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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A27BDF it is the complementary color #5D8420. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A27BDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A27BDF shade: #A77BDA, #B88DED, #C99FFF, #DAB1FF and #EBC3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A27BDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A27BDF shade: #A27BDF, #9169CC, #8057B9, #6F45A6 and #5E3393

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A27BDF shade: #A27BDF, #BD7BDF, #D87BDF, #DF7BCB and #DF7BB0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A27BDF shade: #A27BDF, #877BDF and #7B7BDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A27BDF shade matches the following richer shades: #A27BDF, #9F6EEC and #9C61F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A27BDF shade: #A27BDF, #A588D1, #A896C4, #ABA3B7 and #AEB0AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A27BDF shade: #7B8ADF, #877BDF, #A17BDF, #BC7BDF and #D67BDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A27BDF shade: #7339CF, #8B5AD7, #A27BDF, #B99CE7 and #D1BEEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A27BDF shade: #A27BDF, #DF7BA5 and #7DDF7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A27BDF shade: #A27BDF, #DFA17B and #7BDFA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A27BDF shade: #A27BDF, #DF7BA5, #B9DF7B and #7BDFB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A27BDF shade: #A27BDF, #DF7B87, #B9DF7B and #7BDFD3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 45 / 0 / 13

HEX #A27BDF

RGB 162 123 223

HSL 263.4, 0.61%, 0.68%

LAB 59.14, 35.55, -45.66

 

Complementary color

CMYK 30 / 0 / 76 / 48

HEX #5D8420

RGB 93 132 32

HSL 83.4, 0.61%, 0.32%

LAB 50.61, -29.32, 46.55

 

CMYK 23 / 44 / 0 / 15

HEX #A77BDA

RGB 167 123 218

HSL 267.79, 0.56%, 0.67%

LAB 59.38, 35.74, -42.44

 

CMYK 22 / 41 / 0 / 7

HEX #B88DED

RGB 184 141 237

HSL 266.88, 0.73%, 0.74%

LAB 66.02, 34.93, -42.44

 

CMYK 21 / 38 / 0 / 0

HEX #C99FFF

RGB 201 159 255

HSL 266.25, 1%, 0.81%

LAB 72.52, 33.94, -41.99

 

CMYK 15 / 31 / 0 / 0

HEX #DAB1FF

RGB 218 177 255

HSL 271.54, 1%, 0.85%

LAB 78.21, 29.15, -33.03

 

CMYK 8 / 24 / 0 / 0

HEX #EBC3FF

RGB 235 195 255

HSL 280, 1%, 0.88%

LAB 83.92, 24.74, -24.16

 

CMYK 27 / 45 / 0 / 13

HEX #A27BDF

RGB 162 123 223

HSL 263.4, 0.61%, 0.68%

LAB 59.14, 35.55, -45.66

 

CMYK 29 / 49 / 0 / 20

HEX #9169CC

RGB 145 105 204

HSL 264.24, 0.49%, 0.61%

LAB 52.38, 36.48, -45.73

 

CMYK 31 / 53 / 0 / 27

HEX #8057B9

RGB 128 87 185

HSL 265.1, 0.41%, 0.53%

LAB 45.51, 37.47, -45.81

 

CMYK 33 / 58 / 0 / 35

HEX #6F45A6

RGB 111 69 166

HSL 265.98, 0.41%, 0.46%

LAB 38.53, 38.51, -45.87

 

CMYK 36 / 65 / 0 / 42

HEX #5E3393

RGB 94 51 147

HSL 266.88, 0.48%, 0.39%

LAB 31.47, 39.53, -45.85

 

CMYK 27 / 45 / 0 / 13

HEX #A27BDF

RGB 162 123 223

HSL 263.4, 0.61%, 0.68%

LAB 59.14, 35.55, -45.66

 

CMYK 15 / 45 / 0 / 13

HEX #BD7BDF

RGB 189 123 223

HSL 279.6, 0.61%, 0.68%

LAB 61.92, 43.11, -41.08

 

CMYK 3 / 45 / 0 / 13

HEX #D87BDF

RGB 216 123 223

HSL 295.8, 0.61%, 0.68%

LAB 65.04, 50.86, -35.98

 

CMYK 0 / 45 / 9 / 13

HEX #DF7BCB

RGB 223 123 203

HSL 312, 0.61%, 0.68%

LAB 65.09, 49.44, -24.65

 

CMYK 0 / 45 / 21 / 13

HEX #DF7BB0

RGB 223 123 176

HSL 328.2, 0.61%, 0.68%

LAB 64.15, 45.23, -10.84

 

CMYK 27 / 45 / 0 / 13

HEX #A27BDF

RGB 162 123 223

HSL 263.4, 0.61%, 0.68%

LAB 59.14, 35.55, -45.66

 

CMYK 39 / 45 / 0 / 13

HEX #877BDF

RGB 135 123 223

HSL 247.2, 0.61%, 0.68%

LAB 56.73, 28.44, -49.63

 

CMYK 45 / 45 / 0 / 13

HEX #7B7BDF

RGB 123 123 223

HSL 240, 0.61%, 0.68%

LAB 55.79, 25.49, -51.17

 

CMYK 27 / 45 / 0 / 13

HEX #A27BDF

RGB 162 123 223

HSL 263.4, 0.61%, 0.68%

LAB 59.14, 35.55, -45.66

 

CMYK 33 / 53 / 0 / 7

HEX #9F6EEC

RGB 159 110 236

HSL 263.33, 0.77%, 0.68%

LAB 56.66, 45.23, -56.87

 

CMYK 37 / 61 / 0 / 2

HEX #9C61F9

RGB 156 97 249

HSL 263.29, 0.93%, 0.68%

LAB 54.51, 54.75, -67.58

 

CMYK 27 / 45 / 0 / 13

HEX #A27BDF

RGB 162 123 223

HSL 263.4, 0.61%, 0.68%

LAB 59.14, 35.55, -45.66

 

CMYK 21 / 35 / 0 / 18

HEX #A588D1

RGB 165 136 209

HSL 263.84, 0.44%, 0.68%

LAB 61.84, 25.69, -33.56

 

CMYK 14 / 23 / 0 / 23

HEX #A896C4

RGB 168 150 196

HSL 263.48, 0.28%, 0.68%

LAB 65.06, 15.75, -21.3

 

CMYK 7 / 11 / 0 / 28

HEX #ABA3B7

RGB 171 163 183

HSL 264, 0.12%, 0.68%

LAB 68.22, 6.74, -9.26

 

CMYK 1 / 0 / 3 / 31

HEX #AEB0AA

RGB 174 176 170

HSL 80, 0.04%, 0.68%

LAB 71.52, -1.82, 2.81

 

CMYK 45 / 38 / 0 / 13

HEX #7B8ADF

RGB 123 138 223

HSL 231, 0.61%, 0.68%

LAB 59.63, 16.6, -45.09

 

CMYK 39 / 45 / 0 / 13

HEX #877BDF

RGB 135 123 223

HSL 247.2, 0.61%, 0.68%

LAB 56.73, 28.44, -49.63

 

CMYK 28 / 45 / 0 / 13

HEX #A17BDF

RGB 161 123 223

HSL 262.8, 0.61%, 0.68%

LAB 59.04, 35.28, -45.82

 

CMYK 16 / 45 / 0 / 13

HEX #BC7BDF

RGB 188 123 223

HSL 279, 0.61%, 0.68%

LAB 61.81, 42.82, -41.26

 

CMYK 4 / 45 / 0 / 13

HEX #D67BDF

RGB 214 123 223

HSL 294.6, 0.61%, 0.68%

LAB 64.8, 50.29, -36.38

 

CMYK 44 / 72 / 0 / 19

HEX #7339CF

RGB 115 57 207

HSL 263.2, 0.61%, 0.52%

LAB 39.71, 56.26, -68.03

 

CMYK 35 / 58 / 0 / 16

HEX #8B5AD7

RGB 139 90 215

HSL 263.52, 0.61%, 0.6%

LAB 49.14, 46.15, -57.21

 

CMYK 27 / 45 / 0 / 13

HEX #A27BDF

RGB 162 123 223

HSL 263.4, 0.61%, 0.68%

LAB 59.14, 35.55, -45.66

 

CMYK 20 / 32 / 0 / 9

HEX #B99CE7

RGB 185 156 231

HSL 263.2, 0.61%, 0.76%

LAB 69.37, 25.5, -33.92

 

CMYK 13 / 21 / 0 / 6

HEX #D1BEEF

RGB 209 190 239

HSL 263.27, 0.6%, 0.84%

LAB 79.96, 15.97, -21.84

 

CMYK 27 / 45 / 0 / 13

HEX #A27BDF

RGB 162 123 223

HSL 263.4, 0.61%, 0.68%

LAB 59.14, 35.55, -45.66

 

CMYK 0 / 45 / 26 / 13

HEX #DF7BA5

RGB 223 123 165

HSL 334.8, 0.61%, 0.68%

LAB 63.81, 43.67, -5.09

 

CMYK 44 / 0 / 45 / 13

HEX #7DDF7B

RGB 125 223 123

HSL 118.8, 0.61%, 0.68%

LAB 81.05, -48.63, 40.12

 

CMYK 27 / 45 / 0 / 13

HEX #A27BDF

RGB 162 123 223

HSL 263.4, 0.61%, 0.68%

LAB 59.14, 35.55, -45.66

 

CMYK 0 / 28 / 45 / 13

HEX #DFA17B

RGB 223 161 123

HSL 22.8, 0.61%, 0.68%

LAB 71.29, 18.45, 28.85

 

CMYK 45 / 0 / 28 / 13

HEX #7BDFA1

RGB 123 223 161

HSL 142.8, 0.61%, 0.68%

LAB 81.6, -42.92, 21.48

 

CMYK 27 / 45 / 0 / 13

HEX #A27BDF

RGB 162 123 223

HSL 263.4, 0.61%, 0.68%

LAB 59.14, 35.55, -45.66

 

CMYK 0 / 45 / 26 / 13

HEX #DF7BA5

RGB 223 123 165

HSL 334.8, 0.61%, 0.68%

LAB 63.81, 43.67, -5.09

 

CMYK 17 / 0 / 45 / 13

HEX #B9DF7B

RGB 185 223 123

HSL 82.8, 0.61%, 0.68%

LAB 84.24, -28.5, 44.8

 

CMYK 45 / 0 / 19 / 13

HEX #7BDFB5

RGB 123 223 181

HSL 154.8, 0.61%, 0.68%

LAB 82.01, -38.94, 11.56

 

CMYK 27 / 45 / 0 / 13

HEX #A27BDF

RGB 162 123 223

HSL 263.4, 0.61%, 0.68%

LAB 59.14, 35.55, -45.66

 

CMYK 0 / 45 / 39 / 13

HEX #DF7B87

RGB 223 123 135

HSL 352.8, 0.61%, 0.68%

LAB 63.01, 39.92, 10.87

 

CMYK 17 / 0 / 45 / 13

HEX #B9DF7B

RGB 185 223 123

HSL 82.8, 0.61%, 0.68%

LAB 84.24, -28.5, 44.8

 

CMYK 45 / 0 / 5 / 13

HEX #7BDFD3

RGB 123 223 211

HSL 172.8, 0.61%, 0.68%

LAB 82.75, -32.18, -3.25

 

Description

Color code: HEX #A27BDF | qconv.com Color code: HEX #A27BDF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 123 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 123 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 45 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 45% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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