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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2E257 it is the complementary color #5D1DA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2E257. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2E257 shade: #A7E252, #B8F465, #C9FF78, #DAFF8B and #EBFF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2E257. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2E257 shade: #A2E257, #91D044, #80BE31, #6FAC1E and #5E9A0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2E257 shade: #A1E254, #C7E254, #E2D754, #E2B054 and #E28A54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2E257 shade: #A1E254, #7BE254, #54E254, #54E27A and #54E2A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2E257 shade matches the following richer shades: #A1E254 and #A2F244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2E257 shade: #A1E254, #9FD265, #9EC175, #9DB185 and #9CA195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2E257 shade: #E2D654, #C8E254, #A2E254, #7CE254 and #57E254

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2E257 shade: #78C321, #8DDC31, #A1E254, #B4E878 and #C8EE9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2E257 shade: #A2E257, #54E2B0 and #E254DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2E257 shade: #A2E257, #54A2E2 and #E254A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2E257 shade: #A2E257, #54E2B0, #9454E2 and #E25486

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2E257 shade: #A2E257, #54E2DB, #9454E2 and #E2545C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 62 / 11

HEX #A2E257

RGB 162 226 87

HSL 87.63, 0.71%, 0.61%

LAB 83.32, -41.84, 59.82

 

Complementary color

CMYK 45 / 83 / 0 / 34

HEX #5D1DA8

RGB 93 29 168

HSL 267.63, 0.71%, 0.39%

LAB 29.5, 54.88, -61.85

 

CMYK 26 / 0 / 64 / 11

HEX #A7E252

RGB 167 226 82

HSL 84.58, 0.71%, 0.6%

LAB 83.56, -40.42, 62.23

 

CMYK 25 / 0 / 59 / 4

HEX #B8F465

RGB 184 244 101

HSL 85.17, 0.87%, 0.68%

LAB 89.78, -40.65, 61.44

 

CMYK 21 / 0 / 53 / 0

HEX #C9FF78

RGB 201 255 120

HSL 84, 1%, 0.74%

LAB 94.01, -37.68, 58.24

 

CMYK 15 / 0 / 45 / 0

HEX #DAFF8B

RGB 218 255 139

HSL 79.14, 1%, 0.77%

LAB 95.28, -29.57, 51.29

 

CMYK 8 / 0 / 38 / 0

HEX #EBFF9E

RGB 235 255 158

HSL 72.37, 1%, 0.81%

LAB 96.68, -21.2, 44.18

 

CMYK 28 / 0 / 62 / 11

HEX #A2E257

RGB 162 226 87

HSL 87.63, 0.71%, 0.61%

LAB 83.32, -41.84, 59.82

 

CMYK 30 / 0 / 67 / 18

HEX #91D044

RGB 145 208 68

HSL 87, 0.6%, 0.54%

LAB 77.01, -41.58, 60.49

 

CMYK 33 / 0 / 74 / 25

HEX #80BE31

RGB 128 190 49

HSL 86.38, 0.59%, 0.47%

LAB 70.62, -41.19, 60.72

 

CMYK 35 / 0 / 83 / 33

HEX #6FAC1E

RGB 111 172 30

HSL 85.77, 0.7%, 0.4%

LAB 64.14, -40.59, 60.18

 

CMYK 39 / 0 / 93 / 40

HEX #5E9A0B

RGB 94 154 11

HSL 85.17, 0.87%, 0.32%

LAB 57.57, -39.72, 58.29

 

CMYK 29 / 0 / 63 / 11

HEX #A1E254

RGB 161 226 84

HSL 87.46, 0.71%, 0.61%

LAB 83.24, -42.44, 60.97

 

CMYK 12 / 0 / 63 / 11

HEX #C7E254

RGB 199 226 84

HSL 71.41, 0.71%, 0.61%

LAB 85.59, -28.04, 64.2

 

CMYK 0 / 5 / 63 / 11

HEX #E2D754

RGB 226 215 84

HSL 55.35, 0.71%, 0.61%

LAB 84.69, -11.73, 63.86

 

CMYK 0 / 22 / 63 / 11

HEX #E2B054

RGB 226 176 84

HSL 38.87, 0.71%, 0.61%

LAB 74.74, 8.42, 52.99

 

CMYK 0 / 39 / 63 / 11

HEX #E28A54

RGB 226 138 84

HSL 22.82, 0.71%, 0.61%

LAB 65.74, 28.68, 42.64

 

CMYK 29 / 0 / 63 / 11

HEX #A1E254

RGB 161 226 84

HSL 87.46, 0.71%, 0.61%

LAB 83.24, -42.44, 60.97

 

CMYK 46 / 0 / 63 / 11

HEX #7BE254

RGB 123 226 84

HSL 103.52, 0.71%, 0.61%

LAB 81.43, -54.97, 58.46

 

CMYK 63 / 0 / 63 / 11

HEX #54E254

RGB 84 226 84

HSL 120, 0.71%, 0.61%

LAB 80.13, -64.9, 56.67

 

CMYK 63 / 0 / 46 / 11

HEX #54E27A

RGB 84 226 122

HSL 136.06, 0.71%, 0.61%

LAB 80.56, -60.01, 39.71

 

CMYK 63 / 0 / 29 / 11

HEX #54E2A1

RGB 84 226 161

HSL 152.54, 0.71%, 0.61%

LAB 81.21, -52.99, 20.74

 

CMYK 29 / 0 / 63 / 11

HEX #A1E254

RGB 161 226 84

HSL 87.46, 0.71%, 0.61%

LAB 83.24, -42.44, 60.97

 

CMYK 33 / 0 / 72 / 5

HEX #A2F244

RGB 162 242 68

HSL 87.59, 0.87%, 0.61%

LAB 87.78, -49.99, 71.71

 

CMYK 29 / 0 / 63 / 11

HEX #A1E254

RGB 161 226 84

HSL 87.46, 0.71%, 0.61%

LAB 83.24, -42.44, 60.97

 

CMYK 24 / 0 / 52 / 18

HEX #9FD265

RGB 159 210 101

HSL 88.07, 0.55%, 0.61%

LAB 78.7, -34.44, 48.23

 

CMYK 18 / 0 / 39 / 24

HEX #9EC175

RGB 158 193 117

HSL 87.63, 0.38%, 0.61%

LAB 73.99, -24.87, 34.47

 

CMYK 11 / 0 / 25 / 31

HEX #9DB185

RGB 157 177 133

HSL 87.27, 0.22%, 0.61%

LAB 69.69, -14.89, 20.27

 

CMYK 3 / 0 / 7 / 37

HEX #9CA195

RGB 156 161 149

HSL 85, 0.06%, 0.61%

LAB 65.54, -4.05, 5.62

 

CMYK 0 / 5 / 63 / 11

HEX #E2D654

RGB 226 214 84

HSL 54.93, 0.71%, 0.61%

LAB 84.43, -11.23, 63.58

 

CMYK 12 / 0 / 63 / 11

HEX #C8E254

RGB 200 226 84

HSL 70.99, 0.71%, 0.61%

LAB 85.66, -27.65, 64.29

 

CMYK 28 / 0 / 63 / 11

HEX #A2E254

RGB 162 226 84

HSL 87.04, 0.71%, 0.61%

LAB 83.29, -42.08, 61.04

 

CMYK 45 / 0 / 63 / 11

HEX #7CE254

RGB 124 226 84

HSL 103.1, 0.71%, 0.61%

LAB 81.47, -54.67, 58.52

 

CMYK 62 / 0 / 63 / 11

HEX #57E254

RGB 87 226 84

HSL 118.73, 0.71%, 0.61%

LAB 80.21, -64.26, 56.78

 

CMYK 38 / 0 / 83 / 24

HEX #78C321

RGB 120 195 33

HSL 87.78, 0.71%, 0.45%

LAB 71.65, -46.94, 66.27

 

CMYK 36 / 0 / 78 / 14

HEX #8DDC31

RGB 141 220 49

HSL 87.72, 0.71%, 0.53%

LAB 80.22, -49.22, 70.1

 

CMYK 29 / 0 / 63 / 11

HEX #A1E254

RGB 161 226 84

HSL 87.46, 0.71%, 0.61%

LAB 83.24, -42.44, 60.97

 

CMYK 22 / 0 / 48 / 9

HEX #B4E878

RGB 180 232 120

HSL 87.86, 0.71%, 0.69%

LAB 86.39, -34.86, 48.82

 

CMYK 16 / 0 / 35 / 7

HEX #C8EE9B

RGB 200 238 155

HSL 87.47, 0.71%, 0.77%

LAB 89.76, -26.22, 36.23

 

CMYK 28 / 0 / 62 / 11

HEX #A2E257

RGB 162 226 87

HSL 87.63, 0.71%, 0.61%

LAB 83.32, -41.84, 59.82

 

CMYK 63 / 0 / 22 / 11

HEX #54E2B0

RGB 84 226 176

HSL 158.87, 0.71%, 0.61%

LAB 81.52, -49.78, 13.32

 

CMYK 0 / 63 / 3 / 11

HEX #E254DB

RGB 226 84 219

HSL 302.96, 0.71%, 0.61%

LAB 59.55, 70.65, -42.24

 

CMYK 28 / 0 / 62 / 11

HEX #A2E257

RGB 162 226 87

HSL 87.63, 0.71%, 0.61%

LAB 83.32, -41.84, 59.82

 

CMYK 63 / 28 / 0 / 11

HEX #54A2E2

RGB 84 162 226

HSL 207.04, 0.71%, 0.61%

LAB 64.34, -4.7, -39.5

 

CMYK 0 / 63 / 28 / 11

HEX #E254A2

RGB 226 84 162

HSL 327.04, 0.71%, 0.61%

LAB 57.19, 62.49, -13.21

 

CMYK 28 / 0 / 62 / 11

HEX #A2E257

RGB 162 226 87

HSL 87.63, 0.71%, 0.61%

LAB 83.32, -41.84, 59.82

 

CMYK 63 / 0 / 22 / 11

HEX #54E2B0

RGB 84 226 176

HSL 158.87, 0.71%, 0.61%

LAB 81.52, -49.78, 13.32

 

CMYK 35 / 63 / 0 / 11

HEX #9454E2

RGB 148 84 226

HSL 267.04, 0.71%, 0.61%

LAB 49.65, 54.06, -62.58

 

CMYK 0 / 63 / 41 / 11

HEX #E25486

RGB 226 84 134

HSL 338.87, 0.71%, 0.61%

LAB 56.32, 59.31, 1.92

 

CMYK 28 / 0 / 62 / 11

HEX #A2E257

RGB 162 226 87

HSL 87.63, 0.71%, 0.61%

LAB 83.32, -41.84, 59.82

 

CMYK 63 / 0 / 3 / 11

HEX #54E2DB

RGB 84 226 219

HSL 177.04, 0.71%, 0.61%

LAB 82.59, -39.22, -7.87

 

CMYK 35 / 63 / 0 / 11

HEX #9454E2

RGB 148 84 226

HSL 267.04, 0.71%, 0.61%

LAB 49.65, 54.06, -62.58

 

CMYK 0 / 63 / 59 / 11

HEX #E2545C

RGB 226 84 92

HSL 356.62, 0.71%, 0.61%

LAB 55.36, 55.72, 25.33

 

Description

Color code: HEX #A2E257 | qconv.com Color code: HEX #A2E257 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 226 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 226 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 62 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 62% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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