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Color name
HEX #A25D5E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A25D5E it is the complementary color #5DA2A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A25D5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A25D5E shade: #A75D59, #B86F6C, #C9817F, #DA9392 and #EBA5A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A25D5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A25D5E shade: #A25D5E, #914B4B, #803938, #6F2725 and #5E1512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A25D5E shade: #A15D5E and #A15D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A25D5E shade: #A15D5E, #A15D70, #A15D83, #A15D95 and #9B5DA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A25D5E shade matches the following richer shades: #A15D5E, #B6484A, #CB3336, #DF1F21 and #F40A0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A25D5E shade: #A15D5E, #8D7172, #788686, #649A9A and #4FAFAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A25D5E shade: #A15D82, #A15D70, #A15D5E, #A16E5D and #A1805D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A25D5E shade: #6D3E3F, #874E4E, #A15D5E, #B07778 and #C09192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A25D5E shade: #A25D5E, #95A15D and #5D79A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A25D5E shade: #A25D5E, #5EA15D and #5D5EA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A25D5E shade: #A25D5E, #95A15D, #5DA1A0 and #695DA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A25D5E shade: #A25D5E, #80A15D, #5DA1A0 and #7E5DA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 42 / 36

HEX #A25D5E

RGB 162 93 94

HSL 359.13, 0.27%, 0.5%

LAB 47.39, 28.25, 11.72

 

Complementary color

CMYK 43 / 0 / 1 / 36

HEX #5DA2A1

RGB 93 162 161

HSL 179.13, 0.27%, 0.5%

LAB 62.29, -22, -6.32

 

CMYK 0 / 44 / 47 / 35

HEX #A75D59

RGB 167 93 89

HSL 3.08, 0.31%, 0.5%

LAB 47.96, 29.67, 15.62

 

CMYK 0 / 40 / 41 / 28

HEX #B86F6C

RGB 184 111 108

HSL 2.37, 0.35%, 0.57%

LAB 54.7, 28.57, 14.05

 

CMYK 0 / 36 / 37 / 21

HEX #C9817F

RGB 201 129 127

HSL 1.62, 0.41%, 0.64%

LAB 61.35, 27.58, 12.69

 

CMYK 0 / 33 / 33 / 15

HEX #DA9392

RGB 218 147 146

HSL 0.83, 0.49%, 0.71%

LAB 67.91, 26.68, 11.49

 

CMYK 0 / 30 / 30 / 8

HEX #EBA5A5

RGB 235 165 165

HSL 0, 0.64%, 0.78%

LAB 74.37, 25.87, 10.4

 

CMYK 0 / 43 / 42 / 36

HEX #A25D5E

RGB 162 93 94

HSL 359.13, 0.27%, 0.5%

LAB 47.39, 28.25, 11.72

 

CMYK 0 / 48 / 48 / 43

HEX #914B4B

RGB 145 75 75

HSL 0, 0.32%, 0.43%

LAB 40.51, 29.39, 13.41

 

CMYK 0 / 55 / 56 / 50

HEX #803938

RGB 128 57 56

HSL 0.83, 0.39%, 0.36%

LAB 33.56, 30.6, 15.48

 

CMYK 0 / 65 / 67 / 56

HEX #6F2725

RGB 111 39 37

HSL 1.62, 0.5%, 0.29%

LAB 26.63, 31.79, 18.16

 

CMYK 0 / 78 / 81 / 63

HEX #5E1512

RGB 94 21 18

HSL 2.37, 0.68%, 0.22%

LAB 19.88, 32.6, 21.69

 

CMYK 0 / 42 / 42 / 37

HEX #A15D5E

RGB 161 93 94

HSL 359.12, 0.27%, 0.5%

LAB 47.25, 27.85, 11.51

 

CMYK 0 / 42 / 42 / 37

HEX #A15D5D

RGB 161 93 93

HSL 0, 0.27%, 0.5%

LAB 47.23, 27.74, 12.08

 

CMYK 0 / 42 / 42 / 37

HEX #A15D5E

RGB 161 93 94

HSL 359.12, 0.27%, 0.5%

LAB 47.25, 27.85, 11.51

 

CMYK 0 / 42 / 30 / 37

HEX #A15D70

RGB 161 93 112

HSL 343.24, 0.27%, 0.5%

LAB 47.72, 30.17, 1.34

 

CMYK 0 / 42 / 19 / 37

HEX #A15D83

RGB 161 93 131

HSL 326.47, 0.27%, 0.5%

LAB 48.32, 33.03, -9.19

 

CMYK 0 / 42 / 7 / 37

HEX #A15D95

RGB 161 93 149

HSL 310.59, 0.27%, 0.5%

LAB 48.98, 36.12, -18.92

 

CMYK 4 / 42 / 0 / 37

HEX #9B5DA1

RGB 155 93 161

HSL 294.71, 0.27%, 0.5%

LAB 48.72, 36.46, -26.46

 

CMYK 0 / 42 / 42 / 37

HEX #A15D5E

RGB 161 93 94

HSL 359.12, 0.27%, 0.5%

LAB 47.25, 27.85, 11.51

 

CMYK 0 / 60 / 59 / 29

HEX #B6484A

RGB 182 72 74

HSL 358.91, 0.43%, 0.5%

LAB 45.74, 44.77, 22.04

 

CMYK 0 / 75 / 73 / 20

HEX #CB3336

RGB 203 51 54

HSL 358.82, 0.6%, 0.5%

LAB 46.08, 58.95, 35.17

 

CMYK 0 / 86 / 85 / 13

HEX #DF1F21

RGB 223 31 33

HSL 359.38, 0.76%, 0.5%

LAB 47.98, 69.13, 49.68

 

CMYK 0 / 96 / 95 / 4

HEX #F40A0D

RGB 244 10 13

HSL 359.23, 0.92%, 0.5%

LAB 51.24, 76.84, 61.76

 

CMYK 0 / 42 / 42 / 37

HEX #A15D5E

RGB 161 93 94

HSL 359.12, 0.27%, 0.5%

LAB 47.25, 27.85, 11.51

 

CMYK 0 / 20 / 19 / 45

HEX #8D7172

RGB 141 113 114

HSL 357.86, 0.11%, 0.5%

LAB 50.32, 11.17, 3.62

 

CMYK 10 / 0 / 0 / 47

HEX #788686

RGB 120 134 134

HSL 180, 0.06%, 0.5%

LAB 54.83, -5.08, -1.74

 

CMYK 35 / 0 / 0 / 40

HEX #649A9A

RGB 100 154 154

HSL 180, 0.21%, 0.5%

LAB 60.03, -17.74, -5.68

 

CMYK 55 / 0 / 1 / 31

HEX #4FAFAE

RGB 79 175 174

HSL 179.38, 0.38%, 0.5%

LAB 66.04, -28.25, -8.06

 

CMYK 0 / 42 / 19 / 37

HEX #A15D82

RGB 161 93 130

HSL 327.35, 0.27%, 0.5%

LAB 48.28, 32.87, -8.64

 

CMYK 0 / 42 / 30 / 37

HEX #A15D70

RGB 161 93 112

HSL 343.24, 0.27%, 0.5%

LAB 47.72, 30.17, 1.34

 

CMYK 0 / 42 / 42 / 37

HEX #A15D5E

RGB 161 93 94

HSL 359.12, 0.27%, 0.5%

LAB 47.25, 27.85, 11.51

 

CMYK 0 / 32 / 42 / 37

HEX #A16E5D

RGB 161 110 93

HSL 15, 0.27%, 0.5%

LAB 51.29, 18.11, 17.66

 

CMYK 0 / 20 / 42 / 37

HEX #A1805D

RGB 161 128 93

HSL 30.88, 0.27%, 0.5%

LAB 55.89, 7.86, 23.82

 

CMYK 0 / 43 / 42 / 57

HEX #6D3E3F

RGB 109 62 63

HSL 358.72, 0.27%, 0.34%

LAB 31.93, 20.67, 8.29

 

CMYK 0 / 42 / 42 / 47

HEX #874E4E

RGB 135 78 78

HSL 0, 0.27%, 0.42%

LAB 39.83, 23.98, 10.39

 

CMYK 0 / 42 / 42 / 37

HEX #A15D5E

RGB 161 93 94

HSL 359.12, 0.27%, 0.5%

LAB 47.25, 27.85, 11.51

 

CMYK 0 / 32 / 32 / 31

HEX #B07778

RGB 176 119 120

HSL 358.95, 0.27%, 0.58%

LAB 55.87, 22.49, 8.56

 

CMYK 0 / 24 / 24 / 25

HEX #C09192

RGB 192 145 146

HSL 358.72, 0.27%, 0.66%

LAB 64.59, 17.88, 6.37

 

CMYK 0 / 43 / 42 / 36

HEX #A25D5E

RGB 162 93 94

HSL 359.13, 0.27%, 0.5%

LAB 47.39, 28.25, 11.72

 

CMYK 7 / 0 / 42 / 37

HEX #95A15D

RGB 149 161 93

HSL 70.59, 0.27%, 0.5%

LAB 63.89, -15.21, 33.92

 

CMYK 42 / 25 / 0 / 37

HEX #5D79A1

RGB 93 121 161

HSL 215.29, 0.27%, 0.5%

LAB 50.19, 0.7, -24.65

 

CMYK 0 / 43 / 42 / 36

HEX #A25D5E

RGB 162 93 94

HSL 359.13, 0.27%, 0.5%

LAB 47.39, 28.25, 11.72

 

CMYK 42 / 0 / 42 / 37

HEX #5EA15D

RGB 94 161 93

HSL 119.12, 0.27%, 0.5%

LAB 60.48, -35.59, 28.87

 

CMYK 42 / 42 / 0 / 37

HEX #5D5EA1

RGB 93 94 161

HSL 239.12, 0.27%, 0.5%

LAB 42.62, 17.22, -36.48

 

CMYK 0 / 43 / 42 / 36

HEX #A25D5E

RGB 162 93 94

HSL 359.13, 0.27%, 0.5%

LAB 47.39, 28.25, 11.72

 

CMYK 7 / 0 / 42 / 37

HEX #95A15D

RGB 149 161 93

HSL 70.59, 0.27%, 0.5%

LAB 63.89, -15.21, 33.92

 

CMYK 42 / 0 / 1 / 37

HEX #5DA1A0

RGB 93 161 160

HSL 179.12, 0.27%, 0.5%

LAB 61.96, -21.75, -6.24

 

CMYK 35 / 42 / 0 / 37

HEX #695DA1

RGB 105 93 161

HSL 250.59, 0.27%, 0.5%

LAB 43.37, 21.17, -35.23

 

CMYK 0 / 43 / 42 / 36

HEX #A25D5E

RGB 162 93 94

HSL 359.13, 0.27%, 0.5%

LAB 47.39, 28.25, 11.72

 

CMYK 20 / 0 / 42 / 37

HEX #80A15D

RGB 128 161 93

HSL 89.12, 0.27%, 0.5%

LAB 62.4, -23.55, 31.72

 

CMYK 42 / 0 / 1 / 37

HEX #5DA1A0

RGB 93 161 160

HSL 179.12, 0.27%, 0.5%

LAB 61.96, -21.75, -6.24

 

CMYK 22 / 42 / 0 / 37

HEX #7E5DA1

RGB 126 93 161

HSL 269.12, 0.27%, 0.5%

LAB 45.41, 27.4, -31.88

 

Description

Color code: HEX #A25D5E | qconv.com Color code: HEX #A25D5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 93 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 93 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 42 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 42% 36% C M Y K

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Provide designers and agencies with accurate color values.

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