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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2B798 it is the complementary color #5D4867. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2B798. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2B798 shade: #A7B793, #B8C9A6, #C9DBB9, #DAEDCC and #EBFFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2B798. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2B798 shade: #A2B798, #91A585, #809372, #6F815F and #5E6F4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2B798 shade: #A2B798, #ABB798, #B3B798, #B7B398 and #B7AB98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2B798 shade: #A2B798, #9AB798, #98B79F, #98B7A7 and #98B7B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2B798 shade matches the following richer shades: #A2B798, #9DC58A, #98D37C, #93E16E and #8EF060

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2B798 shade: #A2B798, #A7A9A6, #AC9BB4, #B18DC2 and #B67FD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2B798 shade: #B3B798, #ABB798, #A3B798, #9AB798 and #98B79E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2B798 shade: #769568, #8CA680, #A2B798, #B8C8B1 and #CED9C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2B798 shade: #A2B798, #98B7B3 and #B798AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2B798 shade: #A2B798, #98A3B7 and #B798A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2B798 shade: #A2B798, #98B7B3, #AD98B7 and #B7989C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2B798 shade: #A2B798, #98B2B7, #AD98B7 and #B79D98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 17 / 28

HEX #A2B798

RGB 162 183 152

HSL 100.65, 0.18%, 0.66%

LAB 72.1, -13.04, 13.37

 

Complementary color

CMYK 10 / 30 / 0 / 60

HEX #5D4867

RGB 93 72 103

HSL 280.65, 0.18%, 0.34%

LAB 33.86, 15.32, -14.68

 

CMYK 9 / 0 / 20 / 28

HEX #A7B793

RGB 167 183 147

HSL 86.67, 0.2%, 0.65%

LAB 72.35, -12.06, 16.49

 

CMYK 8 / 0 / 17 / 21

HEX #B8C9A6

RGB 184 201 166

HSL 89.14, 0.24%, 0.72%

LAB 78.88, -12.07, 15.57

 

CMYK 8 / 0 / 16 / 14

HEX #C9DBB9

RGB 201 219 185

HSL 91.76, 0.32%, 0.79%

LAB 85.29, -12.08, 14.7

 

CMYK 8 / 0 / 14 / 7

HEX #DAEDCC

RGB 218 237 204

HSL 94.55, 0.48%, 0.86%

LAB 91.61, -12.1, 13.88

 

CMYK 8 / 0 / 13 / 0

HEX #EBFFDF

RGB 235 255 223

HSL 97.5, 1%, 0.94%

LAB 97.84, -12.11, 13.09

 

CMYK 11 / 0 / 17 / 28

HEX #A2B798

RGB 162 183 152

HSL 100.65, 0.18%, 0.66%

LAB 72.1, -13.04, 13.37

 

CMYK 12 / 0 / 19 / 35

HEX #91A585

RGB 145 165 133

HSL 97.5, 0.15%, 0.58%

LAB 65.45, -13.08, 14.29

 

CMYK 13 / 0 / 22 / 42

HEX #809372

RGB 128 147 114

HSL 94.55, 0.13%, 0.51%

LAB 58.67, -13.13, 15.26

 

CMYK 14 / 0 / 26 / 49

HEX #6F815F

RGB 111 129 95

HSL 91.76, 0.15%, 0.44%

LAB 51.73, -13.18, 16.31

 

CMYK 15 / 0 / 32 / 56

HEX #5E6F4C

RGB 94 111 76

HSL 89.14, 0.19%, 0.37%

LAB 44.62, -13.24, 17.46

 

CMYK 11 / 0 / 17 / 28

HEX #A2B798

RGB 162 183 152

HSL 100.65, 0.18%, 0.66%

LAB 72.1, -13.04, 13.37

 

CMYK 7 / 0 / 17 / 28

HEX #ABB798

RGB 171 183 152

HSL 83.23, 0.18%, 0.66%

LAB 72.75, -9.77, 14.38

 

CMYK 2 / 0 / 17 / 28

HEX #B3B798

RGB 179 183 152

HSL 67.74, 0.18%, 0.66%

LAB 73.36, -6.8, 15.32

 

CMYK 0 / 2 / 17 / 28

HEX #B7B398

RGB 183 179 152

HSL 52.26, 0.18%, 0.66%

LAB 72.61, -3.18, 14.31

 

CMYK 0 / 7 / 17 / 28

HEX #B7AB98

RGB 183 171 152

HSL 36.77, 0.18%, 0.66%

LAB 70.5, 1.11, 11.33

 

CMYK 11 / 0 / 17 / 28

HEX #A2B798

RGB 162 183 152

HSL 100.65, 0.18%, 0.66%

LAB 72.1, -13.04, 13.37

 

CMYK 16 / 0 / 17 / 28

HEX #9AB798

RGB 154 183 152

HSL 116.13, 0.18%, 0.66%

LAB 71.56, -15.88, 12.52

 

CMYK 17 / 0 / 13 / 28

HEX #98B79F

RGB 152 183 159

HSL 133.55, 0.18%, 0.66%

LAB 71.59, -15.29, 8.73

 

CMYK 17 / 0 / 9 / 28

HEX #98B7A7

RGB 152 183 167

HSL 149.03, 0.18%, 0.66%

LAB 71.78, -13.75, 4.63

 

CMYK 17 / 0 / 4 / 28

HEX #98B7B0

RGB 152 183 176

HSL 166.45, 0.18%, 0.66%

LAB 72.01, -11.93, 0.04

 

CMYK 11 / 0 / 17 / 28

HEX #A2B798

RGB 162 183 152

HSL 100.65, 0.18%, 0.66%

LAB 72.1, -13.04, 13.37

 

CMYK 20 / 0 / 30 / 23

HEX #9DC58A

RGB 157 197 138

HSL 100.68, 0.34%, 0.66%

LAB 75.41, -24.2, 25.38

 

CMYK 28 / 0 / 41 / 17

HEX #98D37C

RGB 152 211 124

HSL 100.69, 0.5%, 0.66%

LAB 78.88, -34.64, 37.12

 

CMYK 35 / 0 / 51 / 12

HEX #93E16E

RGB 147 225 110

HSL 100.7, 0.66%, 0.66%

LAB 82.48, -44.31, 48.37

 

CMYK 41 / 0 / 60 / 6

HEX #8EF060

RGB 142 240 96

HSL 100.83, 0.83%, 0.66%

LAB 86.46, -53.61, 59.25

 

CMYK 11 / 0 / 17 / 28

HEX #A2B798

RGB 162 183 152

HSL 100.65, 0.18%, 0.66%

LAB 72.1, -13.04, 13.37

 

CMYK 1 / 0 / 2 / 34

HEX #A7A9A6

RGB 167 169 166

HSL 100, 0.02%, 0.66%

LAB 69, -1.27, 1.29

 

CMYK 4 / 14 / 0 / 29

HEX #AC9BB4

RGB 172 155 180

HSL 280.8, 0.14%, 0.66%

LAB 66.14, 10.93, -10.68

 

CMYK 9 / 27 / 0 / 24

HEX #B18DC2

RGB 177 141 194

HSL 280.75, 0.3%, 0.66%

LAB 63.58, 23.34, -22.36

 

CMYK 13 / 39 / 0 / 18

HEX #B67FD0

RGB 182 127 208

HSL 280.74, 0.46%, 0.66%

LAB 61.38, 35.69, -33.59

 

CMYK 2 / 0 / 17 / 28

HEX #B3B798

RGB 179 183 152

HSL 67.74, 0.18%, 0.66%

LAB 73.36, -6.8, 15.32

 

CMYK 7 / 0 / 17 / 28

HEX #ABB798

RGB 171 183 152

HSL 83.23, 0.18%, 0.66%

LAB 72.75, -9.77, 14.38

 

CMYK 11 / 0 / 17 / 28

HEX #A3B798

RGB 163 183 152

HSL 98.71, 0.18%, 0.66%

LAB 72.18, -12.68, 13.48

 

CMYK 16 / 0 / 17 / 28

HEX #9AB798

RGB 154 183 152

HSL 116.13, 0.18%, 0.66%

LAB 71.56, -15.88, 12.52

 

CMYK 17 / 0 / 14 / 28

HEX #98B79E

RGB 152 183 158

HSL 131.61, 0.18%, 0.66%

LAB 71.56, -15.48, 9.24

 

CMYK 21 / 0 / 30 / 42

HEX #769568

RGB 118 149 104

HSL 101.33, 0.18%, 0.5%

LAB 58.36, -19.63, 20.33

 

CMYK 16 / 0 / 23 / 35

HEX #8CA680

RGB 140 166 128

HSL 101.05, 0.18%, 0.58%

LAB 65.28, -16.3, 16.75

 

CMYK 11 / 0 / 17 / 28

HEX #A2B798

RGB 162 183 152

HSL 100.65, 0.18%, 0.66%

LAB 72.1, -13.04, 13.37

 

CMYK 8 / 0 / 12 / 22

HEX #B8C8B1

RGB 184 200 177

HSL 101.74, 0.17%, 0.74%

LAB 78.85, -9.69, 9.65

 

CMYK 5 / 0 / 7 / 15

HEX #CED9C9

RGB 206 217 201

HSL 101.25, 0.17%, 0.82%

LAB 85.49, -6.6, 6.59

 

CMYK 11 / 0 / 17 / 28

HEX #A2B798

RGB 162 183 152

HSL 100.65, 0.18%, 0.66%

LAB 72.1, -13.04, 13.37

 

CMYK 17 / 0 / 2 / 28

HEX #98B7B3

RGB 152 183 179

HSL 172.26, 0.18%, 0.66%

LAB 72.09, -11.31, -1.48

 

CMYK 0 / 17 / 4 / 28

HEX #B798AF

RGB 183 152 175

HSL 315.48, 0.18%, 0.66%

LAB 66.23, 15.5, -7.65

 

CMYK 11 / 0 / 17 / 28

HEX #A2B798

RGB 162 183 152

HSL 100.65, 0.18%, 0.66%

LAB 72.1, -13.04, 13.37

 

CMYK 17 / 11 / 0 / 28

HEX #98A3B7

RGB 152 163 183

HSL 218.71, 0.18%, 0.66%

LAB 66.74, 0.35, -11.63

 

CMYK 0 / 17 / 11 / 28

HEX #B798A3

RGB 183 152 163

HSL 338.71, 0.18%, 0.66%

LAB 65.88, 13.36, -1.43

 

CMYK 11 / 0 / 17 / 28

HEX #A2B798

RGB 162 183 152

HSL 100.65, 0.18%, 0.66%

LAB 72.1, -13.04, 13.37

 

CMYK 17 / 0 / 2 / 28

HEX #98B7B3

RGB 152 183 179

HSL 172.26, 0.18%, 0.66%

LAB 72.09, -11.31, -1.48

 

CMYK 5 / 17 / 0 / 28

HEX #AD98B7

RGB 173 152 183

HSL 280.65, 0.18%, 0.66%

LAB 65.56, 13.56, -13.22

 

CMYK 0 / 17 / 15 / 28

HEX #B7989C

RGB 183 152 156

HSL 352.26, 0.18%, 0.66%

LAB 65.69, 12.17, 2.22

 

CMYK 11 / 0 / 17 / 28

HEX #A2B798

RGB 162 183 152

HSL 100.65, 0.18%, 0.66%

LAB 72.1, -13.04, 13.37

 

CMYK 17 / 3 / 0 / 28

HEX #98B2B7

RGB 152 178 183

HSL 189.68, 0.18%, 0.66%

LAB 70.83, -7.8, -5.54

 

CMYK 5 / 17 / 0 / 28

HEX #AD98B7

RGB 173 152 183

HSL 280.65, 0.18%, 0.66%

LAB 65.56, 13.56, -13.22

 

CMYK 0 / 14 / 17 / 28

HEX #B79D98

RGB 183 157 152

HSL 9.68, 0.18%, 0.66%

LAB 66.86, 8.75, 6.15

 

Description

Color code: HEX #A2B798 | qconv.com Color code: HEX #A2B798 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 183 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 183 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 17 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 17% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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