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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2CF07 it is the complementary color #5D30F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2CF07. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2CF07 shade: #A7CF02, #B8E115, #C9F328, #DAFF3B and #EBFF4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2CF07. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2CF07 shade: #A2CF07, #91BD00, #80AB00, #6F9900 and #5E8700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2CF07 shade: #A1CE07, #CEC507, #CE9007, #CE5A07 and #CE2407

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2CF07 shade: #A1CE07, #6CCE07, #36CE07, #07CE0E and #07CE43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2CF07 shade matches the following richer shades: #A1CE07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2CF07 shade: #A1CE07, #98BD18, #8EAC2A, #859A3B and #7B894C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2CF07 shade: #CE8F07, #CEC407, #A3CE07, #6ECE07 and #39CE07

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2CF07 shade: #637F04, #82A606, #A1CE07, #C0F609 and #CAF731

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2CF07 shade: #A2CF07, #07CE5A and #AA07CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2CF07 shade: #A2CF07, #07A3CE and #CE07A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2CF07 shade: #A2CF07, #07CE5A, #3207CE and #CE077B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2CF07 shade: #A2CF07, #07CE96, #3207CE and #CE073F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 97 / 19

HEX #A2CF07

RGB 162 207 7

HSL 73.5, 0.93%, 0.42%

LAB 77.47, -36.99, 76.23

 

Complementary color

CMYK 63 / 81 / 0 / 3

HEX #5D30F8

RGB 93 48 248

HSL 253.5, 0.93%, 0.58%

LAB 39.95, 68.22, -91.09

 

CMYK 19 / 0 / 99 / 19

HEX #A7CF02

RGB 167 207 2

HSL 71.71, 0.98%, 0.41%

LAB 77.78, -35.06, 77.1

 

CMYK 18 / 0 / 91 / 12

HEX #B8E115

RGB 184 225 21

HSL 72.06, 0.83%, 0.48%

LAB 84.02, -36.2, 80.4

 

CMYK 17 / 0 / 84 / 5

HEX #C9F328

RGB 201 243 40

HSL 72.41, 0.89%, 0.55%

LAB 90.17, -37.17, 82.52

 

CMYK 15 / 0 / 77 / 0

HEX #DAFF3B

RGB 218 255 59

HSL 71.33, 1%, 0.62%

LAB 94.63, -35.29, 82.14

 

CMYK 8 / 0 / 69 / 0

HEX #EBFF4E

RGB 235 255 78

HSL 66.78, 1%, 0.65%

LAB 95.89, -27.75, 77.79

 

CMYK 22 / 0 / 97 / 19

HEX #A2CF07

RGB 162 207 7

HSL 73.5, 0.93%, 0.42%

LAB 77.47, -36.99, 76.23

 

CMYK 23 / 0 / 100 / 26

HEX #91BD00

RGB 145 189 0

HSL 73.97, 1%, 0.37%

LAB 71.16, -35.72, 71.66

 

CMYK 25 / 0 / 100 / 33

HEX #80AB00

RGB 128 171 0

HSL 75.09, 1%, 0.34%

LAB 64.74, -34.34, 66.31

 

CMYK 27 / 0 / 100 / 40

HEX #6F9900

RGB 111 153 0

HSL 76.47, 1%, 0.3%

LAB 58.19, -32.94, 60.86

 

CMYK 30 / 0 / 100 / 47

HEX #5E8700

RGB 94 135 0

HSL 78.22, 1%, 0.26%

LAB 51.51, -31.52, 55.29

 

CMYK 22 / 0 / 97 / 19

HEX #A1CE07

RGB 161 206 7

HSL 73.57, 0.93%, 0.42%

LAB 77.12, -36.94, 75.94

 

CMYK 0 / 4 / 97 / 19

HEX #CEC507

RGB 206 197 7

HSL 57.29, 0.93%, 0.42%

LAB 77.92, -13.79, 77.99

 

CMYK 0 / 30 / 97 / 19

HEX #CE9007

RGB 206 144 7

HSL 41.31, 0.93%, 0.42%

LAB 64.23, 14.15, 68.08

 

CMYK 0 / 56 / 97 / 19

HEX #CE5A07

RGB 206 90 7

HSL 25.03, 0.93%, 0.42%

LAB 52.34, 42.6, 60.15

 

CMYK 0 / 83 / 97 / 19

HEX #CE2407

RGB 206 36 7

HSL 8.74, 0.93%, 0.42%

LAB 44.8, 63.02, 55.8

 

CMYK 22 / 0 / 97 / 19

HEX #A1CE07

RGB 161 206 7

HSL 73.57, 0.93%, 0.42%

LAB 77.12, -36.94, 75.94

 

CMYK 48 / 0 / 97 / 19

HEX #6CCE07

RGB 108 206 7

HSL 89.55, 0.93%, 0.42%

LAB 74.41, -55.85, 72.65

 

CMYK 74 / 0 / 97 / 19

HEX #36CE07

RGB 54 206 7

HSL 105.83, 0.93%, 0.42%

LAB 72.85, -68.59, 70.74

 

CMYK 97 / 0 / 93 / 19

HEX #07CE0E

RGB 7 206 14

HSL 122.11, 0.93%, 0.42%

LAB 72.37, -72.83, 69.38

 

CMYK 97 / 0 / 67 / 19

HEX #07CE43

RGB 7 206 67

HSL 138.09, 0.93%, 0.42%

LAB 72.62, -69.64, 55.09

 

CMYK 22 / 0 / 97 / 19

HEX #A1CE07

RGB 161 206 7

HSL 73.57, 0.93%, 0.42%

LAB 77.12, -36.94, 75.94

 

CMYK 22 / 0 / 97 / 19

HEX #A1CE07

RGB 161 206 7

HSL 73.57, 0.93%, 0.42%

LAB 77.12, -36.94, 75.94

 

CMYK 20 / 0 / 87 / 26

HEX #98BD18

RGB 152 189 24

HSL 73.45, 0.77%, 0.42%

LAB 71.65, -32.47, 68.99

 

CMYK 17 / 0 / 76 / 33

HEX #8EAC2A

RGB 142 172 42

HSL 73.85, 0.61%, 0.42%

LAB 66.08, -27.85, 59.02

 

CMYK 14 / 0 / 62 / 40

HEX #859A3B

RGB 133 154 59

HSL 73.26, 0.45%, 0.42%

LAB 60.26, -21.63, 46.14

 

CMYK 10 / 0 / 45 / 46

HEX #7B894C

RGB 123 137 76

HSL 73.77, 0.29%, 0.42%

LAB 54.68, -15.33, 30.93

 

CMYK 0 / 31 / 97 / 19

HEX #CE8F07

RGB 206 143 7

HSL 41.01, 0.93%, 0.42%

LAB 63.98, 14.69, 67.91

 

CMYK 0 / 5 / 97 / 19

HEX #CEC407

RGB 206 196 7

HSL 56.98, 0.93%, 0.42%

LAB 77.65, -13.29, 77.79

 

CMYK 21 / 0 / 97 / 19

HEX #A3CE07

RGB 163 206 7

HSL 72.96, 0.93%, 0.42%

LAB 77.25, -36.14, 76.09

 

CMYK 47 / 0 / 97 / 19

HEX #6ECE07

RGB 110 206 7

HSL 88.94, 0.93%, 0.42%

LAB 74.49, -55.23, 72.74

 

CMYK 72 / 0 / 97 / 19

HEX #39CE07

RGB 57 206 7

HSL 104.92, 0.93%, 0.42%

LAB 72.91, -68.1, 70.81

 

CMYK 22 / 0 / 97 / 50

HEX #637F04

RGB 99 127 4

HSL 73.66, 0.94%, 0.26%

LAB 49.3, -25.47, 52.96

 

CMYK 22 / 0 / 96 / 35

HEX #82A606

RGB 130 166 6

HSL 73.5, 0.93%, 0.34%

LAB 63.37, -31.09, 64.52

 

CMYK 22 / 0 / 97 / 19

HEX #A1CE07

RGB 161 206 7

HSL 73.57, 0.93%, 0.42%

LAB 77.12, -36.94, 75.94

 

CMYK 22 / 0 / 96 / 4

HEX #C0F609

RGB 192 246 9

HSL 73.67, 0.93%, 0.5%

LAB 90.38, -42.55, 86.84

 

CMYK 18 / 0 / 80 / 3

HEX #CAF731

RGB 202 247 49

HSL 73.64, 0.93%, 0.58%

LAB 91.37, -38.28, 81.49

 

CMYK 22 / 0 / 97 / 19

HEX #A2CF07

RGB 162 207 7

HSL 73.5, 0.93%, 0.42%

LAB 77.47, -36.99, 76.23

 

CMYK 97 / 0 / 56 / 19

HEX #07CE5A

RGB 7 206 90

HSL 145.03, 0.93%, 0.42%

LAB 72.84, -66.9, 45.32

 

CMYK 17 / 97 / 0 / 19

HEX #AA07CE

RGB 170 7 206

HSL 289.15, 0.93%, 0.42%

LAB 42.99, 77.59, -61.77

 

CMYK 22 / 0 / 97 / 19

HEX #A2CF07

RGB 162 207 7

HSL 73.5, 0.93%, 0.42%

LAB 77.47, -36.99, 76.23

 

CMYK 97 / 21 / 0 / 19

HEX #07A3CE

RGB 7 163 206

HSL 192.96, 0.93%, 0.42%

LAB 62.25, -19.83, -31.77

 

CMYK 0 / 97 / 21 / 19

HEX #CE07A3

RGB 206 7 163

HSL 312.96, 0.93%, 0.42%

LAB 46.87, 77.37, -29.94

 

CMYK 22 / 0 / 97 / 19

HEX #A2CF07

RGB 162 207 7

HSL 73.5, 0.93%, 0.42%

LAB 77.47, -36.99, 76.23

 

CMYK 97 / 0 / 56 / 19

HEX #07CE5A

RGB 7 206 90

HSL 145.03, 0.93%, 0.42%

LAB 72.84, -66.9, 45.32

 

CMYK 76 / 97 / 0 / 19

HEX #3207CE

RGB 50 7 206

HSL 252.96, 0.93%, 0.42%

LAB 27.54, 66.83, -87.76

 

CMYK 0 / 97 / 40 / 19

HEX #CE077B

RGB 206 7 123

HSL 325.03, 0.93%, 0.42%

LAB 45.23, 73.11, -8.21

 

CMYK 22 / 0 / 97 / 19

HEX #A2CF07

RGB 162 207 7

HSL 73.5, 0.93%, 0.42%

LAB 77.47, -36.99, 76.23

 

CMYK 97 / 0 / 27 / 19

HEX #07CE96

RGB 7 206 150

HSL 163.12, 0.93%, 0.42%

LAB 73.8, -55.7, 16.08

 

CMYK 76 / 97 / 0 / 19

HEX #3207CE

RGB 50 7 206

HSL 252.96, 0.93%, 0.42%

LAB 27.54, 66.83, -87.76

 

CMYK 0 / 97 / 69 / 19

HEX #CE073F

RGB 206 7 63

HSL 343.12, 0.93%, 0.42%

LAB 43.7, 69.01, 27.08

 

Description

Color code: HEX #A2CF07 | qconv.com Color code: HEX #A2CF07 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 207 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 207 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 97 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 97% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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