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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A233D5 it is the complementary color #5DCC2A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A233D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A233D5 shade: #A733D0, #B845E3, #C957F6, #DA69FF and #EB7BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A233D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A233D5 shade: #A233D5, #9121C2, #800FAF, #6F009C and #5E0089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A233D5 shade: #A233D5, #CE33D5, #D533B1, #D53385 and #D53359

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A233D5 shade: #A233D5, #7633D5, #4B33D5 and #3333D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A233D5 shade matches the following richer shades: #A233D5, #A920E9 and #B10CFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A233D5 shade: #A233D5, #9B47C1, #935BAD, #8C6F99 and #858386

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A233D5 shade: #4C33D5, #7733D5, #A233D5, #CD33D5 and #D533B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A233D5 shade: #711F97, #8B26B9, #A233D5, #B256DC and #C178E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A233D5 shade: #A233D5, #D53346 and #33D561

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A233D5 shade: #A233D5, #D5A233 and #33D5A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A233D5 shade: #A233D5, #D53346, #66D533 and #33D5C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A233D5 shade: #A233D5, #D55133, #66D533 and #33B7D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 76 / 0 / 16

HEX #A233D5

RGB 162 51 213

HSL 281.11, 0.66%, 0.52%

LAB 45.43, 68.27, -61.91

 

Complementary color

CMYK 54 / 0 / 79 / 20

HEX #5DCC2A

RGB 93 204 42

HSL 101.11, 0.66%, 0.48%

LAB 73.34, -58.33, 64.98

 

CMYK 20 / 75 / 0 / 18

HEX #A733D0

RGB 167 51 208

HSL 284.33, 0.63%, 0.51%

LAB 45.82, 68.21, -58.37

 

CMYK 19 / 70 / 0 / 11

HEX #B845E3

RGB 184 69 227

HSL 283.67, 0.74%, 0.58%

LAB 51.83, 68.59, -59.41

 

CMYK 18 / 65 / 0 / 4

HEX #C957F6

RGB 201 87 246

HSL 283.02, 0.9%, 0.65%

LAB 57.93, 68.51, -60.13

 

CMYK 15 / 59 / 0 / 0

HEX #DA69FF

RGB 218 105 255

HSL 285.2, 1%, 0.71%

LAB 63.53, 66.17, -56.04

 

CMYK 8 / 52 / 0 / 0

HEX #EB7BFF

RGB 235 123 255

HSL 290.91, 1%, 0.74%

LAB 68.79, 62.01, -47.58

 

CMYK 24 / 76 / 0 / 16

HEX #A233D5

RGB 162 51 213

HSL 281.11, 0.66%, 0.52%

LAB 45.43, 68.27, -61.91

 

CMYK 25 / 83 / 0 / 24

HEX #9121C2

RGB 145 33 194

HSL 281.74, 0.71%, 0.45%

LAB 39.58, 67.21, -60.5

 

CMYK 27 / 91 / 0 / 31

HEX #800FAF

RGB 128 15 175

HSL 282.38, 0.84%, 0.37%

LAB 34.04, 64.99, -58.41

 

CMYK 29 / 100 / 0 / 39

HEX #6F009C

RGB 111 0 156

HSL 282.69, 1%, 0.31%

LAB 28.85, 61.33, -55.51

 

CMYK 31 / 100 / 0 / 46

HEX #5E0089

RGB 94 0 137

HSL 281.17, 1%, 0.27%

LAB 24.28, 55.4, -51.36

 

CMYK 24 / 76 / 0 / 16

HEX #A233D5

RGB 162 51 213

HSL 281.11, 0.66%, 0.52%

LAB 45.43, 68.27, -61.91

 

CMYK 3 / 76 / 0 / 16

HEX #CE33D5

RGB 206 51 213

HSL 297.41, 0.66%, 0.52%

LAB 52.17, 76.6, -50.73

 

CMYK 0 / 76 / 17 / 16

HEX #D533B1

RGB 213 51 177

HSL 313.33, 0.66%, 0.52%

LAB 51.48, 72.76, -30.92

 

CMYK 0 / 76 / 38 / 16

HEX #D53385

RGB 213 51 133

HSL 329.63, 0.66%, 0.52%

LAB 49.75, 67.53, -7.41

 

CMYK 0 / 76 / 58 / 16

HEX #D53359

RGB 213 51 89

HSL 345.93, 0.66%, 0.52%

LAB 48.55, 63.79, 17.66

 

CMYK 24 / 76 / 0 / 16

HEX #A233D5

RGB 162 51 213

HSL 281.11, 0.66%, 0.52%

LAB 45.43, 68.27, -61.91

 

CMYK 45 / 76 / 0 / 16

HEX #7633D5

RGB 118 51 213

HSL 264.81, 0.66%, 0.52%

LAB 39.62, 60.92, -71.63

 

CMYK 65 / 76 / 0 / 16

HEX #4B33D5

RGB 75 51 213

HSL 248.89, 0.66%, 0.52%

LAB 35.34, 55.35, -78.83

 

CMYK 76 / 76 / 0 / 16

HEX #3333D5

RGB 51 51 213

HSL 240, 0.66%, 0.52%

LAB 33.72, 53.21, -81.55

 

CMYK 24 / 76 / 0 / 16

HEX #A233D5

RGB 162 51 213

HSL 281.11, 0.66%, 0.52%

LAB 45.43, 68.27, -61.91

 

CMYK 27 / 86 / 0 / 9

HEX #A920E9

RGB 169 32 233

HSL 280.9, 0.82%, 0.52%

LAB 46.11, 78.61, -72.16

 

CMYK 30 / 95 / 0 / 1

HEX #B10CFC

RGB 177 12 252

HSL 281.25, 0.98%, 0.52%

LAB 47.8, 86.2, -80.04

 

CMYK 24 / 76 / 0 / 16

HEX #A233D5

RGB 162 51 213

HSL 281.11, 0.66%, 0.52%

LAB 45.43, 68.27, -61.91

 

CMYK 20 / 63 / 0 / 24

HEX #9B47C1

RGB 155 71 193

HSL 281.31, 0.5%, 0.52%

LAB 46.08, 54.47, -49.37

 

CMYK 15 / 47 / 0 / 32

HEX #935BAD

RGB 147 91 173

HSL 280.98, 0.33%, 0.52%

LAB 47.88, 37.64, -34.9

 

CMYK 8 / 27 / 0 / 40

HEX #8C6F99

RGB 140 111 153

HSL 281.43, 0.17%, 0.52%

LAB 50.97, 19.48, -18.44

 

CMYK 1 / 2 / 0 / 47

HEX #858386

RGB 133 131 134

HSL 280, 0.01%, 0.52%

LAB 55.01, 1.34, -1.36

 

CMYK 64 / 76 / 0 / 16

HEX #4C33D5

RGB 76 51 213

HSL 249.26, 0.66%, 0.52%

LAB 35.42, 55.46, -78.69

 

CMYK 44 / 76 / 0 / 16

HEX #7733D5

RGB 119 51 213

HSL 265.19, 0.66%, 0.52%

LAB 39.74, 61.07, -71.43

 

CMYK 24 / 76 / 0 / 16

HEX #A233D5

RGB 162 51 213

HSL 281.11, 0.66%, 0.52%

LAB 45.43, 68.27, -61.91

 

CMYK 4 / 76 / 0 / 16

HEX #CD33D5

RGB 205 51 213

HSL 297.04, 0.66%, 0.52%

LAB 52.01, 76.4, -50.99

 

CMYK 0 / 76 / 16 / 16

HEX #D533B2

RGB 213 51 178

HSL 312.96, 0.66%, 0.52%

LAB 51.53, 72.89, -31.43

 

CMYK 25 / 79 / 0 / 41

HEX #711F97

RGB 113 31 151

HSL 281, 0.66%, 0.36%

LAB 31.17, 53.53, -48.66

 

CMYK 25 / 79 / 0 / 27

HEX #8B26B9

RGB 139 38 185

HSL 281.22, 0.66%, 0.44%

LAB 38.51, 62.91, -56.99

 

CMYK 24 / 76 / 0 / 16

HEX #A233D5

RGB 162 51 213

HSL 281.11, 0.66%, 0.52%

LAB 45.43, 68.27, -61.91

 

CMYK 19 / 61 / 0 / 14

HEX #B256DC

RGB 178 86 220

HSL 281.19, 0.66%, 0.6%

LAB 53.26, 58.49, -53.19

 

CMYK 15 / 47 / 0 / 11

HEX #C178E3

RGB 193 120 227

HSL 280.93, 0.66%, 0.68%

LAB 61.93, 46.68, -43.27

 

CMYK 24 / 76 / 0 / 16

HEX #A233D5

RGB 162 51 213

HSL 281.11, 0.66%, 0.52%

LAB 45.43, 68.27, -61.91

 

CMYK 0 / 76 / 67 / 16

HEX #D53346

RGB 213 51 70

HSL 352.96, 0.66%, 0.52%

LAB 48.2, 62.66, 28.71

 

CMYK 76 / 0 / 54 / 16

HEX #33D561

RGB 51 213 97

HSL 137.04, 0.66%, 0.52%

LAB 75.55, -64.64, 45.38

 

CMYK 24 / 76 / 0 / 16

HEX #A233D5

RGB 162 51 213

HSL 281.11, 0.66%, 0.52%

LAB 45.43, 68.27, -61.91

 

CMYK 0 / 24 / 76 / 16

HEX #D5A233

RGB 213 162 51

HSL 41.11, 0.66%, 0.52%

LAB 69.63, 8.57, 61.37

 

CMYK 76 / 0 / 24 / 16

HEX #33D5A2

RGB 51 213 162

HSL 161.11, 0.66%, 0.52%

LAB 76.62, -52.54, 13.71

 

CMYK 24 / 76 / 0 / 16

HEX #A233D5

RGB 162 51 213

HSL 281.11, 0.66%, 0.52%

LAB 45.43, 68.27, -61.91

 

CMYK 0 / 76 / 67 / 16

HEX #D53346

RGB 213 51 70

HSL 352.96, 0.66%, 0.52%

LAB 48.2, 62.66, 28.71

 

CMYK 52 / 0 / 76 / 16

HEX #66D533

RGB 102 213 51

HSL 101.11, 0.66%, 0.52%

LAB 76.47, -58.62, 65.34

 

CMYK 76 / 0 / 9 / 16

HEX #33D5C2

RGB 51 213 194

HSL 172.96, 0.66%, 0.52%

LAB 77.39, -44.52, -2.28

 

CMYK 24 / 76 / 0 / 16

HEX #A233D5

RGB 162 51 213

HSL 281.11, 0.66%, 0.52%

LAB 45.43, 68.27, -61.91

 

CMYK 0 / 62 / 76 / 16

HEX #D55133

RGB 213 81 51

HSL 11.11, 0.66%, 0.52%

LAB 52.14, 50.39, 43.95

 

CMYK 52 / 0 / 76 / 16

HEX #66D533

RGB 102 213 51

HSL 101.11, 0.66%, 0.52%

LAB 76.47, -58.62, 65.34

 

CMYK 76 / 14 / 0 / 16

HEX #33B7D5

RGB 51 183 213

HSL 191.11, 0.66%, 0.52%

LAB 69.02, -24.88, -25.16

 

Description

Color code: HEX #A233D5 | qconv.com Color code: HEX #A233D5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 51 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 51 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 76 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 76% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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