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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2537B it is the complementary color #5DAC84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2537B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2537B shade: #A75376, #B86589, #C9779C, #DA89AF and #EB9BC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2537B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2537B shade: #A2537B, #914168, #802F55, #6F1D42 and #5E0B2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2537B shade: #A1537A, #A15365 and #A15353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2537B shade: #A1537A, #A15390, #9D53A1, #8853A1 and #7353A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2537B shade matches the following richer shades: #A1537A, #B53F7B, #C92B7B, #DC177B and #F0047B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2537B shade: #A1537A, #8D677A, #797A7A, #668E7A and #52A279

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2537B shade: #9D53A1, #A15390, #A1537B, #A15366 and #A15453

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2537B shade: #6B3751, #864566, #A1537A, #B26B8F and #C086A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2537B shade: #A2537B, #A18853 and #539BA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2537B shade: #A2537B, #7BA153 and #537BA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2537B shade: #A2537B, #A18853, #53A179 and #536CA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2537B shade: #A2537B, #A1A053, #53A179 and #5354A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 24 / 36

HEX #A2537B

RGB 162 83 123

HSL 329.62, 0.32%, 0.48%

LAB 46.04, 37.56, -7.77

 

Complementary color

CMYK 46 / 0 / 23 / 33

HEX #5DAC84

RGB 93 172 132

HSL 149.62, 0.32%, 0.52%

LAB 64.56, -33.74, 13.16

 

CMYK 0 / 50 / 29 / 35

HEX #A75376

RGB 167 83 118

HSL 335, 0.34%, 0.49%

LAB 46.59, 38.59, -3.84

 

CMYK 0 / 45 / 26 / 28

HEX #B86589

RGB 184 101 137

HSL 333.98, 0.37%, 0.56%

LAB 53.28, 37.74, -5.03

 

CMYK 0 / 41 / 22 / 21

HEX #C9779C

RGB 201 119 156

HSL 332.93, 0.43%, 0.63%

LAB 59.9, 36.89, -6.05

 

CMYK 0 / 37 / 20 / 15

HEX #DA89AF

RGB 218 137 175

HSL 331.85, 0.52%, 0.7%

LAB 66.44, 36.08, -6.93

 

CMYK 0 / 34 / 17 / 8

HEX #EB9BC2

RGB 235 155 194

HSL 330.75, 0.67%, 0.76%

LAB 72.89, 35.31, -7.73

 

CMYK 0 / 49 / 24 / 36

HEX #A2537B

RGB 162 83 123

HSL 329.62, 0.32%, 0.48%

LAB 46.04, 37.56, -7.77

 

CMYK 0 / 55 / 28 / 43

HEX #914168

RGB 145 65 104

HSL 330.75, 0.38%, 0.41%

LAB 39.24, 38.35, -6.5

 

CMYK 0 / 63 / 34 / 50

HEX #802F55

RGB 128 47 85

HSL 331.85, 0.46%, 0.34%

LAB 32.43, 38.96, -4.86

 

CMYK 0 / 74 / 41 / 56

HEX #6F1D42

RGB 111 29 66

HSL 332.93, 0.59%, 0.27%

LAB 25.72, 39.1, -2.59

 

CMYK 0 / 88 / 50 / 63

HEX #5E0B2F

RGB 94 11 47

HSL 333.98, 0.79%, 0.21%

LAB 19.33, 38.14, 0.78

 

CMYK 0 / 48 / 24 / 37

HEX #A1537A

RGB 161 83 122

HSL 330, 0.32%, 0.48%

LAB 45.86, 37.07, -7.44

 

CMYK 0 / 48 / 37 / 37

HEX #A15365

RGB 161 83 101

HSL 346.15, 0.32%, 0.48%

LAB 45.22, 34.19, 4.4

 

CMYK 0 / 48 / 48 / 37

HEX #A15353

RGB 161 83 83

HSL 0, 0.32%, 0.48%

LAB 44.78, 32.15, 14.74

 

CMYK 0 / 48 / 24 / 37

HEX #A1537A

RGB 161 83 122

HSL 330, 0.32%, 0.48%

LAB 45.86, 37.07, -7.44

 

CMYK 0 / 48 / 11 / 37

HEX #A15390

RGB 161 83 144

HSL 313.08, 0.32%, 0.48%

LAB 46.68, 40.61, -19.46

 

CMYK 2 / 48 / 0 / 37

HEX #9D53A1

RGB 157 83 161

HSL 296.92, 0.32%, 0.48%

LAB 46.88, 42.48, -29.31

 

CMYK 16 / 48 / 0 / 37

HEX #8853A1

RGB 136 83 161

HSL 280.77, 0.32%, 0.48%

LAB 44.22, 36.21, -33.67

 

CMYK 29 / 48 / 0 / 37

HEX #7353A1

RGB 115 83 161

HSL 264.62, 0.32%, 0.48%

LAB 41.85, 30.1, -37.57

 

CMYK 0 / 48 / 24 / 37

HEX #A1537A

RGB 161 83 122

HSL 330, 0.32%, 0.48%

LAB 45.86, 37.07, -7.44

 

CMYK 0 / 65 / 32 / 29

HEX #B53F7B

RGB 181 63 123

HSL 329.49, 0.48%, 0.48%

LAB 45.37, 53.28, -8.46

 

CMYK 0 / 79 / 39 / 21

HEX #C92B7B

RGB 201 43 123

HSL 329.62, 0.65%, 0.48%

LAB 46.41, 65.75, -6.54

 

CMYK 0 / 90 / 44 / 14

HEX #DC177B

RGB 220 23 123

HSL 329.54, 0.81%, 0.48%

LAB 48.58, 74.44, -2.92

 

CMYK 0 / 98 / 49 / 6

HEX #F0047B

RGB 240 4 123

HSL 329.75, 0.97%, 0.48%

LAB 51.88, 80.69, 2.37

 

CMYK 0 / 48 / 24 / 37

HEX #A1537A

RGB 161 83 122

HSL 330, 0.32%, 0.48%

LAB 45.86, 37.07, -7.44

 

CMYK 0 / 27 / 13 / 45

HEX #8D677A

RGB 141 103 122

HSL 330, 0.16%, 0.48%

LAB 47.97, 18.41, -4.58

 

CMYK 1 / 0 / 0 / 52

HEX #797A7A

RGB 121 122 122

HSL 180, 0%, 0.48%

LAB 51.14, -0.37, -0.14

 

CMYK 28 / 0 / 14 / 44

HEX #668E7A

RGB 102 142 122

HSL 150, 0.16%, 0.48%

LAB 55.66, -18.26, 6.23

 

CMYK 49 / 0 / 25 / 36

HEX #52A279

RGB 82 162 121

HSL 149.25, 0.33%, 0.48%

LAB 60.79, -34.36, 13.91

 

CMYK 2 / 48 / 0 / 37

HEX #9D53A1

RGB 157 83 161

HSL 296.92, 0.32%, 0.48%

LAB 46.88, 42.48, -29.31

 

CMYK 0 / 48 / 11 / 37

HEX #A15390

RGB 161 83 144

HSL 313.08, 0.32%, 0.48%

LAB 46.68, 40.61, -19.46

 

CMYK 0 / 48 / 24 / 37

HEX #A1537B

RGB 161 83 123

HSL 329.23, 0.32%, 0.48%

LAB 45.9, 37.22, -7.99

 

CMYK 0 / 48 / 37 / 37

HEX #A15366

RGB 161 83 102

HSL 345.38, 0.32%, 0.48%

LAB 45.25, 34.31, 3.83

 

CMYK 0 / 48 / 48 / 37

HEX #A15453

RGB 161 84 83

HSL 0.77, 0.32%, 0.48%

LAB 45, 31.61, 15.04

 

CMYK 0 / 49 / 24 / 58

HEX #6B3751

RGB 107 55 81

HSL 330, 0.32%, 0.32%

LAB 30.53, 26.63, -5.46

 

CMYK 0 / 49 / 24 / 47

HEX #864566

RGB 134 69 102

HSL 329.54, 0.32%, 0.4%

LAB 38.35, 32.03, -6.76

 

CMYK 0 / 48 / 24 / 37

HEX #A1537A

RGB 161 83 122

HSL 330, 0.32%, 0.48%

LAB 45.86, 37.07, -7.44

 

CMYK 0 / 40 / 20 / 30

HEX #B26B8F

RGB 178 107 143

HSL 329.58, 0.32%, 0.56%

LAB 53.99, 33.28, -7.59

 

CMYK 0 / 30 / 15 / 25

HEX #C086A4

RGB 192 134 164

HSL 328.97, 0.32%, 0.64%

LAB 62.45, 26.8, -6.95

 

CMYK 0 / 49 / 24 / 36

HEX #A2537B

RGB 162 83 123

HSL 329.62, 0.32%, 0.48%

LAB 46.04, 37.56, -7.77

 

CMYK 0 / 16 / 48 / 37

HEX #A18853

RGB 161 136 83

HSL 40.77, 0.32%, 0.48%

LAB 57.86, 2.28, 31.87

 

CMYK 48 / 4 / 0 / 37

HEX #539BA1

RGB 83 155 161

HSL 184.62, 0.32%, 0.48%

LAB 59.76, -20.85, -10.13

 

CMYK 0 / 49 / 24 / 36

HEX #A2537B

RGB 162 83 123

HSL 329.62, 0.32%, 0.48%

LAB 46.04, 37.56, -7.77

 

CMYK 24 / 0 / 48 / 37

HEX #7BA153

RGB 123 161 83

HSL 89.23, 0.32%, 0.48%

LAB 61.93, -26.73, 36.26

 

CMYK 48 / 24 / 0 / 37

HEX #537BA1

RGB 83 123 161

HSL 209.23, 0.32%, 0.48%

LAB 50.19, -3.13, -24.69

 

CMYK 0 / 49 / 24 / 36

HEX #A2537B

RGB 162 83 123

HSL 329.62, 0.32%, 0.48%

LAB 46.04, 37.56, -7.77

 

CMYK 0 / 16 / 48 / 37

HEX #A18853

RGB 161 136 83

HSL 40.77, 0.32%, 0.48%

LAB 57.86, 2.28, 31.87

 

CMYK 48 / 0 / 25 / 37

HEX #53A179

RGB 83 161 121

HSL 149.23, 0.32%, 0.48%

LAB 60.52, -33.63, 13.54

 

CMYK 48 / 33 / 0 / 37

HEX #536CA1

RGB 83 108 161

HSL 220.77, 0.32%, 0.48%

LAB 45.82, 5.89, -31.49

 

CMYK 0 / 49 / 24 / 36

HEX #A2537B

RGB 162 83 123

HSL 329.62, 0.32%, 0.48%

LAB 46.04, 37.56, -7.77

 

CMYK 0 / 1 / 48 / 37

HEX #A1A053

RGB 161 160 83

HSL 59.23, 0.32%, 0.48%

LAB 64.44, -10.77, 39.95

 

CMYK 48 / 0 / 25 / 37

HEX #53A179

RGB 83 161 121

HSL 149.23, 0.32%, 0.48%

LAB 60.52, -33.63, 13.54

 

CMYK 48 / 48 / 0 / 37

HEX #5354A1

RGB 83 84 161

HSL 239.23, 0.32%, 0.48%

LAB 39.16, 20.97, -42.03

 

Description

Color code: HEX #A2537B | qconv.com Color code: HEX #A2537B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 83 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 83 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 24 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 24% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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