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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2B260 it is the complementary color #5D4D9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2B260. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2B260 shade: #A7B25B, #B8C46E, #C9D681, #DAE894 and #EBFAA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2B260. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2B260 shade: #A2B260, #91A04D, #808E3A, #6F7C27 and #5E6A14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2B260 shade: #A2B260, #B2AC60, #B29660, #B28060 and #B26A60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2B260 shade: #A2B260, #8CB260, #76B260, #60B260 and #60B277

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2B260 shade matches the following richer shades: #A2B260, #AEC54D, #B9D83A, #C5EB27 and #D1FE14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2B260 shade: #A2B260, #979F73, #8B8C86, #807999 and #7466AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2B260 shade: #B29660, #B2AB60, #A3B260, #8DB260 and #77B260

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2B260 shade: #75823E, #8E9E4C, #A2B260, #B2C07C and #C3CD98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2B260 shade: #A2B260, #60B280 and #A060B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2B260 shade: #A2B260, #60A3B2 and #B260A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2B260 shade: #A2B260, #60B280, #6F60B2 and #B26093

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2B260 shade: #A2B260, #60B298, #6F60B2 and #B2607A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 46 / 30

HEX #A2B260

RGB 162 178 96

HSL 71.71, 0.35%, 0.54%

LAB 69.73, -18.35, 39.86

 

Complementary color

CMYK 42 / 52 / 0 / 38

HEX #5D4D9F

RGB 93 77 159

HSL 251.71, 0.35%, 0.46%

LAB 38.09, 27.26, -42.5

 

CMYK 6 / 0 / 49 / 30

HEX #A7B25B

RGB 167 178 91

HSL 67.59, 0.36%, 0.53%

LAB 70.04, -16.83, 42.82

 

CMYK 6 / 0 / 44 / 23

HEX #B8C46E

RGB 184 196 110

HSL 68.37, 0.42%, 0.6%

LAB 76.56, -17.14, 41.64

 

CMYK 6 / 0 / 40 / 16

HEX #C9D681

RGB 201 214 129

HSL 69.18, 0.51%, 0.67%

LAB 82.96, -17.38, 40.47

 

CMYK 6 / 0 / 36 / 9

HEX #DAE894

RGB 218 232 148

HSL 70, 0.65%, 0.75%

LAB 89.28, -17.57, 39.33

 

CMYK 6 / 0 / 33 / 2

HEX #EBFAA7

RGB 235 250 167

HSL 70.84, 0.89%, 0.82%

LAB 95.51, -17.73, 38.23

 

CMYK 9 / 0 / 46 / 30

HEX #A2B260

RGB 162 178 96

HSL 71.71, 0.35%, 0.54%

LAB 69.73, -18.35, 39.86

 

CMYK 9 / 0 / 52 / 37

HEX #91A04D

RGB 145 160 77

HSL 70.84, 0.35%, 0.46%

LAB 63.09, -18.06, 41.04

 

CMYK 10 / 0 / 59 / 44

HEX #808E3A

RGB 128 142 58

HSL 70, 0.42%, 0.39%

LAB 56.33, -17.68, 42.13

 

CMYK 10 / 0 / 69 / 51

HEX #6F7C27

RGB 111 124 39

HSL 69.18, 0.52%, 0.32%

LAB 49.42, -17.13, 42.95

 

CMYK 11 / 0 / 81 / 58

HEX #5E6A14

RGB 94 106 20

HSL 68.37, 0.68%, 0.25%

LAB 42.37, -16.35, 43.05

 

CMYK 9 / 0 / 46 / 30

HEX #A2B260

RGB 162 178 96

HSL 71.71, 0.35%, 0.54%

LAB 69.73, -18.35, 39.86

 

CMYK 0 / 3 / 46 / 30

HEX #B2AC60

RGB 178 172 96

HSL 55.61, 0.35%, 0.54%

LAB 69.34, -8.69, 39.66

 

CMYK 0 / 16 / 46 / 30

HEX #B29660

RGB 178 150 96

HSL 39.51, 0.35%, 0.54%

LAB 63.44, 3.14, 32.29

 

CMYK 0 / 28 / 46 / 30

HEX #B28060

RGB 178 128 96

HSL 23.41, 0.35%, 0.54%

LAB 57.8, 15.36, 24.99

 

CMYK 0 / 40 / 46 / 30

HEX #B26A60

RGB 178 106 96

HSL 7.32, 0.35%, 0.54%

LAB 52.53, 27.63, 17.94

 

CMYK 9 / 0 / 46 / 30

HEX #A2B260

RGB 162 178 96

HSL 71.71, 0.35%, 0.54%

LAB 69.73, -18.35, 39.86

 

CMYK 21 / 0 / 46 / 30

HEX #8CB260

RGB 140 178 96

HSL 87.8, 0.35%, 0.54%

LAB 68.21, -26.97, 37.65

 

CMYK 34 / 0 / 46 / 30

HEX #76B260

RGB 118 178 96

HSL 103.9, 0.35%, 0.54%

LAB 66.93, -34.96, 35.76

 

CMYK 46 / 0 / 46 / 30

HEX #60B260

RGB 96 178 96

HSL 120, 0.35%, 0.54%

LAB 65.88, -42.02, 34.23

 

CMYK 46 / 0 / 33 / 30

HEX #60B277

RGB 96 178 119

HSL 136.83, 0.35%, 0.54%

LAB 66.26, -38.21, 22.6

 

CMYK 9 / 0 / 46 / 30

HEX #A2B260

RGB 162 178 96

HSL 71.71, 0.35%, 0.54%

LAB 69.73, -18.35, 39.86

 

CMYK 12 / 0 / 61 / 23

HEX #AEC54D

RGB 174 197 77

HSL 71.5, 0.51%, 0.54%

LAB 75.74, -24.65, 55.98

 

CMYK 14 / 0 / 73 / 15

HEX #B9D83A

RGB 185 216 58

HSL 71.77, 0.67%, 0.54%

LAB 81.69, -30.45, 69.59

 

CMYK 16 / 0 / 83 / 8

HEX #C5EB27

RGB 197 235 39

HSL 71.63, 0.83%, 0.54%

LAB 87.7, -35.16, 80.53

 

CMYK 18 / 0 / 92 / 0

HEX #D1FE14

RGB 209 254 20

HSL 71.54, 0.99%, 0.54%

LAB 93.66, -39.37, 88.83

 

CMYK 9 / 0 / 46 / 30

HEX #A2B260

RGB 162 178 96

HSL 71.71, 0.35%, 0.54%

LAB 69.73, -18.35, 39.86

 

CMYK 5 / 0 / 28 / 38

HEX #979F73

RGB 151 159 115

HSL 70.91, 0.19%, 0.54%

LAB 63.85, -10.47, 22.07

 

CMYK 1 / 0 / 4 / 45

HEX #8B8C86

RGB 139 140 134

HSL 70, 0.03%, 0.54%

LAB 58.01, -1.52, 3.07

 

CMYK 16 / 21 / 0 / 40

HEX #807999

RGB 128 121 153

HSL 253.13, 0.14%, 0.54%

LAB 52.47, 9.48, -16.26

 

CMYK 33 / 41 / 0 / 33

HEX #7466AC

RGB 116 102 172

HSL 252, 0.3%, 0.54%

LAB 47.23, 21.86, -35.57

 

CMYK 0 / 16 / 46 / 30

HEX #B29660

RGB 178 150 96

HSL 39.51, 0.35%, 0.54%

LAB 63.44, 3.14, 32.29

 

CMYK 0 / 4 / 46 / 30

HEX #B2AB60

RGB 178 171 96

HSL 54.88, 0.35%, 0.54%

LAB 69.07, -8.16, 39.33

 

CMYK 8 / 0 / 46 / 30

HEX #A3B260

RGB 163 178 96

HSL 70.98, 0.35%, 0.54%

LAB 69.8, -17.94, 39.97

 

CMYK 21 / 0 / 46 / 30

HEX #8DB260

RGB 141 178 96

HSL 87.07, 0.35%, 0.54%

LAB 68.28, -26.59, 37.74

 

CMYK 33 / 0 / 46 / 30

HEX #77B260

RGB 119 178 96

HSL 103.17, 0.35%, 0.54%

LAB 66.98, -34.61, 35.84

 

CMYK 10 / 0 / 52 / 49

HEX #75823E

RGB 117 130 62

HSL 71.47, 0.35%, 0.38%

LAB 51.94, -15.71, 34.86

 

CMYK 10 / 0 / 52 / 38

HEX #8E9E4C

RGB 142 158 76

HSL 71.71, 0.35%, 0.46%

LAB 62.28, -18.38, 40.51

 

CMYK 9 / 0 / 46 / 30

HEX #A2B260

RGB 162 178 96

HSL 71.71, 0.35%, 0.54%

LAB 69.73, -18.35, 39.86

 

CMYK 7 / 0 / 35 / 25

HEX #B2C07C

RGB 178 192 124

HSL 72.35, 0.35%, 0.62%

LAB 75.21, -15.84, 32.71

 

CMYK 5 / 0 / 26 / 20

HEX #C3CD98

RGB 195 205 152

HSL 71.32, 0.35%, 0.7%

LAB 80.48, -12.21, 25.31

 

CMYK 9 / 0 / 46 / 30

HEX #A2B260

RGB 162 178 96

HSL 71.71, 0.35%, 0.54%

LAB 69.73, -18.35, 39.86

 

CMYK 46 / 0 / 28 / 30

HEX #60B280

RGB 96 178 128

HSL 143.41, 0.35%, 0.54%

LAB 66.43, -36.5, 17.97

 

CMYK 10 / 46 / 0 / 30

HEX #A060B2

RGB 160 96 178

HSL 286.83, 0.35%, 0.54%

LAB 50.75, 39.81, -33.21

 

CMYK 9 / 0 / 46 / 30

HEX #A2B260

RGB 162 178 96

HSL 71.71, 0.35%, 0.54%

LAB 69.73, -18.35, 39.86

 

CMYK 46 / 8 / 0 / 30

HEX #60A3B2

RGB 96 163 178

HSL 190.98, 0.35%, 0.54%

LAB 63.26, -17.23, -14.4

 

CMYK 0 / 46 / 8 / 30

HEX #B260A3

RGB 178 96 163

HSL 310.98, 0.35%, 0.54%

LAB 52.37, 42.5, -21.77

 

CMYK 9 / 0 / 46 / 30

HEX #A2B260

RGB 162 178 96

HSL 71.71, 0.35%, 0.54%

LAB 69.73, -18.35, 39.86

 

CMYK 46 / 0 / 28 / 30

HEX #60B280

RGB 96 178 128

HSL 143.41, 0.35%, 0.54%

LAB 66.43, -36.5, 17.97

 

CMYK 38 / 46 / 0 / 30

HEX #6F60B2

RGB 111 96 178

HSL 250.98, 0.35%, 0.54%

LAB 45.58, 25.77, -41.71

 

CMYK 0 / 46 / 17 / 30

HEX #B26093

RGB 178 96 147

HSL 322.68, 0.35%, 0.54%

LAB 51.77, 39.84, -13.28

 

CMYK 9 / 0 / 46 / 30

HEX #A2B260

RGB 162 178 96

HSL 71.71, 0.35%, 0.54%

LAB 69.73, -18.35, 39.86

 

CMYK 46 / 0 / 15 / 30

HEX #60B298

RGB 96 178 152

HSL 160.98, 0.35%, 0.54%

LAB 66.97, -31.36, 5.56

 

CMYK 38 / 46 / 0 / 30

HEX #6F60B2

RGB 111 96 178

HSL 250.98, 0.35%, 0.54%

LAB 45.58, 25.77, -41.71

 

CMYK 0 / 46 / 31 / 30

HEX #B2607A

RGB 178 96 122

HSL 340.98, 0.35%, 0.54%

LAB 50.96, 36.18, 0.36

 

Description

Color code: HEX #A2B260 | qconv.com Color code: HEX #A2B260 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 178 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 178 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 46 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 46% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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