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Color name
HEX #A25455

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A25455 it is the complementary color #5DABAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A25455. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A25455 shade: #A75450, #B86663, #C97876, #DA8A89 and #EB9C9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A25455. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A25455 shade: #A25455, #914242, #80302F, #6F1E1C and #5E0C09

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A25455 shade: #A15354 and #A15353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A25455 shade: #A15354, #A15369, #A1537E, #A15393 and #9A53A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A25455 shade matches the following richer shades: #A15354, #B53F40, #C92B2D, #DC171A and #F00407

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A25455 shade: #A15354, #8D6767, #797A7A, #668E8E and #52A2A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A25455 shade: #A1537E, #A15369, #A15354, #A16653 and #A17B53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A25455 shade: #6B3737, #864546, #A15354, #B26B6C and #C08687

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A25455 shade: #A25455, #93A153 and #5373A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A25455 shade: #A25455, #54A153 and #5354A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A25455 shade: #A25455, #93A153, #53A1A0 and #6153A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A25455 shade: #A25455, #7BA153, #53A1A0 and #7953A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 48 / 36

HEX #A25455

RGB 162 84 85

HSL 359.23, 0.32%, 0.48%

LAB 45.19, 32.2, 14.11

 

Complementary color

CMYK 46 / 0 / 1 / 33

HEX #5DABAA

RGB 93 171 170

HSL 179.23, 0.32%, 0.52%

LAB 65.24, -24.23, -6.97

 

CMYK 0 / 50 / 52 / 35

HEX #A75450

RGB 167 84 80

HSL 2.76, 0.35%, 0.48%

LAB 45.82, 33.66, 18.11

 

CMYK 0 / 45 / 46 / 28

HEX #B86663

RGB 184 102 99

HSL 2.12, 0.37%, 0.55%

LAB 52.5, 32.48, 16.28

 

CMYK 0 / 40 / 41 / 21

HEX #C97876

RGB 201 120 118

HSL 1.45, 0.43%, 0.63%

LAB 59.12, 31.4, 14.73

 

CMYK 0 / 37 / 37 / 15

HEX #DA8A89

RGB 218 138 137

HSL 0.74, 0.52%, 0.7%

LAB 65.66, 30.4, 13.37

 

CMYK 0 / 34 / 34 / 8

HEX #EB9C9C

RGB 235 156 156

HSL 0, 0.66%, 0.77%

LAB 72.12, 29.5, 12.16

 

CMYK 0 / 48 / 48 / 36

HEX #A25455

RGB 162 84 85

HSL 359.23, 0.32%, 0.48%

LAB 45.19, 32.2, 14.11

 

CMYK 0 / 54 / 54 / 43

HEX #914242

RGB 145 66 66

HSL 0, 0.37%, 0.41%

LAB 38.39, 33.38, 16.12

 

CMYK 0 / 63 / 63 / 50

HEX #80302F

RGB 128 48 47

HSL 0.74, 0.46%, 0.34%

LAB 31.6, 34.54, 18.65

 

CMYK 0 / 73 / 75 / 56

HEX #6F1E1C

RGB 111 30 28

HSL 1.45, 0.6%, 0.27%

LAB 24.93, 35.44, 21.93

 

CMYK 0 / 87 / 90 / 63

HEX #5E0C09

RGB 94 12 9

HSL 2.12, 0.83%, 0.2%

LAB 18.64, 35.48, 24.7

 

CMYK 0 / 48 / 48 / 37

HEX #A15354

RGB 161 83 84

HSL 359.23, 0.32%, 0.48%

LAB 44.81, 32.25, 14.17

 

CMYK 0 / 48 / 48 / 37

HEX #A15353

RGB 161 83 83

HSL 0, 0.32%, 0.48%

LAB 44.78, 32.15, 14.74

 

CMYK 0 / 48 / 48 / 37

HEX #A15354

RGB 161 83 84

HSL 359.23, 0.32%, 0.48%

LAB 44.81, 32.25, 14.17

 

CMYK 0 / 48 / 35 / 37

HEX #A15369

RGB 161 83 105

HSL 343.08, 0.32%, 0.48%

LAB 45.34, 34.7, 2.12

 

CMYK 0 / 48 / 22 / 37

HEX #A1537E

RGB 161 83 126

HSL 326.92, 0.32%, 0.48%

LAB 46, 37.67, -9.65

 

CMYK 0 / 48 / 9 / 37

HEX #A15393

RGB 161 83 147

HSL 310.77, 0.32%, 0.48%

LAB 46.8, 41.13, -21.06

 

CMYK 4 / 48 / 0 / 37

HEX #9A53A1

RGB 154 83 161

HSL 294.62, 0.32%, 0.48%

LAB 46.48, 41.58, -29.96

 

CMYK 0 / 48 / 48 / 37

HEX #A15354

RGB 161 83 84

HSL 359.23, 0.32%, 0.48%

LAB 44.81, 32.25, 14.17

 

CMYK 0 / 65 / 65 / 29

HEX #B53F40

RGB 181 63 64

HSL 359.49, 0.48%, 0.48%

LAB 43.87, 47.81, 25.64

 

CMYK 0 / 79 / 78 / 21

HEX #C92B2D

RGB 201 43 45

HSL 359.24, 0.65%, 0.48%

LAB 44.71, 60.49, 38.69

 

CMYK 0 / 90 / 88 / 14

HEX #DC171A

RGB 220 23 26

HSL 359.09, 0.81%, 0.48%

LAB 46.85, 69.57, 51.78

 

CMYK 0 / 98 / 97 / 6

HEX #F00407

RGB 240 4 7

HSL 359.24, 0.97%, 0.48%

LAB 50.25, 76.27, 62.36

 

CMYK 0 / 48 / 48 / 37

HEX #A15354

RGB 161 83 84

HSL 359.23, 0.32%, 0.48%

LAB 44.81, 32.25, 14.17

 

CMYK 0 / 27 / 27 / 45

HEX #8D6767

RGB 141 103 103

HSL 0, 0.16%, 0.48%

LAB 47.42, 15.26, 6

 

CMYK 1 / 0 / 0 / 52

HEX #797A7A

RGB 121 122 122

HSL 180, 0%, 0.48%

LAB 51.14, -0.37, -0.14

 

CMYK 28 / 0 / 0 / 44

HEX #668E8E

RGB 102 142 142

HSL 180, 0.16%, 0.48%

LAB 56.21, -13.69, -4.46

 

CMYK 49 / 0 / 1 / 36

HEX #52A2A1

RGB 82 162 161

HSL 179.25, 0.33%, 0.48%

LAB 61.83, -24.67, -7.04

 

CMYK 0 / 48 / 22 / 37

HEX #A1537E

RGB 161 83 126

HSL 326.92, 0.32%, 0.48%

LAB 46, 37.67, -9.65

 

CMYK 0 / 48 / 35 / 37

HEX #A15369

RGB 161 83 105

HSL 343.08, 0.32%, 0.48%

LAB 45.34, 34.7, 2.12

 

CMYK 0 / 48 / 48 / 37

HEX #A15354

RGB 161 83 84

HSL 359.23, 0.32%, 0.48%

LAB 44.81, 32.25, 14.17

 

CMYK 0 / 37 / 48 / 37

HEX #A16653

RGB 161 102 83

HSL 14.62, 0.32%, 0.48%

LAB 49.14, 21.57, 20.61

 

CMYK 0 / 24 / 48 / 37

HEX #A17B53

RGB 161 123 83

HSL 30.77, 0.32%, 0.48%

LAB 54.41, 9.6, 27.5

 

CMYK 0 / 49 / 49 / 58

HEX #6B3737

RGB 107 55 55

HSL 0, 0.32%, 0.32%

LAB 29.75, 23.02, 10.4

 

CMYK 0 / 49 / 48 / 47

HEX #864546

RGB 134 69 70

HSL 359.08, 0.32%, 0.4%

LAB 37.42, 27.78, 12.02

 

CMYK 0 / 48 / 48 / 37

HEX #A15354

RGB 161 83 84

HSL 359.23, 0.32%, 0.48%

LAB 44.81, 32.25, 14.17

 

CMYK 0 / 40 / 39 / 30

HEX #B26B6C

RGB 178 107 108

HSL 359.15, 0.32%, 0.56%

LAB 53.02, 28.43, 11.59

 

CMYK 0 / 30 / 30 / 25

HEX #C08687

RGB 192 134 135

HSL 358.97, 0.32%, 0.64%

LAB 61.66, 22.4, 8.42

 

CMYK 0 / 48 / 48 / 36

HEX #A25455

RGB 162 84 85

HSL 359.23, 0.32%, 0.48%

LAB 45.19, 32.2, 14.11

 

CMYK 9 / 0 / 48 / 37

HEX #93A153

RGB 147 161 83

HSL 70.77, 0.32%, 0.48%

LAB 63.6, -17.14, 38.68

 

CMYK 48 / 29 / 0 / 37

HEX #5373A1

RGB 83 115 161

HSL 215.38, 0.32%, 0.48%

LAB 47.85, 1.63, -28.33

 

CMYK 0 / 48 / 48 / 36

HEX #A25455

RGB 162 84 85

HSL 359.23, 0.32%, 0.48%

LAB 45.19, 32.2, 14.11

 

CMYK 48 / 0 / 48 / 37

HEX #54A153

RGB 84 161 83

HSL 119.23, 0.32%, 0.48%

LAB 59.89, -40.17, 33.27

 

CMYK 48 / 48 / 0 / 37

HEX #5354A1

RGB 83 84 161

HSL 239.23, 0.32%, 0.48%

LAB 39.16, 20.97, -42.03

 

CMYK 0 / 48 / 48 / 36

HEX #A25455

RGB 162 84 85

HSL 359.23, 0.32%, 0.48%

LAB 45.19, 32.2, 14.11

 

CMYK 9 / 0 / 48 / 37

HEX #93A153

RGB 147 161 83

HSL 70.77, 0.32%, 0.48%

LAB 63.6, -17.14, 38.68

 

CMYK 48 / 0 / 1 / 37

HEX #53A1A0

RGB 83 161 160

HSL 179.23, 0.32%, 0.48%

LAB 61.54, -24.2, -6.91

 

CMYK 40 / 48 / 0 / 37

HEX #6153A1

RGB 97 83 161

HSL 250.77, 0.32%, 0.48%

LAB 40.08, 25.16, -40.49

 

CMYK 0 / 48 / 48 / 36

HEX #A25455

RGB 162 84 85

HSL 359.23, 0.32%, 0.48%

LAB 45.19, 32.2, 14.11

 

CMYK 24 / 0 / 48 / 37

HEX #7BA153

RGB 123 161 83

HSL 89.23, 0.32%, 0.48%

LAB 61.93, -26.73, 36.26

 

CMYK 48 / 0 / 1 / 37

HEX #53A1A0

RGB 83 161 160

HSL 179.23, 0.32%, 0.48%

LAB 61.54, -24.2, -6.91

 

CMYK 25 / 48 / 0 / 37

HEX #7953A1

RGB 121 83 161

HSL 269.23, 0.32%, 0.48%

LAB 42.5, 31.82, -36.5

 

Description

Color code: HEX #A25455 | qconv.com Color code: HEX #A25455 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 84 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 84 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 48 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 48% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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