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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2C726 it is the complementary color #5D38D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2C726. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2C726 shade: #A7C721, #B8D934, #C9EB47, #DAFD5A and #EBFF6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2C726. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2C726 shade: #A2C726, #91B513, #80A300, #6F9100 and #5E7F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2C726 shade: #A0C525, #C5BE25, #C59325, #C56825 and #C53D25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2C726 shade: #A0C525, #75C525, #4AC525, #25C52B and #25C556

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2C726 shade matches the following richer shades: #A0C525 and #AAD812

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2C726 shade: #A0C525, #96B238, #8B9F4B, #818C5E and #777971

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2C726 shade: #C59225, #C5BD25, #A2C525, #77C525 and #4DC525

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2C726 shade: #677F18, #84A21E, #A0C525, #B4D93A and #C1E05C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2C726 shade: #A2C726, #25C568 and #A725C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2C726 shade: #A2C726, #25A2C5 and #C525A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2C726 shade: #A2C726, #25C568, #4825C5 and #C52582

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2C726 shade: #A2C726, #25C597, #4825C5 and #C52552

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 81 / 22

HEX #A2C726

RGB 162 199 38

HSL 73.79, 0.68%, 0.46%

LAB 75.24, -32.63, 69.09

 

Complementary color

CMYK 57 / 74 / 0 / 15

HEX #5D38D9

RGB 93 56 217

HSL 253.79, 0.68%, 0.54%

LAB 38.14, 56.17, -76.46

 

CMYK 16 / 0 / 83 / 22

HEX #A7C721

RGB 167 199 33

HSL 71.57, 0.72%, 0.45%

LAB 75.56, -30.77, 70.74

 

CMYK 15 / 0 / 76 / 15

HEX #B8D934

RGB 184 217 52

HSL 72, 0.68%, 0.53%

LAB 81.87, -31.59, 71.65

 

CMYK 14 / 0 / 70 / 8

HEX #C9EB47

RGB 201 235 71

HSL 72.44, 0.8%, 0.6%

LAB 88.11, -32.25, 71.76

 

CMYK 14 / 0 / 64 / 1

HEX #DAFD5A

RGB 218 253 90

HSL 72.88, 0.98%, 0.67%

LAB 94.27, -32.78, 71.39

 

CMYK 8 / 0 / 57 / 0

HEX #EBFF6D

RGB 235 255 109

HSL 68.22, 1%, 0.71%

LAB 96.12, -25.82, 66.03

 

CMYK 19 / 0 / 81 / 22

HEX #A2C726

RGB 162 199 38

HSL 73.79, 0.68%, 0.46%

LAB 75.24, -32.63, 69.09

 

CMYK 20 / 0 / 90 / 29

HEX #91B513

RGB 145 181 19

HSL 73.33, 0.81%, 0.39%

LAB 68.83, -31.72, 67.41

 

CMYK 21 / 0 / 100 / 36

HEX #80A300

RGB 128 163 0

HSL 72.88, 1%, 0.32%

LAB 62.32, -30.61, 64.48

 

CMYK 23 / 0 / 100 / 43

HEX #6F9100

RGB 111 145 0

HSL 74.07, 1%, 0.28%

LAB 55.72, -29.18, 58.97

 

CMYK 26 / 0 / 100 / 50

HEX #5E7F00

RGB 94 127 0

HSL 75.59, 1%, 0.25%

LAB 48.96, -27.73, 53.34

 

CMYK 19 / 0 / 81 / 23

HEX #A0C525

RGB 160 197 37

HSL 73.88, 0.68%, 0.46%

LAB 74.53, -32.54, 68.67

 

CMYK 0 / 4 / 81 / 23

HEX #C5BE25

RGB 197 190 37

HSL 57.38, 0.68%, 0.46%

LAB 75.35, -13.58, 70.46

 

CMYK 0 / 25 / 81 / 23

HEX #C59325

RGB 197 147 37

HSL 41.25, 0.68%, 0.46%

LAB 64.06, 9.14, 60.62

 

CMYK 0 / 47 / 81 / 23

HEX #C56825

RGB 197 104 37

HSL 25.13, 0.68%, 0.46%

LAB 53.93, 32.51, 51.48

 

CMYK 0 / 69 / 81 / 23

HEX #C53D25

RGB 197 61 37

HSL 9, 0.68%, 0.46%

LAB 46.1, 52.82, 44.13

 

CMYK 19 / 0 / 81 / 23

HEX #A0C525

RGB 160 197 37

HSL 73.88, 0.68%, 0.46%

LAB 74.53, -32.54, 68.67

 

CMYK 41 / 0 / 81 / 23

HEX #75C525

RGB 117 197 37

HSL 90, 0.68%, 0.46%

LAB 72.13, -48.61, 65.61

 

CMYK 62 / 0 / 81 / 23

HEX #4AC525

RGB 74 197 37

HSL 106.13, 0.68%, 0.46%

LAB 70.54, -60.88, 63.58

 

CMYK 81 / 0 / 78 / 23

HEX #25C52B

RGB 37 197 43

HSL 122.25, 0.68%, 0.46%

LAB 69.82, -66.87, 60.89

 

CMYK 81 / 0 / 56 / 23

HEX #25C556

RGB 37 197 86

HSL 138.38, 0.68%, 0.46%

LAB 70.17, -62.56, 44.07

 

CMYK 19 / 0 / 81 / 23

HEX #A0C525

RGB 160 197 37

HSL 73.88, 0.68%, 0.46%

LAB 74.53, -32.54, 68.67

 

CMYK 21 / 0 / 92 / 15

HEX #AAD812

RGB 170 216 18

HSL 73.94, 0.85%, 0.46%

LAB 80.57, -37.73, 77.69

 

CMYK 19 / 0 / 81 / 23

HEX #A0C525

RGB 160 197 37

HSL 73.88, 0.68%, 0.46%

LAB 74.53, -32.54, 68.67

 

CMYK 16 / 0 / 69 / 30

HEX #96B238

RGB 150 178 56

HSL 73.77, 0.52%, 0.46%

LAB 68.47, -26.66, 56.45

 

CMYK 13 / 0 / 53 / 38

HEX #8B9F4B

RGB 139 159 75

HSL 74.29, 0.36%, 0.46%

LAB 62.33, -20.23, 41.02

 

CMYK 8 / 0 / 33 / 45

HEX #818C5E

RGB 129 140 94

HSL 74.35, 0.2%, 0.46%

LAB 56.32, -12.1, 23.29

 

CMYK 2 / 0 / 7 / 53

HEX #777971

RGB 119 121 113

HSL 75, 0.03%, 0.46%

LAB 50.44, -2.33, 4.12

 

CMYK 0 / 26 / 81 / 23

HEX #C59225

RGB 197 146 37

HSL 40.88, 0.68%, 0.46%

LAB 63.8, 9.69, 60.39

 

CMYK 0 / 4 / 81 / 23

HEX #C5BD25

RGB 197 189 37

HSL 57, 0.68%, 0.46%

LAB 75.08, -13.07, 70.22

 

CMYK 18 / 0 / 81 / 23

HEX #A2C525

RGB 162 197 37

HSL 73.13, 0.68%, 0.46%

LAB 74.67, -31.73, 68.84

 

CMYK 40 / 0 / 81 / 23

HEX #77C525

RGB 119 197 37

HSL 89.25, 0.68%, 0.46%

LAB 72.22, -47.93, 65.73

 

CMYK 61 / 0 / 81 / 23

HEX #4DC525

RGB 77 197 37

HSL 105, 0.68%, 0.46%

LAB 70.62, -60.18, 63.68

 

CMYK 19 / 0 / 81 / 50

HEX #677F18

RGB 103 127 24

HSL 73.98, 0.68%, 0.3%

LAB 49.65, -23.09, 48.65

 

CMYK 19 / 0 / 81 / 36

HEX #84A21E

RGB 132 162 30

HSL 73.64, 0.69%, 0.38%

LAB 62.37, -27.73, 59.08

 

CMYK 19 / 0 / 81 / 23

HEX #A0C525

RGB 160 197 37

HSL 73.88, 0.68%, 0.46%

LAB 74.53, -32.54, 68.67

 

CMYK 17 / 0 / 73 / 15

HEX #B4D93A

RGB 180 217 58

HSL 73.96, 0.68%, 0.54%

LAB 81.64, -32.9, 69.42

 

CMYK 14 / 0 / 59 / 12

HEX #C1E05C

RGB 193 224 92

HSL 74.09, 0.68%, 0.62%

LAB 84.7, -28.87, 59.77

 

CMYK 19 / 0 / 81 / 22

HEX #A2C726

RGB 162 199 38

HSL 73.79, 0.68%, 0.46%

LAB 75.24, -32.63, 69.09

 

CMYK 81 / 0 / 47 / 23

HEX #25C568

RGB 37 197 104

HSL 145.13, 0.68%, 0.46%

LAB 70.4, -59.82, 35.57

 

CMYK 15 / 81 / 0 / 23

HEX #A725C5

RGB 167 37 197

HSL 288.75, 0.68%, 0.46%

LAB 43.61, 70.43, -55.57

 

CMYK 19 / 0 / 81 / 22

HEX #A2C726

RGB 162 199 38

HSL 73.79, 0.68%, 0.46%

LAB 75.24, -32.63, 69.09

 

CMYK 81 / 18 / 0 / 23

HEX #25A2C5

RGB 37 162 197

HSL 193.13, 0.68%, 0.46%

LAB 61.88, -20.72, -27.3

 

CMYK 0 / 81 / 18 / 23

HEX #C525A2

RGB 197 37 162

HSL 313.13, 0.68%, 0.46%

LAB 46.71, 70.9, -29.71

 

CMYK 19 / 0 / 81 / 22

HEX #A2C726

RGB 162 199 38

HSL 73.79, 0.68%, 0.46%

LAB 75.24, -32.63, 69.09

 

CMYK 81 / 0 / 47 / 23

HEX #25C568

RGB 37 197 104

HSL 145.13, 0.68%, 0.46%

LAB 70.4, -59.82, 35.57

 

CMYK 63 / 81 / 0 / 23

HEX #4825C5

RGB 72 37 197

HSL 253.13, 0.68%, 0.46%

LAB 31.19, 56.91, -76.38

 

CMYK 0 / 81 / 34 / 23

HEX #C52582

RGB 197 37 130

HSL 325.13, 0.68%, 0.46%

LAB 45.37, 67.06, -12.47

 

CMYK 19 / 0 / 81 / 22

HEX #A2C726

RGB 162 199 38

HSL 73.79, 0.68%, 0.46%

LAB 75.24, -32.63, 69.09

 

CMYK 81 / 0 / 23 / 23

HEX #25C597

RGB 37 197 151

HSL 162.75, 0.68%, 0.46%

LAB 71.26, -50.22, 12.01

 

CMYK 63 / 81 / 0 / 23

HEX #4825C5

RGB 72 37 197

HSL 253.13, 0.68%, 0.46%

LAB 31.19, 56.91, -76.38

 

CMYK 0 / 81 / 58 / 23

HEX #C52552

RGB 197 37 82

HSL 343.13, 0.68%, 0.46%

LAB 43.95, 62.86, 15.22

 

Description

Color code: HEX #A2C726 | qconv.com Color code: HEX #A2C726 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 199 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 199 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 81 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 81% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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