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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A29EAD it is the complementary color #5D6152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A29EAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A29EAD shade: #A79EA8, #B8B0BB, #C9C2CE, #DAD4E1 and #EBE6F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A29EAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A29EAD shade: #A29EAD, #918C9A, #807A87, #6F6874 and #5E5661

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A29EAD shade: #A29EAC, #A69EAC, #AA9EAC, #AC9EAB and #AC9EA7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A29EAD shade: #A29EAC and #9E9EAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A29EAD shade matches the following richer shades: #A29EAC, #9B90BB, #9481C9, #8E73D8 and #8764E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A29EAD shade: #A29EAC, #A9AD9E, #AFBB90, #B6C981 and #BDD873

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A29EAD shade: #9EA2AC, #9E9EAC, #A29EAC, #A69EAC and #AA9EAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A29EAD shade: #777286, #8D8899, #A29EAC, #B7B4BF and #CDCBD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A29EAD shade: #A29EAD, #AC9EA6 and #A0AC9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A29EAD shade: #A29EAD, #ACA29E and #9EACA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A29EAD shade: #A29EAD, #AC9EA6, #A9AC9E and #9EACA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A29EAD shade: #A29EAD, #AC9EA1, #A9AC9E and #9EACA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 9 / 0 / 32

HEX #A29EAD

RGB 162 158 173

HSL 256, 0.08%, 0.65%

LAB 65.87, 4.38, -7.26

 

Complementary color

CMYK 4 / 0 / 15 / 62

HEX #5D6152

RGB 93 97 82

HSL 76, 0.08%, 0.35%

LAB 40.39, -4.58, 8.03

 

CMYK 1 / 6 / 0 / 34

HEX #A79EA8

RGB 167 158 168

HSL 294, 0.05%, 0.64%

LAB 66.13, 5.15, -4.03

 

CMYK 2 / 6 / 0 / 27

HEX #B8B0BB

RGB 184 176 187

HSL 283.64, 0.07%, 0.71%

LAB 72.78, 4.89, -4.59

 

CMYK 2 / 6 / 0 / 19

HEX #C9C2CE

RGB 201 194 206

HSL 275, 0.11%, 0.78%

LAB 79.3, 4.65, -5.13

 

CMYK 3 / 6 / 0 / 12

HEX #DAD4E1

RGB 218 212 225

HSL 267.69, 0.18%, 0.86%

LAB 85.72, 4.42, -5.67

 

CMYK 4 / 6 / 0 / 4

HEX #EBE6F4

RGB 235 230 244

HSL 261.43, 0.39%, 0.93%

LAB 92.04, 4.21, -6.19

 

CMYK 6 / 9 / 0 / 32

HEX #A29EAD

RGB 162 158 173

HSL 256, 0.08%, 0.65%

LAB 65.87, 4.38, -7.26

 

CMYK 6 / 9 / 0 / 40

HEX #918C9A

RGB 145 140 154

HSL 261.43, 0.06%, 0.58%

LAB 59.08, 4.63, -6.76

 

CMYK 5 / 10 / 0 / 47

HEX #807A87

RGB 128 122 135

HSL 267.69, 0.05%, 0.5%

LAB 52.13, 4.9, -6.24

 

CMYK 4 / 10 / 0 / 55

HEX #6F6874

RGB 111 104 116

HSL 275, 0.05%, 0.43%

LAB 45, 5.21, -5.72

 

CMYK 3 / 11 / 0 / 62

HEX #5E5661

RGB 94 86 97

HSL 283.64, 0.06%, 0.36%

LAB 37.66, 5.55, -5.17

 

CMYK 6 / 8 / 0 / 33

HEX #A29EAC

RGB 162 158 172

HSL 257.14, 0.08%, 0.65%

LAB 65.84, 4.17, -6.75

 

CMYK 3 / 8 / 0 / 33

HEX #A69EAC

RGB 166 158 172

HSL 274.29, 0.08%, 0.65%

LAB 66.17, 5.57, -6.22

 

CMYK 1 / 8 / 0 / 33

HEX #AA9EAC

RGB 170 158 172

HSL 291.43, 0.08%, 0.65%

LAB 66.5, 6.98, -5.69

 

CMYK 0 / 8 / 1 / 33

HEX #AC9EAB

RGB 172 158 171

HSL 304.29, 0.08%, 0.65%

LAB 66.65, 7.5, -4.9

 

CMYK 0 / 8 / 3 / 33

HEX #AC9EA7

RGB 172 158 167

HSL 321.43, 0.08%, 0.65%

LAB 66.53, 6.75, -2.83

 

CMYK 6 / 8 / 0 / 33

HEX #A29EAC

RGB 162 158 172

HSL 257.14, 0.08%, 0.65%

LAB 65.84, 4.17, -6.75

 

CMYK 8 / 8 / 0 / 33

HEX #9E9EAC

RGB 158 158 172

HSL 240, 0.08%, 0.65%

LAB 65.52, 2.79, -7.26

 

CMYK 6 / 8 / 0 / 33

HEX #A29EAC

RGB 162 158 172

HSL 257.14, 0.08%, 0.65%

LAB 65.84, 4.17, -6.75

 

CMYK 17 / 23 / 0 / 27

HEX #9B90BB

RGB 155 144 187

HSL 255.35, 0.24%, 0.65%

LAB 62.09, 12.92, -20.88

 

CMYK 26 / 36 / 0 / 21

HEX #9481C9

RGB 148 129 201

HSL 255.83, 0.4%, 0.65%

LAB 58.24, 22.71, -34.78

 

CMYK 34 / 47 / 0 / 15

HEX #8E73D8

RGB 142 115 216

HSL 256.04, 0.56%, 0.65%

LAB 55.04, 33.01, -48.33

 

CMYK 41 / 57 / 0 / 10

HEX #8764E6

RGB 135 100 230

HSL 256.15, 0.72%, 0.65%

LAB 51.81, 43.66, -61.42

 

CMYK 6 / 8 / 0 / 33

HEX #A29EAC

RGB 162 158 172

HSL 257.14, 0.08%, 0.65%

LAB 65.84, 4.17, -6.75

 

CMYK 2 / 0 / 9 / 32

HEX #A9AD9E

RGB 169 173 158

HSL 76, 0.08%, 0.65%

LAB 70.03, -4.17, 7.21

 

CMYK 6 / 0 / 23 / 27

HEX #AFBB90

RGB 175 187 144

HSL 76.74, 0.24%, 0.65%

LAB 73.98, -11.63, 20.44

 

CMYK 9 / 0 / 36 / 21

HEX #B6C981

RGB 182 201 129

HSL 75.83, 0.4%, 0.65%

LAB 78.05, -18.2, 33.88

 

CMYK 13 / 0 / 47 / 15

HEX #BDD873

RGB 189 216 115

HSL 76.04, 0.56%, 0.65%

LAB 82.47, -24.51, 46.55

 

CMYK 8 / 6 / 0 / 33

HEX #9EA2AC

RGB 158 162 172

HSL 222.86, 0.08%, 0.65%

LAB 66.59, 0.57, -5.67

 

CMYK 8 / 8 / 0 / 33

HEX #9E9EAC

RGB 158 158 172

HSL 240, 0.08%, 0.65%

LAB 65.52, 2.79, -7.26

 

CMYK 6 / 8 / 0 / 33

HEX #A29EAC

RGB 162 158 172

HSL 257.14, 0.08%, 0.65%

LAB 65.84, 4.17, -6.75

 

CMYK 3 / 8 / 0 / 33

HEX #A69EAC

RGB 166 158 172

HSL 274.29, 0.08%, 0.65%

LAB 66.17, 5.57, -6.22

 

CMYK 1 / 8 / 0 / 33

HEX #AA9EAC

RGB 170 158 172

HSL 291.43, 0.08%, 0.65%

LAB 66.5, 6.98, -5.69

 

CMYK 11 / 15 / 0 / 47

HEX #777286

RGB 119 114 134

HSL 255, 0.08%, 0.49%

LAB 49.1, 6.13, -10.26

 

CMYK 8 / 11 / 0 / 40

HEX #8D8899

RGB 141 136 153

HSL 257.65, 0.08%, 0.57%

LAB 57.63, 5.28, -8.38

 

CMYK 6 / 8 / 0 / 33

HEX #A29EAC

RGB 162 158 172

HSL 257.14, 0.08%, 0.65%

LAB 65.84, 4.17, -6.75

 

CMYK 4 / 6 / 0 / 25

HEX #B7B4BF

RGB 183 180 191

HSL 256.36, 0.08%, 0.73%

LAB 73.85, 3.14, -5.21

 

CMYK 2 / 3 / 0 / 18

HEX #CDCBD2

RGB 205 203 210

HSL 257.14, 0.07%, 0.81%

LAB 82.02, 1.98, -3.24

 

CMYK 6 / 9 / 0 / 32

HEX #A29EAD

RGB 162 158 173

HSL 256, 0.08%, 0.65%

LAB 65.87, 4.38, -7.26

 

CMYK 0 / 8 / 3 / 33

HEX #AC9EA6

RGB 172 158 166

HSL 325.71, 0.08%, 0.65%

LAB 66.5, 6.56, -2.31

 

CMYK 7 / 0 / 8 / 33

HEX #A0AC9E

RGB 160 172 158

HSL 111.43, 0.08%, 0.65%

LAB 69.07, -6.88, 5.75

 

CMYK 6 / 9 / 0 / 32

HEX #A29EAD

RGB 162 158 173

HSL 256, 0.08%, 0.65%

LAB 65.87, 4.38, -7.26

 

CMYK 0 / 6 / 8 / 33

HEX #ACA29E

RGB 172 162 158

HSL 17.14, 0.08%, 0.65%

LAB 67.34, 2.9, 3.37

 

CMYK 8 / 0 / 6 / 33

HEX #9EACA2

RGB 158 172 162

HSL 137.14, 0.08%, 0.65%

LAB 69.03, -6.84, 3.46

 

CMYK 6 / 9 / 0 / 32

HEX #A29EAD

RGB 162 158 173

HSL 256, 0.08%, 0.65%

LAB 65.87, 4.38, -7.26

 

CMYK 0 / 8 / 3 / 33

HEX #AC9EA6

RGB 172 158 166

HSL 325.71, 0.08%, 0.65%

LAB 66.5, 6.56, -2.31

 

CMYK 2 / 0 / 8 / 33

HEX #A9AC9E

RGB 169 172 158

HSL 72.86, 0.08%, 0.65%

LAB 69.76, -3.63, 6.83

 

CMYK 8 / 0 / 4 / 33

HEX #9EACA5

RGB 158 172 165

HSL 150, 0.08%, 0.65%

LAB 69.11, -6.26, 1.91

 

CMYK 6 / 9 / 0 / 32

HEX #A29EAD

RGB 162 158 173

HSL 256, 0.08%, 0.65%

LAB 65.87, 4.38, -7.26

 

CMYK 0 / 8 / 6 / 33

HEX #AC9EA1

RGB 172 158 161

HSL 347.14, 0.08%, 0.65%

LAB 66.36, 5.64, 0.28

 

CMYK 2 / 0 / 8 / 33

HEX #A9AC9E

RGB 169 172 158

HSL 72.86, 0.08%, 0.65%

LAB 69.76, -3.63, 6.83

 

CMYK 8 / 0 / 2 / 33

HEX #9EACA9

RGB 158 172 169

HSL 167.14, 0.08%, 0.65%

LAB 69.21, -5.48, -0.15

 

Description

Color code: HEX #A29EAD | qconv.com Color code: HEX #A29EAD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 158 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 158 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 9 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 9% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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