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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A25B51 it is the complementary color #5DA4AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A25B51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A25B51 shade: #A75B4C, #B86D5F, #C97F72, #DA9185 and #EBA398

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A25B51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A25B51 shade: #A25B51, #91493E, #80372B, #6F2518 and #5E1305

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A25B51 shade: #A25B52 and #A25252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A25B51 shade: #A25B52, #A27152, #A28752, #A29D52 and #92A252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A25B51 shade matches the following richer shades: #A25B52, #B64D3E, #CA3E2A, #DE2F16 and #F22002

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A25B51 shade: #A25B52, #8E6A65, #7B7979, #67888D and #5397A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A25B51 shade: #A25273, #A2525E, #A25B52, #A27052 and #A28652

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A25B51 shade: #6B3C36, #874C44, #A25B52, #B3736A and #C18C85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A25B51 shade: #A25B51, #89A252 and #5268A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A25B51 shade: #A25B51, #52A25B and #5B52A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A25B51 shade: #A25B51, #89A252, #5299A2 and #6B52A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A25B51 shade: #A25B51, #70A252, #5299A2 and #8352A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 50 / 36

HEX #A25B51

RGB 162 91 81

HSL 7.41, 0.33%, 0.48%

LAB 46.65, 27.96, 18.5

 

Complementary color

CMYK 47 / 6 / 0 / 32

HEX #5DA4AE

RGB 93 164 174

HSL 187.41, 0.33%, 0.52%

LAB 63.29, -19.58, -12.13

 

CMYK 0 / 46 / 54 / 35

HEX #A75B4C

RGB 167 91 76

HSL 9.89, 0.37%, 0.48%

LAB 47.26, 29.51, 22.4

 

CMYK 0 / 41 / 48 / 28

HEX #B86D5F

RGB 184 109 95

HSL 9.44, 0.39%, 0.55%

LAB 53.98, 28.27, 20.62

 

CMYK 0 / 37 / 43 / 21

HEX #C97F72

RGB 201 127 114

HSL 8.97, 0.45%, 0.62%

LAB 60.61, 27.17, 19.07

 

CMYK 0 / 33 / 39 / 15

HEX #DA9185

RGB 218 145 133

HSL 8.47, 0.53%, 0.69%

LAB 67.16, 26.18, 17.7

 

CMYK 0 / 31 / 35 / 8

HEX #EBA398

RGB 235 163 152

HSL 7.95, 0.67%, 0.76%

LAB 73.63, 25.29, 16.47

 

CMYK 0 / 44 / 50 / 36

HEX #A25B51

RGB 162 91 81

HSL 7.41, 0.33%, 0.48%

LAB 46.65, 27.96, 18.5

 

CMYK 0 / 50 / 57 / 43

HEX #91493E

RGB 145 73 62

HSL 7.95, 0.4%, 0.41%

LAB 39.8, 29.25, 20.45

 

CMYK 0 / 57 / 66 / 50

HEX #80372B

RGB 128 55 43

HSL 8.47, 0.5%, 0.34%

LAB 32.91, 30.64, 22.81

 

CMYK 0 / 67 / 78 / 56

HEX #6F2518

RGB 111 37 24

HSL 8.97, 0.64%, 0.26%

LAB 26.07, 32.01, 25.72

 

CMYK 0 / 80 / 95 / 63

HEX #5E1305

RGB 94 19 5

HSL 9.44, 0.9%, 0.19%

LAB 19.46, 32.95, 27.29

 

CMYK 0 / 44 / 49 / 36

HEX #A25B52

RGB 162 91 82

HSL 6.75, 0.33%, 0.48%

LAB 46.67, 28.06, 17.93

 

CMYK 0 / 49 / 49 / 36

HEX #A25252

RGB 162 82 82

HSL 0, 0.33%, 0.48%

LAB 44.7, 32.98, 15.25

 

CMYK 0 / 44 / 49 / 36

HEX #A25B52

RGB 162 91 82

HSL 6.75, 0.33%, 0.48%

LAB 46.67, 28.06, 17.93

 

CMYK 0 / 30 / 49 / 36

HEX #A27152

RGB 162 113 82

HSL 23.25, 0.33%, 0.48%

LAB 51.95, 15.62, 24.9

 

CMYK 0 / 17 / 49 / 36

HEX #A28752

RGB 162 135 82

HSL 39.75, 0.33%, 0.48%

LAB 57.67, 3.17, 32.2

 

CMYK 0 / 3 / 49 / 36

HEX #A29D52

RGB 162 157 82

HSL 56.25, 0.33%, 0.48%

LAB 63.68, -8.85, 39.56

 

CMYK 10 / 0 / 49 / 36

HEX #92A252

RGB 146 162 82

HSL 72, 0.33%, 0.48%

LAB 63.8, -18.17, 39.41

 

CMYK 0 / 44 / 49 / 36

HEX #A25B52

RGB 162 91 82

HSL 6.75, 0.33%, 0.48%

LAB 46.67, 28.06, 17.93

 

CMYK 0 / 58 / 66 / 29

HEX #B64D3E

RGB 182 77 62

HSL 7.5, 0.49%, 0.48%

LAB 46.45, 41.57, 30.04

 

CMYK 0 / 69 / 79 / 21

HEX #CA3E2A

RGB 202 62 42

HSL 7.5, 0.66%, 0.48%

LAB 47.2, 54.24, 42.95

 

CMYK 0 / 79 / 90 / 13

HEX #DE2F16

RGB 222 47 22

HSL 7.5, 0.82%, 0.48%

LAB 49.03, 64.91, 55.2

 

CMYK 0 / 87 / 99 / 5

HEX #F22002

RGB 242 32 2

HSL 7.5, 0.98%, 0.48%

LAB 51.74, 73.57, 64.53

 

CMYK 0 / 44 / 49 / 36

HEX #A25B52

RGB 162 91 82

HSL 6.75, 0.33%, 0.48%

LAB 46.67, 28.06, 17.93

 

CMYK 0 / 25 / 29 / 44

HEX #8E6A65

RGB 142 106 101

HSL 7.32, 0.17%, 0.48%

LAB 48.26, 13.62, 8.4

 

CMYK 0 / 2 / 2 / 52

HEX #7B7979

RGB 123 121 121

HSL 0, 0.01%, 0.48%

LAB 51, 0.76, 0.26

 

CMYK 27 / 4 / 0 / 45

HEX #67888D

RGB 103 136 141

HSL 187.89, 0.16%, 0.48%

LAB 54.46, -10.32, -6.47

 

CMYK 48 / 6 / 0 / 37

HEX #5397A1

RGB 83 151 161

HSL 187.69, 0.32%, 0.48%

LAB 58.55, -18.75, -11.94

 

CMYK 0 / 49 / 29 / 36

HEX #A25273

RGB 162 82 115

HSL 335.25, 0.33%, 0.48%

LAB 45.57, 36.94, -3.61

 

CMYK 0 / 49 / 42 / 36

HEX #A2525E

RGB 162 82 94

HSL 351, 0.33%, 0.48%

LAB 44.98, 34.26, 8.34

 

CMYK 0 / 44 / 49 / 36

HEX #A25B52

RGB 162 91 82

HSL 6.75, 0.33%, 0.48%

LAB 46.67, 28.06, 17.93

 

CMYK 0 / 31 / 49 / 36

HEX #A27052

RGB 162 112 82

HSL 22.5, 0.33%, 0.48%

LAB 51.7, 16.19, 24.58

 

CMYK 0 / 17 / 49 / 36

HEX #A28652

RGB 162 134 82

HSL 39, 0.33%, 0.48%

LAB 57.41, 3.73, 31.86

 

CMYK 0 / 44 / 50 / 58

HEX #6B3C36

RGB 107 60 54

HSL 6.79, 0.33%, 0.32%

LAB 30.93, 19.92, 12.66

 

CMYK 0 / 44 / 50 / 47

HEX #874C44

RGB 135 76 68

HSL 7.16, 0.33%, 0.4%

LAB 39.13, 24, 15.62

 

CMYK 0 / 44 / 49 / 36

HEX #A25B52

RGB 162 91 82

HSL 6.75, 0.33%, 0.48%

LAB 46.67, 28.06, 17.93

 

CMYK 0 / 36 / 41 / 30

HEX #B3736A

RGB 179 115 106

HSL 7.4, 0.32%, 0.56%

LAB 54.95, 24.15, 15.46

 

CMYK 0 / 27 / 31 / 24

HEX #C18C85

RGB 193 140 133

HSL 7, 0.33%, 0.64%

LAB 63.17, 19.2, 11.7

 

CMYK 0 / 44 / 50 / 36

HEX #A25B51

RGB 162 91 81

HSL 7.41, 0.33%, 0.48%

LAB 46.65, 27.96, 18.5

 

CMYK 15 / 0 / 49 / 36

HEX #89A252

RGB 137 162 82

HSL 78.75, 0.33%, 0.48%

LAB 63.15, -21.84, 38.47

 

CMYK 49 / 36 / 0 / 36

HEX #5268A2

RGB 82 104 162

HSL 223.5, 0.33%, 0.48%

LAB 44.66, 8.43, -33.9

 

CMYK 0 / 44 / 50 / 36

HEX #A25B51

RGB 162 91 81

HSL 7.41, 0.33%, 0.48%

LAB 46.65, 27.96, 18.5

 

CMYK 49 / 0 / 44 / 36

HEX #52A25B

RGB 82 162 91

HSL 126.75, 0.33%, 0.48%

LAB 60.24, -39.96, 29.52

 

CMYK 44 / 49 / 0 / 36

HEX #5B52A2

RGB 91 82 162

HSL 246.75, 0.33%, 0.48%

LAB 39.36, 24.53, -42.28

 

CMYK 0 / 44 / 50 / 36

HEX #A25B51

RGB 162 91 81

HSL 7.41, 0.33%, 0.48%

LAB 46.65, 27.96, 18.5

 

CMYK 15 / 0 / 49 / 36

HEX #89A252

RGB 137 162 82

HSL 78.75, 0.33%, 0.48%

LAB 63.15, -21.84, 38.47

 

CMYK 49 / 6 / 0 / 36

HEX #5299A2

RGB 82 153 162

HSL 186.75, 0.33%, 0.48%

LAB 59.15, -19.76, -11.62

 

CMYK 34 / 49 / 0 / 36

HEX #6B52A2

RGB 107 82 162

HSL 258.75, 0.33%, 0.48%

LAB 40.85, 28.74, -39.81

 

CMYK 0 / 44 / 50 / 36

HEX #A25B51

RGB 162 91 81

HSL 7.41, 0.33%, 0.48%

LAB 46.65, 27.96, 18.5

 

CMYK 31 / 0 / 49 / 36

HEX #70A252

RGB 112 162 82

HSL 97.5, 0.33%, 0.48%

LAB 61.56, -31.45, 36.17

 

CMYK 49 / 6 / 0 / 36

HEX #5299A2

RGB 82 153 162

HSL 186.75, 0.33%, 0.48%

LAB 59.15, -19.76, -11.62

 

CMYK 19 / 49 / 0 / 36

HEX #8352A2

RGB 131 82 162

HSL 276.75, 0.33%, 0.48%

LAB 43.46, 35.54, -35.5

 

Description

Color code: HEX #A25B51 | qconv.com Color code: HEX #A25B51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 91 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 91 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 50 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 50% 36% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - 0to255
Link: http://0to255.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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