A2E2EB, #ABDBE2, #B4D4D9, #BDCDD0 and #C6C7C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2E2EB shade: #A2EBCC, #A2EBE0, #A2E2EB, #A2CFEB and #A2BBEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2E2EB shade: #5ECDDC, #80D7E4, #A2E2EB, #C4ECF2 and #E6F7F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2E2EB shade: #A2E2EB, #B9A2EB and #EBD6A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2E2EB shade: #A2E2EB, #EBA2E2 and #E2EBA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2E2EB shade: #A2E2EB, #B9A2EB, #EBAAA2 and #D4EBA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2E2EB shade: #A2E2EB, #CFA2EB, #EBAAA2 and #BEEBA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 4 / 0 / 8

HEX #A2E2EB

RGB 162 226 235

HSL 187.4, 0.65%, 0.78%

LAB 86.04, -17.96, -10.87

 

Complementary color

CMYK 0 / 69 / 78 / 64

HEX #5D1D14

RGB 93 29 20

HSL 7.4, 0.65%, 0.22%

LAB 21.04, 28.67, 21.67

 

CMYK 27 / 2 / 0 / 10

HEX #A7E2E6

RGB 167 226 230

HSL 183.81, 0.56%, 0.78%

LAB 86.17, -17.71, -8.02

 

CMYK 26 / 2 / 0 / 2

HEX #B8F4F9

RGB 184 244 249

HSL 184.62, 0.84%, 0.85%

LAB 92.46, -17.64, -8.54

 

CMYK 21 / 0 / 0 / 0

HEX #C9FFFF

RGB 201 255 255

HSL 180, 1%, 0.89%

LAB 96.47, -16.89, -5.6

 

CMYK 15 / 0 / 0 / 0

HEX #DAFFFF

RGB 218 255 255

HSL 180, 1%, 0.93%

LAB 97.49, -11.79, -3.99

 

CMYK 8 / 0 / 0 / 0

HEX #EBFFFF

RGB 235 255 255

HSL 180, 1%, 0.96%

LAB 98.59, -6.47, -2.24

 

CMYK 31 / 4 / 0 / 8

HEX #A2E2EB

RGB 162 226 235

HSL 187.4, 0.65%, 0.78%

LAB 86.04, -17.96, -10.87

 

CMYK 33 / 4 / 0 / 15

HEX #91D0D8

RGB 145 208 216

HSL 186.76, 0.48%, 0.71%

LAB 79.66, -18.01, -10.37

 

CMYK 35 / 4 / 0 / 23

HEX #80BEC5

RGB 128 190 197

HSL 186.09, 0.37%, 0.64%

LAB 73.19, -18.05, -9.86

 

CMYK 38 / 3 / 0 / 30

HEX #6FACB2

RGB 111 172 178

HSL 185.37, 0.3%, 0.57%

LAB 66.6, -18.08, -9.32

 

CMYK 41 / 3 / 0 / 38

HEX #5E9A9F

RGB 94 154 159

HSL 184.62, 0.26%, 0.5%

LAB 59.88, -18.1, -8.76

 

CMYK 31 / 4 / 0 / 8

HEX #A2E2EB

RGB 162 226 235

HSL 187.4, 0.65%, 0.78%

LAB 86.04, -17.96, -10.87

 

CMYK 31 / 12 / 0 / 8

HEX #A2CEEB

RGB 162 206 235

HSL 203.84, 0.65%, 0.78%

LAB 80.64, -7.7, -18.98

 

CMYK 31 / 20 / 0 / 8

HEX #A2BBEB

RGB 162 187 235

HSL 219.45, 0.65%, 0.78%

LAB 75.59, 2.47, -26.67

 

CMYK 31 / 29 / 0 / 8

HEX #A2A7EB

RGB 162 167 235

HSL 235.89, 0.65%, 0.78%

LAB 70.4, 13.55, -34.66

 

CMYK 25 / 31 / 0 / 8

HEX #B1A2EB

RGB 177 162 235

HSL 252.33, 0.65%, 0.78%

LAB 70.31, 20.69, -34.71

 

CMYK 31 / 4 / 0 / 8

HEX #A2E2EB

RGB 162 226 235

HSL 187.4, 0.65%, 0.78%

LAB 86.04, -17.96, -10.87

 

CMYK 31 / 12 / 0 / 8

HEX #A2CEEB

RGB 162 206 235

HSL 203.84, 0.65%, 0.78%

LAB 80.64, -7.7, -18.98

 

CMYK 31 / 20 / 0 / 8

HEX #A2BBEB

RGB 162 187 235

HSL 219.45, 0.65%, 0.78%

LAB 75.59, 2.47, -26.67

 

CMYK 31 / 29 / 0 / 8

HEX #A2A7EB

RGB 162 167 235

HSL 235.89, 0.65%, 0.78%

LAB 70.4, 13.55, -34.66

 

CMYK 31 / 31 / 0 / 8

HEX #A2A2EB

RGB 162 162 235

HSL 240, 0.65%, 0.78%

LAB 69.13, 16.36, -36.64

 

CMYK 31 / 4 / 0 / 8

HEX #A2E2EB

RGB 162 226 235

HSL 187.4, 0.65%, 0.78%

LAB 86.04, -17.96, -10.87

 

CMYK 37 / 5 / 0 / 4

HEX #99E9F4

RGB 153 233 244

HSL 187.25, 0.81%, 0.78%

LAB 87.77, -21.7, -13.08

 

CMYK 43 / 5 / 0 / 1

HEX #90F0FD

RGB 144 240 253

HSL 187.16, 0.96%, 0.78%

LAB 89.55, -25.12, -15.16

 

CMYK 31 / 4 / 0 / 8

HEX #A2E2EB

RGB 162 226 235

HSL 187.4, 0.65%, 0.78%

LAB 86.04, -17.96, -10.87

 

CMYK 24 / 3 / 0 / 11

HEX #ABDBE2

RGB 171 219 226

HSL 187.64, 0.49%, 0.78%

LAB 84.39, -13.9, -8.52

 

CMYK 17 / 2 / 0 / 15

HEX #B4D4D9

RGB 180 212 217

HSL 188.11, 0.33%, 0.78%

LAB 82.81, -9.51, -6.02

 

CMYK 9 / 1 / 0 / 18

HEX #BDCDD0

RGB 189 205 208

HSL 189.47, 0.17%, 0.78%

LAB 81.31, -4.81, -3.35

 

CMYK 1 / 0 / 0 / 22

HEX #C6C7C7

RGB 198 199 199

HSL 180, 0.01%, 0.78%

LAB 80.17, -0.34, -0.13

 

CMYK 31 / 0 / 13 / 8

HEX #A2EBCC

RGB 162 235 204

HSL 154.52, 0.65%, 0.78%

LAB 87.71, -29.08, 7.86

 

CMYK 31 / 0 / 5 / 8

HEX #A2EBE0

RGB 162 235 224

HSL 170.96, 0.65%, 0.78%

LAB 88.2, -24.88, -1.9

 

CMYK 31 / 4 / 0 / 8

HEX #A2E2EB

RGB 162 226 235

HSL 187.4, 0.65%, 0.78%

LAB 86.04, -17.96, -10.87

 

CMYK 31 / 12 / 0 / 8

HEX #A2CFEB

RGB 162 207 235

HSL 203.01, 0.65%, 0.78%

LAB 80.91, -8.22, -18.58

 

CMYK 31 / 20 / 0 / 8

HEX #A2BBEB

RGB 162 187 235

HSL 219.45, 0.65%, 0.78%

LAB 75.59, 2.47, -26.67

 

CMYK 57 / 7 / 0 / 14

HEX #5ECDDC

RGB 94 205 220

HSL 187.14, 0.64%, 0.62%

LAB 76.81, -27.32, -17.03

 

CMYK 44 / 6 / 0 / 11

HEX #80D7E4

RGB 128 215 228

HSL 187.8, 0.65%, 0.7%

LAB 81.18, -22.9, -14.61

 

CMYK 31 / 4 / 0 / 8

HEX #A2E2EB

RGB 162 226 235

HSL 187.4, 0.65%, 0.78%

LAB 86.04, -17.96, -10.87

 

CMYK 19 / 2 / 0 / 5

HEX #C4ECF2

RGB 196 236 242

HSL 187.83, 0.64%, 0.86%

LAB 90.84, -11.62, -7.21

 

CMYK 8 / 1 / 0 / 2

HEX #E6F7F9

RGB 230 247 249

HSL 186.32, 0.61%, 0.94%

LAB 96.07, -5.17, -2.88

 

CMYK 31 / 4 / 0 / 8

HEX #A2E2EB

RGB 162 226 235

HSL 187.4, 0.65%, 0.78%

LAB 86.04, -17.96, -10.87

 

CMYK 21 / 31 / 0 / 8

HEX #B9A2EB

RGB 185 162 235

HSL 258.9, 0.65%, 0.78%

LAB 70.98, 23.06, -33.62

 

CMYK 0 / 9 / 31 / 8

HEX #EBD6A2

RGB 235 214 162

HSL 42.74, 0.65%, 0.78%

LAB 86.19, -0.34, 28.37

 

CMYK 31 / 4 / 0 / 8

HEX #A2E2EB

RGB 162 226 235

HSL 187.4, 0.65%, 0.78%

LAB 86.04, -17.96, -10.87

 

CMYK 0 / 31 / 4 / 8

HEX #EBA2E2

RGB 235 162 226

HSL 307.4, 0.65%, 0.78%

LAB 75.45, 36.9, -21.44

 

CMYK 4 / 0 / 31 / 8

HEX #E2EBA2

RGB 226 235 162

HSL 67.4, 0.65%, 0.78%

LAB 90.87, -14.34, 34.5

 

CMYK 31 / 4 / 0 / 8

HEX #A2E2EB

RGB 162 226 235

HSL 187.4, 0.65%, 0.78%

LAB 86.04, -17.96, -10.87

 

CMYK 21 / 31 / 0 / 8

HEX #B9A2EB

RGB 185 162 235

HSL 258.9, 0.65%, 0.78%

LAB 70.98, 23.06, -33.62

 

CMYK 0 / 28 / 31 / 8

HEX #EBAAA2

RGB 235 170 162

HSL 6.58, 0.65%, 0.78%

LAB 75.46, 22.81, 13.58

 

CMYK 10 / 0 / 31 / 8

HEX #D4EBA2

RGB 212 235 162

HSL 78.9, 0.65%, 0.78%

LAB 89.87, -19.51, 32.99

 

CMYK 31 / 4 / 0 / 8

HEX #A2E2EB

RGB 162 226 235

HSL 187.4, 0.65%, 0.78%

LAB 86.04, -17.96, -10.87

 

CMYK 12 / 31 / 0 / 8

HEX #CFA2EB

RGB 207 162 235

HSL 276.99, 0.65%, 0.78%

LAB 72.96, 29.76, -30.4

 

CMYK 0 / 28 / 31 / 8

HEX #EBAAA2

RGB 235 170 162

HSL 6.58, 0.65%, 0.78%

LAB 75.46, 22.81, 13.58

 

CMYK 19 / 0 / 31 / 8

HEX #BEEBA2

RGB 190 235 162

HSL 96.99, 0.65%, 0.78%

LAB 88.43, -27.36, 30.82

 

Description

Color code: HEX #A2E2EB | qconv.com Color code: HEX #A2E2EB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 226 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 226 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 4 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 4% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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