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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A28ADC it is the complementary color #5D7523. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A28ADC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A28ADC shade: #A78AD7, #B89CEA, #C9AEFD, #DAC0FF and #EBD2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A28ADC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A28ADC shade: #A28ADC, #9178C9, #8066B6, #6F54A3 and #5E4290

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A28ADC shade: #A189DB, #B789DB, #CD89DB, #DB89D3 and #DB89BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A28ADC shade: #A189DB, #8B89DB and #8989DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A28ADC shade matches the following richer shades: #A189DB, #9C7CE8 and #9770F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A28ADC shade: #A189DB, #A695CF, #ABA1C3, #B0AEB6 and #B5BAAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A28ADC shade: #899DDB, #8A89DB, #A089DB, #B689DB and #CC89DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A28ADC shade: #6E49C8, #8869D2, #A189DB, #BAA8E5 and #D3C8EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A28ADC shade: #A28ADC, #DB89B3 and #92DB89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A28ADC shade: #A28ADC, #DBA089 and #89DBA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A28ADC shade: #A28ADC, #DB89B3, #C4DB89 and #89DBB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A28ADC shade: #A28ADC, #DB899B, #C4DB89 and #89DBC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 37 / 0 / 14

HEX #A28ADC

RGB 162 138 220

HSL 257.56, 0.54%, 0.7%

LAB 62.53, 26.29, -38.65

 

Complementary color

CMYK 21 / 0 / 70 / 54

HEX #5D7523

RGB 93 117 35

HSL 77.56, 0.54%, 0.3%

LAB 45.87, -21.7, 40.58

 

CMYK 22 / 36 / 0 / 16

HEX #A78AD7

RGB 167 138 215

HSL 262.6, 0.49%, 0.69%

LAB 62.76, 26.56, -35.47

 

CMYK 21 / 33 / 0 / 8

HEX #B89CEA

RGB 184 156 234

HSL 261.54, 0.65%, 0.76%

LAB 69.4, 25.88, -35.52

 

CMYK 21 / 31 / 0 / 1

HEX #C9AEFD

RGB 201 174 253

HSL 260.51, 0.95%, 0.84%

LAB 75.93, 25.26, -35.6

 

CMYK 15 / 25 / 0 / 0

HEX #DAC0FF

RGB 218 192 255

HSL 264.76, 1%, 0.88%

LAB 81.74, 21.04, -27.61

 

CMYK 8 / 18 / 0 / 0

HEX #EBD2FF

RGB 235 210 255

HSL 273.33, 1%, 0.91%

LAB 87.47, 16.77, -18.77

 

CMYK 26 / 37 / 0 / 14

HEX #A28ADC

RGB 162 138 220

HSL 257.56, 0.54%, 0.7%

LAB 62.53, 26.29, -38.65

 

CMYK 28 / 40 / 0 / 21

HEX #9178C9

RGB 145 120 201

HSL 258.52, 0.43%, 0.63%

LAB 55.76, 27.07, -38.69

 

CMYK 30 / 44 / 0 / 29

HEX #8066B6

RGB 128 102 182

HSL 259.5, 0.35%, 0.56%

LAB 48.85, 27.94, -38.77

 

CMYK 32 / 48 / 0 / 36

HEX #6F54A3

RGB 111 84 163

HSL 260.51, 0.32%, 0.48%

LAB 41.79, 28.91, -38.88

 

CMYK 35 / 54 / 0 / 44

HEX #5E4290

RGB 94 66 144

HSL 261.54, 0.37%, 0.41%

LAB 34.58, 29.99, -39.02

 

CMYK 26 / 37 / 0 / 14

HEX #A189DB

RGB 161 137 219

HSL 257.56, 0.53%, 0.7%

LAB 62.15, 26.33, -38.68

 

CMYK 16 / 37 / 0 / 14

HEX #B789DB

RGB 183 137 219

HSL 273.66, 0.53%, 0.7%

LAB 64.22, 32.81, -35.31

 

CMYK 6 / 37 / 0 / 14

HEX #CD89DB

RGB 205 137 219

HSL 289.76, 0.53%, 0.7%

LAB 66.51, 39.49, -31.58

 

CMYK 0 / 37 / 4 / 14

HEX #DB89D3

RGB 219 137 211

HSL 305.85, 0.53%, 0.7%

LAB 67.77, 42.35, -25.06

 

CMYK 0 / 37 / 14 / 14

HEX #DB89BD

RGB 219 137 189

HSL 321.95, 0.53%, 0.7%

LAB 67, 38.61, -13.95

 

CMYK 26 / 37 / 0 / 14

HEX #A189DB

RGB 161 137 219

HSL 257.56, 0.53%, 0.7%

LAB 62.15, 26.33, -38.68

 

CMYK 37 / 37 / 0 / 14

HEX #8B89DB

RGB 139 137 219

HSL 241.46, 0.53%, 0.7%

LAB 60.33, 20.18, -41.67

 

CMYK 37 / 37 / 0 / 14

HEX #8989DB

RGB 137 137 219

HSL 240, 0.53%, 0.7%

LAB 60.18, 19.65, -41.92

 

CMYK 26 / 37 / 0 / 14

HEX #A189DB

RGB 161 137 219

HSL 257.56, 0.53%, 0.7%

LAB 62.15, 26.33, -38.68

 

CMYK 33 / 47 / 0 / 9

HEX #9C7CE8

RGB 156 124 232

HSL 257.78, 0.7%, 0.7%

LAB 59.26, 35.63, -50.52

 

CMYK 38 / 54 / 0 / 4

HEX #9770F4

RGB 151 112 244

HSL 257.73, 0.86%, 0.7%

LAB 56.78, 44.28, -61.18

 

CMYK 26 / 37 / 0 / 14

HEX #A189DB

RGB 161 137 219

HSL 257.56, 0.53%, 0.7%

LAB 62.15, 26.33, -38.68

 

CMYK 20 / 28 / 0 / 19

HEX #A695CF

RGB 166 149 207

HSL 257.59, 0.38%, 0.7%

LAB 65.05, 18.14, -27.47

 

CMYK 12 / 17 / 0 / 24

HEX #ABA1C3

RGB 171 161 195

HSL 257.65, 0.22%, 0.7%

LAB 68.09, 10.34, -16.12

 

CMYK 3 / 4 / 0 / 29

HEX #B0AEB6

RGB 176 174 182

HSL 255, 0.05%, 0.7%

LAB 71.47, 2.23, -3.84

 

CMYK 3 / 0 / 9 / 27

HEX #B5BAAA

RGB 181 186 170

HSL 78.75, 0.1%, 0.7%

LAB 74.73, -4.65, 7.5

 

CMYK 37 / 28 / 0 / 14

HEX #899DDB

RGB 137 157 219

HSL 225.37, 0.53%, 0.7%

LAB 65.39, 8.09, -33.77

 

CMYK 37 / 37 / 0 / 14

HEX #8A89DB

RGB 138 137 219

HSL 240.73, 0.53%, 0.7%

LAB 60.26, 19.91, -41.8

 

CMYK 27 / 37 / 0 / 14

HEX #A089DB

RGB 160 137 219

HSL 256.83, 0.53%, 0.7%

LAB 62.07, 26.04, -38.83

 

CMYK 17 / 37 / 0 / 14

HEX #B689DB

RGB 182 137 219

HSL 272.93, 0.53%, 0.7%

LAB 64.12, 32.51, -35.47

 

CMYK 7 / 37 / 0 / 14

HEX #CC89DB

RGB 204 137 219

HSL 289.02, 0.53%, 0.7%

LAB 66.4, 39.19, -31.75

 

CMYK 45 / 64 / 0 / 22

HEX #6E49C8

RGB 110 73 200

HSL 257.48, 0.54%, 0.54%

LAB 41.61, 45.25, -60.91

 

CMYK 35 / 50 / 0 / 18

HEX #8869D2

RGB 136 105 210

HSL 257.71, 0.54%, 0.62%

LAB 51.83, 35.67, -50.08

 

CMYK 26 / 37 / 0 / 14

HEX #A189DB

RGB 161 137 219

HSL 257.56, 0.53%, 0.7%

LAB 62.15, 26.33, -38.68

 

CMYK 19 / 27 / 0 / 10

HEX #BAA8E5

RGB 186 168 229

HSL 257.7, 0.54%, 0.78%

LAB 72.3, 18.67, -28.3

 

CMYK 11 / 16 / 0 / 7

HEX #D3C8EE

RGB 211 200 238

HSL 257.37, 0.53%, 0.86%

LAB 82.56, 11.03, -17.36

 

CMYK 26 / 37 / 0 / 14

HEX #A28ADC

RGB 162 138 220

HSL 257.56, 0.54%, 0.7%

LAB 62.53, 26.29, -38.65

 

CMYK 0 / 37 / 18 / 14

HEX #DB89B3

RGB 219 137 179

HSL 329.27, 0.53%, 0.7%

LAB 66.68, 37.04, -8.81

 

CMYK 33 / 0 / 37 / 14

HEX #92DB89

RGB 146 219 137

HSL 113.41, 0.53%, 0.7%

LAB 81.06, -38.43, 33.31

 

CMYK 26 / 37 / 0 / 14

HEX #A28ADC

RGB 162 138 220

HSL 257.56, 0.54%, 0.7%

LAB 62.53, 26.29, -38.65

 

CMYK 0 / 27 / 37 / 14

HEX #DBA089

RGB 219 160 137

HSL 16.83, 0.53%, 0.7%

LAB 70.88, 18.95, 20.61

 

CMYK 37 / 0 / 27 / 14

HEX #89DBA0

RGB 137 219 160

HSL 136.83, 0.53%, 0.7%

LAB 81.03, -37.4, 21.31

 

CMYK 26 / 37 / 0 / 14

HEX #A28ADC

RGB 162 138 220

HSL 257.56, 0.54%, 0.7%

LAB 62.53, 26.29, -38.65

 

CMYK 0 / 37 / 18 / 14

HEX #DB89B3

RGB 219 137 179

HSL 329.27, 0.53%, 0.7%

LAB 66.68, 37.04, -8.81

 

CMYK 11 / 0 / 37 / 14

HEX #C4DB89

RGB 196 219 137

HSL 76.83, 0.53%, 0.7%

LAB 84.07, -20.81, 37.81

 

CMYK 37 / 0 / 19 / 14

HEX #89DBB1

RGB 137 219 177

HSL 149.27, 0.53%, 0.7%

LAB 81.38, -34.16, 12.86

 

CMYK 26 / 37 / 0 / 14

HEX #A28ADC

RGB 162 138 220

HSL 257.56, 0.54%, 0.7%

LAB 62.53, 26.29, -38.65

 

CMYK 0 / 37 / 29 / 14

HEX #DB899B

RGB 219 137 155

HSL 346.83, 0.53%, 0.7%

LAB 66, 33.58, 3.71

 

CMYK 11 / 0 / 37 / 14

HEX #C4DB89

RGB 196 219 137

HSL 76.83, 0.53%, 0.7%

LAB 84.07, -20.81, 37.81

 

CMYK 37 / 0 / 8 / 14

HEX #89DBC9

RGB 137 219 201

HSL 166.83, 0.53%, 0.7%

LAB 81.95, -29.08, 0.95

 

Description

Color code: HEX #A28ADC | qconv.com Color code: HEX #A28ADC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 138 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 138 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 37 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 37% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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