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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A28052 it is the complementary color #5D7FAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A28052. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A28052 shade: #A7804D, #B89260, #C9A473, #DAB686 and #EBC899

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A28052. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A28052 shade: #A28052, #916E3F, #805C2C, #6F4A19 and #5E3806

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A28052 shade: #A28052, #A26A52, #A25452 and #A25252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A28052 shade: #A28052, #A29652, #99A252, #83A252 and #6DA252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A28052 shade matches the following richer shades: #A28052, #B6833E, #CA862A, #DE8916 and #F28C02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A28052 shade: #A28052, #8E7D65, #7B7A79, #67778D and #5374A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A28052 shade: #A25452, #A26A52, #A27F52, #A29552 and #9AA252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A28052 shade: #6B5536, #876A44, #A28052, #B3946A and #C1A885

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A28052 shade: #A28052, #64A252 and #5F52A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A28052 shade: #A28052, #52A27F and #7F52A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A28052 shade: #A28052, #64A252, #5275A2 and #8F52A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A28052 shade: #A28052, #52A257, #5275A2 and #A2529D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 49 / 36

HEX #A28052

RGB 162 128 82

HSL 34.5, 0.33%, 0.48%

LAB 55.82, 7.1, 29.86

 

Complementary color

CMYK 46 / 27 / 0 / 32

HEX #5D7FAD

RGB 93 127 173

HSL 214.5, 0.33%, 0.52%

LAB 52.42, 0.7, -28.15

 

CMYK 0 / 23 / 54 / 35

HEX #A7804D

RGB 167 128 77

HSL 34, 0.37%, 0.48%

LAB 56.28, 8.8, 33.27

 

CMYK 0 / 21 / 48 / 28

HEX #B89260

RGB 184 146 96

HSL 34.09, 0.38%, 0.55%

LAB 63, 7.87, 31.85

 

CMYK 0 / 18 / 43 / 21

HEX #C9A473

RGB 201 164 115

HSL 34.19, 0.44%, 0.62%

LAB 69.62, 7.08, 30.53

 

CMYK 0 / 17 / 39 / 15

HEX #DAB686

RGB 218 182 134

HSL 34.29, 0.53%, 0.69%

LAB 76.12, 6.41, 29.28

 

CMYK 0 / 15 / 35 / 8

HEX #EBC899

RGB 235 200 153

HSL 34.39, 0.67%, 0.76%

LAB 82.52, 5.82, 28.12

 

CMYK 0 / 21 / 49 / 36

HEX #A28052

RGB 162 128 82

HSL 34.5, 0.33%, 0.48%

LAB 55.82, 7.1, 29.86

 

CMYK 0 / 24 / 57 / 43

HEX #916E3F

RGB 145 110 63

HSL 34.39, 0.39%, 0.41%

LAB 48.92, 8.09, 31.32

 

CMYK 0 / 28 / 66 / 50

HEX #805C2C

RGB 128 92 44

HSL 34.29, 0.49%, 0.34%

LAB 41.88, 9.32, 32.84

 

CMYK 0 / 33 / 77 / 56

HEX #6F4A19

RGB 111 74 25

HSL 34.19, 0.63%, 0.27%

LAB 34.7, 10.89, 34.23

 

CMYK 0 / 40 / 94 / 63

HEX #5E3806

RGB 94 56 6

HSL 34.09, 0.88%, 0.2%

LAB 27.36, 12.9, 34.86

 

CMYK 0 / 21 / 49 / 36

HEX #A28052

RGB 162 128 82

HSL 34.5, 0.33%, 0.48%

LAB 55.82, 7.1, 29.86

 

CMYK 0 / 35 / 49 / 36

HEX #A26A52

RGB 162 106 82

HSL 18, 0.33%, 0.48%

LAB 50.21, 19.61, 22.64

 

CMYK 0 / 48 / 49 / 36

HEX #A25452

RGB 162 84 82

HSL 1.5, 0.33%, 0.48%

LAB 45.12, 31.9, 15.84

 

CMYK 0 / 49 / 49 / 36

HEX #A25252

RGB 162 82 82

HSL 0, 0.33%, 0.48%

LAB 44.7, 32.98, 15.25

 

CMYK 0 / 21 / 49 / 36

HEX #A28052

RGB 162 128 82

HSL 34.5, 0.33%, 0.48%

LAB 55.82, 7.1, 29.86

 

CMYK 0 / 7 / 49 / 36

HEX #A29652

RGB 162 150 82

HSL 51, 0.33%, 0.48%

LAB 61.74, -5.08, 37.22

 

CMYK 6 / 0 / 49 / 36

HEX #99A252

RGB 153 162 82

HSL 66.75, 0.33%, 0.48%

LAB 64.34, -15.27, 40.18

 

CMYK 19 / 0 / 49 / 36

HEX #83A252

RGB 131 162 82

HSL 83.25, 0.33%, 0.48%

LAB 62.74, -24.23, 37.87

 

CMYK 33 / 0 / 49 / 36

HEX #6DA252

RGB 109 162 82

HSL 99.75, 0.33%, 0.48%

LAB 61.4, -32.53, 35.92

 

CMYK 0 / 21 / 49 / 36

HEX #A28052

RGB 162 128 82

HSL 34.5, 0.33%, 0.48%

LAB 55.82, 7.1, 29.86

 

CMYK 0 / 28 / 66 / 29

HEX #B6833E

RGB 182 131 62

HSL 34.5, 0.49%, 0.48%

LAB 58.53, 12.53, 44.09

 

CMYK 0 / 34 / 79 / 21

HEX #CA862A

RGB 202 134 42

HSL 34.5, 0.66%, 0.48%

LAB 61.46, 18.61, 56.68

 

CMYK 0 / 38 / 90 / 13

HEX #DE8916

RGB 222 137 22

HSL 34.5, 0.82%, 0.48%

LAB 64.55, 25.04, 66.52

 

CMYK 0 / 42 / 99 / 5

HEX #F28C02

RGB 242 140 2

HSL 34.5, 0.98%, 0.48%

LAB 67.75, 31.58, 73.27

 

CMYK 0 / 21 / 49 / 36

HEX #A28052

RGB 162 128 82

HSL 34.5, 0.33%, 0.48%

LAB 55.82, 7.1, 29.86

 

CMYK 0 / 12 / 29 / 44

HEX #8E7D65

RGB 142 125 101

HSL 35.12, 0.17%, 0.48%

LAB 53.34, 2.62, 15.49

 

CMYK 0 / 1 / 2 / 52

HEX #7B7A79

RGB 123 122 121

HSL 30, 0.01%, 0.48%

LAB 51.28, 0.18, 0.67

 

CMYK 27 / 16 / 0 / 45

HEX #67778D

RGB 103 119 141

HSL 214.74, 0.16%, 0.48%

LAB 49.5, -0.61, -13.92

 

CMYK 48 / 28 / 0 / 37

HEX #5374A1

RGB 83 116 161

HSL 214.62, 0.32%, 0.48%

LAB 48.14, 1.03, -27.87

 

CMYK 0 / 48 / 49 / 36

HEX #A25452

RGB 162 84 82

HSL 1.5, 0.33%, 0.48%

LAB 45.12, 31.9, 15.84

 

CMYK 0 / 35 / 49 / 36

HEX #A26A52

RGB 162 106 82

HSL 18, 0.33%, 0.48%

LAB 50.21, 19.61, 22.64

 

CMYK 0 / 22 / 49 / 36

HEX #A27F52

RGB 162 127 82

HSL 33.75, 0.33%, 0.48%

LAB 55.55, 7.67, 29.53

 

CMYK 0 / 8 / 49 / 36

HEX #A29552

RGB 162 149 82

HSL 50.25, 0.33%, 0.48%

LAB 61.47, -4.54, 36.89

 

CMYK 5 / 0 / 49 / 36

HEX #9AA252

RGB 154 162 82

HSL 66, 0.33%, 0.48%

LAB 64.42, -14.86, 40.3

 

CMYK 0 / 21 / 50 / 58

HEX #6B5536

RGB 107 85 54

HSL 35.09, 0.33%, 0.32%

LAB 37.64, 4.65, 21.48

 

CMYK 0 / 21 / 50 / 47

HEX #876A44

RGB 135 106 68

HSL 34.03, 0.33%, 0.4%

LAB 46.81, 6.42, 25.66

 

CMYK 0 / 21 / 49 / 36

HEX #A28052

RGB 162 128 82

HSL 34.5, 0.33%, 0.48%

LAB 55.82, 7.1, 29.86

 

CMYK 0 / 17 / 41 / 30

HEX #B3946A

RGB 179 148 106

HSL 34.52, 0.32%, 0.56%

LAB 63.18, 5.75, 26.55

 

CMYK 0 / 13 / 31 / 24

HEX #C1A885

RGB 193 168 133

HSL 35, 0.33%, 0.64%

LAB 70.2, 3.85, 21.45

 

CMYK 0 / 21 / 49 / 36

HEX #A28052

RGB 162 128 82

HSL 34.5, 0.33%, 0.48%

LAB 55.82, 7.1, 29.86

 

CMYK 38 / 0 / 49 / 36

HEX #64A252

RGB 100 162 82

HSL 106.5, 0.33%, 0.48%

LAB 60.92, -35.66, 35.23

 

CMYK 41 / 49 / 0 / 36

HEX #5F52A2

RGB 95 82 162

HSL 249.75, 0.33%, 0.48%

LAB 39.71, 25.55, -41.69

 

CMYK 0 / 21 / 49 / 36

HEX #A28052

RGB 162 128 82

HSL 34.5, 0.33%, 0.48%

LAB 55.82, 7.1, 29.86

 

CMYK 49 / 0 / 22 / 36

HEX #52A27F

RGB 82 162 127

HSL 153.75, 0.33%, 0.48%

LAB 60.93, -33.05, 10.75

 

CMYK 22 / 49 / 0 / 36

HEX #7F52A2

RGB 127 82 162

HSL 273.75, 0.33%, 0.48%

LAB 43, 34.38, -36.27

 

CMYK 0 / 21 / 49 / 36

HEX #A28052

RGB 162 128 82

HSL 34.5, 0.33%, 0.48%

LAB 55.82, 7.1, 29.86

 

CMYK 38 / 0 / 49 / 36

HEX #64A252

RGB 100 162 82

HSL 106.5, 0.33%, 0.48%

LAB 60.92, -35.66, 35.23

 

CMYK 49 / 28 / 0 / 36

HEX #5275A2

RGB 82 117 162

HSL 213.75, 0.33%, 0.48%

LAB 48.42, 0.49, -28.03

 

CMYK 12 / 49 / 0 / 36

HEX #8F52A2

RGB 143 82 162

HSL 285.75, 0.33%, 0.48%

LAB 44.92, 39.05, -33.11

 

CMYK 0 / 21 / 49 / 36

HEX #A28052

RGB 162 128 82

HSL 34.5, 0.33%, 0.48%

LAB 55.82, 7.1, 29.86

 

CMYK 49 / 0 / 46 / 36

HEX #52A257

RGB 82 162 87

HSL 123.75, 0.33%, 0.48%

LAB 60.18, -40.59, 31.54

 

CMYK 49 / 28 / 0 / 36

HEX #5275A2

RGB 82 117 162

HSL 213.75, 0.33%, 0.48%

LAB 48.42, 0.49, -28.03

 

CMYK 0 / 49 / 3 / 36

HEX #A2529D

RGB 162 82 157

HSL 303.75, 0.33%, 0.48%

LAB 47.17, 43.76, -26.44

 

Description

Color code: HEX #A28052 | qconv.com Color code: HEX #A28052 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 128 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 128 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 49 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 49% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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